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Řečtí a římští reformátoři / Greek and Roman reformersGrigoryan, Hračja January 2016 (has links)
The goal of this thesis on roman and greek reformers was to create a methodical summary of the most important constitutional reforms in ancient Rome and Greece. It is mostly focussed on the history of ancient Rome or Roman reformers, respectively. I call these reforms constitutional for their undoubted life-changing impact on the society as a whole - some of the reforms changed the ancient societies for the upcoming decades and even centuries, some changed them, as I believe, forever. For example a struggle between Lucius Cornelius Sulla and Gaius Marius had a far- reaching impact on Rome as too much of "unbreakable" rules were broken - which, of course, led to another and another heavy and unprecedented interventions which ultimately led to the fall of the republic and the beginning of the new, Imperial, era. Main sources of this thesis are the texts of ancient authors, such as Plutarch Suetonius and Appian, as it was one of my goals to use primary literature as much as possible.
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How the Eunuch Works:Eunuchs as a Narrative Device in Greek and Roman LiteratureErlinger, Christopher Michael 28 December 2016 (has links)
No description available.
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The characterisation of Mark AntonyVon Hahn, Brita Bettina January 2009 (has links)
This dissertation aims to focus on the way in which Marc Antony has been portrayed in Antiquity by a careful and critical study of what the ancient (mainly literary) sources have to reveal about this historical personage. A number of primary sources present a very negative view of Antony under the influence of various political persuasions, and this will be compared and contrasted with later ancient views. The study will pursue this under key themes such as the personality of Antony, his military and political career as well as the role that he played in the East. Modern scholarly interpretations of Antony’s character and actions will also be brought into the discussion, so that an objective evaluation of the contribution which Antony has made to the history of the Roman Republic, insofar as objectivity is possible, may be arrived at. / Language Services / M.A. (with specialisation in Ancient Languages and Cultures)
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The characterisation of Mark AntonyVon Hahn, Brita Bettina January 2009 (has links)
This dissertation aims to focus on the way in which Marc Antony has been portrayed in Antiquity by a careful and critical study of what the ancient (mainly literary) sources have to reveal about this historical personage. A number of primary sources present a very negative view of Antony under the influence of various political persuasions, and this will be compared and contrasted with later ancient views. The study will pursue this under key themes such as the personality of Antony, his military and political career as well as the role that he played in the East. Modern scholarly interpretations of Antony’s character and actions will also be brought into the discussion, so that an objective evaluation of the contribution which Antony has made to the history of the Roman Republic, insofar as objectivity is possible, may be arrived at. / Language Services / M.A. (with specialisation in Ancient Languages and Cultures)
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Řečtí a římští reformátoři / Greek and Roman reformersGrigoryan, Hračja January 2017 (has links)
The goal of this thesis on roman and greek reformers was to create a methodical summary of the most important constitutional reforms in ancient Rome and Greece. It is mostly focussed on the history of ancient Rome or Roman reformers, respectively. I call these reforms constitutional for their undoubted life-changing impact on the society as a whole - some of the reforms changed the ancient societies for the upcoming decades and even centuries, some changed them, as I believe, forever. For example a struggle between Lucius Cornelius Sulla and Gaius Marius had a far- reaching impact on Rome as too much of "unbreakable" rules were broken - which, of course, led to another and another heavy and unprecedented interventions which ultimately led to the fall of the republic and the beginning of the new, Imperial, era. Main sources of this thesis are the texts of ancient authors, such as Plutarch Suetonius and Appian, as it was one of my goals to use primary literature as much as possible.
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La Ricezione della Vita di Mario di Plutarco nella cultura greco-latina dal II al V secolo d.C.Musacchio, Pierfrancesco 15 June 2022 (has links)
This research aims to answer three questions: why do we study an ancient reception of a text, in the 21st century? Why do texts change their meanings throughout time? How does this occur in our case study, Marius’ life? The methodologic approach is based on Jauss’ hermeneutic; Gramsci’s cultural hegemony; László’s construction of cultural identity; Hardwick’s classical reception studies; Lausberg’s literary communities. Moreover, I propose to define cultural communities. These communities reuse texts according to their own perception (voluntarily or involuntarily). So, I have selected a corpus of authors, linked to Plutarch and Marius, that have been catalogued by different cultural groups. The results show that under the Antonine dynasty Marius’ existence is almost forgotten, but the moral message of Life is systematically reused. The 3rd century exalts the authoritarian Marius, according to the political program of the Severan dynasty and military emperors. The 4th and 5th centuries reused Marius’ life in two ways: Christians describe a bad man, while pagans portray a hero, because the former want to condemn, and the latter want to glorify Roman tradition. These results have already answered the third question, on how meanings change. They allow us to answer the second question: why? Because of the change of political aims. Finally, I can answer the first one: why is this important for us? Because contemporary cultural communities reuse classical texts in the same ways as the ancient ones. So, this analysis of the past can explain the present too.
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La réception du théâtre d’Aristophane dans la littérature grecque de l’époque impériale / The reception of Aristophanes’s theatre work in Greek literature of the Roman periodLebon-Samborski, Émilie 06 December 2019 (has links)
La comédie d’Aristophane est abondamment reçue et réécrite par la littérature grecque de l’époque impériale. À partir de l’histoire de la transmission des pièces, rarement rejouées entre leur création et les deux premiers siècles de notre ère, mais diffusées et réinterprétées par différents canaux, iconographiques ou textuels, la thèse étudie la place et le rôle de ce théâtre dans le paysage culturel du Haut-Empire, et plus spécifiquement chez les prosateurs grecs. Le statut de ce théâtre paraît de prime abord problématique : il est souvent entouré de silence, voire d’un blâme théorique, surtout quand on l’oppose à Ménandre ; mais les écrivains, dans des genres et des formes très variés, se le sont pleinement approprié. De nombreux enjeux caractérisent la réécriture des comédies : enjeux historiques et linguistiques, grâce à l’ancrage des textes dans un contexte et une langue attiques et à la réserve de realia que représentent les comédies et qui contribuent à instaurer et affermir l’hellénisme des pépaideumenoi de l’Empire ; enjeux moraux et comiques, notamment par la satire et la parodie ; plus largement, des enjeux poétiques et rhétoriques : ce théâtre est devenu un vecteur reconnu d’images et un garant de créativité et d’autorité. Deux études de cas portent sur des auteurs emblématiques de la période, Plutarque de Chéronée et Lucien de Samosate : les usages qu’ils font de la référence aristophanienne sont protéiformes et marqués par une grande ambiguïté, que cette thèse tente d’élucider. / The reception of Aristophanes’s comedy in the Greek literature of the Roman Empire is extensive. Based on the history of transmission of the comedies, which from their creation to the the first two centuries AD were rarely performed on stage but spread and re-interpreted by different means, whether iconographic or textual, this dissertation studies the place and role of this theatre in the cultural landscape of the Roman Empire, specifically in the work of Greek prose writers. The status of this theatre seems at first sight quite problematic: it is rarely mentioned and if mentioned it is spoken of with theoretical disapproval, yet the writers, in various literary genres and forms, fully appropriated it. The rewriting of the comedies is at stake on many levels: on the historic and linguistic levels, in the light of how these texts are anchored in the Attic context and language, and the stock of realia they contain, which contributes to demonstrating the "pepaideumenoi"‘s hellenism in the Empire; on the moral and comic levels, too, as well with satires and parodies; and to a larger extent on the poetic and rhetorical levels, this theatre becomes a conveyor of images and guaranteeing creativity and authority. Two case studies were presented here about emblematic writers of the imperial period, Plutarch of Chaeronea and Lucian of Samosata: they make protean and ambiguous use of the reference to Aristophanes, that this dissertation attempts to clarify.
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Παρθικά – Parthica Ricerche sulla storiografia greco-latina di età imperiale sull’impero partico : il caso della Παρθική pseudo-appianea / Παρθικά – Parthica. Recherches sur l’historiographie impériale gréco-latine sur l’empire parthe : le cas de la Παρθική du Pseudo-Appien / Παρθικά – Parthica. Studies on Graeco-Roman Imperial Historiography of the Parthian Empire : the Case of Pseudo-Appian’s ΠαρθικήEnrico, Marco 24 May 2019 (has links)
Appien est l’auteur d’une histoire universelle, l’Histoire romaine, allant de la fondation de Rome jusqu’à l’époque de Trajan. Parmi les livres qui la composent, nous pouvons remarquer la présence d’un Livre Parthique. Bien qu’Appien lui-même manifeste à plusieurs reprises l’intention d’écrire un Livre Parthique, la tradition manuscrite ne nous a transmis qu’un texte très problématique, intitulé Παρθική, qui n’est qu’un centon d’extraits tirés du Livre Syriaque d’Appien et des Vies d’Antoine et de Crassus de Plutarque. Il est évident que la nature de ce texte a engendré un vif débat sur son authenticité. C’est pour trancher la question que notre thèse fournit une nouvelle édition critique du texte de la Παρθική, prenant en compte les études les plus récentes sur la tradition manuscrite de l’Histoire Romaine ; mais surtout elle vise à prendre parti sur la question de l’authenticité de ce texte, en étudiant la méthode historiographique d’Appien et l’usage qu’il fait de ses sources. Compte tenu de cette analyse, nous pouvons conclure que la Παρθική n’accomplit pas ce que l’historien s’était fixé et que son contenu ne correspond pas aux informations qu’il avait déjà à sa disposition. C’est pourquoi il ne paraît pas possible de considérer authentique la Παρθική. / Appian’s principle surviving work, known as Roman History, inspects the events occurred from Rome foundation until the reign of the Emperor Trajan. Among its different books, we can notice the Parthian History. Despite Appian’s intention of writing a Parthian History, the test that reached us – called Παρθική – is made only of excerpts from Appian’s Syrian History and from Plutarch’s Life of Crassus and Life of Antony. It is clear that the characteristics of this test have generated an intense debate on its authenticity. Object of this work is to shed light on this issue, writing a new critical edition of Παρθική, that takes into account the latest studies of the Roman History manuscript tradition. Furthermore, this work has the aim of taking a position on the question of authenticity through a deep study of Appian’s historiographical method and his use of sources. From this analysis it results that Παρθική is not adherent to Appian purposes and its contents does not match with the information he had available. For these reasons it doesn’t seems possible to take the position of the book authenticity.
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From self-praise to self-boasting : Paul's unmasking of the conflicting rhetorico-linguistic phenomena in 1 CorinthiansDonahoe, Kate C. January 2008 (has links)
The thesis, entitled “From Self-Praise to Self-Boasting: Paul’s Unmasking of the Conflicting Rhetorico-Linguistic Phenomena in 1 Corinthians,” examines the rhetorical conventions of “boasting” and self-praise among those vying for social status and honor within the Greco-Roman world. While the terminological options for “boasting” and self-praise frequently overlap, a survey of these conventions demonstrates that the ancients possessed a categorical distinction between “boasting” and self-praise, which oftentimes conflicted with Paul’s distinction. Clear examples of this conflict appear in 1 Cor 1:10-4:21; 5:1-13; 9:1-27; 13:1-13; and 15:30-32, where Paul addresses the Corinthians’ overestimation of wisdom and eloquence, redirects the Corinthians’ attention away from loyalties to specific leaders to loyalty to Christ, redefines the standards by which the Corinthians should view themselves and their leaders, counters the Corinthians’ tendency to engage in anthropocentric “boasting,” and affirms his own apostolic ministry. It is the Corinthian community’s inability to grasp the application of theocentric “boasting” which leads Paul to address certain aspects and values of secular Corinth that have penetrated the Corinthian community. Thus, operating from an eschatological perspective, Paul critiques both the Corinthians’ attitudes and the Greco-Roman cultural values upon which their attitudes are based. Through irony, self-presentation, imitation, differentiating between theocentric and anthropocentric “boasting,” and distinguishing between personality and gospel rhetoric, Paul challenges the secular notions of social status, power, wisdom, leadership, and patronage and exhorts the Corinthians to focus their attention on their relationship with the Lord rather than on improving their social status or on increasing their honor.
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A Pragmatic Standard of Legal ValidityTyler, John 2012 May 1900 (has links)
American jurisprudence currently applies two incompatible validity standards to determine which laws are enforceable. The natural law tradition evaluates validity by an uncertain standard of divine law, and its methodology relies on contradictory views of human reason. Legal positivism, on the other hand, relies on a methodology that commits the analytic fallacy, separates law from its application, and produces an incomplete model of law.
These incompatible standards have created a schism in American jurisprudence that impairs the delivery of justice. This dissertation therefore formulates a new standard for legal validity. This new standard rejects the uncertainties and inconsistencies inherent in natural law theory. It also rejects the narrow linguistic methodology of legal positivism.
In their stead, this dissertation adopts a pragmatic methodology that develops a standard for legal validity based on actual legal experience. This approach focuses on the operations of law and its effects upon ongoing human activities, and it evaluates legal principles by applying the experimental method to the social consequences they produce. Because legal history provides a long record of past experimentation with legal principles, legal history is an essential feature of this method.
This new validity standard contains three principles. The principle of reason requires legal systems to respect every subject as a rational creature with a free will. The principle of reason also requires procedural due process to protect against the punishment of the innocent and the tyranny of the majority. Legal systems that respect their subjects' status as rational creatures with free wills permit their subjects to orient their own behavior. The principle of reason therefore requires substantive due process to ensure that laws provide dependable guideposts to individuals in orienting their behavior.
The principle of consent recognizes that the legitimacy of law derives from the consent of those subject to its power. Common law custom, the doctrine of stare decisis, and legislation sanctioned by the subjects' legitimate representatives all evidence consent.
The principle of autonomy establishes the authority of law. Laws must wield supremacy over political rulers, and political rulers must be subject to the same laws as other citizens. Political rulers may not arbitrarily alter the law to accord to their will.
Legal history demonstrates that, in the absence of a validity standard based on these principles, legal systems will not treat their subjects as ends in themselves. They will inevitably treat their subjects as mere means to other ends. Once laws do this, men have no rest from evil.
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