Submitted by Barbara Cavalcanti de Albuquerque Rust (barbaradealbuquerque@gmail.com ) on 2015-01-18T20:01:04Z No. of bitstreams: 1 Dissertacao_BarbaraRust_20150106.pdf: 1271095 bytes, checksum: 4ba6fe396a3128bf28b4022c9a08adca (MD5) / Approved for entry into archive by ÁUREA CORRÊA DA FONSECA CORRÊA DA FONSECA (aurea.fonseca@fgv.br) on 2015-01-19T12:42:05Z (GMT) No. of bitstreams: 1 Dissertacao_BarbaraRust_20150106.pdf: 1271095 bytes, checksum: 4ba6fe396a3128bf28b4022c9a08adca (MD5) / Approved for entry into archive by Marcia Bacha (marcia.bacha@fgv.br) on 2015-01-30T12:29:49Z (GMT) No. of bitstreams: 1 Dissertacao_BarbaraRust_20150106.pdf: 1271095 bytes, checksum: 4ba6fe396a3128bf28b4022c9a08adca (MD5) / Made available in DSpace on 2015-01-30T12:30:07Z (GMT). No. of bitstreams: 1 Dissertacao_BarbaraRust_20150106.pdf: 1271095 bytes, checksum: 4ba6fe396a3128bf28b4022c9a08adca (MD5) Previous issue date: 2014-12-04 / In the past few years, the World witnessed several protests taking place in countries ranging from traditionally developed democracies to developing nations under dictatorships. These social movements gained ground simultaneously to a global explosion in Information and Communication Technology (ICT) over these years, notably mobile phones and the Internet (ITU, 2013; CETIC, 2013), facilitating information diffusion and bypassing traditional media. While some studies argue that different nations contexts are the true responsible for protests, others consider both the context and ICT access as relevant. The research purpose is to identify explanatory variables for protest through a panel data approach, considering its technological, social and political aspects. For this goal, World Bank, ITU and World Economic Forum data were used on a sample of 124 countries. The research results points to the proportion of Internet users as positively influencing protest occurrence, and developed countries most prone to them / Nos últimos anos, o mundo vem assistindo a um maior número de mobilizações sociais, que ocorrem em todo o espectro de regimes de governo e níveis de desenvolvimento econômico: de países tradicionalmente democráticos e desenvolvidos, a países em desenvolvimento sob regimes autoritários. Tais mobilizações vêm ocorrendo simultaneamente a uma expansão acelerada das Tecnologias da Informação e Comunicação (TIC), mais notadamente o avanço da Internet e dos telefones celulares (ITU, 2014; CETIC, 2013), tornando mais rápido e fácil o acesso e difusão de informações sem o intermédio dos meios de comunicação de massa tradicionais; há os que defendem que o contexto de cada nação é o grande responsável por tais manifestações, enquanto outros citam a importância tanto das TIC quanto dos fatores contextuais como influenciadores. O objetivo desta pesquisa é identificar as variáveis explicativas da ocorrência de protestos, considerando aspectos tecnológicos, sociais e políticos, por meio da construção de modelos utilizando dados em painel. Para tal são utilizados dados do Banco Mundial, Fórum Econômico Mundial e ITU, desenvolvendo uma amostra de 124 países. O resultado desta análise revela que o percentual de usuários de Internet influencia positivamente a ocorrência de protestos e que países desenvolvidos possuem maior a chance de apresentarem manifestações.

Black choral music composers in South Africa, inspired by the few opportunities available to them until recent times, have nonetheless attempted to establish, perhaps subconsciously, some choral tradition and, in doing so, incorporate African musical elements in their works. My research traces the foundations and historical development of choral music as an art amongst Vhavenda, and the contributions made thereto by a number of past and present Venda composers that this researcher could manage to identify and trace, to the music of the people. The selected composers are Stephen Maimela Dzivhani, Matthew Ramboho Nemakhavhani, Derrick Victor Nephawe, Joseph Khorommbi Nonge, Israel Thinawanga Ramabannda and Fhatuwani Hamilton Sumbana. Through the application of multiple methodological lenses, the study sets out to analyse, describe, and interpret Venda choral music. Of particular interest is the exploration of the extent to which the ”formal” education that was brought by the Berlin Missionaries influenced Venda choral musicians, particularly the selected Venda choral music composers. Also crucial to this research is the exploration and identification of elements peculiar to indigenous Venda traditional music in the works of these composers. The question is whether it was possible for these composers to realize and utilize their potentials fully in their attempt to evoke traditional Venda music with their works, given the very limiting Western tonic sol-fa notational system they were solely working with. The project also briefly traces the place of Venda choral music within the South African music context and its role within the search for cultural identity. The research has found that the majority of Venda choral music written so far has generally not been capable of evoking indigenous Venda traditional music. Whilst these composers choose themes that are akin to their culture, social settings, legend and general communal life, the majority of the music they set to these themes does not sound African (Venda in particular) in terms of the rhythms and melodies. The majority of the compositions under scrutiny have inappropriate settings of Venda words into the melodies employed. This can be attributed to the limitations imposed by the tonic sol-fa notational system, which was the only system they were taught in the missionary schools established around Venda and which, itself, was flawed as well as the general lack of adequate music education on the part of the composers themselves. Despite these limitations and the very few opportunities available to them, Venda choral music composers nonetheless managed to lay a foundation for choral music as an art amongst their people (Vhavenda). / Art history, Visual Ars and Musicology / D. Mus

OSTERNO, Maria do Livramento Rios, A canção engajada nos anos 80: o rock não errou. 2009. Dissertação (Mestrado em Linguistica) – Universidade Federal do Ceará, Departamento de Letras Vernáculas, Programa de Pós-Graduação em Linguística, Fortaleza-CE, 2009. / Submitted by Liliane oliveira (morena.liliane@hotmail.com) on 2012-08-28T16:40:02Z No. of bitstreams: 1 2009_DIS_MLROSTERNO.pdf: 926128 bytes, checksum: ca6d61890a19d1fde27560699281dd36 (MD5) / Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2013-10-10T14:00:03Z (GMT) No. of bitstreams: 1 2009_DIS_MLROSTERNO.pdf: 926128 bytes, checksum: ca6d61890a19d1fde27560699281dd36 (MD5) / Made available in DSpace on 2013-10-10T14:00:03Z (GMT). No. of bitstreams: 1 2009_DIS_MLROSTERNO.pdf: 926128 bytes, checksum: ca6d61890a19d1fde27560699281dd36 (MD5) Previous issue date: 2009 / This research joins Costa’s (2001) conception that the literary and musical speech as a discursive practice serves as a reference to the subjects, legitimizing truths and spreading ways how those subjects interact with reality, with other subjects and with themselves. Our association with Costas’s mind increased further when the objective of our project was defined as the engaged songs and the songs of protest and neoprotest of the speech community of rock80, called Brock, a musical moment with great integration of youth, when the amused discourse of the rockers served as interaction and was confused with the copyright word of those young people, changing their ideas and the way they thought, felt and acted. The theory that guided our paper was the Speech Analysis by French line, the theoretic material provided by Maingueneau (2001). Our research set out to investigate the following categories ethos, set design and linguistics code in the speech of those songs, taking as reference the seminal engagement of the protest line which was in the songs of the sixties, choosing original songs of Geraldo Vandré, Zé Kéti e Sérgio Ricardo as emblem. In this paper, we proved the involvement of rock songs of eighties observing the linguistics materiality inside the code, at the capture of its ethos by those speakers, which was reflected in the construction of the scenery. The research clarified and confirmed our initial position about the existence of marks of protest in both the gestures: the literary and musical community of the sixties and the rock tribe of eighties, as well. The first one left its trademark in an analog, black and white speech, whereas the last one left its speech in a colorful, digital format. Using a visual media language, only the formats were subservient to the protest of those songs / Essa pesquisa se filia à concepção de COSTA (2001) de que o discurso literomusical enquanto prática discursiva serve de referência para os sujeitos, como legitimador de verdades e disseminador de maneiras de como esses sujeitos interagem com a realidade, com os outros sujeitos e com eles próprios. Essa nossa associação ao pensamento de Costa(2001) recrudesce ainda mais posto que o escopo de nosso projeto foram as canções engajadas, de protesto, ou neoprotesto da comunidade discursiva do rock80, o chamado Brock, momento musical de grande inserção no meio da juventude, onde o discurso alheio dos rockeiros serviu de alteridade e em muito se confundiu com a palavra autoral dessa juventude lhe modificando idéias, maneira de pensar, sentir e agir. A teoria de base que norteou o nosso trabalho foi a Análise do Discurso de linha francesa, material teórico fornecido por Dominique Maingueneau(2001). Nossa pesquisa se propôs a investigar as categorias ethos, cenografia e código lingüístico no discurso dessas canções, tendo como referencial o engajamento seminal da linha de protesto das canções da década de sessenta, escolhendo canções matrizes emblemáticas do cancioneiro de Geraldo Vandré, Zé Kéti e Sérgio Ricardo. Comprovamos o engajamento das canções rockeiras de 80 via materialidade lingüística expressa no código, na captação do ethos de seus enunciadores quando da construção da cenografia. A pesquisa esclareceu e comprovou nossa posição inicial acerca da existência das marcas de protesto nos dois gestos enunciativos: tanto na comunidade literomusical dos anos sessenta quanto na tribo rockeira de 80, aquela deixando sua marca registrada em preto e branco, de forma analógica, e esta pontuando no seu discurso o colorido e o formato digital. Usando uma linguagem midiática visual, apenas os formatos é que se emprestaram subservientes ao protesto das canções

No description available.

CAPES / O ano de 2013 é marcado pelo ascenso de manifestações de rua massivas no Brasil, bem como do reaparecimento da ideologia anarquista em meio aos movimentos sociais, junto da ação direta. Diferentes modalidades de ação direta foram vistas nas ruas. Este trabalho tem por finalidade a compreensão das relações existentes entre as representações de mundo dos anarquistas e seu modelo de prática política: a ação direta. Partimos da hipótese de que as diferentes formas de ação direta, que se encontram dispostas nas distintas correntes do anarquismo, refletem diferentes representações de ciência e tecnologia presentes nesse movimento político, variando de noções deterministas a noções sociotécnicas. Para verificação de tais elementos, realizaram-se pesquisas de campo e entrevistas durante o ano de 2016, na cidade de São Paulo, visando contemplar as distintas correntes do anarquismo. Como resultado deste esforço de pesquisa, defrontamo-nos com um anarquismo que possui dissensos internos, porém, estes são menores que sua confluência, visto que há um padrão de representação de ciência e tecnologia anarquista. Nesse sentido, tal pesquisa reforça o anarquismo como uma corrente que possui noções e perspectivas claras, alinhavadas com seus princípios, teoria e práticas. / The year of 2013 is marked by the rise of massive street demonstrations in Brazil, as well as the reappearance of anarchist ideology within the social movements, along with direct action. Different modalities of direct action were seen in the streets. This work aims to understand the relationships between the anarchist world representations and their mode of political practice and direct action. Our hypothesis is that the different forms of direct action, that are arranged in the different currents of the anarchism, reflect different representations of science and technology, present in this political movement, that range from deterministic to sociotechnical notions. To verify these elements, field surveys and interviews were conducted during the year of 2016 in the city of São Paulo, aiming to contemplate the different currents of anarchism. As a result of this research effort, we face an anarchism that has internal dissensions, but these are less important than its confluence points, thus, a standard of anarchist science and technology representation underlies the movement. In this sense, therefore, such research reinforces anarchism as a current that its own notions and perspectives, which are aligned with its principles, theory and practices.

CAPES / O ano de 2013 é marcado pelo ascenso de manifestações de rua massivas no Brasil, bem como do reaparecimento da ideologia anarquista em meio aos movimentos sociais, junto da ação direta. Diferentes modalidades de ação direta foram vistas nas ruas. Este trabalho tem por finalidade a compreensão das relações existentes entre as representações de mundo dos anarquistas e seu modelo de prática política: a ação direta. Partimos da hipótese de que as diferentes formas de ação direta, que se encontram dispostas nas distintas correntes do anarquismo, refletem diferentes representações de ciência e tecnologia presentes nesse movimento político, variando de noções deterministas a noções sociotécnicas. Para verificação de tais elementos, realizaram-se pesquisas de campo e entrevistas durante o ano de 2016, na cidade de São Paulo, visando contemplar as distintas correntes do anarquismo. Como resultado deste esforço de pesquisa, defrontamo-nos com um anarquismo que possui dissensos internos, porém, estes são menores que sua confluência, visto que há um padrão de representação de ciência e tecnologia anarquista. Nesse sentido, tal pesquisa reforça o anarquismo como uma corrente que possui noções e perspectivas claras, alinhavadas com seus princípios, teoria e práticas. / The year of 2013 is marked by the rise of massive street demonstrations in Brazil, as well as the reappearance of anarchist ideology within the social movements, along with direct action. Different modalities of direct action were seen in the streets. This work aims to understand the relationships between the anarchist world representations and their mode of political practice and direct action. Our hypothesis is that the different forms of direct action, that are arranged in the different currents of the anarchism, reflect different representations of science and technology, present in this political movement, that range from deterministic to sociotechnical notions. To verify these elements, field surveys and interviews were conducted during the year of 2016 in the city of São Paulo, aiming to contemplate the different currents of anarchism. As a result of this research effort, we face an anarchism that has internal dissensions, but these are less important than its confluence points, thus, a standard of anarchist science and technology representation underlies the movement. In this sense, therefore, such research reinforces anarchism as a current that its own notions and perspectives, which are aligned with its principles, theory and practices.

Two modalities of research design's workshops -long and short- were developed to qualify 658 Hispanamerican research workers, whom were divided into 30 groups, and were applyied along ten years. The terminal efficiency of the workshops was measured with a pre-post-test design and the differences were assessed with a t-test -for dependent samples-. The results showed that the values of the post-test were higher -p ≤ 0.001- than the pretest averages. Contrasting the two workshop versions, the average of the long workshop was significantly higher -p ≤ 0.001- than the short one, by means of a multiple pre-post-test design and the t-test for independent samples. Using Solomon four-group design it was feasible to establish that the significant increase of knowledge about research designs was not influenced by the interaction of the pretest and treatment factors and there was not observed any significant difference between both versions. / Se aplicaron dos modalidades de talleres de investigación -corta y larga- para habilitar por espacio de diez años a 658 investigadores hispanoamericanos, divididos en 30 grupos. La eficiencia terminal de los talleres fue medida con un diseño de pre y post-test y las diferencias con una prueba t-Student -para muestras dependientes-. Los resultados mostraron que los valores del post-test eran más elevados -p ≤ 0.001- que los del pretest. Contrastando las dos versiones del taller, el promedio del largo fue significantemente mayor -p ≤ 0.001- que el del corto; esto, bajo la tutela de un diseño múltiple de pre y post-test y la prueba t-Student, pero para muestras independientes. Con el diseño de cuatro grupos de Solomon se estableció que el incremento significativo en el conocimiento sobre diseños de investigación no fue intervenido por los factores tratamiento y pretest -interacción- y no se observaron diferencias significativas entre ambas versiones.

The aim of this paper is to analyse the social movement Planka.nu with reference to the theory of new social movements in order to engage in a discussion about the presence of “old” tradition and “new” trends. As well as empirical, the purpose is also theoretical and methodological: to examine, and extend, the discussion about new and old social movements. A qualitative method is used. The analytical framework is based on a combination of theories of social movements and new social movements. Planka.nu was started in 2003 in Stockholm. The movement uses the Internet to organise free-riding on the public buses and trains with the aim of pressuring regional politicians into fully financing public transportation by progressive taxation. In all aspects discussed, both old and new characteristics were found. Behind a rhetoric that to a large extent resembles that of the traditional Swedish labour movement lies a redefinition of values, ideas and strategies that correspond with the theory of new social movements. By adopting a theoretical outlook on social movements that questions the existence of two divided blocs, a more nuanced discussion of the combination of old and new aspects could be held.

Chico Buarque de Hollanda, um dos mais influentes representantes da música popular brasileira durante a sua carreira de mais que quarenta anos, muitas vezes foi chamado de ”cantor de protesto”. Foi ou não foi? Em 1968, com a letra de Roda-viva (e a peça, onde a música foi incluído) Chico tornou-se mais crítico com a ditadura militar e a situação no Brasil, mas já houve sugestões de crítica nas suas letras antes? Analisando algumas letras típicos dos primeiros anos da sua carreira, este trabalho tentará mostrar que a obra inicial do Chico Buarque não foi conscientemente política.

Abstract Why do Political Parties emerge? – A Study of "Sjukvårdspartiet i Värmland" Political Science, Johan Utter The political parties have important roles to play in contemporary society. They act as bearers of power and presents the voters with finished packages of ideas on how society should grow, develop and change. Political parties are essential to the survival and wellbeing of representative democracy. Many theories have been developed over the years concerning matters related to political parties, but one area of research remains largely unexplored, namely the topic on why political parties do emerge in the first place. Why do some individuals become creators of political parties? Since this is a weak theoretical field an attempt will be made to contibute to the understanding concerning what makes new political parties emerge. This is done by relating previous contributors theories to the results obtained from a case study undertaken on the emergence of "Sjukvårdspartiet i Värmland", a political party risen from a protest-movement concerning the preservation of the local hospital in Kristinehamn. By testing this case against earlier research a foundation will be created and from which new ideas about political parties can be generated. By interviewing the creator of the political party "Sjukvårdspartiet i Värmland" an attempt is made to reveal the incentives which led to the party formation. These results are then compared to the causal mechanisms proposed by earlier research. The purpose is to analyze if theories from earlier research is able to explain the emergence of "Sjukvårdspartiet i Värmland". The results show that party formations are cryptic political phenomena, which needs larger and more developed theoretical constructions before the question "Why do political parties emerge?" can be properly answered.