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The law in The Brothers Karamazov / El derecho en Los hermanos KaramazovZolezzi Ibárcena, Lorenzo 10 April 2018 (has links)
The Brothers Karamazov was the last novel of Dostoievski and for that reason is in way a sort of synthesis of his thinking. In the article there is a brief development of some key ideas as these: in matter of guilt, the attitude has more importance than action; everyone is guilty of everything before the eyes of everyone (universal guilt); suffering purifies the individual and acts as a remedy that promotes his spiritual elevation; freewill is central in human existence. But the novel is also a novel about a crime. Somebody is murdered and the readers will discover the perpetrator at the very end. 25% of the novel is devoted to technical legal matters: the instruction of the summary and the court trial. But what is most interesting is that an innocent is found guilty, because law had no other choice having into account the facts that are backed by evidence. It would be possible to find him not guilty, but for doing so it would be necessary to change the paradigm that is the backbone of modern criminal law. / Los hermanos Karamazov fue la última obra de Dostoievski, por lo que se convierte en una especie de síntesis de su pensamiento. En el artículo se abordan algunas de las ideas clave del autor, como que en materia de culpa, la actitud es más importante que la acción; que todos somos culpables de todo ante todos; que el dolor purifica y es como un remedio para la elevación espiritual del individuo; así como la reivindicación del libre albedrío. Pero la novela es también la historia de un crimen. El autor nos introduce en el misterio de una muerte, cuyo autor descubriremos al final. También contiene un 25% dedicado a la instrucción del proceso y al juicio oral. Pero lo más interesante es que un inocente es declarado culpable y es declarado culpable porque el derecho no podría obrar de otra manera tal como son presentados los hechos. Sería posible declararlo no culpable, pero para ello tendríamos que inventar otro paradigma del proceso penal.
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Jana z Arku, zrození a obrozování johankovského mýtu / Joan of Arc, birth of a myth and the Johannine revivalSvobodová, Karolína January 2019 (has links)
The subject of this diploma thesis is the French national heroine Joan of Arc and her portrayal and reflection in literary works throughout the centuries. The diploma thesis mentions the historical personality of Joan of Arc in the context of the time she lived in, reconstructs the life of this French saint and deals with the rehabilitation process that completes the myth of the French national heroine. This diploma thesis summarizes the important European literary works that Joan of Arc is the most important theme. The diploma thesis deals more with literary works in which Joan of Arc is the main character but each author writes her story and describes her personality from a different point of view. And precisely these differences of the thesis are analyzed. The diploma thesis focuses more on the literary works of various authors such as Voltaire, Jules Michelet, Anatole France and Stéphen Coubé. The diploma thesis deals also with the portrayal of Joan of Arc in the 20th and 21st centuries.
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Zwischen Interaktion und Narration: / ein Kontinuumsmodell zur Analyse hybrider digitaler Spiele. Modellbildung – Funktionalisierung – Fallbeispiel (The Legend of Zelda: Ocarina of Time). / Between Interaction and Narration: / A Continuum Model for the Analysis of Hybrid Digital Games. Model Design – Functionalisation – Typical Example.Matuszkiewicz, Kai 06 July 2017 (has links)
No description available.
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Byl jednou jeden cizinec na cestě. / Once upon a time, there was a stranger on the roadVondráčková, Kristýna January 2013 (has links)
v anglickém jazyce: This thesis mainly analyzes the five-part novel Gargantua and Pantagruel written by the French author Francois Rabelais. Emphasis is based particularly on an inclusion of Rabelais's work in historical and literary context of the period of transformation between medieval and Renaissance society. More specifically, it deals with the author's humanist opinion and his critique of contemporary society, which is the main line of the work itself. The aim of our thesis is especially an attempt to outline the various possible meanings of the terms « road or path » and « stranger » in Rabelais's work and explain the role of these thematic concepts in the author's concept of criticism of society.
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Překladová technika z latiny do staroslověnštiny na základě Gumpoldovy legendy a Druhé staroslověnské legendy o sv. Václavu / The translation technique from Latin to Old Church Slavonic on the basis of the Gumpold's legend and the Second Old Church Slavonic Life of Saint WenceslasSpurná, Kateřina January 2017 (has links)
The Translation Technique from Latin to Old Church Slavonic on the Basis of Gumpold's Legend and the Second Old Church Slavonic Life of Saint Wenceslas Kateřina Spurná Summary This dissertation analyses the translation technique from Latin to Old Church Slavonic on the basis of Gumpold's Legend (Gump) from the end of the 10th century and its translation, the Second Old Church Slavonic Life of Saint Wenceslas (VencNik), which was written in early Přemyslid Bohemia probably in the second half of the 11th century. The introductory chapters provide the basic characteristics of the Gump and deal with its preservation in manuscripts and other Latin and Old Church Slavonic legends of St Wenceslas. Afterwards, attention is focused on the analysis of the VencNik, its preservation in manuscripts of Russian provenance and the basic phonetic and morphological characteristics of the text. These chapters are followed by a new edition of the VencNik, in which the Old Church Slavonic text is presented in the form actually preserved in manuscripts (unlike the earlier edition of Josef Vašica from 1929, who tried to reconstruct the original version), and compared with the partly revised and supplemented edition of the Gump. The edition of the Old Church Slavonic text is followed by a brief chapter on the biblical quotations...
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Drama "Jošicune mezi květy sakur". Minamoto no Jošicune jako stratég, dvořan a literární mýtus. / The drama "Yoshitsune and the thousand cherry trees." Minamoto No Yoshitsune as a martial strategist, courtier and literary myth.Ryndová, Jana January 2012 (has links)
In her doctoral thesis the author would like to present the play Yoshitsune and the Thousand Cherry trees (Yoshitsune senbonzakura) as a unique piece of Japanese drama which has a great complexity and an outstanding place within the corpus of Japanese literature. Even if the play can be compared to Chushingura mono in its importance, Yoshitsune senbonzakura has not been widely translated to western languages. There are two exceptions, however: the English translation (Jones, Jr. 1993) and the German translation (Klopfenstein 1982). While comparing the two translations and using the most full original texts available (as preserved in Takeda Izumo and Namiki Sosuke Joruri Collection and Yuda Yoshio's Bunraku Joruri Collection), the author's goal is to present the play to Czech readers and its interpretation to Czech scholars. As for the flow and structure of the interpretation of Yoshitsune senbonzakura the author begins with the historical background of the legend of Minamoto Yoshitsune, capturing the life of Yoshitsune from the time of Heiji rebellion (1159) when he was born to his death in 1189. Next the author concentrates on the legend itself as it evolved within the course of Japanese literature. With a shift from the court literature of Heian period towards the battlefield stories and...
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Drama "Jošicune mezi květy sakur". Minamoto no Jošicune jako stratég, dvořan a literární mýtus. / The drama "Yoshitsune and the thousand cherry trees." Minamoto No Yoshitsune as a martial strategist, courtier and literary myth.Ryndová, Jana January 2013 (has links)
In her doctoral thesis the author would like to present the play Yoshitsune and the Thousand Cherry trees (Yoshitsune senbonzakura) as a unique piece of Japanese drama which has a great complexity and an outstanding place within the corpus of Japanese literature. Even if the play can be compared to Chushingura mono in its importance, Yoshitsune senbonzakura has not been widely translated to western languages. There are two exceptions, however: the English translation (Jones, Jr. 1993) and the German translation (Klopfenstein 1982). While comparing the two translations and using the most full original texts available (as preserved in Takeda Izumo and Namiki Sosuke Joruri Collection and Yuda Yoshio's Bunraku Joruri Collection), the author's goal is to present the play to Czech readers and its interpretation to Czech scholars. As for the flow and structure of the interpretation of Yoshitsune senbonzakura the author begins with an analysis of the historical background of the legend of Minamoto Yoshitsune, capturing the life of Yoshitsune from the time of Heiji rebellion (1159) when he was born to his death in 1189. Next the author concentrates on the legend itself as it evolved within the course of Japanese literature. With a shift from the court literature of Heian period towards the battlefield...
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SILK / SILKBaluch, Matúš Unknown Date (has links)
My diploma thesis is instalation, which elements are based on principales of ready-made. Documentation of living performance. Site-specific charakter, objects, and documents are common, that are one from of physical, psychical, and social injuries. Trought the installation and added text with its full range of form I am changing the discurse.
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FauxtopiaKampf, Raymond William 01 January 2004 (has links)
To all who come to this fictitious place:Welcome.Fauxtopia is your land. Here, age relives distorted memories of the past, and here, youth may savor the challenge of trying to understand the present. Fauxtopia is made up of the ideals, the dreams and the fuzzy facts which have re-created reality... with the hope that it will be a source of edutainment for all the world.Ray KampfFauxtopia DedicationApril 1st, 2004
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“She said she was called Theodore” : - A modality analysis of five transcendental saints in the 1260’s Legenda Aurea and 1430’s Gilte LegendeAtterving, Emmy January 2017 (has links)
This thesis explores modalities in two hagiographical collections from the late Middle Ages; the Legenda Aurea and the Gilte Legende by drawing inspiration from post-colonial hybridity theories.. It conducts a close textual analysis by studying the use of pronouns in five saints’ legends where female saints transcend traditional gender identities and become men, and focuses on how they transcend, live as men, and die. The study concludes that the use of pronouns is fluid in the Latin Legenda Aurea, while the Middle English Gilte Legende has more female pronouns and additions to the texts where the female identity of the saints is emphasised. This is interpreted as a sign of the feminisation of religious language in Europe during the late Middle Ages, and viewed parallel with the increase of holy women at that time. By doing this, it underlines the importance of new words and concepts when describing and understanding medieval views on gender.
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