O objetivo principal desse trabalho foi discorrer sobre o lugar do transtorno pânico na metapsicologia psicanalítica freudiana e pós-freudiana. Inicialmente, ele foi apresentado segundo a psiquiatria. Em seguida, tendo em vista as associações desse transtorno com as construções freudianas sobre a neurose de angústia, discorreu-se acerca das teorias da angústia de Freud a partir de textos freudianos e de Laplanche. Este autor, ao fazer importantes críticas à segunda teoria da angústia do pai da psicanálise, aponta para uma possível terceira teoria da angústia como reflexo da implicação direta do conceito de pulsão de morte sobre as duas primeiras. Nesse sentido, ocorreram discussões sobre as teorias da pulsão de Freud a partir de textos freudianos e dos escritos de Garcia-Roza e de Laplanche. Buscando derivar essa terceira teoria da angústia, destacou-se a ênfase laplanchiana marcante sobre a sexualidade como pedra angular da psicanálise, que somada a reformulação da teoria do apoio freudiana, levou ao conceito original da teoria de sedução generalizada. Nesse processo, conceitos como masoquismo e autoagressão originários, implicados sobre a obra kleiniana, permitiram a Laplanche renomear a pulsão de morte como pulsão sexual de morte. Com isso, a teorização freudiana da neurose de angústia, como consequência de um ataque pulsional sexual, foi reformulada ao equivaler esse sexual à sexualidade demoníaca citada por Freud, que é vista como aquela que excita, desliga e transborda, sendo portanto a parte da sexualidade dominada pela pulsão sexual de morte. Em seguida, foram apresentadas considerações específicas sobre o transtorno de pânico de autores psicanalíticos pós-freudianos nacionais e internacionais. No sentido da produção de dados como base de realidade para a articulação das teorias psicanalíticas sobre o transtorno de pânico com as reformulações das teorias da angústia advinda da discussão metapsicológica de Laplanche, apresenta-se pesquisa qualitativa conforme a concepção de Turato. Essa foi desenvolvida através de um estudo de caso único, sistematizado, por conveniência da pesquisa, em um processo de diagnóstico compreensivo seguido de psicoterapia. O psicodiagnóstico se dá através de duas entrevistas psicológicas semidirigidas, com posterior aplicação do Procedimento de Desenho-Estória; já a psicoterapia de orientação psicanalítica teve seus relatos de sessão submetidos a supervisões no grupo de pesquisa. Os dados coletados com esses procedimentos foram analisados tendo em vista a análise de conteúdo proposta por Turato e os estudos de referência do Procedimento Desenho-Estória de Tardivo. Nessa análise, conceitos e ferramentas psicanalíticas foram tomados como referência: manifestações do inconsciente, manejo da angústia, transferência, contratransferência, interpretação e acolhimento. Finalmente, foi feita a articulação dos dados com a teoria, evidenciando, como destaca Sigal, a importância das colocações laplanchianas sobre as diferentes consequências da introdução e da intromissão dos significantes enigmáticos. Melhor entendendo assim, a instalação e manutenção do transtorno de pânico. Por fim, discutiu-se sobre os manejos específicos no enfrentamento dos núcleos psicóticos formados pelos restos intrometidos, que são marcas de falha no recalque primário, comum também em pacientes que manifestam o transtorno de pânico / The main objective of this work is to discuss the place of panic disorder in Freud\'s and post-Freudian psychoanalytic metapsychology. Initially, the panic disorder is presented here under the psychiatric perspective. Afterwards, having its disorder associations with Freud´s constructions about anxiety neurosis in sight, Freud´s anxiety theories will be spoken about having his and Laplanche´s texts as basis. Laplanche, as he criticizes the second anxiety theory of the psychoanalysis father, points out to a possible third anxiety theory as a reflex of the direct implication of the death instinct concept on the first two. Therefore, there are some discussion about Freud´s instinct theories based on Freud´s texts and Garcia-Roza´s and Laplanche´s writings. In this exercise of creating this third anxiety theory there is a strong Laplanche based emphasis on sexuality as a psychoanalysis turning point and a reconstruction of Freud´s supporting theory, leading to a new concept: the generalized seduction. In this process, Klein´s work seeing under concepts such as original masochism and auto-aggression, allowed Laplanche, as he created his seduction theory, to rename the death instinct as sexual death instinct. Thus, Freud´s idea of the anxiety neurosis as consequence of a sexual instinct attack is reformulated by this sexual specification, as Freud´s demoniac sexuality. This part of sexuality is dominated by the sexual death instinct and is the one that excites, turns off and overflows. Subsequently, there will be presented some specific considerations on panic disorder made by national and international post Freudian psychoanalytical authors. A qualitative research based on Turato will be shown in order to produce reality based data to be articulated with psychoanalytical theories on panic disorder and the anxiety neurosis theories raised by Laplanche´s metapsychological discussion. This research consists of a unique case study systematized in a comprehensive diagnosis process, followed by psychotherapy. The psych diagnosis occurs in two semi guided interviews, followed by a Desenho-estoria procedure. The psychoanalytical psychotherapy sessions´ reports were discussed in group supervision. The collected data are analyzed based on Turato´s content analysis perspective and the referenced studies on Desenho-Estoria procedure, specially emphasizing Tardivo´s. In this analysis, psychoanalytical concepts and tools such as unconscious manifestations, anxiety handle, transference, countertransference, interpretation and holding are used as references. At last, the data is articulated with the theory, as highlighted by Sigal, pointing out to Laplanches consideration about the implantation and intromission of the enigmatic signifier. Therefore, creating and understanding about the panic disorders installation. There are also some discussion about specific management in order to confront psychotic spots formed by unassimilated remains, which the primal repression fail marks, common in patients that manifest panic disorder

Ce travail porte sur la vie psychique des populations sans domicile fixe, des exclus ou des sujets gravement précaires. Malgré les différents profils parsemant ce public, l’errance n’est pas un épiphénomène survenant autour de pathologies psychiatriques mais une maladie psychique profonde, singulière, et non réductible à d’autres entités nosographiques. C’est une configuration psychodynamique qui prend son origine dans une incapacité à se loger dans l’objet primaire, c’est-à-dire à se sentir contenu dans sa préoccupation et dans sa fonction de rêverie, créant un « trou noir » dans lequel l’errant menace sans cesse de tomber. Les mécanismes défensifs associés à cette psychodynamique ont des effets sur l’aménagement de l’extériorité : l’extériorité est un prisme où s’articulent l’espace, le corps, la sensorialité et l’objet. Si d’ordinaire, l’extériorité fonctionne de manière silencieuse, dans l’errance elle se révèle bruyante et symptomatique, si bien que les différents espaces qui constituent l’extériorité se collusionnent. Pour analyser ces emmêlements de l’extériorité, l’investigation clinique s’est effectuée sur les champs de la grande exclusion par la participation à des équipes mobiles psychiatrie-précarité et au Samu Social, mais également par la création de groupes de parole et à médiation au sein d’accueils de jour. La présentation des pratiques cliniques et du travail d’accompagnement social tentant de faire émerger un lien durable et sécurisé, fait partie des préoccupations de cette recherche. Au terme de ce travail, deux concepts sont proposés : celui de Manteau Cloacal, pouvant se définir comme une corruption autocalmante et autostimulante des enveloppes psychiques dans une recherche de contact avec l’objet primaire ; et celui d’Effondrement scénique, tentative pour forcer un « domicile psychique fixe » en l’objet par l’usage des sensations, de la mise en scène et d’une certaine forme de séduction. / This work concerns the psychic life of the populations without fixed residence, excluded or the seriously precarious subjects. In spite of the various profiles strewing this public, the wandering is not an epiphenomenon occurring around psychiatric pathologies but a major, singular psychic disease non-reducible with other nosographic entities. It is a psychodynamic configuration which takes its origin in incapacity to place itself in the primary object, i.e. to feel contained in its concern and its function of daydream, creating a « black hole » into which unceasingly the subject is likely to fall. The defensive mechanisms associated with this psychodynamic have effects on the externality: the externality is a prism where space, the body, the sensoriality and the object are articulated. So usually, the externality functions in a quiet way. But in the psychic wandering it appears noisy and symptomatic so that various spaces which constitute the externality mix. To analyze these mixings up of the externality, the clinical investigation was carried out on the fields of the great exclusion by the participation in psychiatry-precariousness mobile teams and Samu Social, but also by the creation of therapeutic group into social structures. Presentation of the clinical practices and the work of social accompaniment aiming to make emerge a durable and safe bond belonged to the concerns of this research. At the end of this work, two concepts are proposed: the Cloacal Coat, which can be defined as an anesthetic and stimulative psychic envelope in a search for contact with the primary object; and the Scenic Collapse, which attempt to force by the use of the sensoriality and a certain form of seduction, a « psychic residence » in the object.

Nesta tese, analisou-se o discurso quilombola tendo como objeto teórico a construção do efeito de sentido de afirmação da identidade na relação com a estratégia de manipulação por sedução o objeto empírico sendo as bonecas pretas do Quilombo de Conceição das Crioulas, situado em Salgueiro PE, na tentativa de: discutir o que é uma identidade semiótica, como se produz esse efeito textual-discursivamente e o que significa a afirmação da identidade pelos sujeitos; analisar como se constrói o efeito de sentido de identidade no corpus; cotejar a afirmação da identidade com a semiótica da manipulação; refletir sobre o conceito de manipulação e seus desdobramentos na Semiótica greimasiana e explicitar, no corpus, a gestão do sentido tanto pela intencionalidade com que, implicitamente, o enunciador engendra uma imagem-fim positiva do enunciatário, quanto pelo excedente passional que sobrevém ao discurso. Os resultados da discussão teórica e sua incidência na análise do corpus demonstram que a identidade semiótica é um simulacro e para o efeito de sua afirmação são necessários elementos sintáxicos que produzam a repetição que, no discurso das bonecas, realiza-se com o recurso à isotopia, à aspectualização, à tensividade. Tais elementos, associados à estrutura manipulativa, arquitetam a estratégia da sedução com vistas à adesão ao discurso comunicado, o qual, pela tensão entre querer e dever, põe em movimento a ética e a estética. Notadamente, repetir para lembrar e seduzir para influenciar têm todo relevo na semiótica das bonecas. / In this thesis, we have analyzed the quilombola discourse. Our theoretical object was the construction of the meaning effect of identity affirmation in the relation with the strategy of manipulation by seduction the empiric object were the black dolls from Quilombo de Conceição das Crioulas, which is located in Salgueiro-PE. We have aimed at: discussing what is semiotic identity, how this effect is textually and discursively produced and what the subjects identity affirmation means; analyzing how the meaning effect of identity is constructed in our corpus; collating the identity affirmation with the semiotics of manipulation; reflecting about the concept of manipulation and its deployment in greimasian semiotics and showing, in the corpus, the management of the meaning by the intentionality with which, implicitly, the enunciator engenders a positive end-image of the enunciatee, and by the passionate surplus which overtakes the discourse. The results of the theoretical discussion and its incidence in the analysis of the corpus show that the semiotic identity is a simulacrum and that syntaxic elements which produce repetition are needed for the effect of its affirmation. In the discourse of the dolls, this is realized by isotopy, aspectualization, tensivity. These elements, associated with the structure of manipulation, build the strategy of seduction aiming the adhesion to the discourse, which, by the tension between wanting and having to do, put the ethic and the esthetic in movement. Notably, repeating to remember and seducing to influence have a lot of importance in the semiotics of the dolls.

Dans l’œuvre dramatique de Shakespeare, la voix a le pouvoir de séduire et de faire naître le désir, d’atteindre l’âme comme les émotions et d’y insuffler un mouvement, d’ordonner et d’harmoniser les rapports entre les hommes, ou encore d’agresser, de blesser, de maudire, voire de tuer. La belle acoustique du Théâtre, du Globe ou des Blackfriars, permettait à la voix de résonner en se mêlant à des effets musicaux et à des bruits pour former des paysages sonores qu’il s’agit d’entendre et de déchiffrer. / In Shakespeare’s plays, the voice is an agent of seduction and desire as well as a source of inspiration which animates the soul, moves the heart and arouses emotions. It has the power to civilize men and form harmonious bonds between them, but it may also be a weapon used to curse and kill. At theatres such as the Globe and the Blackfriars which were designed to produce the best acoustic conditions, the actor’s voice resounded and blended with a multiplicity of musical effects and noises to compose soundscapes that the audience was meant to hear and decipher.

Cette recherche est le résultat d’un montage d’images issues de l’art contemporain, du cinéma et de la publicité avec des théories philosophiques, suivant le fil rouge déroulé par deux figures esthétiques qui ont traditionnellement été liées à la notion d’image : le miroir et le voile.Il en émerge une figure esthétique inédite : le voile prismatique. À cheval entre miroir et voile, le voile prismatique entraîne une lecture anti-dualiste du monde du visible inspirée de la chair merleau-pontienne entendue comme tissu différentiel dans lequel chaque chose et chaque être ne se donnent que comme différences par rapport aux autres choses et aux autres êtres.Dans le voile prismatique, la notion de chair est filtrée à travers celle, deleuzienne, d’« image-cristal », et ainsi enrichie d’une temporalité facettée et multiple faisant écho à la lecture de l’éternel retour de Nietzsche selon Deleuze et lui donnant par là une fondamentale tonalité libidinale, qui dans cette étude est analysée avec une référence particulière à Lacan.La temporalité de l’image-cristal, réagissant avec la notion merleau-pontienne de chair et avec la temporalité mythique que Merleau-Ponty lui associe, fait surgir la figure du voile prismatique comme une sorte de « chair 2.0 », réalisant ainsi un outil théorique contemporain, en mesure d’aider à la compréhension du caractère toujours plus immersif et enveloppant de l’expérience actuelle des images, y compris les implications que celle-ci comporte au niveau de l’identité de celui qui regarde et de la perception de la vérité liée à son regard. Cela, sans jamais oublier l’aspect de séduction qui caractérise l’univers visuel, ainsi confirmant le lien intime qui entrelace images et désir. / This research is the outcome of a montage intertwining contemporary art, film, and advertisement images with philosophical theory, following the direction set by two aesthetic figures that have traditionally been related to the notion of image, namely the mirror and the veil.What emerges is an unprecedented aesthetic figure, i. e., the prismatic veil, which, bouncing between the mirror and the veil, brings along an anti-dualistic interpretation of the world of the visible inspired by the Merleau-Pontian notion of flesh understood as a differential fabric in which things and beings only give themselves as differences with respect to all other things and beings.In the prismatic veil, the flesh is filtered through the Deleuzian notion of « crystal-image », and hence enriched with a faceted and multiple temporality that echoes Deleuze’s own reading of Nietzsche’s eternal return, and hence characterising it with a fundamental libidinal approach, which, in this study, is analysed with a particular emphasis on Lacan.By reacting to the Merleau-Pontian notion of flesh and to the mythical temporality that Merleau-Ponty himself associates to it, the temporality of the crystal-image makes the figure of the prismatic veil emerge as a sort of « flesh 2.0 », hence realising a contemporary theoretical tool aiming at favouring the understanding of the increasingly immersive and enveloping features of the present experience of images, including the implications that such an experience implies as for the identity of the viewer and for the perception of truth that is bond to his/her/their gaze. All this, without forgetting the aspect of seduction that characterises the visual universe, and hence confirming the intimate connection that intertwines images and desire.

This study investigated influence strategies used by university students to negotiate condom use. The study examined the seven condom influence strategies (CISs) -withholding sex, direct request, seduction, relationship conceptualizing, risk information, deception, and pregnancy prevention- used by heterosexually active male and female students. The sample comprised of 156 first year students (male=44 and female=112). Statistically significant correlations were found among all the condom influence strategies subscales. Results suggest that the university students influence their partners in all identified condom influence strategies and the risk information strategy holds the most promise of all the strategies.

Rape had an indelible effect on the American Revolutionary era. Using trial testimonies and depositions, newspapers, and literary sources, this thesis argues that there was a level of continuity between peacetime and wartime rape characterized by the assaulters’ modus operandi and rape’s ideological exploitation. Eighteenth-century Anglo-American society dictated that rape, or “carnal knowledge of a woman forcibly against her will,” was only a crime against virtuous white women. The gendered and racialized ways pre-revolutionary society identified and prosecuted rape influenced how rapists conducted their assaults. Women had to prove their sexual morality, that penile penetration and male ejaculation occurred, and that they sought help immediately after the assault to prosecute their attackers. During the war, rape became an important metaphor. Wartime publishers and propagandists used reports and victim testimonies as evidence of British immorality and to justify political independence. The rape of America subsumed individual atrocities. The nationalization of women’s sexual virtue continued into the new Republic. Artists and writers memorialized the Revolution through explicitly sexualized narratives and sentimental novels that emphasized female sexual morality. Women’s sexual virtue was linked with the stability of the Republic. This thesis utilizes a diverse historiography to highlight the intersectional correlations between rape and eighteenth-century patriarchal power in America. / Graduate / 2022-08-26

Cette recherche s’attache à saisir les logiques inconscientes qui président au besoin de mentir. Elle s’intéresse au type de vulnérabilité psychique que le sujet contre-investit ainsi qu’à la nature de la communication inconsciente qu’il instaure avec ceux qu’il trompe. Après avoir recensé les différentes approches métapsychologiques existantes, les fonctions psychiques du mensonge sont explorées en regard de son rôle au cours du développement de l’enfant. Ensuite, l’examen de cas d’adultes rencontrés dans un dispositif d’accueil pour personnes en errance permet d’expliquer comment les sujets se défendent d’un vécu d’empiètement et le font vivre à ceux qu’ils trompent. Enfin, des exemples d’adolescents, observés dans le contexte de la protection de l’enfance contribuent à l’analyse des dynamiques intersubjectives impulsées par cet acte-parlé. L’ensemble de cette thèse démontre que malgré la difficulté que cette configuration clinique pose à l’observation, sa prise en compte permet de saisir la manière avec laquelle le sujet exprime une souffrance autrement indicible. / This research tries to understand the unconscious logics that preside over the need to lie. It analyses the type of psychological vulnerability a subject counter-invests as well as the origin of the unconscious communication he establishes with those he misleads. After having drawn up an inventory of the existing metapsychological approaches, the author examines the psychological functions of lying by taking into account its role during the development of the child. Then the examination of some adult cases that occurred in a homeless resource center will explain how, some subjects protect themselves from a harassment victim background and have others live the same experience with their lies. Finally, the author examines how cases of teenagers observed within the framework of childhood protection contribute to the analysis of the intersubjective dynamics impulsed by this acte-parlé. This work demonstrates that even though this clinical configuration is difficult to observe, if the psychologist would take it into account, it could help him understand how a patient expresses a pain that he could not tell by other means.

[pt] Esta dissertação propõe abrir um caminho especulativo de imaginação sobre a arquitetura moderna da Casa das Canoas (1951-1953), de autoria do arquiteto carioca Oscar Niemeyer (1907-2012), tendo alguns acontecimentos como âncora. Diferente de uma análise de projeto tradicional de arquitetura, esta pesquisa se desenvolve a partir das relações, dos afetos masculinos, da construção de corpo da modernidade, de sua visão sobre sexualidade e do seu fetiche com gênero. Neste sentido, não só a arquitetura como seus meios de comunicação – desenho, fotografia, escultura, paisagismo ou publicação – , demonstram o arcabouço projetivo das condutas humanas modernas e da construção de sociedade da época. Essas mídias possuem um papel fundamental formador de um imaginário moderno construído segundo prazeres e desejos específicos. Esta pesquisa convida a refletir sobre esses estatutos e a considerar objetos como corpos construídos, bem como a refletir sobre as normas que governam corpos e discursos de acordo com condutas e códigos culturais masculinos. Parto da inevitável consideração de que a prática arquitetônica moderna foi dominada por um pensamento patriarcal e, consequentemente, espaços projetados foram imaginados a partir de fantasias masculinas. Nesse processo está presente uma narrativa crítica à violência deste imaginário, presente em parte na arquitetura moderna brasileira e perpetuada até os dias de hoje. / [en] This dissertation proposes to open a speculative path of imagination about the modern architecture of Casa das Canoas (1951-1953), by the Brazilian architect Oscar Niemeyer (1907-2012), having some events as an anchor. Different from a traditional architectural project analysis, this research is developed from its relations, male affections, the construction of a modern body, its vision of sexuality and its gender fetish. In this sense, not only architecture but the media through it was manifested – drawings, photography, sculpture, landscaping or publishing – demonstrate the projective framework of modern human behavior and the construction of society at the time. These media have a fundamental role in forming a modern imagination built according to pleasure and desire. This research invites you to reflect on these statutes and consider objects as constructed bodies, as well as to reflect on the norms that govern bodies and discourses according to male behaviors and cultural codes. I start from the consideration that modern architectural practice was dominated by patriarchal thinking and, consequently, designed spaces were imagined from male fantasies. In this process, a critical narrative of the violence of this imaginary is present in part of modern Brazilian architecture and perpetuated until today.

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