Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal

Abstract, Ancrene Wisse, "Guide for Anchoresses" A Czech Translation (2015) Klára Petříková Ancrene Wisse (Guide for Anchoresses) is a remarkable work of the Middle English literature dating back to the first half of the 13th century. Its author (presumably a Dominican) conceived it as "spiritual life guidelines" for three sisters of a noble origin who decided to renounce the world. Besides its didactic purpose, its character is meditative and contemplative. Riveting in its style, its rich metaphors and heightened sensibility link it with the later tradition of the English mystical writers (Julian of Norwich), The work abounds in quotations, paraphrases of the continental monastic authors (St. Augustine, Bernard of Clairvaux). Surviving in seventeen manuscripts, it had been quoted till the Renaissance and its importance is further confirmed by a contemporaneous translation into Latin and French. Present translation aims to introduce this work to the Czech readers and to put it in its historical, social and literary context.

A lot has been written on the development of the Shona novel and the influence of orature on it. This research while acknowledging the importance of such an observation makes yet another one. This other view is that there is also another element that has had a significant impact on the development and growth of the Shona novel. This research has endeavoured to highlight that the Shona novel is a product of the society where it is found which is influenced by The Bible. The novelists Chakaipa, Chidzero, Makari, Musengezi, Tsodzo, Zvarevashe and Ngugi wa Thiong'o's A Grain of Wheat which has been translated into Shona as Tsanga Yembeu have used The Bible as the backbone of their novels. Although these novelists have all used The Bible they have not used it in the same way and for the same purpose. They have used The Bible to justify the themes embedded in their works. This research at the end shows that it is difficult to label a literary product as either a success or a failure. / African Languages / M.A. (African Languages)

Text in Afrikaans / Summaries in Afrikaans and English / Die inhoud en vorm van 'n preek is 'n eenheid. Beide aspekte vorm deel van die teologiese teorie van die prediking. In hierdie studie word daar teoreties besin oor 'n bepaalde vorm van prediking. Dit behels 'n ondersoek na die literere vorm waarin die boodskap gestruktureer en verwoord word. Die Skrif bevat 'n verskeidenheid literere vorme wat deur Bybelskrywers aangewend is om die intensie van die teks effektief te kommunikeer. Elk van hierdie vorme besit 'n eiendomlike kommunikatiewe aard. Die ontwikkeling van die moderne literatuurwetenskap sedert die tagtigerjare van die twintigste eeu het stukrag verleen aan die insig dat die Bybel ook as 'n versameling godsdienstige literatuur bestudeer kan word. Dit het meegebring dat die intensie van die teks van die Bybel op 'n teologies verantwoordbare wyse, met inagneming van die historiese verbande, beter begryp kan word deur die gebruikmaking van insigte uit ander literatuur. As sodanig word erkende literere kunsvorme wat naas die logies-analitiese ook die emotiewe betrek, aanvaar. Die resultaat van hierdie ondersoek dui aan dat die preek as kunsvorm geevalueer en in die moderne preekteorie geregverdig kan word. Die proses van transformasie wat die moderne hermeneutiese benadering kenmerk; die veranderde beleweniswereld en verstaanshorison van die huidige hoorders asook die eiesoortige aard van Bybelse literatuur is vanuit 'n kommunikatiewe aanname in 'n kunsvorm binne die moderne homiletiese teorie haalbaar. Die teorie orienteer binne die kommunikatiewe handelingsteorie as meta-teorie wat ingestel is op dialogiese kommunikasie wat betekenisgewing deur waarnemerbetrokkenheid bevorder en 'n bepaalde denkwyse by die hoorders tot gevolg het. Die tradisionele vorm van prediking, gekenmerk deur absolute dominasie van die rede en intellektualisme uit die modernistiese tydvak, het teen die einde van die tweede millennium in ernstige diskrediet gekom. Die radikale verandering in die samelewing deur die moderniseringsproses met gepaardgaande paradigma verskuiwinge dwing die homiletiek om teoreties te herbesin. In hierdie studie word die preek as kunsvorm afgebaken tot die verhalende preekvorm, konseptueel ontwikkel en teoreties omskryf asook geplaas binne die moderne homiletiese teorie as komponent wat daarby pas. Die resultaat is verkry deur 'n vergelykende studie van gemeenskaplike wesenstrekke wat voorkom by erkende kunsvorme in die moderne kunsteorie; die verhalende kunsvorm in die moderne literere teorie met spesifieke verwysing na die Afrikaanse roman asook die verhalende preekvorm in die moderne homiletiese teorie. Deur hierdie vorm van prediking in die moderne preekteorie op te neem, kan 'n sinvolle bydrae gemaak word om die Christelike boodskap deur oortuiging sander enige vorm van dwang te kommunikeer. / In a sermon form and content are one. Both aspects form part of the theological theory of preaching. This theoretical survey investigates one of the various literary forms through which the biblical writers attempted to communicate the intention of the biblical text in the most effective way. Each of these forms possesses a distinctive communicative character. The development of modern literary theory since the eighties of the twentieth century was a propulsive force leading to the conviction that the Bible was also a collection of religious literature. This conviction implied that the intention of the biblical text could be more clearly understood in a theological justified manner within the historical context by using insights gained from other literature. Acknowledged literary art forms adhering to the emotive as well as the logic-analytical are embraced as such. In this study the sermon as an art form is limited to narrative preaching, developed as a concept; theoretically described and placed within the modern homiletical theory as a suitable component. Results are obtained by means of a comparative study of mutual features that are distinctive to acknowledged art forms in the modern theory of art; narrative art forms in modern literature theory specifically in the modern Afrikaans novel, as well as the narrative form of preaching in the modern homiletical theory. The modern homiletical theory is orientated within the communicative acts theory as meta-theory focusing on dialogical communication which promotes meaning through the involvement of the observer. The conclusions reached indicate that the sermon as an art form can be evaluated and justified within the modem homiletical theory. Taken up in this theory, it can prove significant in communicating the Christian message to the listeners in a convincing rather than compulsive manner. / Philosophy, Practical and Systematic Theology / D.Th. (Practical theology)

In der vorliegenden Studie, die von der Philologisch-Historischen Fakultät an der Universität Augsburg 2005 als Dissertation angenommen wurde, wird „erstmals ein repräsentatives Korpus von über 200 Hochzeitspredigtdrucken“ (Klappentext) im „Zeitalter der Konfessionalisierung“ erschlossen, deren ,sintflutartiges‘ Auftreten (S.1) bis ins frühe 17. Jahrhundert auf die „Neubewertung der Ehe […] für den europäisch-abendländischen Kulturkreis“ (ebd.) und damit zugleich dieses Übergangsrituals in seiner Verkirchlichung in den Konfessionskirchen des 16. Jahrhunderts (S.104–107) hinweist. Markgraf sichtete die zwischen 1520 und 1700 (S. 36) erschienenen Drucke aus der Herzog-August-Bibliothek Wolfenbüttel, der Staats- und Stadtbibliothek und der Universitätsbibliothek Augsburg und weist diese in einer umfangreichen Bibliographie (S.547–625) ausdrücklich für die „geschichtswissenschaftliche Forschung“ (S. 44) nach. Mit 177 Texten aus Wolfenbüttel und 50 Texten aus Augsburg bilden „mehr als die Hälfte der ermittelten Gesamtüberlieferung“ (S. 38) das Untersuchungskorpus, das letztlich – Überschneidungen herausgerechnet – aus 209 Einzeltexten und drei Sammeldrucken (mit je sieben bzw. zweimal 15 Drucken) besteht. Die „,reformatorischen Hauptschriften‘ und die Ehetraktate Luthers“ ,De bono conjugali (401) des Aurelius Augustinus und die Oeconomia christiana (1529) ergänzen das Korpus (S. 39).

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Актуальность диссертационной работы определяется сформулированными целевыми установками и общей логикой исследования: от описания религиозного стиля к анализу текстотипов на основе категориально-текстовой концепции и выявлении специфических особенностей экспликации категории темы в мусульманской проповеди. Первая глава основной части диссертации носит общетеоретический характер, вторая посвящена анализу экспликации категории темы в текстах мусульманской проповеди. / Dissertational work is determined by the formulated objectives and the general logic of the study: from the description of the religious style to the analysis of textual types on the basis of the categorical-textual concept and the identification of specific features of explication of the topic category in Muslim preaching. The first chapter of the main part of the thesis is of a general theoretical nature, the second is devoted to the analysis of explication of the topic category in the texts of the Muslim sermon.

A sermon after a crisis or traumatic event requires great pastoral care. How do we put what happened into words? When things are so devastating that words are not enough? How do we speak about hope and despair in the midst of a crisis? This thesis aims to analyze sermons in the Church of Sweden after the attack on Drottninggatan, Stockholm, Sweden in 2017. Nine sermons held in the weeks following the attack have been analyzed. The theoretical background and theme of the analysis has been psychotraumatology and trauma-informed theology. The thesis’ process has been an inductive approach, as it begins in the material and then compares these against the selected aspects. The questions asked in the thesis are: “What qualities can be found in these sermons after the terrorist attack at Drottninggatan?“ As well as two sub-questions about the respective perspectives: “Which psychotraumatological perspectives were found in the sermons?” and “What perspectives of trauma-informed theology were found in the sermons?” The analysis of sermons and the answer to the first question resulted in five common themes: Responsibility and humanity, The terrorist attack and evil, The Bible and God, Despair and Hope. Based on this, both theoretical aspects have been used to analyze the results.

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