Global ETD Search

21	Dansa konståkning : En rörelseanalys av ett score utfört på is och golv Dursjö, Louise January 2020 (has links) Dance figure skating – A comparison between a score executed on ice and on floor This work derives from a curiosity of how figure skating and contemporary dance as two different art formscould work together. In what ways can different techniques within the fields of contemporary dance and figureskating inspire and develop each other? Video analysis together with introspection are used as methods. A scorewith different techniques from each field is recorded on the ice and on the floor. This material together with awritten introspection contains the base for the analysis and discussion together with relevant literature from thetwo fields. There are both similarities and clashes when analysing the results of the scores. Gliding and being onedges are fundamentals in figure skating and they are not transferable to floor. Falling and catching the fall issomething that turns out to be restricted to the floor since the skates makes edges while leaning and glidinginstead of falling. There are more explorations to be done when it comes to merging the two art forms together,hopefully this essay will give some inspiration to further work within contemporary skating. Figure skating Contemporary dance Contact Improvisation Fall & Release Score Improvisation Video observation Introspection Konståkning Modern nutida dans Kontaktimprovisation Score Improvisation Videoobservation introspektion Learning Lärande Arts Konst Didactics Didaktik
22	Dansgenrer på svenska gymnasieskolor : en kvantitativ undersökning Strigner, Evelina January 2021 (has links) Dance genres in Swedish upper secondary school - a quantitative survey Dance as a subject in upper secondary school is a relatively young subject with a vague framing that provides the teachers with more room for interpretation. The aim of this paper is to shed light on a somewhat unexplored researched field and to contribute with knowledge about what dance genres that are featured in Swedish upper secondary schools. The study investigates what genres the students encounter in the everyday dance training and how much time in class. Further, it is investigated which genres the schools bring in as guest genres and who teaches them. The data is collected via a survey that was sent to all Swedish upper secondary schools with an arts program in dance. The results are analyzed and discussed via curriculum theory and Swedish dance history. Some of the main conclusions are that the modern and contemporary dance stands out in more than one way and is well established in dance programs in Swedish upper secondary schools. Another result shows that there is a wide diversity in the genres schools chose to include as a guest genre. The results also show that the most common is to bring in a guest teacher in different subgenres of street dance. Dance genre modern and contemporary dance jazz ballet street curriculum theory dance education upper secondary school Dansgenre modern och nutida dans jazz balett street läroplansteori dansutbildning gymnasieskola Pedagogical Work Pedagogiskt arbete
23	Promenade pieces : About graphic scores, connotation and pedestrians Jönsson, Maria January 2018 (has links) <p>Maria Jönsson: Track_4</p><p>Performers: Maria Jönsson - flute, Reuben Fenemore - clarinet, Gustav Broman - electric bass, Albin Vesterberg - electric guitar; Wendy Liao, Artur Musalimov, Naama Freedman, Hue Trinh Luong - pedestrians.</p><p>Video and audio recording of Track_4 with: Maria Jönsson - flute, Reuben Fenemore - clarinet, Gustav Broman - electric bass, Albin Vesterberg - electric guitar; Wendy Liao, Artur Musalimov, Naama Freedman, Hue Trinh Luong - pedestrians.</p> Graphic score animated score pedestrian network programming improvisation interpretation GPS OSC CoPeCo Contemporary Performance and Composition contemporary music connotation association sign symbol Grafiskt partitur animerat partitur fotgängare nätverk programmering improvisation interpretation GPS OSC CoPeCo Contemporary Performance and Composition nutida konstmusik konnotation association tecken symbol Music Musik
24	Den nutida låga och täta trädgårdsstaden : Från miljonprogram till nutida trädgårdsstad Rostock, Mattias January 2023 (has links) I arbetet besvaras två frågor om vilka designprinciperna är för traditionella trädgårdsstäder från början av 1900-talet samt hur trädgårdsstaden kan anpassas med nutida forskning och praktik till dagens kontext. Ett gestaltningsarbete av ett bostadsområde har utformats med framtagna designprinciper som en del av analysen. Utgångspunkten är en nutida trädgårdsstad i låg och tät bebyggelse. Förslaget utarbetas sig i Kungsmarkens högskaliga miljonprogramsområde som ett alternativ till bebyggelsen som finns på plats idag. Platsens förutsättningar har beaktats gällande; verksamheter, målpunkter, omgiven bebyggelse, trafik, barriärer, utsikter, grönska och topografiska skillnader. Vidare så har målsättningen i det alternativa planförslaget varit att skapa lika många bostäder som idag finns på platsen. Arbetet har undersökt om en nutida låg och tät trädgårdsstad, kan vara ett av alternativen till dagen byggnadsideal. trädgårdsstad trädgårdsstäder designprinciper bostadsområde bebyggelse låg och tät lågt och tätt Kungsmarken miljonprogram miljonprogramsområde förutsättningar byggnadsideal modern nutida traditionell stadstyp småstad förorten konceptfastighet bebyggelsestruktur gaturum grönska trädgård platsbildningar siktlinjer garden cities Howard Rådberg Unwin Forshed gestaltning utformning gestaltningsprogram kvalitetsprogram Architectural Engineering Arkitekturteknik Social Sciences Samhällsvetenskap
25	Från tomt notblad till klingande toner : Att medverka i komponerandet av och studera in ett nytt stycke för blockflöjt Alex, Gullberg January 2024 (has links) I detta arbete beskrivs samarbetet mellan en blockflöjtist och en kompositör i kompositionsprocessen av ett solostycke för blockflöjt. Studien tog sin bakgrund i en vilja att bidra till blockflöjtens utveckling inom samtida musik. Studien åsyftade att undersöka tidigare nämnda samarbetsprocess samt instuderingsprocessen av det resulterande stycket för instrumenttypen voiceflute, i synnerhet hur instuderingsprocessen påverkades av att stycket aldrig tidigare tolkats eller uppförts. För att uppnå detta hölls frekventa möten mellan musiker och kompositör och både samarbetsprocess och instuderingsprocess dokumenterades genom loggföring. Denna metod resulterade i ett tätt samarbete där både musiker och kompositör tillförde värdefulla kunskaper till både kompositions- och instuderingsprocessen. Samarbetet ledde till ett solostycke för voiceflute, Väntan i Nattavaara. Stycket är väl lämpat till voiceflutens egenskaper och utnyttjar många av blockflöjtens unika uttrycksmöjligheter och alternativa tekniker. Genom studien genererades således ett värdefullt tillskott till den moderna blockflöjtsrepertoaren. Särskilt värde ligger i att stycket skrevs till voiceflute, en sällan förekommande blockflöjtstyp i nutida musik. Studien har även lett till personlig och konstnärlig utveckling för kompositör såväl som musiker. Det finns dessutom vidare forskningsmöjligheter inom området. / This thesis describes the collaboration between a recorder player and a composer in the process of composing a solo piece for recorder. The study was born of a desire to contribute to the development of the recorder in contemporary music. The study aimed to investigate the previously mentioned collaboration process as well as the process of interpreting the resulting piece written for the instrument type voice flute, in particular how the interpretation process was affected by the piece never having been interpreted or performed before. To achieve this, frequent meetings were held between composer and musician, and both the collaboration process and the study process were documented through journaling. This method resulted in a close collaboration where both musician and composer contributed valuable knowledge to the composition and interpretation processes. The collaboration led to a solo piece for voice flute, Väntan i Nattavaara. The piece is well suited to the characteristics of the voice flute and utilizes many of the recorder’s unique methods of expression and extended techniques. The study thus generated a valuable addition to the modern recorder repertoire. Particular value lies in the fact that the piece was written for the voice flute, a type of recorder rarely found in contemporary music. The study has also led to personal and artistic development for both composer and musician. Additionally, there are further research opportunities in the area. recorder voice flute composition collaboration with composer music classical music Western classical music Väntan i Nattavaara contemporary music modern music Siri Eigard blockflöjt voiceflute komposition samarbete med kompositör musik klassisk musik konstmusik västerländsk konstmusik Väntan i Nattavaara nutida musik modern musik Siri Eigard Music Musik
26	Det omättliga ögat Ljung, Bo January 2020 (has links) This is a master thesis dealing with reception-theoretical aspects of the 96 meter long photomontage called That day and that grief, created by the Swedish photographer and artist Larseric Vänerlöf. The artwork is situated in the Karlaplan metro-station in Stockholm. The text is an extension of the master thesis that I wrote in 2017-2018, entitled The Cinematic eye. This new essay aims to deepen the understanding of how the photomontage reveals it´s meaning and how it is received by the viewer in the metro context at Karlaplan. Main questions: 1/ What is it in this big photomontage, that makes the viewing travellers, wanting to stay and watch it, even though they are in a hurry towards another place, in another matter? 2/ How does this artwork speak to me and how does it want me to watch it? 3/ What does the photomontage want to tell me? 4/ What does the work represents? Since my study focuses on the imagery and communication-act of the artwork, I find semiotics and reception-theory as the obvious theoretical tools. Part of the interpretation of the image relates to the semiotics of Roland Barthes and his statement that all images are polysemic and ambiguous and that they are culturally and historically conditioned. In my conclusion I discuss and to some extent challenge the mechanism and interaction between literal, denoting information and symbolic connotation in the viewer’s reception. The reception analysis is based on Wofgang Kemps conceptual apparatus formulated in The work of Art and its Beholder (1998), and Peter Gillgrens concept of interartial references. Hans Georg Gadamers view of art as a performative game complements the essays theoretical construction. I use a deductive and systematic interpretive working method. Based on the chosen semiotic and reception theoretical formation and through my questions, I have studied the phenomenology of the photomontage, i.e. as an artistic and linguistic phenomenon. Empathy in site/location, beholder and zeitgeist form the basis of the methodological work.The conclusions of the thesis are radically different from that of my former text from 2017-18. Imagery and symbolic ambiguities and focalics that refuse to reveal the "meaning" and content of the photomontage, activate the viewer in a performative way and creates a highly communicative work, which involves the viewer in the theatrical course. Through a deeper study of the “zeitgeist”, I have also concluded that the collective and political symbols from the 1970s in the work, have lost power and content at the time of the dismantling in 1982. The character that I previously perceived as "Art as weapon" has in this essay been transformed to "Art as visuality". The art of photography appears as the real subject matter for the photomontage at Karlaplan subwaystation. Larseric Vänerlöf Den dagen och den sorgen offentlig konst tunnelbanekonst politisk konst receptionsteori semiotik Wolfgang Kemp Roland Barthes Peter Gillgren Bengt Olvång Våga se Christer Strömholm Susan Sontag On Photography Hubert Damish The Origin of Perspective Kristina Fridh fotomontage dada genius loci Fritz Lang Metropolis Apocalypse Now Joseph Conrad Mörkrets hjärta Chatarina Dyrssen filmisk arkitektur Le Corbusier Bayeuxtapeten altarskåp Hieronymus Bosch The Garden of earthly Delights Ebba Grön Karlaplan konstvetenskap Johan Eriksson Bo Ljung Humanities and the Arts Humaniora och konst

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