Made available in DSpace on 2016-07-27T13:44:59Z (GMT). No. of bitstreams: 1 TATIANA CARILLY OLIVEIRA ANDRADE.pdf: 1186936 bytes, checksum: 32b6970a02106b5df846efa3056c1a6f (MD5) Previous issue date: 2015-06-18 / This thesis discussed journalistic knowledge from the basic question: what is knowledge of journalism? The main purpose of this research was to analyze the structure of journalistic knowledge through methodological journalistic files or archaeology - in order to verify the possible discourses that constituted the journalistic field since its birth until today - and also of the genealogy, from the perspective that the journalistic field constitutes its knowledge and vice versa. By means of a through bibliographical review of the philosophical areas and communication-journalism, it was possible to analyze journalistic knowledge in the light of the modern episteme composed of historical, technological, academic, and professional-based discourses. This work is presented in three chapters. The first analyses the constitution of journalistic knowledge by pointing out essential conditions for the emergence and development of journalism in the world; it discusses also the relationship area-powerknowledge. Based on the history of ideas, the second chapter presents the establishment of the journalistic field - from oral communication to webjornais - and undergraduate courses in Journalism in Brazil - from the foundation of the first course, to the minimum national curricular guidelines adopted in 2013. The third chapter discusses the influence of the technique-technology in the constitution of journalistic knowledge, besides the establishment of journalistic theories of communication and journalism. Finally, it is discussed the possibility of alternative formation in journalism. / Esta tese se propôs a pensar o objeto saber jornalístico partindo da questão-problema O que é o saber do jornalismo? Objetivou-se analisar a constituição do saber jornalístico pela via metodológica do arquivo ou arqueologia - no sentido de verificar os possíveis discursos que constituíram o campo jornalístico desde o seu nascimento até hoje - e também da genealogia, na perspectiva de que o campo jornalístico constitui o seu saber e vice-versa. Por meio de um estudo bibliográfico das áreas filosófica e da comunicação-jornalismo, foi possível pensar o saber jornalístico à luz da episteme moderna, constituído pelos discursos histórico, tecnológico, acadêmico e do campo profissional. Assim, este trabalho abrange três capítulos. O primeiro analisa a constituição do saber jornalístico elencando algumas condições essenciais para o surgimento e desenvolvimento do jornalismo no mundo; também, discute a relação campo-poder-saber. Baseando-se na história das ideias, o segundo capítulo apresenta a constituição do campo jornalístico desde a comunicação oral aos webjornais - e dos cursos de graduação em Jornalismo no Brasil da implantação do primeiro curso, passando pelos currículos mínimos às Diretrizes Nacionais Curriculares aprovadas em 2013. O terceiro capítulo discute a influência da técnica-tecnologia na constituição do saber jornalístico, além da construção das teorias da comunicação e do jornalismo. Por fim, acena-se para a possibilidade de uma formação outra em jornalismo.

O presente trabalho busca compreender como corpo e sujeito são abordados no pensamento foucaultiano, analisando tanto textos provenientes de sua tríade canônica (arqueologia, genealogia e ética), quanto textos não-canônicos, produzidos ao longo de sua vida. Malgrado o corpo não seja um dos conceitos fundamentais do pensamento foucaultiano, ainda assim ele está presente em diversos momentos de sua obra. Da arqueologia aos estudos da ética, é possível notar um corpo que apresenta significações distintas, mas que em geral, opera no interstício entre a materialidade e a história. Ao analisar a constituição histórica da sexualidade, Foucault formula a noção de biopoder para se referir a um tipo de poder que se exerce sobre os corpos e sobre a população de modo geral. Para o filósofo, o desenvolvimento do biopoder e suas técnicas são uma verdadeira revolução na história da humanidade, porque a partir deles, a vida passa a ser invadida e controlada pelo poder. Diante dessa forma de poder que intervém sobre a vida, o corpo emerge como uma força vital capaz de resistir e integrar suas múltiplas instâncias de atuação. Se até a década de 1970, essa possibilidade de resistência em geral aparece no pensamento foucaultiano de forma negativa, como replicação do poder, a partir dos estudos desenvolvidos por Foucault na década seguinte (estudos da ética), ela pode ser concebida de forma positiva. Essa mudança de perspectiva está diretamente relacionada à forma como a subjetividade é formulada nos estudos da ética. Uma das diferenças do momento ético em relação aos anteriores é que nele a subjetividade pode ser entendida não somente a partir das instâncias de saber-poder, como também a partir do movimento histórico do sujeito consigo mesmo. Diante desse movimento histórico do si, a pesquisa busca também questionar acerca da possibilidade de se compreender o corpo a partir do conceito de experiência limite , que é tratado por Foucault em alguns textos das décadas de 1960 e 1970, e que pode ser entendido como uma experiência capaz de suscitar a diferença por meio da separação do sujeito de si mesmo.. / Althouth the body is not one of the central concepts of Foucault\'s thought, it is still present in many moments of his work. From the archeology to ethical studies, it´s possible to realize that the body has different meanings, but generally operates in the interstices between materiality and history. By analyzing the historical constitution of sexuality, Foucault formulates the notion of biopower to refer to a type of power that is exerted on the bodies and the population in general. For the philosopher, the development of biopower and its techniques are a revolution in human history, because from them, life becomes invaded and controlled by power. Against this form of power that operates on life, the body emerges as a vital force capable of resisting and integrating its multiple instances of action. Until the 70´s, this resistance appears in Foucault\'s thougth in a negatively way, as the power replication, from the studies developed by Foucault in the 80´s (ethics studies), it comes to be seen positively. This change in perspective is directly related to how subjectivity is formulated in ethical studies. One of the differences from an ethical point compared to previous ones is that it subjectivity becomes understood not only from the instances of knowledge-power, but also from a historical movement of the subject itself. Therefore, we must understand how body and subject are covered in Foucault\'s thought, by analyzing texts from its canonical triad (archeology, genealogy and ethics), as some non-canonical texts produced throughout his life. Then, there is a second movement of the research, to question about the possibility of understanding the body from the concept of limit-experience, which is handled by Foucault in some texts of the 60´s and 70´s, and that can be understood as an experience able to raise the difference through the separation of the subject from itself.

PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO / COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR / CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO / PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO / Esta dissertação se organiza a partir de três ensaios – A Língua como intraduzível, Os Rios que Comunicam e O Futuro do Pretérito – que focalizam questões relevantes na obra do escritor José Luandino Vieira. O objetivo é identificar, em alguns de seus livros, as formas com que a linguagem é trabalhada pelo autor em sua ficção, de modo a criar espaços de utopia política; dos tempos de luta pela independência angolana, na segunda metade do século XX, às primeiras décadas do século XXI. Pretende-se mostrar ainda como sua busca por uma utopia permanece ao longo do tempo, não tendo cessado com o fim da guerra de independência nacional. A busca por justiça e por inclusão social materializam-se como utopias, expressas sobretudo na linguagem adotada pelo escritor. No primeiro capítulo desta dissertação, discuto seu investimento na linguagem, e como isso é radical – no sentido de estar na raiz – de sua literatura e projeto de mundo. No segundo, falo mais amplamente como o rio – que flui e que segue, que some e volta a existir – é tema existente em Guimarães Rosa e Luandino, que seguem uma genealogia de criadores com a língua, mas que têm mais em comum do que ela. No terceiro, aprofundo-me nas questões políticas levantadas por seus textos e nas suas intenções. / This thesis is organized from three essays – Language as untranslatable, Rivers that communicate and Future of the Past – that focus in relevant questions of the writer José Luandino Vieira work. The aim is to identify, in some of his books, how language is used by the author in his fiction, as a tool to create political utopian spaces; beginning during the time of fighting for Angola s independence, in the second half of the twentieth century, till the first decades of the twenty first century. It intends also to show how his search for utopia continues through time, and has not stopped with the end of the national independence war. The search for justice and social inclusion gain life as utopias, expressed above all in the language adopted by the author. In the first chapter of this dissertation, I talk about his investment in language and how is this crucial for his literature and his world Project. In the second, I talk more broadly about how the river – that comes and goes, disappears and reaches back to existence – is a subject presente in both, Guimarães Rosa and Luandino, following a genealogy of language creators, but with more in common than just that. In the third, I talk in-depth about the political issues raised in his texts and his intentions.

Este trabalho pretende apontar algumas características da retórica epistolar presentes nas cartas trocadas entre Francisco Pinheiro, grande mercador lisboeta da primeira metade do século XVIII, e seus familiares e amigos enviados para representá-lo no trato em algumas partes da América lusa. Com o pressuposto de que os recursos presentes nas cartas cumprem um fim pragmático esperado segundo o costume retórico de longa duração, primeiramente se busca um olhar para as cartas que supere as hipóteses feitas sobre elas em sua transcrição e publicação na obra intitulada Negócios Coloniais. Assim, ao constituir os papéis novamente como ruínas de um tempo que já é morto, espera-se alcançar e delimitar a noção de negócio presente nas relações dos tratantes do Antigo Estado português. Esse exercício se espera realizado por meio de ao menos dois procedimentos: o primeiro consiste em especificar a retórica atuante no horizonte de possibilidades daqueles mercadores segundo uma genealogia do gênero epistolar; o segundo incide no papel que essa retórica cumpre associada aos códigos teológicopolíticos que permitem tal atividade ser chamada de trato. Destarte, pretende-se delinear o quanto a noção de carta, nesse contexto, auxilia na compreensão da noção de negócio, pois o que nos séculos XVII e XVIII se entende por relação de amizade baliza os parâmetros de ambas. / This work aims to point out some characteristics of epistolary rhetoric present in letters exchanged between Francisco Pinheiro, grand Lisbon merchant of the first half of the XVIIIth century, and members of his family and friends who were sent to trade in regions of Portuguese America. Through the assumption that the resources present in those letters play a pragmatic order expected in the long term of the rhetorical institution, we first searched for a look at the letter that surpasses the hypotheses made upon their transcription and publishing in the work entitled Negócios Coloniais. Therefore, whenever looking at the papers again as ruins of a time that is already dead, we expect to reach and define the notion of business shared by the tradesmen of the Old Portuguese State. We expect to accomplish this exercice through at least two procedures: the first one is to situate the active rhetoric on the horizon of possibilities of expression of those merchants within a genealogy of the epistolary genre; the second, in turn, focuses on the role of rhetoric associated to the theological-political codes that allow an activity called affair. Thus, we intend to draft how the notion of letter in this context helps to understand the concept of business, in order to show that, in XVIIth and XVIIIth centuries, what was meant as a relationship of friendship was the the goal of both.

Este trabalho tem como pretensão a problematização dos discursos dietéticos da atualidade e do modo que se formulam através deles todo um bioascetismo no qual a saúde é a finalidade última. Dessa forma, partindo do método genealógico de pesquisa histórica o objetivo é compreender como se tornou possível, e por meio de quais estratégias políticas, o vínculo entre determinadas técnicas de si (a alimentação, os exercícios físicos e a estética) e a qualidade de vida como modalidade ético-política. Teve , assim, a pretensão de produzir uma história da dietética que possa ser, ao mesmo tempo, uma crítica do bioascetismo presente. Isso foi feito por meio da análise de como a dietética se tornou uma forma de saber sobre os homens, um dispositivo de governo populacional e uma tecnologia de si mesmo. Nesse sentido, três momentos fundamentais e entrelaçados da história brasileira foram selecionados para dar conta desse problema: o período higiênico, o período eugênico e o nascimento da nova dietética. / This theses aims to bring out some nowadays dietetics discourses, and the way by which a bio-asceticism (raised by those discourses), in which health is the ultimate goal, came out. Thus, from a genealogic research methodology, the main goal of this study was understand how certain self technics (eating, physical exercises, and aesthetics) are related to life quality as ethical and political mode. Then, political strategies were reviewed. Therefore, this study have the propose of making a brief history of dietetics, so that, withal, criticize the bio-asceticism existent in the dietetics history. That was done by the analysis of how dietetics has turned into a way of knowing about man, a sort of human self-control technology, and an apparatus that allow population ruling. In order to do so, three different moments in the Brazilian history were chosen: Hygienic Period, Eugenic Period, and the birth of the new Dietetics.

憂鬱的陰霾籠罩著濟慈須臾及波折的⼀⽣，他的《憂鬱頌》亦使他留名憂鬱的歷史中。濟慈既曾為名醫科⽣，亦讀書不倦，深諳憂鬱醫學及⽂學兩⼤傳統。他捧讀Robert Burton的《解剖憂鬱》之餘，又鍾愛莎⼠比亞的《王⼦復仇記》。現有的浪漫主義研究多著重探究憂鬱於社會及時代的意義，⽽濟慈與憂鬱的關係卻仍待仔細討論，以闡述憂鬱於他的詩歌及詩學中重要角⾊。本⽂透過憂鬱⽂學及醫學的傳統，指出濟慈對憂鬱的理解並非只受社會及歷史的影響，亦非詩⼈脫離時代的空想。濟慈認為憂鬱所迸發出的創造⼒，源⾃詩⼈意識到他與世間苦難密不可。濟慈於憂鬱中表現的意識將他從⼗八世紀感傷的「墓園詩⼈」中區分出來，⽽其中悲天憫⼈的情懷，彌補詩歌超脫避世之不⾜。濟慈之憂鬱詩學顯⽰詩歌與世界緊密相連，同時帶出浪漫主義並非純為⼀⾼舉主觀感受及想像的思潮。 / While the short and eventful life of John Keats ascribes a melancholic trait to this young poet, Keats’s “Ode on Melancholy” guarantees him a position in the genealogy of melancholy. As a medical student and a voracious reader, Keats is well versed in the medical and literary traditions of melancholy. Keats is both an arduous reader of Robert Burton’s Anatomy of Melancholy and an ardent admirer of Shakespeare’s Hamlet. Despite the existing social and historical study of Romantic melancholy, Keats’s affinity with melancholy is however still in need of a full-length discussion to expound on the centrality of melancholy in his poetry and poetics. Drawing upon the literary and medical traditions of melancholy, this study argues that Keatsian melancholy is neither a natural consequence of the social history nor pure conjecture of the poet’s mind detached from his times. The creative impulse of Keatsian melancholy fundamentally originates from the poet’s consciousness of the inevitable and necessary interaction with the world of troubles. The consciousness of Keatsian melancholy not only demarcates itself from the sentimentalism of Graveyard poetry, but also rectifies the poetic egotism through the poet’s sympathy for the suffering world. The attention to the interrelationship between the poet’s mind and the world also revisits the misrepresentation of Romanticism as a movement centring merely upon subjectivity and imagination. / Lo, Ka Tat. / Thesis M.Phil. Chinese University of Hong Kong 2016. / Includes bibliographical references (leaves ). / Abstracts also in Chinese. / Title from PDF title page (viewed on …). / Detailed summary in vernacular field only.

本文的目的在於理解南潯作為一個繁榮的江南市鎮，如何在十九世紀的各個階段得到有效的管理，以及其領導層的組成如何隨著外界的政治經濟變遷而改變。作者選擇市鎮作為研究單位，其目的在於將市場和周邊的村落放在同一單位下檢視，以求更好地在經濟和社會層面認識中國之城鄉連續體的本質。通過細讀地方一手史料（包括地方志、族譜、報紙和文集），本文將不僅從制度的角度，同時也會通過地方權力持有者（包括地方官、下層士紳和商人）的具體活動，來觀察南潯鎮的權力結構。我的主要論點是，雖然地方的領導層從未放棄其自治權，但是該領導層的組成卻能夠靈活地在不同階段（1800-1842，1843-1864，1865-1890，1891-1911）進行重組，這造就了南潯鎮一整個世紀的社會穩定，除了其間遭受外來的太平天國戰爭的打擊。為了經營市場和經營更大的市鎮，地方領袖們成立了不同的組織且運用了不同的策略。概括而論，商人行會的成立是為了協調商業事務，而寺廟和善堂的維護則是為了建立一種社區共同體的意識并消弭潛在的社會衝突。在整個十九世紀，尤其是其後半段，地方領袖們的行政權和執法權都得到了擴張，其代價是官方權力的縮減，但其同時也確保了辛亥革命期間南潯的和平政權更迭。 / This paper attempts to understand how a prosperous Jiangnan town, Nanxun, was managed in different periods of the 19th century and how its leadership evolved when the broad political and economic environment changed. The choice of a town as the unit for analysis was made under the intention to bring together the marketplace and the surrounding villages for examining the nature of Chinese urban-rural continuum both economically and socially. Through scrutiny of local primary sources, i.e., local gazetteers, genealogies, newspapers and literary collections, I am going to investigate the power structure of Nanxun town not only from an institutional perspective but also through the activities of local power agents, e.g., local officials, lower gentry and merchants. My thesis is that the local leadership never gave up autonomy over town management but its constitution changed flexibly in four stages (1800-1842, 1843-1864, 1865-1890, 1891-1911), resulting in long-term stability throughout the century except the major interruption by the exogenous Taiping war. For running the marketplace and the broad town, local leaders established different institutions and adopted different strategies. Generally speaking, the merchant guilds were founded for coordinating commercial affairs while the temples and charities were maintained for building a sense of community and easing potential conflicts over the town. Through the second half of the century, especially after several major mid-century structural changes, the administrative and enforcement power of local leaders expanded at the expense of official authority and secured the peaceful regime change in the 1911 Revolution. / Chen, Ruochen. / Thesis M.Phil. Chinese University of Hong Kong 2016. / Includes bibliographical references (leaves ). / Abstracts also in Chinese. / Title from PDF title page (viewed on …). / Detailed summary in vernacular field only.

今天的山東，被視作具有孔孟文化傳承的禮儀之邦。然而，我們從文獻中看到的是，靠近泰山山脈附近的山區，在宋至明初的時間裏是官方的冶鐵工場所在地。居住在附近山嶺上的人，常被明代地方官員稱為“山中莽伏”、“礦徒”。但是到了清代，山區不再有“礦徒”。取而代之的，是在山嶺所在地設立一個新縣。所以，全篇論述的核心問題，是明清時期山東境內的山區社會經歷了怎樣的演變？本文選定的區域位於山東中部的泰山及其餘脈附近的州縣。具體主要涉及兩個縣作為討論的重點：一是汶河源頭沖積而成的平原萊蕪縣，二是淄河源頭流經的山地博山縣。博山縣位於萊蕪縣、益都縣、淄川縣三縣交界的山嶺上，雍正十二年之前屬於益都縣顏神鎮。本文試圖將兩個地區作為魯中山區的代表。 / 從民間的歷史文獻來看，明中後期開始，位於汶河平原上的居民考中科舉取得士大夫身份，通過修建祖塋、制定上墳規矩、編修族譜，制定出一套“父父子子”的人倫綱常行為準則，讓參與其中的成員，明確自己是作為“宗族”的一份子。祖塋是他們聚會以及保持一族之內公共財產的方式。清初，位於淄河山地市鎮的居民成功地完成新設一縣，並且將祠堂的祭祖禮儀引入構建宗族的事業中。然而，祠堂只是他們重塑重塑正統性的手段，族內主要的共有財產仍是祖塋。行祖宗之法的同時，在村落与村落之间，带有宗教性质的神权话语更加突出。以雨神“龍王”、“誌公”為紐帶的民間信仰崇拜，可以給我們提供在儒家宗法之外，如何通過神靈形成村落之間的聯繫？本文試圖通過描述山區的開發歷程，揭示出明清時期山東中部社會的組織結構變化。 / Though Shandong is the native place of Confucius and Mencius, we do not see any sign of Confucianism in Central Shandong in premodern period. Central Shandong is mountainous. It is close to Mountain Tai. From the Song to the early Ming, the state registered the people in the mountain as miners. As their social status was low, these mountain people were labeled by many officials as miners (though many of them were not miners) or even bandits. In the Qing dynasty, alongside with the extension of the state to this district, by way of setting up the Boshan County, more people living in the mountain became registered farmers and officials. In the early Qing dynasty, these mountain population was able to remove the discriminative labels. This is a process of sinicization, though in Shandong, where is the origin of Confucianism. / This thesis documents and analyzes the development of Laiwu County and Boshan County in Central Shandong from the Ming to the Qing. It shows in the process of canal construction, many districts in these counties were developed and a gentry class which was successful in imperial examination emerged. So as to build their lineages, the literati started to compile genealogies and organize ancestral worship. Dragon god temples, which was encouraged by the state became popular, especially in the places of canal construction. However, in some less developed or remote villages, the native faith of Zhigong still prevailed. / 任雅萱. / Thesis Ph.D. Chinese University of Hong Kong 2016. / Includes bibliographical references (leaves ). / Abstracts in English and Chinese. / Title from PDF title page (viewed on …). / Ren ya xuan. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only.

Orientador: Fernando Silva Teixeira Filho / Banca: Wiliam Siqueira Peres / Banca: Angela Aparecida Donini / Resumo: As visibilidades e as múltiplas possibilidades de novas experimentações que são postas nos mais diversificados palcos do contexto social, no tocante as sexualidades, gêneros e desejos, acabam por traçar territórios estéticos nos campos das artes, tais como o cinema, o teatro, a dança, etc. Expressões de desejos que se colocam em resistência às estratificações e normatizações heteronormativas, abrindo espaços para invenções de políticas/éticas/estéticas que rompam com o pragmatismo, com o essencialismo das normas e dos poderes estabelecidos por enunciações e discursos de saberes/verdades/prazeres hegemônicos. Neste contexto, essa dissertação propôs-se mapear os modos como são produzidos os discursos, os desejos e as performances de gêneros e sexualidades dissidentes à heteronormatividade em curtas-metragens brasileiros exibidos durante o Festival Mix Brasil de Cultura da Diversidade - Cinema, Teatro, Música e Literatura, que tenham como protagonistas homens gays. Para tal, utilizamos uma metodologia que buscou dar visibilidade às conexões rizomáticas das linhas que se entrecruzam entre Psicologia, Sexualidades, Gêneros, Desejos e Cinema. Assim, inspiramo-nos nas interlocuções potentes do método genealógico e da técnica da análise do discurso foucaultiana, combinados às perspectivas Queers e o pensamento deleuzeguattariano sobre a produção dos desejos. O campo amostral da pesquisa percorreu os anos de 2008 a 2013, onde foi selecionado para análise um curta-metragem edição/ano ... (Resumo completo, clicar acesso eletrônico abaixo) / Abstract: Multiple visibilities and the several possibilities of new experimentations that are often staged on the many stages of social context, regarding sexualities, genders and desires, end up making up aesthetic territories in the realms of arts, such as the cinema, the theater, dancing, etc. These expressions of desires, which oppose to the social stratifications and heteronormative norms, create, as a result, scope for the invention of policies/ethics/aesthetics that will set themselves apart from pragmatism ideals, essentialism norms and power struggles established through discourse related to knowledge/truths/hegemonic pleasures. From this perspective, this study aims to map the means of discourse production, the desires and gender performances and sexual performances associated with the heteronormativity present in Brazilian short films that were exhibited at the Festival Mix Brasil de Cultura da Diversidade - Cinema, Teatro, Música e Literatura (Mix Brasil Culture and Diversity Festival - Cinema, Theater, Music and Literature), which shared a common topic: gay male protagonists. In order to do so, a methodology was used that sought to make visible rhizomatic connections between Psychology, Sexualities, Genders, Desires and Cinema. Thus, powerful dialogues of genealogical method and Foucault's discourse analysis technique were the main inspirations for this dissertation, combined with Queer perspectives and ideas concerning the production of desires conceived by Gilles Deleuz... (Complete abstract click electronic access below) / Mestre

Cette thèse explore les reconfigurations contemporaines du féminisme en Italie, et en particulier les pratiques, les représentations et les narrations de femmes engagées contre l’homophobie et le racisme à partir des relations postcoloniales et d’un sens libre de la différence sexuelle.Ces femmes composent des ensembles de résistances où sont en train d’émerger des positionnements politiques nouveaux, dont les « devenirs engagées » excédent ou resignifient de façon inédite des catégories occidentales telles que « lesbienne », « féministe », « migrante », « culture » etc. Il s’agit de sujets excentriques qui travaillent les séparatismes dans les mouvements sociaux, et mettent en échec les polarisations idéologiques à partir d’expériences des différences agissant comme des instances conflictuelles vitales : elles inaugurent des formes de participation fondées sur un besoin de coalitions et de transversalité.De l’analyse des itinéraires corporels, des pratiques et des cartographies des mouvements il ressort que les vecteurs de connexion principaux entre les actrices sociales marquées par la multiplicité sont les généalogies et les origines ainsi que les dimensions de l’in/visible et de la représentation.Cette ethnographie terrona s’inscrit dans une généalogie d’anthropologie postexotique qui se fondant sur une implication autoethnographique de la chercheuse, propose une révision des relations entre les participantes à la recherche, et de l’idée de terrain.Cette thèse relie des expériences de recherche à Paris, à Palerme et à Vérone, respectivement dans le Sud et dans le Nord-est de l’Italie, et thématise les formes de compétition culturelle et les représentations du Sud et du Nord italiens par une perspective postcoloniale. / This thesis explores the current reconfiguration of feminism in Italy, particularly the practices and self-representations of women who struggle against racism and homophobia from a postcolonial standpoint and with a freely interpreted sense of sexual difference. These women create spaces of resistance that allow the emergence of new political positionalities, which go beyond western categories of ‘lesbian’, ‘feminist’ and ‘migrant’ by re-signifying them in novel ways. These “eccentric subjects” (de Lauretis 1999) work on the separatisms inside social movements, confounding their ideological polarizations by living difference as instances of vital conflict. They thus open up forms of participation based on the need for transversality. The analysis of the activists’ bodily itineraries and of the movements’ practices and cartographies shows that two main elements of connection exist between these women, who are characterized by multiplicity: on the one hand, their genealogies and origins; on the other, the dimensions of visibility, invisibility and representation.This terrona ethnography draws on a post-exotic anthropological tradition predicated on the researcher’s auto-ethnographic implication, and on a revision of the relation between research participants and the notion of the field. The thesis connects experiences in Paris, Palermo (southern Italy) and Verona (northeast Italy), problematizing forms of cultural competition and the representation of (different parts of) Italy from a postcolonial perspective.