A presente dissertação parte da hipótese de que, por meio da análise do movimento entre o falar e o grafar, é possível entender os modos pelos quais a criança constrói o conceito do nome próprio. Ou seja, ela privilegia o estudo do momento no qual, para cada um dos informantes, o nome próprio deixou de ser uma imagem e passou a funcionar como um símbolo. A pesquisa teve por objetivo geral compreender como a simbolização do conceito de nome próprio se dá. Tomou como objeto de análise a produção de crianças em idade aproximada de três anos, alunos de uma escola pública de educação infantil de zero a três anos, no interior do Estado de São Paulo. Ao longo do ano de 2009, os informantes foram gravados em vídeo, com periodicidade mensal. As imagens foram tomadas durante a realização de uma atividade de escrita do nome próprio. A atividade teve por objetivo tanto registrar o ato da escrita do nome próprio pela criança quanto a fala produzida por ela durante a escrita. Assim, o corpus foi formado por gravações em vídeo, transcrições simples das falas nele contidas e pelas produções escritas de quatro crianças. Partindo da abordagem lacaniana, que considera o nome próprio como um traço que marca um corpo e, designando uma diferença, o inscreve em um lugar, a pesquisa procurou responder de que modo as crianças pequenas interpretam as marcas gráficas que produzem, de modo intencional ou acidental, ao serem solicitadas para escrever seu nome próprio. Na análise dos dados, buscou-se privilegiar os indícios das passagens que mostram a alternância entre os registros do psiquismo humano descritos por Lacan (real, simbólico e imaginário). Cotejando as produções das crianças, foi possível concluir que houve movimentos no e do escrito, tanto entre uma produção e outra quanto na elaboração de cada uma das produções. É possível afirmar que, aos poucos, os informantes atualizaram, no ato de escrever, seu assujeitamento às leis da linguagem e, por este motivo, puderam percorrer um caminho para se apropriar do sistema de representação escrita. Postulamos, portanto, que os traços e os riscos produzidos funcionam como significantes que interrogam a criança e a instigam a fazer reflexões a respeito da escrita. Nesse processo, a professora fez intervenções que potencializaram a reflexão a respeito da escrita e, assim, pôde sustentar o trabalho de reformulação das hipóteses a respeito da escrita como objeto do conhecimento. Com relação às alterações na relação dos informantes com o saber gerados pelo processo, pode-se dizer que eles passaram a buscar maneiras de se representar por meio de uma marca própria e singular. Concluímos, portanto, que o investimento necessário para realizar uma leitura mais atenta da escrita de crianças pequenas é válido, pois, potencialmente, pode proporcionar elementos para compreender os impasses na alfabetização dos mais velhos. / This work assumes that, through the analysis of the movement between speaking and writing, it is possible to understand the means by which the child builds the concept of proper name. In other words, it favors the study of the moment in which, to every one of the informers, the proper name was no longer an image and started operating as a symbol. The overall aim of this research was to comprehend how the concept of proper name symbolization occurs. The object of analysis was the written production of children around the age of three who are students at a nursery school in the countryside of São Paulo. During 2009, the informers were monthly recorded. The images were taken during a written activity in which the students were expected to write their own names. The aim of this activity was not only registering the act when the child writes her own name but also the speech produced while writing. Thus, the corpus was composed for video recording, simple transcriptions of the speeches recorded and four childrens written productions. We first consider Lacans approach, which considers the proper name a feature that creates a sign in a body and, as it designates a difference, signs it up in a determined place. Thus, this research aimed to answer how young children interpret the graphic marks produced by them, deliberately or accidentally, when they are asked to write their proper names. By the datas analysis, we intended to privilege the clues of the episodes that show the alternation between the human psychism registers described by Lacan (Real, Symbolic and Imaginary). By confronting the childrens productions, it was possible to conclude that there were movements in and from the written composition. It is possible to state that, little by little, the informers got up to date, when writing, their antipersonification to the language rules and, for this reason, they could cover a way in order to appropriate the written representation system. We assume, therefore, that the traces and lines produced work as significants that interrogate the child and instigate her to reflect on the written text. During this process, the teacher intervened, improving the reflection on the written text and supporting the hypotheses recast on writing as a knowledge object. In relation to the modifications in the relationship between the informers and the knowledge generated from the process, we could say that they started looking for ways to represent themselves through a singular and proper sign. We concluded, therefore, that the necessary investment in order to read more carefully young childrens productions is valuable, because it may give elements that will help comprehending the difficulties in teaching the older children how to read and write.

Plusieurs patients du cancer au Cameroun pensent que leur état résulte d’une attaque de sorcellerie. Les auteurs en contexte africain attribuent cette thématique persécutrice au caractère collectiviste de la société qui fait de l’individu, en cas de maladie, la scène d’expression d’un conflit interpersonnel et communautaire. Nous tentons de montrer qu’au-delà de cet enjeu groupal, le vécu de persécution et son expression remplissent une fonction narcissique au niveau individuel. Le thème de la persécution chez la plupart de ces patients constitue un déni de la maladie, un moyen d’inhibition de l’angoisse de mort afférent à celle-ci, une expression du sentiment de toute puissance et d’immortalité caractéristique du narcissisme. Ainsi, il s’accompagne d’une hypertrophie du moi du sujet, lequel se croît envié par une personne de la génération parentale dans une lutte œdipienne mais parfois aussi de la même génération. Il s’agirait en réalité d’une forte réaction au vécu de catastrophe narcissique suscitée par le cancer.Le vécu et l’expression du thème de la persécution est aussi la recherche d’une protection contre la détresse liée au cancer par une fuite dans l’imaginaire observée chez les malades parfois même en milieu occidental. Ce qui favorise une richesse imaginaire en contradiction avec l’idée de démentalisation des malades somatiques soutenue par l’école psychosomatique de Paris notamment. Mais les patients sont débordés par cet imaginaire, ce qui leur ôte l’aptitude de l’élaboration mentale, et ne débouche pas sur une mentalisation et une symbolisation langagière. Par ailleurs, le vécu et l’expression du thème de la persécution s’est révélé être un moyen d’affirmation subjective pour des sujets aux prises avec des alliances narcissiques aliénantes. / Several cancer patients in Cameroon think that their sickness is the outcome of a witchcraft attack. Authors in the African context ascribe the theme of persecution to the collectivist character of the society that make the individual, in case of illness, the scene of expression of an interpersonal and community conflict. We try to show that beyond that goupal stakes, the experience and the feeling of persecution fulfils a narcissistic function at the individual level. The theme of persecution among most of these patients is a denial of the sickness, a mean of inhibition of anguish of death related to it, an expression of the feeling of omnipotence and immortality proper to narcissism. Thus, it is accompanied of an ego hypertrophy, which believes to be envied by a person of the parental generation in an Oedipian fight, but at times also with somebody of the same generation. It would be in reality a strong reaction to an experience of catastrophe provoked by cancer. The feeling and expression of the theme of persecution is also a search for a protection against the distress related to cancer by a escape in the imaginary observed among the patients even in the western milieu. This favors an imaginary affluence in contradiction with the idea of deficit of mentalising of somatic patients supported by Ecole psychosomatique de Paris. But these patients are overwhelmed by this imaginary richness, and this deprives them from the mental elaboration ability, and doesn’t lead to a mentalising and language symbolization. Moreover, the feeling and expression of the theme of persecution is also a mean of subjective affirmation for subjects confronted to alienating narcissistic alliances.

Made available in DSpace on 2016-04-28T20:37:55Z (GMT). No. of bitstreams: 1 Clarisse Carneiro Cavalcanti de Melo.pdf: 1105876 bytes, checksum: 723f07f1c21418199478ccc2afd5b73c (MD5) Previous issue date: 2011-11-07 / This paper aims to research the concept of aggression both as a condition of development and as a barrier for the psychic constitution. I try to articulate this concept with the relationships established between the child and their love objects, exploring more precisely the anguishes of loss and separations from the object. I work with the hypothesis that when the process of separation from the object of love can be well experienced, it opens up something like a psychic space into the ego that allows the recognition of a difference between ego and object. I also try to think about the deviations of those processes of separation from the maternal object in which some dynamics are supported, dynamics where the separation of the object is equated to fantasies of expulsion and rejection, situation that is fertile ground to create psychological barriers to psychic growth causing a banishment of the contact with the anguishes related to the loss of the object. The basic idea of this work is that, when aggression can not be experienced based on a psychic-well-being, it can easily turns into something that fills out the consciousness of the separation from the objet of love. This prevents the contact with the feelings of the object s dependency, feelings of helplessness, rejection, abandonment and with the anguishes of loss and separation, making impossible for them to be recognized and worked-through. Therefore, aggression cannot become a source of creative power. It creates an obstacle to psychic development, for the expansion and growth of the mind. In this way, aggression can even be used as an attempt to immobilize the object, eliminating the anguishes of the objet loss, leading to circular psychic movements that prevent the contact with a discriminated object, paralyzing the psychic operation. We looked also to discuss, throughout this work, the different possibilities of aggressions transformation, opening the horizon to some symbolic destinations, for the development of the thought and for the repair. This research is based on a psychoanalytical approach, and in this journey, authors like Sigmund Freud, Donald Winnicott, Melanie Klein, and many others contemporaries like Andre Green, Jean Michel Quinodoz, Luis Claudio Figueiredo, Renato Mezan, Elisa Cintra, to name a few, were my fellows, in which work I found evidence to support this thesis theoretically. Far from exhausting the subject of study proposed here, this paper aims to trouble it, in order to broaden discussions and clinicaltheoretical joints around the same / Este trabalho tem como objetivo pesquisar o conceito da agressividade tanto como condição de desenvolvimento quanto como entrave do acontecer psíquico. Para tanto, procuro articular o conceito estudado às relações estabelecidas entre a criança e seus objetos de amor, explorando mais propriamente os processos de elaboração das angústias de perda e separação do objeto. Trabalho com a hipótese de que quando o processo de separação do objeto de amor pode ser vivenciado com tranquilidade, abrese um espaço psíquico no ego que permite o reconhecimento e o acolhimento de uma mínima diferença entre ego e objeto. A partir de recortes clínicos, procuro pensar sobre os extravios do processo de separação do objeto materno em se sustentam dinâmicas onde a separação do objeto fica equacionada a fantasias de expulsão e rejeição, situação que constitui terreno fértil para que a agressividade seja experimentada de forma a criar obstáculos ao crescimento psíquico, ao provocar um tamponamento das angústias relacionadas à perda do objeto. A ideia de base deste trabalho é a de que, quando a agressividade não pode ser experimentada em uma base psíquica de bem-estar, ela pode se converter facilmente em uma forma de preencher a consciência da separação do objeto de amor, obturando o contato com sentimentos de dependência do objeto, de desamparo, rejeição e abandono e com as angústias de perda e de separação, impossibilitando que estas possam ser reconhecidas e elaboradas. Desta forma, a agressividade não pode se converter em potência criativa e cria um entrave para o desenvolvimento psíquico, para a expansão e para o crescimento da mente. Pode inclusive ser utilizada a serviço de uma tentativa de imobilizar o objeto de amor e eliminar sua perda, conduzindo o psiquismo a movimentos paralisantes e circulares que impedem o contato com um objeto discriminado, com as diferenças vitalizantes. Procuro ainda discutir, ao longo deste trabalho, as possíveis transformações da agressividade, abrindo o horizonte para os destinos simbólicos, para o pensamento e para a reparação. Esta pesquisa se fundamenta no referencial psicanalítico e, nesta jornada, foram meus companheiros autores como Sigmund Freud, Donald Winnicott, Melanie Klein e tantos outros contemporâneos como André Green, Jean Michel Quinodoz, Luis Claudio Figueiredo, Renato Mezan, Elisa Cintra, para citar apenas alguns, nos quais encontrei elementos para sustentar teoricamente este trabalho. Longe de exaurir o objeto de estudo aqui proposto, visa-se antes problematizá-lo, no intuito de ampliar as reflexões e as articulações teórico-clínicas em torno do mesmo

Made available in DSpace on 2015-03-05T19:37:25Z (GMT). No. of bitstreams: 0 Previous issue date: 5 / Banco Santander / Banespa / Esta dissertação, ‘O dispositivo conto de fadas na clínica com crianças que apresentam déficit de simbolização’ tem como objetivo discutir a utilização dos contos de fadas como possibilidade de intervenção na clínica psicanalítica infantil, especialmente nas situações associadas a falhas no processo de simbolização. Esse déficit está presente em todas aquelas situações onde há a impossibilidade de elaboração dos sentimentos através do pensamento e das palavras, ficando prejudicadas as formas de expressão. Para o entendimento do processo de simbolização, bem como de seu déficit, apoiamo-nos na teoria de desenvolvimento emocional de Winnicott, que considera que a partir da interação mãe-bebê surge a possibilidade de desenvolvimento simbólico. Dessa maneira, na presença de um cuidador atento, interessado e emocionalmente engajado, o bebê pode constituir seu espaço psíquico. Por sua vez, os contos de fadas podem ser considerados como um cenário, onde a criança pode simbolizar seus conflitos e, portanto, nutrir se

La spécificité de l’adolescence est la venue au premier plan de la génitalité. Cela entraîne à la fois une métamorphose du corps et un remaniement psychique. À l’adolescence, le corps est aussi un lieu de contradiction que tantôt il attaque, tantôt il embellit dans un érotisme effréné. En effet, la contradiction peut se traduire sous forme symptomatique et manifester l’encombrement que l’adolescent ressent devant son corps qui lui échappe. Il ne sait pas repérer ce qu’il ressent, il ne sait pas le nommer et même il ne sait pas qu’il ne sait pas. Parfois le rapport qu’il entretient avec son corps est suffisamment paradoxal pour qu’il ne puisse pas se l’approprier. C’est cette étrangeté qui va provoquer un clivage chez l’adolescent. Les deux perspectives qui émanent de ces positions sont assez différentes quant à l’avenir du sujet. Ce travail s’inscrit dans la continuité de divers travaux de recherche sur la problématique adolescente. Il vient rendre compte de la mise en place dans un service de Pédiatrie générale d’un groupe thérapeutique à médiation écriture avec des adolescentes qui se scarifient. C’est en considérant ces scarifications comme un langage du corps au coeur de la problématique adolescente et pubertaire, et au regard des difficultés que ces adolescentes ont à mettre des mots sur l’indicible de leur douleur, que le groupe a été créé. La mise en place de celui-ci correspond plus globalement à une réflexion sur le processus d’adolescence, de subjectivation, et le rapport au corps, notamment à travers le travail de symbolisation à l’adolescence. Nous interrogeons également à l’endroit de notre réflexion, la médiation écriture en tant que dépôt d’une trace sur un support, qui au même titre que la rencontre de la lame sur la peau, viendrait comme une butée (Le Breton, 2002) ; la rencontre avec la feuille par analogie au corps viendrait recréer et offrir un contenant à la souffrance psychique. Le groupe quant à lui pourrait être vécu comme espace transitionnel au sens où l'entend Winnicott, au fondement de l’expérience créatrice et rassurante pour l’adolescente. Le corps aurait alors une fonction semblable dans ce qu'il incarnerait une frontière entre un dedans et un dehors. Une des fonctions de la pratique scarificatoire serait alors de restaurer les limites du Soi dans une lutte contre un possible effondrement. / The specificity of adolescence is the coming to the fore of genitality. This involves both a metamorphosis of the body and a psychic reworking. The body is also a place of contradiction that sometimes attacks, sometimes it embellishes in a frenzied eroticism. Indeed, the contradiction can be translated in symptomatic form and manifest the clutter that the adolescent feels in front of his body that escapes him. He does not know how to identify what he feels, he does not know how to name it and he does not even know he does not know. Sometimes the relationship he has with his body is sufficiently paradoxical that he can't appropriate it. It is this strangeness that will cause a cleavage in the adolescent. The two perspectives that emanate from these positions are quite different as to the future of the subject. This work is a continuation of various research works on the adolescent problem. He reports on the establishment of a therapeutic group in writing in a Pediatric General Service, writing with teenagers who are scarifying themselves. It is by considering these scarifications as a body language at the heart of the adolescent and pubertal problem, and in view of the difficulties that these teenagers have to put words on the indescribable of their pain, that the group was created. The setting up of this one corresponds more generally to a reflection on the process of adolescence, of subjectivation, and the relation with the body, in particular through the work of symbolization in adolescence. We also question the place of our reflection, the mediation writing as a deposit of a trace on a support, which as well as the meeting of the blade on the skin, would come as a stop (Le Breton, 2002); the encounter with the sheet by analogy with the body would come to recreate and offer a container for psychic suffering. The group could be seen as a transitional space in Winnicott's sense, at the root of the creative and reassuring experience for the teenager. The body would then have a similar function in what it would incarnate a border between an inside and an outside. One of the functions of the scarificatory practice would then be to restore the limits of the Self in a fight against a possible collapse.

L'injonction de soins est un dispositif qui concerne en premier lieu les auteurs de violence sexuelle. Ce dispositif qui existe en France depuis 1998 se décrit comme une peine supplémentaire qui débute à la sortie de l'emprisonnement. Le condamné doit aller voir un psychologue, un psychiatre et suivre des soins pendant une durée déterminée par la justice. À travers un référentiel d’inspiration psychanalytique nous proposons de comprendre l’injonction de soins comme une figure du tiers. En cela elle possèderait une efficacité symbolique permettant au sujet concerné d’enclencher un processus de subjectivation. Alors que la société semble prise dans une prévention de la récidive « à tout prix », notre travail se pose dans un courant qui redonne toute sa place au sujet à travers la notion de la subjectivation. Le sujet sera au centre de ce travail afin d'explorer ses diverses représentations. Notre problématique étant de voir si l'injonction de soins en tant que tiers peut favoriser l'accessibilité psychique aux soins. Pour la mise en évidence de cette éventuelle efficacité symbolique nous avons choisi un dispositif fait d'outils projectifs (Rorschach, génogramme, dessin) et conçu les rencontres en deux temps à six mois d'intervalle. À partir de l'analyse développée de quatre cas d'auteur, l'injonction semble relancer le processus de subjectivation chez la plupart d'entre eux. / The order of care is a device that primarily concerns sexual offenders. This device which is available in France since 1998 is described as an additional penalty that begins after the sentence. The offender must go to a psychologist, a psychiatrist and take care of him for a period determined by the court. Through a referential inspired by psychoanalytic idea, we propose to understand the order of care as « a figure of third parties ». In this she would own a symbolic efficiency allowing the patient concerned to initiate a process of subjectivity. While society tries to avoid a relapse at any price, our work gives its place to the patient through the concept of subjectivity and explores its various representations. The aim of the study is to see if an order of care as a third party can facilitate access to mental health care. For that we organize meeting in two times with six months intervals with help of projective tools (Rorschach, family tree, drawing). Based on the analysis of four patients, the order of care seems to activate the process of subjectivity in most of them.

Lillqvist, Eva: Lyssna på djupet – En litteraturstudie över symbolers och symboliseringens betydelse i musikterapi. Uppsats på 15 hp inom ramen för Magisterprogrammet i musikpedagogik med inriktning musikterapi vid Kungliga Musikhögskolan, KMH i Stockholm, 2016. Syftet med denna litteraturstudie var att undersöka symbolers och symboliseringens betydelse och användning i musikterapi. Uppsatsen har en kvalitativ forskningsansats med hermeneutiskt inslag och är en deskriptiv litteraturstudie utifrån texter om psykisk ohälsa, kommunikation, symbolspråk och musikterapi. Resultaten har erhållits från texter om symbolbildning, psykisk ohälsa ur feministiskt perspektiv, musikterapins lekområde, kommunikationselement i terapeutiskt arbete och användning av symboler i musikterapi och angränsande områden. Begreppet symbol och symbolisering beskrivs från olika infallsvinklar för att i uppsatsens senare del, resultera i konkreta exempel på hur detta används i olika former av musikterapi. Den symbolterapeutiska ansatsen åskådliggörs från olika perspektiv. Konklusionerna blir en vidgad och fördjupad teoretisk förståelse av hur symboler används i terapeutiskt arbete i allmänhet och musikterapeutiskt arbete i synnerhet samt insikten att det finns en stor potential att utveckla och fördjupa i detta arbete. / Lillqvist, Eva: Listen to the depths – A literature study of symbols and symbolization in music therapy. A thesis carried out within the context of the Master Program in Music Education, profile Music Therapy at the Royal College of Music in Stockholm, KMH 2016. The purpose of this study was to examine the importance of symbols and symbolization and their use in music therapy. The thesis is a qualitative research approach with hermeneutic elements and descriptive literature, on the basis of texts about mental health, communication, symbolic language and music therapy. The results obtained from the texts of symbol formation, mental illness from the feminist perspective, music therapy's play area, communications elements in therapeutic work and the use of symbols in music therapy and related fields. The concept of symbol and symbolization are described from different angles to the latter part of the thesis, result in concrete examples of how this is used in various forms of music therapy. The symbol therapeutic approach is illustrated from different perspectives. The conclusions were a wider and deeper theoretical understanding of how symbols are used in therapeutic work in general and music therapeutic work in particular, and the realization that there is great potential to develop and deepen this work.

Studiens syfte är att belysa symboliseringsprocesser i Frälsarkransen utifrån ett musikterapeutiskt perspektiv och vidare utforska hur och på vilket sätt Frälsarkransen kan kopplas samman med musikterapi och hur de kan berika varandra. Uppsatsen är skriven utifrån ett hermeneutiskt perspektiv med förståelse som kunskapsideal. I hermeneutikens tolkningsvärld växlar man mellan del- och helhetsperspektiv vilket på ett konkret sätt kan överföras på Frälsarkransen där pärlornas olika innebörd bildar en helhet. Uppsatsen inleds med en översikt över studerad litteratur om musik och hälsa, musikterapi, musikpsykologi, psykologi, symbolisering samt andlighet för att ge bredare förståelse utifrån uppsatsens ämne. Den innehåller även ett sammandrag av Martin Lönnebos bok om Frälsarkransen samt en kvalitativ intervju med Martin Lönnebo. En studie där Frälsarkransen undersöks som musikterapeutisk metod har även genomförts. Allt vävs sedan utifrån uppsatsens syfte samman i den avslutande diskussionen. Slutsatsen är att Frälsarkransen kan kopplas samman med musikterapi och att de kan berika varandra i musikterapeutiska symboliseringsprocesser. / Annika Hansson: Pearls of Life and Music Therapy. The rosary Pearls of Life created by Martin Lönnebo from a musictherapeutic perspective. The purpose of the study is to illustrate processes of symbolization in Pearls of Life from a music therapeutic perspective, and further to explore how and in what manner Pearls of Life can be linked with music therapy and how they can enrich each other. The essay is written from a hermeneutic perspective, with understanding as an ideal of knowledge. The hermeneutic way of interpreting the world switches between partial and holistic perspectives, which in concrete terms can be transmitted in Pearls of Life, where the different meanings of the pearls form a whole. The paper begins with an overview of the studied literature on music and health, music therapy, music psychology, psychology, symbolizing and spirituality to give a broader understanding based on essay topic. It also contains a summary of Martin Lönnebo´s book Pearls of Life and a qualitative interview with Martin Lönnebo. A study that examined Pearls of Life as a music therapeutic method has also been implemented. Based on the purpose of the thesis, all is then brought together in a final discussion. The conclusion is that Pearls of Life can be linked with music therapy and that music and Pearls of Life can enrich each other in processes of symbolization in music therapy.

La question du lien entre traumatisme et addiction fait aujourd’hui l’objet de multiples recherches psychopathologiques, épidémiologiques ou encore neurobiologiques. Dans une approche psychodynamique, ce travail de thèse propose d’explorer le sens de la répétition compulsive addictive sous l’angle du traumatisme psychique. Il interroge en quoi le recours aux addictions traduit, aux côtés des effets négatifs de déliaison et d’anesthésie psychique, qui luttent contre le retour de l’expérience traumatique, une recherche insistante d’élaboration des situations extrêmes de la subjectivité. En effet, la traumatophilie addictive vient également dans un mouvement sensoriel extrême auto-administré, réactualiser les expériences de détresse primaire en attente d’intégration, effet positif du traumatisme. A partir d’une méthodologie croisée à dominante qualitative composée d’outils standardisés (MINI et TAS-20), d’épreuves projectives (Rorschach et TAT) et d’entretiens non-directifs de recherche, nous rencontrons 6 sujets hospitalisés pour sevrage de leur addiction aux substances psychoactives, ainsi que pour leurs troubles psychotraumatiques. Nous discutons de l’impact des traumatismes se révélant hypercomplexes et multicausales et constatons qu’il est nécessaire, en parralèle à des événements de vie potentiellement traumatiques, d’être attentif aux traumas liés à la qualité de la relation à l’objet primaire et aux atteintes de l’intégrité corporelle. Nous repérons des fonctions de protection ou encore de réparation narcissique, tout en considérant pour autant qu’il ne s’agit plus uniquement d’envisager le défaut de mentalisation et de contenance ni le besoin de lever l’addiction, pour accéder au vécu traumatique. En effet, les formes d’addictions traumatiques représentent également une tentative de retournement passif-actif par l’emprise, cherchant paradoxalement à soigner le mal en s’infligeant un autre mal « contrôlé », soit d’avoir le sentiment d’être acteur de son existence, quand bien même c’est au prix de l’autoconservation. Elles sont notamment porteuses d’un message adressé à l’objet, et révélatrices des traumatismes en attente de contenance et d’interprétation. Les traumas narcissiques risquent, si l’expérience ne peut s’historiser, de continuer inlassablement à se répéter corporellement si personne ne se prête à entendre la recherche insistante de figuration et de symbolisation contenue dans les mises en acte addictives. / Today, the question pertaining to the link between traumatism and addictions is prevalent in multiple research areas including epidemiology, psychopathology and neurobiology. From a psychodynamic approach this thesis aims to explore the meaning of compulsive addictive repetition from the perspective of psychological trauma. It explores the way in which, despite the negative impact of psyche anesthesia and disconnection, which struggles against the return of the traumatic experience, the act of resorting to addictions represents a quest, which insists upon the elaboration of extreme subjective situations. Indeed, in an extreme self-administered sensorial movement, addictive traumatophilia also recreates the primary distressing experiences waiting to be integrated. This would constitute the positive effect of the trauma. Using a cross methodology with a dominant qualitative approach, comprised of standardized tools (MINI and TAS-20), projective tests (Rorschach and TAT) and non-directive research interviews, we met six subjects hospitalized for withdrawal from psychoactive substances and for their psychotraumatic difficulties.We discuss the impact of extremely complex and multi-causal traumas and grasp the necessity of being attentive to traumas related to the quality of the relationship with the primary object and to the integrity of the body, in parallel to life events, which are potentially traumatic. We identify protective functions or narcissistic repairs, while considering that gaining access to the traumatic experience is no longer only about the faults of mentalization and of containment. Indeed, the forms of traumatic addictions equally represent an attempt of a passive-active reversal by influence, seeking paradoxically to heal the hurt by inflicting another “controlled” pain, to have the feeling of being in control of one’s own existence, even if it comes at the price of self-preservation. It is to be noted that they carry a message addressed to the object, which reveal the traumas waiting to be contained and interpreted. If the experience cannot be integrated and if no one is able to listen to the insistent research of figuration and symbolization found in the addictive behavior, narcissistic traumas may continue on tirelessly repeating themselves through the body.

A presente dissertação parte da hipótese de que, por meio da análise do movimento entre o falar e o grafar, é possível entender os modos pelos quais a criança constrói o conceito do nome próprio. Ou seja, ela privilegia o estudo do momento no qual, para cada um dos informantes, o nome próprio deixou de ser uma imagem e passou a funcionar como um símbolo. A pesquisa teve por objetivo geral compreender como a simbolização do conceito de nome próprio se dá. Tomou como objeto de análise a produção de crianças em idade aproximada de três anos, alunos de uma escola pública de educação infantil de zero a três anos, no interior do Estado de São Paulo. Ao longo do ano de 2009, os informantes foram gravados em vídeo, com periodicidade mensal. As imagens foram tomadas durante a realização de uma atividade de escrita do nome próprio. A atividade teve por objetivo tanto registrar o ato da escrita do nome próprio pela criança quanto a fala produzida por ela durante a escrita. Assim, o corpus foi formado por gravações em vídeo, transcrições simples das falas nele contidas e pelas produções escritas de quatro crianças. Partindo da abordagem lacaniana, que considera o nome próprio como um traço que marca um corpo e, designando uma diferença, o inscreve em um lugar, a pesquisa procurou responder de que modo as crianças pequenas interpretam as marcas gráficas que produzem, de modo intencional ou acidental, ao serem solicitadas para escrever seu nome próprio. Na análise dos dados, buscou-se privilegiar os indícios das passagens que mostram a alternância entre os registros do psiquismo humano descritos por Lacan (real, simbólico e imaginário). Cotejando as produções das crianças, foi possível concluir que houve movimentos no e do escrito, tanto entre uma produção e outra quanto na elaboração de cada uma das produções. É possível afirmar que, aos poucos, os informantes atualizaram, no ato de escrever, seu assujeitamento às leis da linguagem e, por este motivo, puderam percorrer um caminho para se apropriar do sistema de representação escrita. Postulamos, portanto, que os traços e os riscos produzidos funcionam como significantes que interrogam a criança e a instigam a fazer reflexões a respeito da escrita. Nesse processo, a professora fez intervenções que potencializaram a reflexão a respeito da escrita e, assim, pôde sustentar o trabalho de reformulação das hipóteses a respeito da escrita como objeto do conhecimento. Com relação às alterações na relação dos informantes com o saber gerados pelo processo, pode-se dizer que eles passaram a buscar maneiras de se representar por meio de uma marca própria e singular. Concluímos, portanto, que o investimento necessário para realizar uma leitura mais atenta da escrita de crianças pequenas é válido, pois, potencialmente, pode proporcionar elementos para compreender os impasses na alfabetização dos mais velhos. / This work assumes that, through the analysis of the movement between speaking and writing, it is possible to understand the means by which the child builds the concept of proper name. In other words, it favors the study of the moment in which, to every one of the informers, the proper name was no longer an image and started operating as a symbol. The overall aim of this research was to comprehend how the concept of proper name symbolization occurs. The object of analysis was the written production of children around the age of three who are students at a nursery school in the countryside of São Paulo. During 2009, the informers were monthly recorded. The images were taken during a written activity in which the students were expected to write their own names. The aim of this activity was not only registering the act when the child writes her own name but also the speech produced while writing. Thus, the corpus was composed for video recording, simple transcriptions of the speeches recorded and four childrens written productions. We first consider Lacans approach, which considers the proper name a feature that creates a sign in a body and, as it designates a difference, signs it up in a determined place. Thus, this research aimed to answer how young children interpret the graphic marks produced by them, deliberately or accidentally, when they are asked to write their proper names. By the datas analysis, we intended to privilege the clues of the episodes that show the alternation between the human psychism registers described by Lacan (Real, Symbolic and Imaginary). By confronting the childrens productions, it was possible to conclude that there were movements in and from the written composition. It is possible to state that, little by little, the informers got up to date, when writing, their antipersonification to the language rules and, for this reason, they could cover a way in order to appropriate the written representation system. We assume, therefore, that the traces and lines produced work as significants that interrogate the child and instigate her to reflect on the written text. During this process, the teacher intervened, improving the reflection on the written text and supporting the hypotheses recast on writing as a knowledge object. In relation to the modifications in the relationship between the informers and the knowledge generated from the process, we could say that they started looking for ways to represent themselves through a singular and proper sign. We concluded, therefore, that the necessary investment in order to read more carefully young childrens productions is valuable, because it may give elements that will help comprehending the difficulties in teaching the older children how to read and write.