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21	Dansgenrer på svenska gymnasieskolor : en kvantitativ undersökning Strigner, Evelina January 2021 (has links) Dance genres in Swedish upper secondary school - a quantitative survey Dance as a subject in upper secondary school is a relatively young subject with a vague framing that provides the teachers with more room for interpretation. The aim of this paper is to shed light on a somewhat unexplored researched field and to contribute with knowledge about what dance genres that are featured in Swedish upper secondary schools. The study investigates what genres the students encounter in the everyday dance training and how much time in class. Further, it is investigated which genres the schools bring in as guest genres and who teaches them. The data is collected via a survey that was sent to all Swedish upper secondary schools with an arts program in dance. The results are analyzed and discussed via curriculum theory and Swedish dance history. Some of the main conclusions are that the modern and contemporary dance stands out in more than one way and is well established in dance programs in Swedish upper secondary schools. Another result shows that there is a wide diversity in the genres schools chose to include as a guest genre. The results also show that the most common is to bring in a guest teacher in different subgenres of street dance. Dance genre modern and contemporary dance jazz ballet street curriculum theory dance education upper secondary school Dansgenre modern och nutida dans jazz balett street läroplansteori dansutbildning gymnasieskola Pedagogical Work Pedagogiskt arbete
22	Promenade pieces : About graphic scores, connotation and pedestrians Jönsson, Maria January 2018 (has links) <p>Maria Jönsson: Track_4</p><p>Performers: Maria Jönsson - flute, Reuben Fenemore - clarinet, Gustav Broman - electric bass, Albin Vesterberg - electric guitar; Wendy Liao, Artur Musalimov, Naama Freedman, Hue Trinh Luong - pedestrians.</p><p>Video and audio recording of Track_4 with: Maria Jönsson - flute, Reuben Fenemore - clarinet, Gustav Broman - electric bass, Albin Vesterberg - electric guitar; Wendy Liao, Artur Musalimov, Naama Freedman, Hue Trinh Luong - pedestrians.</p> Graphic score animated score pedestrian network programming improvisation interpretation GPS OSC CoPeCo Contemporary Performance and Composition contemporary music connotation association sign symbol Grafiskt partitur animerat partitur fotgängare nätverk programmering improvisation interpretation GPS OSC CoPeCo Contemporary Performance and Composition nutida konstmusik konnotation association tecken symbol Music Musik
23	Den nutida låga och täta trädgårdsstaden : Från miljonprogram till nutida trädgårdsstad Rostock, Mattias January 2023 (has links) I arbetet besvaras två frågor om vilka designprinciperna är för traditionella trädgårdsstäder från början av 1900-talet samt hur trädgårdsstaden kan anpassas med nutida forskning och praktik till dagens kontext. Ett gestaltningsarbete av ett bostadsområde har utformats med framtagna designprinciper som en del av analysen. Utgångspunkten är en nutida trädgårdsstad i låg och tät bebyggelse. Förslaget utarbetas sig i Kungsmarkens högskaliga miljonprogramsområde som ett alternativ till bebyggelsen som finns på plats idag. Platsens förutsättningar har beaktats gällande; verksamheter, målpunkter, omgiven bebyggelse, trafik, barriärer, utsikter, grönska och topografiska skillnader. Vidare så har målsättningen i det alternativa planförslaget varit att skapa lika många bostäder som idag finns på platsen. Arbetet har undersökt om en nutida låg och tät trädgårdsstad, kan vara ett av alternativen till dagen byggnadsideal. trädgårdsstad trädgårdsstäder designprinciper bostadsområde bebyggelse låg och tät lågt och tätt Kungsmarken miljonprogram miljonprogramsområde förutsättningar byggnadsideal modern nutida traditionell stadstyp småstad förorten konceptfastighet bebyggelsestruktur gaturum grönska trädgård platsbildningar siktlinjer garden cities Howard Rådberg Unwin Forshed gestaltning utformning gestaltningsprogram kvalitetsprogram Architectural Engineering Arkitekturteknik Social Sciences Samhällsvetenskap
24	Det omättliga ögat Ljung, Bo January 2020 (has links) This is a master thesis dealing with reception-theoretical aspects of the 96 meter long photomontage called That day and that grief, created by the Swedish photographer and artist Larseric Vänerlöf. The artwork is situated in the Karlaplan metro-station in Stockholm. The text is an extension of the master thesis that I wrote in 2017-2018, entitled The Cinematic eye. This new essay aims to deepen the understanding of how the photomontage reveals it´s meaning and how it is received by the viewer in the metro context at Karlaplan. Main questions: 1/ What is it in this big photomontage, that makes the viewing travellers, wanting to stay and watch it, even though they are in a hurry towards another place, in another matter? 2/ How does this artwork speak to me and how does it want me to watch it? 3/ What does the photomontage want to tell me? 4/ What does the work represents? Since my study focuses on the imagery and communication-act of the artwork, I find semiotics and reception-theory as the obvious theoretical tools. Part of the interpretation of the image relates to the semiotics of Roland Barthes and his statement that all images are polysemic and ambiguous and that they are culturally and historically conditioned. In my conclusion I discuss and to some extent challenge the mechanism and interaction between literal, denoting information and symbolic connotation in the viewer’s reception. The reception analysis is based on Wofgang Kemps conceptual apparatus formulated in The work of Art and its Beholder (1998), and Peter Gillgrens concept of interartial references. Hans Georg Gadamers view of art as a performative game complements the essays theoretical construction. I use a deductive and systematic interpretive working method. Based on the chosen semiotic and reception theoretical formation and through my questions, I have studied the phenomenology of the photomontage, i.e. as an artistic and linguistic phenomenon. Empathy in site/location, beholder and zeitgeist form the basis of the methodological work.The conclusions of the thesis are radically different from that of my former text from 2017-18. Imagery and symbolic ambiguities and focalics that refuse to reveal the "meaning" and content of the photomontage, activate the viewer in a performative way and creates a highly communicative work, which involves the viewer in the theatrical course. Through a deeper study of the “zeitgeist”, I have also concluded that the collective and political symbols from the 1970s in the work, have lost power and content at the time of the dismantling in 1982. The character that I previously perceived as "Art as weapon" has in this essay been transformed to "Art as visuality". The art of photography appears as the real subject matter for the photomontage at Karlaplan subwaystation. Larseric Vänerlöf Den dagen och den sorgen offentlig konst tunnelbanekonst politisk konst receptionsteori semiotik Wolfgang Kemp Roland Barthes Peter Gillgren Bengt Olvång Våga se Christer Strömholm Susan Sontag On Photography Hubert Damish The Origin of Perspective Kristina Fridh fotomontage dada genius loci Fritz Lang Metropolis Apocalypse Now Joseph Conrad Mörkrets hjärta Chatarina Dyrssen filmisk arkitektur Le Corbusier Bayeuxtapeten altarskåp Hieronymus Bosch The Garden of earthly Delights Ebba Grön Karlaplan konstvetenskap Johan Eriksson Bo Ljung Humanities and the Arts Humaniora och konst

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