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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 31 to 39 of 39 (0.023 seconds)Spelling suggestions: "subject:"marvelous""
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"This Is a Forced Feminist Agenda" : IMDb users and their understanding of feminism negotiated in the reviews of superheroine filmsBudirska, Alzbeta January 2021 (has links)
The thesis examines how users of the Internet Movie Database (IMDb) negotiate feminism in their reviews of four superheroine films – Wonder Woman, Captain Marvel, Birds of Prey: The Fantabulous Emancipation of One Harley Quinn, and Wonder Woman 1984. By combining critical discourse analysis with methods of corpus linguists, this corpus-based study of over 18,000 reviews analyses the frequency of the topic of feminism in the reviews, words and topics associated with it and the way the reviewers reflect broader mediated discourse over the four films, and the role of IMDb as a space for these reviews. The findings show that feminism is still understood as an anti-male movement where female-led films are shielded from criticism by the mainstream media by the virtue of the lead’s gender, the superheroines are criticised for being overpowered particularly where they have no equal male supporting character and that perceived feminist messaging is usually written off as a forced political agenda or as an insincere cash grab made by corporates which effectively use feminism for promotion. It also reveals IMDb as a highly polarised platform where the users leaving 1- and 10-star reviews are generalized as representatives of different sides of the political spectrum (antifeminist vs feminist, conservative vs liberal) regardless of the actual content of the review.
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Movies That Sell: A Rhetorical Analysis of Product Placements in Marvel MoviesOkai, Andrew Nii Okai 01 December 2021 (has links)
The advancement of digital entertainment media has given audiences the ability to skip ads that do not interest them. Consequently, brands face the challenge of creating ads that can compel audiences and finding media outlets that can effectively reach target audiences. Brands today use product placements to promote their products because movie audiences are generally attentive to ads when they are incorporated in a movie’s narrative. Marvel Cinematic Universe is a globally recognized entertainment franchise that uses product placements strategically to promote brands in their movies and TV shows. In this study, I conduct rhetorical analyses of select product placements in Marvel movies to investigate how they employ different rhetorical appeals in promoting products; and discuss how the appeals can influence audience perceptions of the products advertised. My findings suggest that product placements in Marvel movies leverage Aristotle's rhetorical appeals to draw audiences' attention and influence their opinions about products.
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Gestaltning av nationell identitet i Avengers : Karaktärsanalys av Iron Man, Captain America och Thor / American national identity in Avengers : Character analysis of Iron Man, Captain America and ThorBuyukada, Utkan January 2021 (has links)
Uppsatsens huvudsakliga syfte är att undersöka hur amerikansk nationell identitet förmedlas i populära filmer. Undersökningen sker genom att analysera tre av de populäraste karaktärerna i de fyra Avengers-filmerna. Karaktärerna som ska analyseras är Iron Man, Captain America och Thor. Benedict Andersons undersökning av hur nationell identitet och nationalism sprids med hjälp av litteratur är förutsättningen för uppsatsen. Utgångspunkten är att populärkultur påverkar tittaren och kan sprida idéer som har verkliga effekter i samhället. I analysen tar effekterna av terrorattacken mot World Trade Center en viktig plats och hur den påverkar uppfattningen av amerikansk nationell identitet i Marvel-filmer narrativt och visuellt. Innan 9/11 var amerikansk nationell identitet stark kopplad till triumfalism och exceptionalism. Trots att terrorattacken påverkar gestaltningen av amerikansk nationell identitet i popkultur så förblir Amerikansk triumfalism och exceptionalism en grundläggande del av amerikansk identitet. Samtidigt undersöks den paradoxala relationen mellan individualism och kollektivism. En gestaltning av gemenskap och individualism präglar filmerna där även regissörers påverkan kan spela roll i det hyperindustrialiserade Marvel-maskineriet.
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Racial Constructions and Activism Within Graphic Literature. An Analysis of Hank McCoy, The BeastAlfonso, Juan D 13 June 2018 (has links)
Through a post-modern lens, I will primarily focus on comics books published by Marvel Comics to demonstrate the myriad of ways in which graphic literature is used as a subversive tool of sociopolitical discourse. I will demonstrate this by deconstructing and redefining the role of myth as a means of transferring ethical practices through societies and the ways in which graphic literature serves this function within the space of a modern and increasingly atheistic society. The thesis first demonstrates how the American Civil Rights Movement was metaphorically translated and depicted to the pages of Marvel’s X-Men comics to expose its primarily white/ male readership to the plight of discriminated Black Americans through the juxtaposition of depicting white super heroes who represented the segregated experiences of othered or unwanted communities. Secondly, the X-Man Beast is closely analyzed to demonstrate the ways in which the rhetoric and depictions of graphic literature are altered through decades of publication to adapt its messages of social tolerance and peaceful coexistence to its contemporary audiences.
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Låt ingen komma undan : Hanteringen av främmande kroppar i Marvels filmuniversum / Leave none alive : Treating foreign bodies in Marvel's cinematic universeLarsson, Vix January 2017 (has links)
This essay examines the appearance of non-normative bodies in three films from the Marvel Cinematic Universe; The Avengers (2012), Thor: The Dark World (2013) and Avengers: Age of Ultron (2015), in an attempt to find qualities that might suggest queer, non-binary or gender disruptive attributes, in addition to looking at how the movies handle them. Using a combination of feminist film theory, queer theory and discourse analysis, the Otherness of these bodies are put into contrast with the normative and hegemonic gender expressions employed by the protagonists, the heroes of the films. While the study finds several indications of transgressive bodies and 'gender ambiguity' among the creatures and beings who play the part of inhuman threat, as well as the presence of discourses that paint them as threatening partly because of these qualities, they remain blurred and ill-defined, their queerness inferred rather than overt. The preferred reading, the analysis suggests, offers little in the way of identification, but all the more with regard to oppression. The way these bodies are treated in all three films implies that the tolerance for bodily deviance is virtually non-existent, and that a defining quality of masculine leadership is the ability to banish them from existence.
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Reframing Normal:The Inclusion of Deaf Culture in the X-Men Comic BooksBliss, Courtney C. 29 November 2017 (has links)
No description available.
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Eavesdropping Attacks on Modern-Day Connected Vehicles and Their Ramifications / Avlyssningsattacker på moderna uppkopplade bilar och deras följderBakhshiyeva, Afruz, Berefelt, Gabriel January 2022 (has links)
Vehicles today are becoming increasingly more connected. Most cars are equipped with Bluetooth, Wi-Fi and Wi-Fi hotspot capabilities and the ability to connect to the internet via a cellular modem. This increase in connectivity opens up new attack surfaces for hackers to exploit. This paper aims to study the security of three different cars, a Tesla Model 3 (2020), an MG Marvel R (2021) and a Volvo V90 (2017), in regards to three different eavesdropping attacks. The performed attacks were a port scan of the vehicles, a relay attack of the key fobs and a MITM attack. The study discovered some security risks and discrepancies between the vehicles, especially regarding the open ports and the relay attack. This hopefully promotes further discussion on the importance of cybersecurity in connected vehicles. / Bilar idag har blivit alltmer uppkopplade. Idag har de inte bara bluetooth och Wi-Fi funktionalitet utan vissa bilar har förmågan att kopplas till internet via ett mobilt bredband. Denna trend har visats ge bilar nya attackytor som hackare kan utnyttja. Målet med denna studie är att testa säkerheten hos tre olika bilar, Tesla Model 3 (2020), MG Marvel R (2021) och Volvo V90 (2017) med åtanke på tre olika avlyssningsattacker. De attackerna som studien valde var port-skanning på bilen, relä-attack på bilnycklarna och mannen-i-mitten attack. Studien hittar vissa säkerhetsrisker och skillnader mellan de olika bilarna särskilt vid reläattacken och port-skanningen som förhoppningsvis främjar en fortsatt diskussion om cybersäkerhetens vikt för säkrare uppkopplade bilar.
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"Infinite Earths": Crossmedia Adaptation and the Development of Continuity in the DC Animated UniverseNader, Alexander C. 25 February 2015 (has links)
No description available.
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...And Reconcile Us With Evil : A Critical Investigation of the Imagery of Good and Evil in Western Religion, Film and PoliticsGellrich, Arne L January 2016 (has links)
With an eye on the current social and political situation in Europe, and with regards to the so-termed refugee crisis, this study aims to map the discourse on assumed good and evil shared among Western cultures, as represented by Sweden, Germany and the United States. The thesis takes its point of departure from essayistic reflections of the philosophical tradition and theological and religious analytical positions respectively. These are then followed by two investigative main chapters, designed along the lines of Norman Fairclough’s approach to critical discourse analysis (CDA). The first of these chapters studies the narratives of good and evil employed in the mainstream cinema of the past ten years in the mentioned countries. The second analysis is made up of three case studies, in turn looking at similar narratives in the campaigns of the two main competitors in the 2016 presidential race, a German protest movement against free trade agreements, and the everyday political communication of Swedish Facebook users. In a final chapter, findings from all four preceding chapters are brought together in an attempt to sketch an image of the congruences and discrepancies of narratives on good and evil in the overall discursive field. The thesis finds that the discursive field shared by the three investigated societies is largely homogenous, with certain imagery permeating all analysed orders of discourse. Many of the reoccurring images are however likely rooted in the human psyche and therefore less dependent on discourse practice. Furthermore, certain principles are agreed upon in theory while not reproduced in social practice. Themes assigned to either good or evil often seem to take on secondary functions next to assumed fixed identities of in- and out-groups. Being a qualitative study, this thesis aims at giving an overview and delivering a base for further investigations rather than providing definitive answers.
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