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141	Birdpoetic Worlds : Sensing the more-than-human worlds through Nina Södergren's bird poems Sunnebo, Jessica January 2023 (has links) This thesis, Birdpoetic Worlds: Sensing the more-than-human worlds through Nina Södergren’s bird poems, analyses a selection of poems by Swedish poet Nina Södergren (1924–2015) from the collection Högt ärade trana: Nya dikter och urval av tidigare poesi* (2012), through the lens of ecocriticism and animism. The aim is to identify and explore how her bird poetics can function as an invitation to sense a relational experience and interconnectedness with the more-than-human world, especially through attentiveness. Examples of bird poetry by a small selection of different poets will be explored to provide a broader context of the genre. The analyses will be followed by reflections about going beyond the written human language, transitioning from reading to listening, immersing in nature’s soundscapes, and experiencing it attentively firsthand. It explores the different linguistic, poetic, and embodied approaches, and what these mean for interconnectedness will be discussed. The entrance point to the contextual review is The Bird Symphony by Nils Aslak Valkeapää. * Translated: Highly honored crane: New poems and a selection of earlier poetry. / Denna uppsats, Birdpoetic Worlds: Sensing the more-than-human worlds through Nina Södergren’s bird poems, analyserar ett urval av dikter av poeten Nina Södergren (1924–2015) från samlingen Högt ärade trana: Nya dikter och urval av tidigare poesi (2012), genom en ekokritisk och animistisk lins. Syftet är att identifiera och utforska hur hennes fågelpoetik kan fungera som en inbjudan att känna en relationell upplevelse och samhörighet med den mer-än-mänskliga världen, särskilt genom uppmärksamhet. Som en kort bakgrund presenteras exempel på fågelpoesi av olika poeter. Efter analysen finns en reflektion kring att gå bortom det litterära mänskliga språket, genom övergången från att läsa till att lyssna och fördjupa sig i naturens ljudlandskap, att uppmärksamt uppleva dem på egen hand. Den utforskar de olika språkliga, poetiska och förkroppsligade tillvägagångssätten och vad dessa betyder för samhörigheten diskuteras. Ingången till den kontextuella genomgången är Fågelsymfonin av Nils Aslak Valkeapää. Nina Södergren Animism Ecocriticism Human-animal studies Ecopoetics Zoopoetics Poetry Birdpoetry Birds More-than-human world Attentiveness Nils Aslak Valkeapää Nina Södergren Animism Ekokritik Litterära djurstudier Ekopoetik Zoopoetik Poesi Fågelpoesi Fåglar Mer-än-mänsklig värld Uppmärksamhet Nils Aslak Valkeapää Humanities and the Arts Humaniora och konst
142	( vill )( will ) : tankar i närheten av två halvcirklar thoughts near a broken circle / ( vill )( will ) : tankar i närheten av två halvcirklar thoughts near a broken circle Boman, Ida January 2022 (has links) Marken är något fundamentalt. Jag dras till att skapa hålrum och att gjuta av dem. Låta händerna leda. Det är något som attraherar mig med att inte riktigt kunna föreställa mig formen av hålrummet i tanken, att det är ett glapp i överföringen mellan händernas rörelser och tankens. Att värdera det definierade högre än det odefinierade, vill jag lägga i en parantes. Vi använder språk som materia, vi bygger betydelser, rum som skapar sammanhang, stödkonstruktioner, konstruktion som är dikt, som är en rörelse som är jord som är ett arbete som är sten som är en förflyttning som är trä som är en handling som är metall som är nära intill, att skulptera en tanke. Det är idén om att kroppen har en korrekt form som gör kroppen korrupt. Den brutna cirkeln är på ett sätt en helhet av två korrupta kroppar. Kategorier och definitioner är något verkligt, oavsett hur de är skapade eller kommit till. Vi uppmärksammar genast om något är konstigt. Två enheter som vi uppfattar som separata, är separata. Om de inte varit separata skulle vi uppfattat de som ett och inte som två. Det här ser vi omedelbart. Om vi inte är i ett främmande sammanhang med främmande definitioner, men då kommer säkerligen någon ganska snart att uppmärksamma oss på hur saker hänger ihop. Människor är hjälpsamma på sådant sätt. / My work may be described as bordering between sculpture and installation, intuitive and conceptual, it could in a way be seen as a broken circle, as one, but i will work hard to make the two entities, the two seemingly half circle shaped entities, to be separate, to be two. I will assert they are one work but also not, I will assert their indepencence, they are two. The bridge, the connection, will (or will not) happen in the thought, not by sight. There will be no side-by-side, object dialog in near space, rather association through memory and through distance. Like an object or some kind of occurence is planted early on in a movie and then reoccurs later on with the purpuse to further the understanding of course of events. We tend to read two half circles near each other as a whole circle. Robert Morris made two half circles with only a thin lit gap underlining their distinct form, but at the same time dissolving them as a broken circle. It is the idea of of a correct body that makes a body corrupt. The broken circle is in a way the whole of two corrupt bodies. art conceptual undefinable sculpture poetry clay body hole language power place identity feminism concrete minimalism land art photography performance installation passivity normalization distortion relational aesthetics colonialism postmodernism konst konceptuell odefinierbar skulptur poesi lera kropp hål språk makt plats identitet feminism betong minimalism land art fotografi performance installation passivitet normalisering skevhet relationell estetik kolonialism postmodernism Humanities and the Arts Humaniora och konst
143	Jag uppfinner en plats i dikten där vi kan vara tillsammans : En litterär studie i förlusten av ett modersmål / In the poem, composing a room where we can be together : A literary study in the bereavement of a mother tongue Tagaro Andersson, Anna January 2018 (has links) The objective of this thesis is to examine how the bereavement of a mother tongue in various ways affects a person and how literature discusses this experience. How does literature reflect it and is it possible to identify any specific and recurring themes? Are there any similarities between the experience of migration and the experience of colonialism? What purpose does writing serve in this and how to describe the impact of language? Hopefully this thesis will contribute to a better understanding of the situation for newly arrived people and for persons living in Sweden with Swedish as a second language. The thesis has a postcolonial perspective as the focus is fiction dealing with a relocation from east to west. Earlier research and writings that has inspired is in particular the works by the two postcolonial theorists Franz Fanon and Sara Ahmed. The main source material for the study is literary works, e.g. the works of Jila Mossaed, Theodor Kallifatides, Athena Farrokhzad, Burcu Sahin and Yoko Tawada. The thesis is intentionally written in the form of an essay, suggesting the power of language and storytelling. The main objective of the thesis is to describe, rather than to arrive at a conclusion. One main focus is the author’s personal relation to the subject and to the Philippines and its colonial past. The literary works addressed in this study suggests that literature dealing with migration and language bereavement mainly focuses on a discussion about the relation between the native tongue and the new language, the relation between the metaphysical body and the new geographical location, about feelings of speechlessness and alienation that becomes physical. All these concurrent themes can be used as tools to define an experience that in many aspects is inconceivable. The thesis also identifies similarities between colonialism and migration, as both raise the question of inherit right to a place and a lifelong search for a place to call home. In this effort, writing is important and may function as an emancipatory lever to create new places. language attrition mother tongue migration colonialism Philippines Athena Farrokhzad Jila Mossaed Burcu Sahin Yoko Tawada Theodor Kallifatides postcolonialism storytelling writing poetry identity språkfråkförlust modersmål migration kolonialism Filippinerna Athena Farrokhzad Jila Mossaed Burcu Sahin Yoko Tawada Theodor Kallifatides postkolonialism storytelling poesi skrivande identitet hemmahörande General Literature Studies Litteraturvetenskap
144	La autorrealización en el Camino de Santiago : Un análisis diacrónico sobre la representación de la autorrealización y el camino como símbolo de la vida en la poesía sobre el Camino a Santiago de Compostela / Self-consciousness in the Way of Saint James : A diachronic analysis of the representation of self-consciousness and the way as a symbol of life in poetry about the Way to Santiago de Compostela. Holmgren Rylander, Linda January 2020 (has links) En el presente estudio realizaré un análisis diacrónico de la representación de la autorrealización en cinco poemas seleccionados sobre el Camino de Santiago. Los poemas elegidos son los siguientes, en orden cronológico: “Don Gaiferos de Mormaltán” de un autor anónimo, “A Santiago” de Fray Luis de León, “Camino blanco, viejo camino” de Rosalía de Castro, “Peregrino” de Luis Cernuda y “El Camino de Santiago” de Francisco Vaquerizo. Los textos mencionados representan poemas que han sido escritos desde la Edad Media hasta la actualidad. El presente análisis se concentra en el tema de la autorrealización y cómo se representa en la poesía del Camino de Santiago, y, además, analizamos el camino como símbolo de la vida. El análisis se realiza en cinco secciones y cada una corresponde a un poema seleccionado. Cada sección se divide entre los dos temas esenciales: la representación de la autorrealización y el camino como símbolo de la vida. Por último, hacemos un breve análisis comparativo entre los poemas. El análisis se realiza a través de la teoría de isotopías de Greimas (1966) y unos conceptos poéticos de Bousoño (1962) y Lapesa (1962). Además, las reflexiones se basan en el análisis en los conceptos de Kurt Goldstein (1940) y Abraham Maslow (1943) sobre el concepto de la autorrealización. Por lo tanto, la teoría isotópica funciona como una herramienta retórica para buscar las palabras de cada poema que tiene el mismo sentido semántico en común. Los resultados del análisis muestran un fuerte deseo de seguir adelante, no volver atrás y tener una creencia firme religiosa o espiritual para continuar el camino. Además, es posible percibir el camino como un símbolo de la vida, dado que hay un movimiento con un comienzo y un fin en la mayoría de los textos. Los resultados igualmente indican que hay ciertos aspectos similares en relación con la autorrealización tanto el poema de la Edad Media como en el poema del siglo XXI. Pilgrimage the Way of Saint James pilgrim poetry life self-consciousness symbol diachronic analysis symbolism. Pilgrim pilgrimsvandring Santiago de Compostela vandrare självförverkligande symbol symbolism livet vägen poesi dikt diakronisk analys. Camino peregrino caminante Santiago de Compostela autorrealización la vida el apóstol Santiago peregrinaje peregrinación poesía símbolo simbolismo isotopías análisis diacrónico. Languages and Literature Språk och litteratur Humanities and the Arts Humaniora och konst Specific Languages Studier av enskilda språk General Literature Studies Litteraturvetenskap Specific Literatures Litteraturstudier

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