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11	Stora författare från periferin : En jämförande studie mellan minoritetslitteratur från Friesland och Svenskfinland, med romanerna de fûke (1966) och Där vi en gång gått (2006) som utgångspunkt Deelstra, Oetze Theodoor January 2016 (has links) This master’s thesis considers the differences between the minority literature from Friesland, a province in the northwest of the Netherlands, and that of the Swedish-speaking part of Finland. The author of this paper tries to draw attention to the literatures of those minorities, which often are not well-known outside their own regions. The main issue discussed in this paper is: How is minority culture problematized in the novels de fûke (1966) by the Frisian author Rink van der Velde and Där vi en gång gått (2006) by the Finland-Swedish author Kjell Westö? The Frisian population in the Netherlands is considered by many as a very old people, because famous writers of the Roman Empire, such as Pliny the Elder, wrote specifically about their region and its people. Despite this, the Frisian language has been in a peripheral situation for many centuries. The Swedish minority in Finland, on the contrary, is much younger. Finland gained autonomy in 1809 and before that time the region currently known as Finland, was the eastern part of the Kingdom of Sweden. This meant that Swedish was the predominant language until that year. Later on Finnish became the main language in Finland. However, both the Frisian and the Finland-Swedish literature were not established before the nineteenth century. This changed partially as a result of ideas of the Romanticism, but also because of historical reasons. By analyzing the previously mentioned novels, Oetze Deelstra shows how the minorities in both countries fare in opposite situations. The Swedish-speaking population has often been, and continues to be, examined as upper-class. On the other hand, in Frisia should a very old countryside culture has been preserved. Those ideas have been important in forming the images of both minorities. A noticeable distinction is that the Frisian literature is defined by language, while the Finland-Swedish literature is characterized by political and ideological arguments. / Dizze masterskripsje rjochtet him op de ferskillen tusken de literatuer fan Fryslân en dy fan de Sweedsktalige minderheid yn Finlân. De skriuwer fan dit wurk besiket op dy wize mear omtinken te freegjen foar de literatuer fan dizze minderheden, dy’t faak net sa bekend is bûten de eigen regio. De fraach dy’t sintraal stiet is: Op hokker wize wurdt stal jûn oan minderhedeproblematyk yn de romans de fûke (1966) fan de Fryske skriuwer Rink van der Velde en Där vi en gång gått (2006) fan de Finlânsweedske skriuwer Kjell Westö? Faak wurde de Friezen beskôge as in âld folk. Mooglik komt dat trochdat se al neamd wurde soene troch ferneamde skriuwers fan it Romeinske Ryk, lyk as Plinius de Aldere. Dochs hat it Frysk iuwenlang in net al te wichtige rol spile yn Fryslân en dêrbûten. De Sweedske minderheid yn Finlân is lykwols folle jonger. Finlân is pas sûnt 1809 autonoom en foar dy tiid wie dat wat wy hjoed-de-dei Finlân neame, it eastlike diel fan it Sweedske Ryk. Dat betsjut ek dat it Sweedsk oant doe ta de oerhearskjende taal wie. Letter waard it Finsk de wichtichste taal yn Finlân. Sawol de Fryske as de Finlânsweedske literatuer wiene lykwols net fêstige foar de njoggentjinde iuw. Dat feroaret pas yn de Romantyk, foar in diel fanwege de idealen út dy tiid, mar ek om politike redenen. Troch de earderneamde romans te analysearjen, lit Oetze Deelstra sjen hoe’t de minderheden fan beide lannen eins yn tsjinstelde situaasjes operearje. De Sweedsktalige befolking fan Finlân is faak, en wurdt no noch hieltyd, besjoen as de boppeklasse. Yn Fryslân soe oan ’e oare kant in iuwenâlde lanboutradysje bewarre bleaun wêze. Dizze opfettings hawwe wichtich west foar de byldfoarming fan beide minderheden. In opfallend ferskil is dat de Fryske literatuer fan de eigen taal út definiearre wurdt, wylst de Finlânsweedske literatuer karakterisearre wurdt troch politike en ideologyske útgongspunten. minority literature minor literature the Netherlands Friesland Frisian Finland Finland-Swedish Swedish-speaking part of Finland Rink van der Velde Kjell Westö. minderheden minderhedeliteratuer lytsere literatuer Nederlân Fryslân Frysk Finlân Sweedsk-Finlân Finlânsweedsk Rink van der Velde Kjell Westö.
12	Langues et identités : l’écriture romanesque en hébreu des palestiniens d'Israël (1966 – 2013) / ( שפות וזהויות : הסיפורת העברית של הפלסטינים בישראל ( 1966־2013 / Languages and identities : the fictional writing in hebrew by Palestinians in Israel (1966-2013) Agsous, Sadia 28 January 2015 (has links) Cette recherche porte sur l’analyse des problématiques des langues et des identités dans le roman composé en hébreu par des membres de la minorité palestinienne d’Israël – (Texte hybride selon Yassir Suleiman, 2013). Elle combine deux volets, l’un diachronique et l’autre analytique. D’une part, elle examine l’histoire du roman palestinien en hébreu, et les différents lieux dans lesquels l’hébreu et l’arabe, le Palestinien et le Juif israélien, minorité et majorité se rencontrent. D’autre part, l’approche comparative des œuvres d’Atallah Mansour (1935), d’Anton Shammas (1950) et de Sayed Kashua (1975) est proposée à partir de leur double appartenance, hébraïque et palestinienne. Elle envisage ces œuvres dans le cadre de la littérature mineure, de l’identité hybride postcoloniale et de l’espace tiers formulé par Mahmoud Darwich. L’enjeu est d’étudier les contours d’une narration palestinienne minoritaire engagée par des écrivains dans un processus de déconstruction, de reconfiguration et de correction de la représentation du personnage Palestinien dans la littérature hébraïque. / This research focuses on the analysis of the issues of language and identity in novels written in Hebrew by members of the Palestinian minority in Israel ("hybrid texts" according to Yassir Suleiman). It combines two components, one diachronic and one analytical. First, it examines the history of the Palestinian novel in Hebrew and the different fields where Hebrew and Arabic, Palestinian and Israeli Jew as well as minority and majority meet. Second, the analytical, comparative approach of the works of Atallah Mansour (1935), Anton Shammas (1950) and Sayed Kashua (1975) is examined from their dual, Israeli and Palestinian, affiliation. It sets these works in the context of Minor Literature, post-colonial hybrid identity and Mahmoud Darwich’s third space. The aim is to outline the Palestinian narrative initiated by minority writers as a process of deconstruction, reconfiguration and correction of the representation of the Palestinian character in Hebrew literature. Arabe Littérature mineure Théories postcoloniales Atallah Mansour Roman palestinien en hébreu Théâtre palestinien en hébreu Hebrew literature Palestinian literature Hebrew Arabic Translation Minor literature Postcolonial theories Anton Shammas Atallah Mansour Sayed Kashua Palestinian novel in Hebrew Palestinian theater in Hebrew
13	Toni Morrison et l'écriture de l'indicible : minorations, fragmentations et lignes de fuite / Toni Morrison and the writing of the unspeakable : minorations, fragmentations and lines of flight Barroso-Fontanel, Marlène 15 March 2019 (has links) Par l’écriture, Toni Morrison cherche à rendre leurs voix à ceux qui ont été interdits de mots. Auteure engagée, elle veut redonner à la minorité noire sa place centrale dans l’Histoire des États-Unis. Elle propose ainsi une ré-écriture de l’Histoire au travers de sa trilogie historique, composée de Beloved, Jazz et Paradise, ré-écriture déjà en germe dans son second roman, Sula. À travers l’étude de ces quatre romans, cette thèse se propose de mettre au jour la généalogie de l’indicible dans l’œuvre de Toni Morrison, mais aussi d’analyser le lien dynamique entre minoration et écriture chez cette auteure qui revendique son statut de romancière noire américaine. Les femmes occupent une place centrale dans notre corpus car, à la minoration raciale qui relègue déjà les Africains-Américains en marge de la société américaine, s’ajoute pour les femmes noires la minoration sexuelle qui les réduit à un corps-objet. Mais chez Toni Morrison, cette double minoration, et la fragmentation qu’elle entraîne, deviennent des lignes de fuite, au sens deleuzien du terme, qui (dé-)structurent son écriture. La minoration ne s’entend alors plus comme soustraction, mais comme création. Toni Morrison trace ainsi dans ses textes des lignes de fuite créatrices qui s’échappent du cadre de la page vers un en-dehors du langage où se dit le désir de résister et de survivre du mineur. / Toni Morrison’s writing aims at giving their voices back to those who were deprived of words. As a committed writer, Toni Morrison wants to highlight the central role of the black minority in the History of the United States. She then offers a new version of History as she rewrites it through her historical trilogy comprising her novels Beloved, Jazz and Paradise, to which can be added her second novel, Sula, where the seeds of the rewriting of History can already be found. Through the analysis of these four novels, the objective of this doctoral thesis is to excavate the genealogy of the unspeakable in Toni Morrison’s work, and to analyze the dynamic relationship between minoration and writing for an author who’s « insisted – insisted ! – upon being called a black woman novelist. » Women play a central part in the four novels we are studying because, to the racial minoration that already marginalizes African-Americans in the American society must be added for black women the sexual minoration which turns them into a mere body-object. But this double minoration, and the fragmentation it leads to, become in Toni Morrison’s work “lines of flight”, according to Gilles Deleuze’s terminology, which (de-)construct her writing. Minoration is therefore no longer to be understood as subtraction but as creation. Thus, Toni Morrison draws in her texts the lines of flight of creation which leak out of the page towards the outside of language where one can hear the desire for resistance and survival of the minor. Toni Morrison Indicible (double) minoration Littérature mineure Marge(s) Silence Fragmentation H/Histoire Femmes africaines-américaines Lignes de fuite Mineur Toni Morrison Unspeakable (double) minoration Minor literature Margin(s) Silence Fragmentation H/History African-American women Lines of flight Minor
14	論渥坦貝克《夜鶯之愛》中之逃逸路線 / Lines of flight in Timberlake Wertenbaker's The Love of the Nightingale 何如媖, Ho, Ju Ying Unknown Date (has links) 英國女劇作家渥坦貝克(Timeberlake Wertenbaker) 筆下著名的《夜鶯之愛》 (The Love of the Nightingale) 在近年來獲得多方批評家的討論。大多數的批評家總以政治及性別的角度探討這部劇作中呈現女性如何成為男性暴力下的受害者。然而，本論文將採用德勒茲 (Gilles Deleuze) 和瓜塔里 (Félix Guattari) 的去疆域化 (deterritorialization)、生成動物 (becoming-animal)、再疆域化 (reterritorialization)、及少數文學 (the minor literature) 的理論概念，重新剖析渥坦貝克如何透過翻譯 (translation)、互文性 (intertextuality)、變形 (transformation) 書寫等寫作策略，彰顯普洛克涅 (Procne) 及菲勒美拉 (Philomele) 如何在受盡錯置及語言喪失的苦痛後，找到越界的可能性。在德勒茲和瓜塔里的理論架構之下，本論文的第一章節將先詮釋普洛克涅及菲勒美拉如何離開父系體制，並藉由逃逸路線 (lines of flight) 展開去疆域化的旅程，並在去疆域化的過程中面臨到未知的危險及機會。再者，論文中也探討普洛克涅及菲勒美拉的動物變形可以被視為她們僭越傳統意識型態束縛的証據。在經歷過生成動物 (becoming-animal) 的過程之後，普洛克涅及菲勒美拉改變了她們對於原生社會及世界的態度及看法。最後，普洛克涅及菲勒美拉的再疆域化帶領她們到另一個新的疆界，釋放女性內心的忿怒及慾望。在新的疆域中，女性們發現到另一個新的出口，重新探索流動性主體的存在，挑戰有機體式的國家體制。 / Timberlake Wertenbaker’s The Love of the Nightingale (1989) is the preeminent play of translation which calls many critics’s attention. Based on the myth of Procne and Philomele, The Love of the Nightingale is always discussed by critics from the political and sexual perspectives to show how women become the powerless victims under the male violence. However, in this thesis, I would like to use Deleuze and Guattari’s concepts of deterritorializaion, becoming-animal, and reterritorialization to analyze how Procne and Philomele find out the possibility of transgression from the suffering dislocation and dispossession of language through Wertenbaker’s dramaturgy of translation, intertextuality, and transformation. Applying Deleuze’s and Guattari’s theories to analyze The Love of the Nightingale, I would first show how Procne and Philomele obtain the chances to leave the patriarchical territory, beginning their deterritorialization to encounter unknown risks and chances via lines of flight. After the deterritorialization, Procne’s and Philomele’s physical metamorphosis could be regarded as the evidence of how they traverse the presupposed ideological system. In the process of becoming-animal, Procne and Philomele change their attitudes and perspectives toward their cultures and the world. Later, they are reterritorialized to another territory, releasing their desire and anger. In the new territory, they could find another way to search fluid identities and to challenge the state apparatus. 渥坦貝克逃逸路線去疆域化生成動物再疆域化少數文學 Timberlake Wertenbaker lines of Flight deterritorialization becoming-animal reterritorialization the minor literature
15	Langues et identités : l’écriture romanesque en hébreu des palestiniens d'Israël (1966 – 2013) / ( שפות וזהויות : הסיפורת העברית של הפלסטינים בישראל ( 1966־2013 / Languages and identities : the fictional writing in hebrew by Palestinians in Israel (1966-2013) Agsous, Sadia 28 January 2015 (has links) Cette recherche porte sur l’analyse des problématiques des langues et des identités dans le roman composé en hébreu par des membres de la minorité palestinienne d’Israël – (Texte hybride selon Yassir Suleiman, 2013). Elle combine deux volets, l’un diachronique et l’autre analytique. D’une part, elle examine l’histoire du roman palestinien en hébreu, et les différents lieux dans lesquels l’hébreu et l’arabe, le Palestinien et le Juif israélien, minorité et majorité se rencontrent. D’autre part, l’approche comparative des œuvres d’Atallah Mansour (1935), d’Anton Shammas (1950) et de Sayed Kashua (1975) est proposée à partir de leur double appartenance, hébraïque et palestinienne. Elle envisage ces œuvres dans le cadre de la littérature mineure, de l’identité hybride postcoloniale et de l’espace tiers formulé par Mahmoud Darwich. L’enjeu est d’étudier les contours d’une narration palestinienne minoritaire engagée par des écrivains dans un processus de déconstruction, de reconfiguration et de correction de la représentation du personnage Palestinien dans la littérature hébraïque. / This research focuses on the analysis of the issues of language and identity in novels written in Hebrew by members of the Palestinian minority in Israel ("hybrid texts" according to Yassir Suleiman). It combines two components, one diachronic and one analytical. First, it examines the history of the Palestinian novel in Hebrew and the different fields where Hebrew and Arabic, Palestinian and Israeli Jew as well as minority and majority meet. Second, the analytical, comparative approach of the works of Atallah Mansour (1935), Anton Shammas (1950) and Sayed Kashua (1975) is examined from their dual, Israeli and Palestinian, affiliation. It sets these works in the context of Minor Literature, post-colonial hybrid identity and Mahmoud Darwich’s third space. The aim is to outline the Palestinian narrative initiated by minority writers as a process of deconstruction, reconfiguration and correction of the representation of the Palestinian character in Hebrew literature. Arabe Littérature mineure Théories postcoloniales Atallah Mansour Roman palestinien en hébreu Théâtre palestinien en hébreu Hebrew literature Palestinian literature Hebrew Arabic Translation Minor literature Postcolonial theories Anton Shammas Atallah Mansour Sayed Kashua Palestinian novel in Hebrew Palestinian theater in Hebrew
16	L’émergence d’un discours féministe dans la fiction courte de Nathaniel Hawthorne (1832-1844) : l’écriture du devenir-femme / The emergence of a feminist speech in the short fiction of Nathaniel Hawthorne (1832-1844 ) : the writing of woman-becoming Sahmadi, Linda 04 December 2015 (has links) L’élaboration de portraits féminins reflète la fascination de Hawthorne pour cette créature complexe, un attrait nourri par l’omniprésence des femmes dans son entourage. L’influence de ces dernières est indéniable, et semble être à l’origine du féminisme ambigu de l’écrivain, partagé entre, d’un côté, l’héritage puritain des Manning et Hawthorne, et, de l’autre, les convictions féministes émergentes de sa belle-famille, les Peabody. Les portraits de femmes de la fiction hawthornienne se caractérisent donc par un binarisme essentialisme-différentialisme qui émane de la vision étroite des protagonistes masculins, et que l’auteur tente de dépasser. Les concepts deleuziens du « mineur » et du « devenir-femme » nous seront d’une grande utilité pour comprendre comment la femme essentialisée des Puritains, ce que nous pouvons aussi appeler la femme-image, au sens lacanien du terme, est en réalité une femme minorée car amputée de son esprit et de son rôle social. Hawthorne témoigne ainsi d’un féminisme équivoque, une voix qu’il a du mal, par moments, à assumer et affirmer complètement. / Female portraits are abundant in Nathaniel Hawthorne’s fiction, short stories and novels alike. The influence of the women evolving in his private sphere may be at the origin of his ambiguous feminist vision, as his allegiance was divided between his Puritan inheritance (both the Mannings and the Hawthornes) on the one hand, and, on the other, the emerging feminist convictions of his in-laws (the Peabodys). Hawthorne’s female portraits are thus characterized by a tendency to binarism as they pit an essentialist view of women against a differentialist one. This binarist perspective reflects the narrow-mindedness of the patriarcal system which the male heroes try to defend and maintain. Deleuze and Guatarri’s concepts of “minor literature” and “becoming-woman” will help us understand how the woman-image of the Puritans is a minored woman in the realm both of the social order and the symbolic order. Hawthorne’s feminist voice is an equivocal one as his text is undergoing a subterranean process of “becoming-woman.” Littérature américaine XIXe siècle Nathaniel Hawthorne Fiction courte « devenir-femme » Littérature mineure Image Texte Portraits Discours Féminisme Genre American literature XIXth century Nathaniel Hawthorne Short stories “becoming-woman” Minor literature Image Text Portraits Discourse Feminism Gender studies
17	Uttrycksmaskinen : Subjektivitet, kollektivitet och språkets deterritorialisering i Johan Jönsons Efter arbetsschema / The Enunciating Machine : Subjectivity, Collectivity and the Deterritorialization of Language in Johan Jönson’s Efter arbetsschema Rombo, Marcus January 2020 (has links) Denna uppsats behandlar poeten Johan Jönsons Efter arbetsschema från 2008 med hjälp av det begrepp om en ’mindre’ litteratur som utvecklas av Gilles Deleuze och Félix Guattari i deras studie av Franz Kafka. Deleuzes och Guattaris begrepp, som innebär ett särskilt förhållningssätt till den större, etablerade litteraturen, vecklas ut successivt genom uppsatsen för att varvas med läsningar av Jönsons verk. Uppsatsen har på så vis ett dubbelt fokus på både poetisk och filosofisk text. Genom att etablera en dialog mellan Jönsons poetiska verk och Deleuzes och Guattaris tänkande undersöker jag det subjektets, eller jagets problem som formuleras i Efter arbetsschema, ett problem som även delvis ligger till grund för den mindre litteraturens begrepp, och visar hur verket kontinuerligt underminerar alla försök att identifiera ett enhetligt subjekt genom texten för att låta en kollektiv mångfald ta plats i dess ställe. Dessutom undersöks språkbehandlingen i verket och jag visar hur några av dess många neologismer bär inom sig ett särskilt sätt att se världen. / This thesis considers Johan Jönson’s Efter arbetsschema, a multifaceted and extensive work of poetry, in relation to Gilles Deleuze’s and Félix Guattari’s notion of a minor literature and the conceptual apparatus underlying it. By establishing a dialogue between the poetry of Jönson and the philosophy of Deleuze and Guattari, I examine the problem of subjectivity that is formulated in Efter arbetsschema and highlighted by Deleuze’s and Guattari’s thinking, and show how Efter arbetsschema employs poetological elements to consistently undermine any attempt to discern a clear-cut and uniform subject in the text, in favour of a collective multiplicity. I also examine the deterritorialization of language in Efter arbetsschema through its use of neologisms and a philosophic-theoretical vocabulary borrowed from Deleuze and Guattari among others, and discuss the notion of a minor literature in relation to poetry and the implications of this relationship. Johan Jönson Deleuze Guattari minor literature minor poetry poetry deterritorialization literary machine collective assemblage of enunciation subjectivity Johan Jönson Deleuze Guattari mindre litteratur mindre poesi poesi deterritorialisering litterär maskin utsägandets kollektiva anordning subjektivitet General Literature Studies Litteraturvetenskap Philosophy Filosofi
18	Modernity, Multiculturalism, and Racialization in Transnational America: Autobiography and Fiction by Immigrant Muslim Women Before and After 9/11 Aydogdu, Zeynep 16 September 2019 (has links) No description available. American Studies Comparative Literature American Literature Ethnic Studies Gender Islamic Studies Near Eastern Studies Middle Eastern Literature Middle Eastern Studies Literature Immigrant literature immigrant autobiography immigrant fiction Muslim writing Muslim womens writing Muslim womens literature racialization of Islam minor literature minority discourse Arab American Arab American literature
19	L'identité poétique de la nation. Walt Whitman, José Marti, Aimé Césaire / Poetry and the Birth of National Identity. Walt Whitman, José Marti, Aimé Césaire Hennequet, Claire 29 September 2014 (has links) Dans l’Amérique et les Caraïbes des XIXe et XXe siècles, l’œuvre du poète national est au cœur d’un trafic d’images qui nourrit un lien social fragile dans un temps où les collectivités reposent moins sur un lien direct entre leurs membres que sur un lien imaginé. Prenant ses distances vis-à-vis des représentations en circulation à son époque, comme les représentations exotiques de la nature, le poète offre une vision démocratique ambitieuse pour l’avenir de la communauté à travers des images nouvelles du territoire, du peuple, de l’esclavage et de l’histoire. L’ethos auctorial encourage l’appropriation de ce discours par le lecteur en désignant le poète comme figure de référence. Mais c’est surtout à travers son procédé d’écriture qui met à mal les normes littéraires de son temps que celui-ci est à même d’influer sur la société. Plutôt qu’ils ne parviennent à saisir l’esprit de leur peuple, Whitman, Martí et Césaire participent par leur travail sur le fragment, les formes populaires ou le tremblement du sens à la création d’un devenir collectif. / In 19th and 20th centuries America and West Indies, the national poet’s works lay at the centre of a traffic of images. This traffic feeds the fragile social ties of young collectivities, at a time when communities are bound by imagination rather than by direct contact between their members. Distancing themselves from the representations of the community circulating at that time, like the exotic images of the New World’s nature, the poet offers an ambitious democratic vision for the future which is channeled through images of the territory, the people, slavery and history. The poet’s ethos encourages the reader to appropriate this discourse by presenting the author as a role model. However, it is mainly thanks to his style, at odds with the literary norms of his time, that the poet is able to act upon society. Whitman, Martí and Césaire do not so much contrive to capture their people’s spirit, as they participate through their work on the fragment, on popular poetical forms or on the destabilizing of meaning, in the creation of a common devenir. Négritude Nation – Dans la littérature Cuba – Dans la littérature Martinique – Dans la littérature Nature – Dans la littérature Esclavage – Dans la littérature Peuple – Dans la littérature Negritude Nation – In literature USA – In literature Cuba – In literature Martinique – In literature Nature – In literature Slavery – In literature People – In literature
20	Pier Vittorio Tondelli: Letteratura Minore e Scrittura dell'Impegno Sociale Gastaldi, Sciltian 20 March 2014 (has links) Abstract This thesis illustrates the social engagement in the literary writings of Pier Vittorio Tondelli, an Italian gay author whose works have been described by many Catholic, Materialists, and gay critics as frivolous and disengaged. The dissertation summarizes the mutation of the Italian literary concept of impegno from Neorealism to Postmodernism, through a selection of the texts of Elio Vittorini, Italo Calvino, Franco Fortini, Pier Paolo Pasolini, Leonardo Sciascia, and Umberto Eco. It shows how Tondelli’s interpretation of the role of the writer falls within the definitions given by Calvino and Eco. Moreover, the thesis demonstrates that Altri libertini and Pao Pao satisfy the characteristics of littérature mineure established by Gilles Deleuze and Felix Guattari, though Tondelli’s oeuvre is socially engaged instead of being politically engaged because of his lack of a political ideology. The dissertation highlights the core of Tondelli’s social commitment in his passionate defense of the outcasts in: Altri libertini where drug addicts, homosexuals, transsexuals, and bums are the protagonists; Pao Pao where a group of gay soldiers is described in its grotesque and camp attempt to “homosexualize” their barrack; Rimini where the Riviera Adriatica is portrayed as a place where everyone passes by and no one belongs; Camere separate through the love story of a gay couple in which one partner has to survive his lover’s death, due to an illness that is demonstrated in this thesis to be AIDS, while fighting against the homophobia of their families, institutions, society, and religion. Most of Tondelli’s socially excluded characters are introduced to the reader through an internal homodiegetic point of view. Another important component of Tondelli’s impegno is his open defense of both pop-culture and counter-cultures: gay, hippies, rockers, experimental theatre, street artists and alternative radio, which are central in all his writings. Pier Vittorio Tondelli Italian Literature Gay Literature 20th Century Italian Literature Minor Literature Engagement Social Engagement Camp Gay Studies Queer Studies Queer Theory Literary Criticism Impegno Elio Vittorini Impegno e letteratura Impegno e intellettuali Pier Paolo Pasolini Italo Calvino Franco Fortini Leonardo Sciascia Umberto Eco Alberto Arbasino Letteratura del XX secolo Letteratura italiana contemporanea Impegno sociale Letteratura minore Critica letteraria Letteratura del '900 Antonio Gramsci Homophobia Gender Studies Omofobia AIDS Literature HIV Literature Commitment Homoerotic Literature Separate Rooms Camere separate Other Libertines Altri libertini Dinnery Party Rimini Pao Pao Il diario del soldato Acci Correggio Reggio Emilia Narratori delle pianure Emilia Romagna Italia Italy Jesuit School Gesuiti Catholicism Cattolicesimo Beat Literature Pop Literature Noir Postmodernismo Postmoderno Postmodern Postmodernism Federico Fellini Eugenio Bolongaro Gary Cestaro Antonio Spadaro Fulvio Panzeri Religione Religion Pop Culture Mass Culture 1977 DAMS Bologna Movimento del '77 Michel Foucault Esther Newton 0298 0313 0401 0291 0318

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