Made available in DSpace on 2016-04-26T20:22:54Z (GMT). No. of bitstreams: 1 Alexandre Fidalgo.pdf: 16088782 bytes, checksum: e136f0aff41651cea382a81612b81f29 (MD5) Previous issue date: 2013-10-18 / This study aims to discuss the possibility of rescissory action based on article 485, V, of the Code of Civil Procedure, under the justification of jurisprudential divergence. It defends that the merit decision transited in rem judicatam may be rescinded if it is contrary to prevailing jurisprudence at the time, considering analogous situations and incurred in a similar historical and social moment, under penalty of offense to the principle of isonomy, not applicable the Supreme Court Precedent Nr. 343 as being unconstitutional. Under the same argument, it presents the possibility of rescissory action against decision that does not obey the binding precedent and decision contrary to prevailing jurisprudence determined later. It also defends the possibility of rescissory action against sentence based on rule of law later declared unconstitutional and against decision declaring unconstitutional rule of law later declared constitutional. The study is presented in three main parts. The first one relates to the concepts and legal nature of the rescissory action, its admissibility presuppositions and the traditional assumptions of rescissory action. The second part addresses the issue of the possibility of rescissory action based on jurisprudential divergence. Finally; the third part is dedicated to the concepts of the rescissory action elements (parties, cause of action and claim - ius rescindens and ius rescissorium), as well as it address the jurisdiction and the suspension of effects of the rescinded decision / O presente 'trabalho tem por objeto discutir a possibilidade de ação rescisória, fundamentada no artigo 485, V, do Código de Processo Civil, sob a, justificativa de -', divergência jurisprudencial. Defende que a decisão de mérito transitada em julgado pode ser rescindida se for contrária à jurisprudência dominante à época, considerando situações análogas e havidas em um idêntico momento histórico e social, sob pena de ofensa ao princípio da isonomia, não sendo aplicável a Súmula. 343 do STF, por ser inconstitucional. Sob esse mesmo argumento, apresenta a possibilidade de ação rescisória contra decisão que não obedecer a súmula vinculante, além de decisão contrária a jurisprudência dominante fixada posteriormente. Também defende a possibilidade de ação rescisória contra sentença fundada em norma posteriormente declarada inconstitucional e contra decisão que considerou inconstitucional norma posteriormente declarada constitucional. O trabalho se apresenta em três grandes partes. A primeira diz respeito aos conceitos e natureza jurídica da ação rescisória, seus pressupostos de admissibilidade e as hipóteses tradicionais da ação rescisória. Na segunda parte, aborda o tema da possibilidade de ação rescisória fundamentada em Divergência jurisprudencial. Por fim, a parte final é dedicada aos conceitos da competência da ação rescisória e da suspensão dos efeitos da decisão rescindenda

Cette thèse cherche à explorer les régimes de patrimonialisation des patrimoines, ou encore de patrimonialité des patrimoines, à partir des dynamiques sociales d’identification, de reconnaissance et de mise en valeur des objets dits « patrimoines ». Pour autant, s’opère une interprétation communicationnelle envisageant la compréhension d’une productivité discursive de la valeur patrimoniale. En d’autres termes, nous nous intéressons à la construction du sens patrimonial à partir du discours social. Ce travail s’efforce alors à décrire la patrimonialisation comme un mouvement qui se transforme et s’actualise à partir du discours des différents acteurs impliqués : détenteurs, amateurs, praticiens, associatifs, chercheurs, institutionnels, entre autres. C’est pourquoi nous considérons le discours depuis sa force illocutoire, ce qui nous permet de l’identifier comme une action qui vise « faire-faire » (Austin, [1962] 1970) ou encore « faire agir ». À cet égard, nous avons élaboré un dispositif méthodologique d’écriture webdocumentaire dans la finalité d’analyser sémio-pragmatiquement les différents discours collectés et provoqués lors des nos observations. Pour lors, notre dispositif méthodologique d’écriture webdocumentaire nous autorise la manipulation d’un ensemble de documents hétérogènes, c’est-à-dire l’organisation et la mise en forme, dans l’objectif d’exposer les possibles agencements d’acteurs et l’engendrement d’actions et de sens patrimoniaux. De cette manipulation, considérée comme l’« écriture intermédiaire » (Achard, 1994) de notre recherche, se manifeste peu à peu une conception « rhizomatique » (Deleuze et Guattari, 1980) de la patrimonialisation, où les acteurs sont tout à la fois agis et agissants de ce mouvement en perpétuelle transformation. L’idée d’un « Rhizome » des rhizomes patrimoniaux évolue durant les chapitres de ce mémoire de thèse nous révélant un mouvement patrimonial qui agence les acteurs et engendre les sens. Tel mouvement rhizomatique est notamment producteur de réflexions sur le passé « qui emprunte des signifiés au présent et ouvre les chemins pour le futur » (Mattos et Abreu, 2005). / This thesis seeks to explore the regimes of patrimonialization of patrimonies, or patrimonial heritage, based on social dynamics of identification, recognition and enhancement of objects called "patrimonies". However, there is a communicational interpretation envisaging the understanding of a discursive productivity of the patrimonial value. In other words, we are interested in the construction of the patrimonial sense from the social discourse. Through the realization of two field surveys, in the city of Valença, in the region of Rio de Janeiro, Brazil, and in the "Territoire des Garrigues", in the Occitanie region, in France, we question how an object material or immaterial, is likely to become heritage through symbolic productions. A third observation, of distinct characteristics, was important for the development of this research: it is the "Ninth session of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage", an event which took place in November 2014 in the UNESCO Headquarters, Paris. This work attempts to describe the heritage as a movement that is transformed and actualized from the discourse of the different actors involved: owners, amateurs, practitioners, associations, researchers, institutional, among others. This is why we consider the discourse from its illocutionary force, which allows us to identify it as an action that aims to "make-do" (Austin, [1962] 1970) or "to make action". In this respect, we have developed a methodological method of webdocumentary writing with the aim of analyzing semio-pragmatically the different discourses collected and provoked during our observations. This device gives us the initiative to produce and manipulate different formats of documents, such as audio-visual, sound, photographic and cartographic. Added to this production is the collection of a heterogeneity of documents produced by the actors themselves or by third parties. Therefore, our methodological method of webdocumentary writing allows us to manipulate this set of heterogeneous documents, that is to say the organization and formatting, with the aim of exposing the possible layouts of actors. and the begetting of actions and patrimonial meanings. From this manipulation, considered as the "intermediate writing" (Achard, 1994) of our research, is gradually emerging a "rhizomatic" conception (Deleuze and Guattari, 1980) of the patrimonialisation, where the actors are at the same time act and act of this movement in perpetual transformation. The idea of ​​a "rhizome" of heritage rhizomes evolves during the chapters of this thesis revealing a patrimonial movement that organizes the actors and generates the senses. This rhizomatic movement is notably the producer of reflections on the past "which borrows from the signified in the present and opens the way for the future" (Mattos and Abreu, 2005). Patrimonialization described as a "Heritage Rhizome" becomes an integrated exercise in the public space, also allowing us to open up to other conceptions of public space. / Esta tese tem por objetivo explorar os regimes de patrimonialização dos patrimônios, ou ainda de patrimonialidade dos patrimônios, através das dinâmicas sociais de identificação, de reconhecimento e de valorização dos objetos ditos “patrimônios”. No entanto, opera-se uma interpretação comunicacional com o propósito de compreender a produtividade discursiva do valor patrimonial. Em outras palavras, nós nos interessamos pela construção do sentido patrimonial à partir do discurso social. Este trabalho esforça-se em descrever a patrimonialização como um movimento que se transforma e se atualiza à partir do discurso dos diferentes atores envolvidos : detentores, amadores, praticantes, associativos, pesquisadores, institucionais, entre outros. Portanto, consideramos o discurso desde sua força ilocutória, o que nos permite identificá-lo como uma ação que busca “fazer-fazer” (Austin, [1962] 1970) ou ainda “fazer agir”. Para tanto, elaboramos um dispositivo metodológico de escrita webdocumentária afim de analisar semio-pragmaticamente os diferentes discursos coletados e provocados durante nossas observações. Logo, nosso dispositivo metodológico de escrita webdocumental nos autoriza a manipulação de um conjunto de documentos heterogêneos, ou seja a sua organização e edição, no intuito de expor possíveis associações entre os atores e o engendramento de ações e de sentidos patrimoniais. Desta manipulação, considerada como a “escrita intermediária” (Achard, 1994) da nossa pesquisa, se descobre pouco a pouco uma concepção “rizomática” (Deleuze e Guattari, 1980) de patrimonialização, onde os atores são ao mesmo tempo agidos e ativos de um movimento em constante transformação. A ideia de um “Rizoma” dos rizomas patrimoniais evolui durante os capítulos desta dissertação de tese nos revelando um movimento patrimonial que associa os atores e engendra os sentidos. Tal movimento rizomático é particularmente produtor de reflexões sobre o passado “que empresta significados para o presente e abre novos caminhos para o futuro” (Mattos e Abreu, 2005).

Les « Recherches sur la femme et son rôle au sein de la haute noblesse espagnole (XVIe-XVIIe siècles). L’exemple d’Ana de Silva y Mendoza, VIIe duchesse de Medina Sidonia » s’insèrent dans le cadre de l’histoire générique et visent à récupérer la mémoire de ces femmes qui, à l’époque moderne en Espagne, quels qu’aient été leur position dans la hiérarchie sociale et leur statut familial, demeurent oubliées. C’est le cas des femmes titulaires de Medina Sidonia et de Niebla dont l’histoire n’a pas même retenu les noms. La VIIe duchesse consort de Medina Sidonia, doña Ana de Silva y de Mendoza (1560-1610), fille ainée des princes d’Eboli, est pourtant l’archétype remarquable d’une aristocrate puissante, forte et consciente de son rang en Basse Andalousie aux XVIe et XVIIe siècles. Grâce à une étude prosopographique menée autour d'elle et de trois générations féminines du clan des Medina Sidonia : la IXe comtesse de Niebla, les VIIe et VIIIe duchesses de Medina Sidonia, on s’attachera à décrire le statut juridique, social, économique et politique d’aristocrates à valeur d’exemples. Celui, en particulier, de l’épouse du VIIe duc, don Alonso Pérez de Guzmán el Bueno, responsable de l’Invincible Armada, permettra d’appréhender les sphères d’influence dévolues à ces femmes ainsi que leur vie quotidienne sur les terres de leurs époux. A travers l’étude de la correspondance de ces femmes mais également, d’actes notariés, de livres de comptes et de quelques documents iconographiques issus de différents centres d’archives espagnols (Archivo General de la Fundación Casa Medina Sidonia principalement mais également Archivo General de Simancas, Archivo de Protocolos de Madrid ou Archivo Histórico Nacional sección Nobleza) on participera à la connaissance de l’histoire des femmes à l’époque moderne. On sera alors en mesure de comprendre les stratégies entourant le mécénat artistique et religieux d’une aristocrate, son implication dans la vie économique locale et son rôle essentiel à la fois dans la gestion de la Maison aristocratique et dans l’établissement de liens diplomatiques au sein de l’espace curial de Philippe II et Philippe III. La vie de femmes de la plus haute noblesse espagnole à Séville et surtout à Sanlúcar de Barrameda, chef lieu des territoires ducaux, permettra d’apporter une vision novatrice de la culture andalouse moderne et du dynamisme économique du port de Sanlúcar de Barrameda, longtemps sous-estimé et pourtant véritable porte d’accès de l’Amérique. / Ana de Silva y Mendoza (1561-1610), the oldest daughter of prince of Éboli Ruy Gómez de Silva and Ana de Mendoza y de la Cerda, marries at a very young age, the VIIth duke of Medina Sidonia, Alonso Pérez de Guzmán el Bueno. The active and influential female nobiliary figure in Lower Andalusia, is the subject of this case study. The analysis of her different roles within the Guzmán, the family, the domestic economy in the Sanlúcar’s palace and the duchy, makes possible the comprehension of the real autonomy of a Castilian woman. Different issues that take into account social, economic and politic aspects are examined in this study of a prestigious union of marriage during the reigns of Philip II and Philip III. This example reveals how the wife of one of the most important nobles of Castile takes part in the expression of the lineage’s power by her politic and social actions.

Lorsqu’un site ou un bien est protégé par un statut patrimonial, tant national que local, les règlements d’urbanisme sont un des principaux outils d’encadrement des modifications de l’environnement bâti. Comment ces règlements participent-ils à la conservation des valeurs patrimoniales ? Pour explorer cette question, nous avons choisi le cas de l’arrondissement historique et naturel du Mont-Royal (AHNMR, renommé en 2012 site patrimonial du Mont-Royal), un site majeur pour l’identité de Montréal. Nous avons recensé les valeurs patrimoniales attribuées au site et analysé le processus de gestion des projets dans les quatre arrondissements qui se répartissent la partie montréalaise du territoire de l’AHNMR; nous avons également analysé quelques demandes de permis. Le processus est complexe, d’autant plus que l’évaluation est en bonne partie discrétionnaire, incluant des analyses de fonctionnaires et de comités consultatifs de même que des exercices de consultation publique. La recherche a permis de mettre en lumière que les règlements d’urbanisme ont tendance à se concentrer sur les valeurs dont la matérialité est connue (valeurs architecturales et paysagères notamment) et à délaisser les valeurs immatérielles (valeurs d’usage, valeurs identitaires et emblématiques). La juxtaposition des valeurs peut atténuer ce déséquilibre en protégeant une valeur immatérielle par l’entremise d’une valeur matérielle. La documentation des valeurs patrimoniales et de leur incarnation dans l’aménagement d’un site revêt une importance majeure pour l’application des critères d’évaluation. De plus, l’évaluation discrétionnaire apporte de multiple points de vue sur un projet, des opinions d’acteurs, experts en patrimoine ou non, généralement absents de l’évaluation des projets, ce qui contribue à l’évolution de ces derniers. Les consultations publiques donnent lieu à la réévaluation des valeurs patrimoniales ainsi qu’à l’approfondissement des connaissances. / When a site or a good is protected whit a conservation status, either national or local, the municipal regulations are one of the main tools to manage the built environment modifications. How do the regulation participate in values conservation? To explore this question, we chose to study the case of the arrondissement historique et naturel du Mont-Royal (AHNMR), a major site in the Montreal identity. We listed the heritage values recognized to the site and analyzed the project management process in the four boroughs who share the Montreal part of the AHNMR territory; we analyzed a few permit requests as well. The process is complex, the evaluation being mostly discretionary, including functionary analysis and advisory comities as well as public consultation exercises. The research highlights that urban regulation tend to concentrate on values know for their materiality (architectural values, landscape values for instance) and to neglect immaterial values (custom values, identity and iconic values). The values juxtaposition can mitigate this disproportion by protecting an immaterial value through a material value. The documentation on heritage values and their embodiment in the arrangement of a site has a major importance for the application of the evaluation criteria. The discretionary evaluation brings multiple views on a project, actor’s opinions, heritage experts or non-experts, generally not participating in project’s evaluation process, which contributes to their evolution. Public consultations give rise to reevaluating heritage values as well as knowledge deepening.

Au lendemain de la renaissance juridique du XIIe siècle et de la redécouverte des compilations de Justinien, les juristes médiévaux s’attachent à bâtir un principe général de prohibition des donations entre époux. Dès la première moitié du XIIIe siècle, civilistes et canonistes assouplissent cependant les restrictions, passant ainsi d’une prohibition stricte à un simple système de révocabilité. Les praticiens français, répondant aux demandes de conjoints soucieux de protéger le survivant, ont contribué à l’affaiblissement des entraves romaines et canoniques : serment promissoire, clause de renonciation, donation par personne interposée constituent autant d’expédients, parfois même empiriques et frauduleux. En dépit de ce long glissement doctrinal et des palliatifs élaborés par les notaires, des interdictions ont longtemps persisté dans la plupart des législations territoriales, rédigées et inlassablement réformées à l’aune du droit romain, du Moyen Âge central au début de l’Époque moderne. / Immediately following the juridical renaissance of the 12th century and the rediscovery of the Justinian codification of Roman law, medieval jurists were committed to creating a general principle prohibiting donations between spouses. As early as the first half of the 13th century, however, civil law experts and canonists modulated the restrictions, thereby moving from strict prohibition to a simple system of revocability. French practitioners, responding to requests from married people concerned to protect their surviving spouse, contributed to weakening the constraints of Roman and canon law; promissory oaths, renunciation clauses and donations through an intermediary comprised such contrivances, which were sometimes even improvised and fraudulent. Despite this long doctrinal slide and the palliatives drawn up by notaries, such interdictions persisted over a long period of time in most territorial legislations, redrafted and repeatedly reformed according to the standards of Roman law from the high Middle Ages to the beginning of the modern times.

Le droit d’exposition des oeuvres graphiques et plastiques est un élément nouveau du droit d’auteur, dégagé par la Cour de cassation en 2002. Il permet à l’auteur d’autoriser ou d’interdire l’exposition publique de ses oeuvres, qu’elles soient de dessin, de peinture, de sculpture, de photographie, d’architecture ou de tout autre oeuvre graphique. Ce droit lui permet aussi d’en contrôler les conditions de présentation et d’en tirer une rémunération. Il est en cela assimilable au droit de représentation, tel qu’il s’exerce pour les oeuvres dramatiques ou musicales. Mais le droit d’exposition ouvre des problématiques nouvelles pour le droit d’auteur. En effet, son objet ne peut être qu’une chose corporelle, qu’il s’agisse de l’exemplaire original de l’oeuvre ou de toute autre copie. Par conséquent, cela oblige à reconsidérer la nature du droit d’auteur, que l’on qualifie usuellement de droit sur « l’immatériel », cette notion étant plus adaptée pour les oeuvres littéraires, dramatiques ou musicales. Cette évolution remet en question le sens même de l’expression « propriété incorporelle », telle qu’elle est employée par le Code de la propriété intellectuelle. Le droit d’exposition interroge donc les fondements du droit d’auteur et bouleverse son contenu et sa portée. La thèse apporte les réponses aux questions qui sont posées par ces problématiques. Ainsi, il sera démontré que l’expression « propriété incorporelle » ne qualifie que la propriété du droit de l’auteur, considéré comme un bien, et non celle de l’oeuvre à proprement parler. En cela, la distinction entre cette propriété et la propriété de l’objet matériel doit être entendue le plus strictement, c’est-à-dire comme une simple distinction des droits. De même, le caractère novateur du droit d’exposition révèle que le droit d’auteur a davantage été conçu pour les oeuvres littéraires, dramatiques et musicales, et non pour les oeuvres graphiques et plastiques. De ce fait, le droit d’exposition concourt également à une harmonisation des prérogatives conférées aux auteurs au titre de la propriété littéraire et artistique / The visual artists display right is a new part of the author’s copyright, introduced by the French supreme court in 2002. It implies, for the author, the right to authorize or prohibit the public exhibition of his works, such as paintings, sculptures, photographs, architectural works or any work of graphic or plastic art. This right also gives the author a control over the conditions of presentation of the work and allows him to exploit it financially. It is similar to the performing right for dramatic and musical works. But the visual artists display right is the cause of new problems about intellectual property. Indeed, the exhibition is based on a physical thing in which the work is embodied. Therefore, we need to examine the nature of copyright, which is considered to have an intangible subject-matter. This concept is more convenient for literary, dramatic and musical works. This development calls the terms “intangible property” into questions, as they are used by the French copyright law. The visual artists display right shakes the very foundations of copyright and upsets its own structure. This thesis is intended to examine theses problems. Thus it appears that the terms “intangible property” refer to the property of the author’s right itself, as a possession, instead of the property of the work. That’s why the distinction between this property and the property of the tangible item should be considered as a distinction between two rights. In addition, the innovative nature of the visual artists display right shows that copyright has more been provided for literary, dramatic and musical works, than for the artistic works. This right also contributes to the harmonization of the literary and artistic property

Made available in DSpace on 2016-04-26T20:29:46Z (GMT). No. of bitstreams: 1 Pedro Paulo Barradas Barata.pdf: 993410 bytes, checksum: b58fa664fca20e477bebce150d3d77dd (MD5) Previous issue date: 2009-09-29 / This work comes in response to the great controversy revolving around the applicability of the disregard doctrine to consumer relations. Legal scholars have long wrangled over this issue, some of whom advocate that the Brazilian Consumer Protection Code ended up stripping legal entities of their right to separateness of assets when it comes to consumer relations. As asset separateness and the limitation on liability of business companies are held to be two of the major pillars of the capitalist system, the relevance of this issue is unquestionable. This study thus proposes an interpretation of article 28 of the Brazilian Consumer Protection Code which conciliates these principles and the philosophical tenets of said Code, by offering a systematic and historical interpretation of such rule. To that end, this work will deal with the historical origins of the limitation on liability of legal entities, and its evolution in the US and UK legal systems. Further, this work will analyze the treatment accorded to the disregard doctrine in foreign laws, its background and the current rules applying to this doctrine under Brazilian law / A escolha do objeto deste estudo se deveu à grande controvérsia que o tema da desconsideração da personalidade jurídica desperta no âmbito das relações de consumo. A doutrina vem adotando posições antagônicas com relação ao tema, sendo que parte dos doutrinadores defende que o Código de Defesa do Consumidor teria revogado a autonomia patrimonial da pessoa jurídica nas relações de consumo. Sendo a técnica da separação patrimonial e a limitação de responsabilidade das sociedades empresárias dois princípios aparentemente fundamentais do sistema capitalista, é inegável a importância de que se reveste o tema. Este estudo pretende propor uma interpretação do artigo 28 do Código de Defesa do Consumidor que concilie tais princípios com a filosofia do Código, por meio de uma interpretação sistemática e histórica da norma. Para tanto, foi analisada a origem histórica da limitação de responsabilidade das pessoas jurídicas, sua evolução no Direito norte-americano e no Direito inglês. Ainda, analisou-se o tratamento que a desconsideração da personalidade jurídica recebe no Direito estrangeiro, sua origem histórica e disciplina atual no Direito Brasileiro

Made available in DSpace on 2016-04-04T18:21:54Z (GMT). No. of bitstreams: 1 Giselle Guimaraes Protti.pdf: 4499960 bytes, checksum: 0445a15431468d7fc3a5a9951f7f441b (MD5) Previous issue date: 2010-02-26 / A presente pesquisa tem como objetivo investigar o que promove a vitalidade de um centro urbano hist?rico, desenvolvendo estudos sobre o Mercado Municipal de Campinas e a pol?tica de preserva??o e conserva??o dos patrim?nios hist?ricos, arquitet?nicos, urban?sticos e culturais no Brasil. Apesar de o edif?cio ter sido tombado pelos ?rg?os preservacionistas: Condephaat (estadual, em 1983) e Condepacc (municipal, em 1995), o Mercado tamb?m det?m ao longo dos anos a sua vitalidade atrav?s da simples continuidade funcional que se mant?m no edif?cio desde a sua inaugura??o, em 1908, fun??o essa relacionada ao trabalho e ao cotidiano das pessoas: o com?rcio de alimentos e outros artigos. Tanto o Mercado quanto sua ?rea envolt?ria mant?m forte a sua vitalidade urbana, devido ? regi?o concentrar a voca??o comercial e de servi?os, que permitem grande movimento no local. Isso garante a conserva??o da identidade cultural para a sociedade local que vive no mundo contempor?neo. Por esse motivo, o edif?cio ? n?o apenas espa?o de com?rcio e patrim?nio, mas muito al?m disso, funciona como espa?o de sociabilidade e mem?ria para a cidade de Campinas. Ele ? hoje centro urbano, centro hist?rico, centro comercial, centro de passeio, centro de encontro, centro de conviv?ncia, centro de troca e ? centro de vitalidade para a cidade. Assim, essa disserta??o envolve patrim?nio hist?rico, espa?os p?blicos e gest?o p?blica urbana, conceitos estes que est?o presentes na vida do Mercado Municipal de Campinas.

Made available in DSpace on 2016-04-04T18:33:13Z (GMT). No. of bitstreams: 1 Isla Andrade Pereira de Matos.pdf: 4433842 bytes, checksum: d9ae82270c395160d0d4154b7beaa0cf (MD5) Previous issue date: 2013-11-25 / The present study aimed, from the theoretical reflections on education and museum education, investigate the performance of the educational Afro Brazil Museum along to school groups scheduled for guided tours. With the purpose of acting for the recognition of African and Afro-descendant population as social subjects in Brazilian culture, taking them the stigma of slavery and valuing their ways of being and doing, the Afro Brazil Museum would be assuming the role of combating ethnic racial discrimination, seeking its visitors aware of the importance of African influence in the construction of Brazilian nationality. Therefore it was defined the research problem: the educational action of the Afro Brazil Museum fight ethnic racial discrimination through heritage education? Adopting the procedure ethnographic and empirical observation of guided visits, it was found not to confirm the initial hypothesis, which held that the Afro Brazil Museum hold a heritage education in the sense of celebrate the history of blacks in Brazil and Africa through the narrative perspective inaugurated by von Martius on the participation of the three races (white, black and indigenous) in the construction of Brazil. Among the results obtained from the research we observed characteristics of educational action that can be considered as a factor in teaching and learning, but not heritage education. On the other hand, there is concern in teaching students to read the exhibits and to recognize the African influence in Brazilian culture. It was also the discontinuity of visits, which involves not only the museum, but mostly the school in the preparation and finalization of the visit, this activity could modify the quality of education held at the museum. / O presente trabalho teve como objetivo, a partir das reflex?es te?ricas sobre educa??o e educa??o em museus, investigar a atua??o da a??o educativa do Museu Afro Brasil junto aos grupos de escolas agendados para as visitas orientadas. Com o prop?sito de atuar para o reconhecimento da popula??o africana e afrodescendente como sujeitos sociais na cultura brasileira, tirando-lhes o estigma da escravid?o e valorizando seus modos de ser e fazer, o Museu Afro Brasil estaria assumindo o papel de combater a discrimina??o ?tnico-racial, buscando conscientizar seus visitantes da import?ncia da influ?ncia africana na constru??o da nacionalidade brasileira. Por isso, assim foi definido o problema de pesquisa: a a??o educativa do Museu Afro Brasil combate a discrimina??o ?tnico-racial por meio da pr?tica da educa??o patrimonial? Adotando o procedimento etnogr?fico e emp?rico de observa??o das visitas orientadas, constatou-se a n?o confirma??o da hip?tese inicial da pesquisa, ? qual sustentava que o Museu Afro Brasil realizaria uma educa??o patrimonial no sentido de ser celebrativa ? hist?ria dos negros no Brasil e na ?frica da perspectiva narrativa inaugurada por von Martius sobre a participa??o das tr?s ra?as (branca, negra e ind?gena) na constru??o do Brasil. Dentre os resultados obtidos com a pesquisa, foram observadas caracter?sticas da a??o educativa que podem ser consideradas enquanto crit?rios de ensino e aprendizagem, mas n?o de educa??o patrimonial. Por outro lado, h? uma preocupa??o em ensinar os alunos a lerem os objetos expostos e a reconhecerem a influ?ncia africana na cultura brasileira. Constatou-se tamb?m a descontinuidade das visitas, que envolve n?o s? o museu, mas principalmente a escola na prepara??o e finaliza??o da visita, atividade essa que poderia modificar a qualidade da educa??o realizada no museu.

Submitted by Carmen Torres (carmensct@globo.com) on 2018-03-06T19:53:02Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_ConjuntoArquitetonicoPaisagistico.pdf: 3215320 bytes, checksum: 18332c4117050c1465ca303360a92bd1 (MD5) / Approved for entry into archive by Edisangela Bastos (edisangela@ufpa.br) on 2018-03-14T16:06:53Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_ConjuntoArquitetonicoPaisagistico.pdf: 3215320 bytes, checksum: 18332c4117050c1465ca303360a92bd1 (MD5) / Made available in DSpace on 2018-03-14T16:06:53Z (GMT). No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_ConjuntoArquitetonicoPaisagistico.pdf: 3215320 bytes, checksum: 18332c4117050c1465ca303360a92bd1 (MD5) Previous issue date: 2016-06-17 / A presente dissertação tem por objeto a análise da legislação do tombamento do Conjunto Arquitetônico, Paisagístico e Urbanístico de Cáceres-MT e as ações empreendidas para sua preservação e conservação pelo Ministério Público, após seu tombamento, além daquelas especificadas no Inquérito Civil efetuado pelo Ministério Público Estadual e Federal. Para cumprir o objetivo da presente dissertação analisou-se legislações sobre o tema, o relatório do Inquérito Civil, fotografias do Conjunto tombado, fundamentando com a bibliografia empregada. A problemática visou responder às seguintes questões: Quais as ações especificadas no Inquérito Civil efetuado pelo Ministério Público Estadual e Federal para preservação e proteção do Conjunto Arquitetônico, Paisagístico e Urbanístico de Cáceres-MT? Quais as ações estabelecidas pelo Ministério Público para preservação e proteção do Conjunto Arquitetônico, Paisagístico e Urbanístico de Cáceres-MT, após seu tombamento? Ainda que o tombamento tenha sido efetuado nas esferas municipal, estadual e federal, muito há de ser realizado, continuam as demolições e abandono dos imóveis pelos proprietários e pouca fiscalização do poder público municipal e estadual. Percebe-se que a esfera do tombamento municipal, estadual e federal não alterou a conservação do Conjunto Arquitetônico, Paisagístico e Urbanístico de Cáceres-MT. Há muito a realizar. Espera-se por políticas públicas para realização de ações e fiscalização efetivas, como por exemplo, a recuperação física dos imóveis tombados a ser realizada pelos poderes municipal e estadual, mas, acima de tudo, educação patrimonial para os moradores e comerciantes do local tombado, bem como a toda população sobre a formação histórica e cultural do município, para a preservação efetiva. Acredita-se no tombamento como instrumento fundamental para a preservação da memória e cultura brasileira, cujas mudanças socioeconômicas são importantíssimas e devem ser compreendidas, mas a preservação é o objeto fundamental do tombamento. / The present dissertation has as purpose the analysis of legislation having the Architectural, Urban and Landscape of Cáceres-MT and the actions taken for its preservation and conservation of the public prosecutor, after its listing, beyond those specified in the Civil Investigation conducted by State and Federal Prosecutors. To fulfill the goal of this dissertation, beyond those specified in the Civil Investigation conducted by State and Federal Prosecutors, examined. The problem developed in order to answer the following questions: What are the actions specified in the Civil Investigation conducted by State and Federal Prosecutors for preservation and protection of the Architectural, Urban and Landscape of Cáceres-MT? What are the actions established by the Prosecutor's Office for preservation and protection of the Architectural, Urban and Landscape of Cáceres-MT, after your listing? Although the listing been effected in local, State and federal spheres, much to be done, continue the demolitions and abandonment of buildings by the owners and little oversight of municipal and State Government. One can see that the sphere of municipal, State and federal preservation order did not change the conservation of architectural and Urban Landscape Set of Cáceres-MT long. It is expected for public policies for conducting effective surveillance, and actions such as the physical recovery of the properties listed to be held by municipal and State powers, but, above all, heritage education to residents and local merchants listed, as well as the entire population about the historical and cultural formation of the municipality, for the effective preservation. It is believed the tipping as fundamental tool for the preservation of memory and brazilian culture, whose socio-economic changes are important and should be included, but the preservation is the fundamental object of tipping.