Cherry-Reid, Katharine A.
Using an arts-based approach, this research examines how songs written by queer and lesbian musicians can account for and archive queer lived existence while constructing a musical genealogy for listeners and artists alike. By examining my own experience of listening to and attending performances of certain queer and lesbian identified musicians, and then composing and performing my own songs in public spaces, I make a case for the corporeal mobility of songs, and a process I have termed “queer musical lineaging.” Much of the research around music to date has centred on how it impacts and influences brain activity, and how it brings together subcultures and publics. The significance of this project lies in the research around musical processes and practices (listening, composing, performing) as corporeal acts that connect bodies to one another, and build kinships. This research draws mainly upon primary sources of autoethnographic, written accounts in the form of journal entries, stories, poems and song lyrics, and conducts an interpretive analysis of six “queer” songs, five composed by the author of this thesis, and one composed in collaboration with a trans* youth. This project will contribute to research on arts-based practices as archival work, as well as the impact that songs have on people’s lives by broadening our understanding of music’s corporeal effects and genealogical role in lived experience. Arts, Faculty of Gender, Race, Sexuality and Social Justice, Institute for Graduate
Pharnabaze et les Pharnacides : une dynastie de satrapes sur les rives de la Propontide (Ve-IVe siècle av. J.-C.) Pharnabazus and the Pharnacids : a dynasty of satraps on the shores of Hellespontic PhygiaKlein, Alexis 29 May 2015 (has links)
L’objet de cette étude est de réexaminer l’histoire de la famille de gouverneurs perses qui ont détenu l’office de satrapes de Phrygie Hellespontique sous l’Empire achéménide aux Ve et IVe siècles avant J.-C., et d’évaluer leur influence sur la sphère politique égéenne et anatolienne. Étant donné que l’étude des Pharnacides n’est pas seulement une étude généalogique, mais qu’elle comporte des questions d’ordre politique, il nous faut distinguer leur rôle de satrapes de l’histoire de leur famille. Nous traitons donc dans un premier temps les origines des Pharnacides. Ensuite, nous présentons une chronologie des satrapes de Daskyleion, traités sous l’angle politique. En troisième partie, il est question de mettre en avant les caractéristiques des détenteurs de l’office satrapique de Daskyleion. Enfin, la dernière partie a pour but de présenter ce que nous avons pu déduire sur la notion de famille chez ces notables perses et de mettre en avant la place des femmes, tout en présentant un épilogue de leur destin après la chute de l’Empire achéménide. The purpose of this study is to reexamine the existence of the family of Persian governors, who were in charge as satraps of Hellespontic Phrygia in the age of the Achaemenid Empire in the Vth-IVth C. BC. and to assess their influence on Egean and Anatolian politics. As the examination of the Pharnacids is not only a genealogical study, but includes also political topics, it is necessary to distinguish their role as satraps from their family history. Accordingly, the first part addresses the origins of the Pharnacids, followed by a chronology of the satraps of Dasykleion from a political point of view. The third part exposes the permanent and recurrent features among the titleholders of the satrapy of Daskyleion. Finally, the last part presents our conclusions on the notion of family among the prominent Persians and focuses on the role of women, and it ends with an epilogue on the family’s fate after the fall of the Achaemenid Empire.
“We Educate, they Indoctrinate” Religion and the Politics of Togetherness in Ontario Public EducationVan Arragon, Leo 2015 (has links)
Religion has had an ambiguous role in Ontario public education, having provided both the common language for social cohesion and for resistance by religious groups to what they have perceived to be a dominant, exclusive and coercive ethos. In similar ways, religious freedom and diversity have been highly prized and protected in Ontario while at the same time being sources of anxiety and social disruption. Using critical discourse analysis and critical genealogical analysis I examine the conflicted role of religion in Ontario public education through competing discourses in political rhetoric, selected government documents formulating ways of conceptualizing the role of religion in public education from 1950 to 2003 and case law between 1985 and 1997. More precisely, I examine ways in which educational, social and political goals of education have been intertwined throughout the history of Ontario public education. I show that the public school system has been a state instrument privileged to deliver public education as a way to resolve the tension between social cohesion and social diversity by delivering common civic values. One result is that challenges to the public school system are often interpreted as attacks on public education and on Ontario society, particularly when those challenges are launched by religious groups. This has meant that debates about the role of religion in public education tend to be volatile making serious dialogue about this important social issue difficult to achieve while restricting the space for religious diversity in public education.
Taxonomy, Phylogeny and Genomics of the Wallemiomycetes and a Newly Discovered Class of Extremophilic FungiNguyen, Hai 2015 (has links)
New species of fungi that belong to the class Wallemiomycetes and related lineages were discovered and characterized. The Wallemiomycetes includes species of brown moulds from the genus Wallemia. Further study was warranted for Wallemia sebi because of its ubiquity in the human indoor environments and its potential roles in food spoilage, human allergy and disease. A survey of Wallemia in house dust was conducted. Sequencing of DNA and application of the genealogical concordance phylogenetic species recognition (GCPSR) led to recognition of four species within the W. sebi species complex (WSSC) and served as the foundation for phenotypic assessment and the formal description of three new species called W. mellicola, W. canadensis and W. tropicalis. A survey of heat resistant fungi in soils coincidentally resulted in the discovery of a new lineage of fungi related to Wallemia. This new lineage included a previously described monotypic genus Basidioascus and a new sister genus given the name Geminibasidium. A part of the morphological life cycle of these fungi was documented where two new basidial types were discovered, followed by the description of three new species called B. magus, G. donsium and G. hirsutum. Further studies on the sexuality and origins of the species B. undulatus were carried out with genome sequencing, genome analysis, confocal microscopy and electron microscopy. These results led to the creation of a new class of fungi called the Geminibasidiomycetes, which are distantly related to the Wallemiomycetes. Solving the WSSC, circumscribing a new class of fungi called Geminibasidiomycetes and characterizing the species of Geminibasidiomycetes on a taxonomic and genomic level are my original contributions to scientific knowledge.
Liquid traces : spatial practices, aesthetics and humanitarian dilemmas at the maritime borders of the EUPezzani, Lorenzo 2015 (has links)
This practice-based PhD critically investigates the aesthetic and spatial conditions that have turned the Mediterranean into a military-humanitarian border zone, dissecting the political anatomy of violence inflicted at and through the sea. It understands the maritime borders of the EU as a paradigmatic conflict zone in which new assemblages of power, legal arrangements and uneven patterns of mobility have emerged in relation to a vast, and yet patchy, surveillance apparatus. Contrary to the popular representation of the maritime territory as a homogeneous and empty expanse, the sea appears here as a technologically mediated space thick with events and complex relations between people, environments, and data. Recasting the notion of structural violence in aesthetic terms (i.e., as violence hidden in plain sight), this thesis further investigates documentary, humanitarian and cartographic practices that operate across this contested frontier and their role both in governmental practices of control and in migrants’ infrastructures of mobility. Part 1 (Genealogies) locates the current migration regime at sea within a longer genealogy of bordering technologies and aesthetic practices operating at sea. Part 2 (Liquid Traces) builds upon “Forensic Oceanography”, a project that I co-initiated in 2011 and which has mobilised geographic and media technologies (remote sensing, drift modelling, GIS, vessel tracking and others) to document the violence perpetrated against migrants in the Mediterranean. Here I read the maps, videos, visualisations and human right reports that I have co-produced during this project and that have been used as evidence in actual legal proceedings as attempts to challenge the regime of (in-)visibility imposed on this contested area. This thesis offers a new “cognitive mapping” of migration at sea by following my own situated encounters with the practices, policies, discourses and geographies that constitute the sea as a frontier.
Matthew's presentation of the Son of David : Davidic tradition and typology in the Gospel of MatthewZacharias, H. Daniel 2015 (has links)
This thesis is a literary-critical analysis of the Gospel of Matthew and its interaction with Davidic tradition and use of Davidic typology. Throughout the narrative, the evangelist makes pervasive use of Davidic tradition from the Old Testament in his portrayal of Jesus. This begins from the first verse and the declaration that Jesus is the Son of David, and culminates in Jesus' usage of Psalm 22's Davidic lament on the cross. The incipit and genealogy predisposes the reader to look for interaction with the Davidic tradition. Matthew's Davidic program utilizes throughout the narrative formal quotations, allusions, and echoes to the Davidic tradition found particularly in the OT prophets. In addition, Matthew makes use of Davidic typology numerous times, with David as type and Jesus as anti-type. This is done in order to present to the reader a scripturally-grounded redefinition of what it means for Jesus to be the Son of David: not as a violent militant leader, as was expected, but as a physical descendant of David, a healing shepherd, and a humble king. Within the Gospel, Matthew utilizes Davidic typology to show how the Son of David even has similar experiences as his royal predecessor. Even David's own words from the psalms are utilized as testimony to the legitimacy of Jesus as the Davidic Messiah.
Sperling, David M., Herrera Polo, Pablo C., Scheeren, Rodrigo
8 July 2015
Conference: 16th International Conference, CAAD Futures 2015 - "The next city". São Paulo, Brazil, July 8-10, 2015, At São Paulo, Brazil., Volume: Computer-Aided Architectural Design Futures. The Next City - New Technologies and the Future of the Built Environment ( Communications in Computer and Information Science, Volume 527 - 2015) The present paper is a mapping study of digital fabrication laboratories in Latin America. It presents and discusses results from a survey with 31 universities’ fab labs, studios and independent initiatives in Latin America. The objective of this study is fourfold: firstly, to draw the cultural, social and economic context of implementation of digital fabrication laboratories in the region; secondly, to synthesize relevant data from correlations between organizational structures, facilities and technologies, activities, types of prototypes, uses and areas of application; thirdly, to draw a network of people and institutions, recovering connections and the genealogy of these fab labs; and fourthly, to present some fab labs that are intertwined with local questions. The results obtained indicate a complex “homo faber” network of initiatives that embraces academic investigations, architectural developments, industry applications, artistic propositions and actions in social processes.
The Regime of Bio-power: Resistance and the Care of the Self in Margaret Atwood’s Oryx and Crake 生命權力下瑪格莉特愛伍特於末世男女中的抵抗與自我關注黃嬿霖 2015 (has links)
碩士 國立高雄師範大學 英語學系 103 Abstract Margaret Atwood sketches a post-apocalyptic wasteland in her speculative fiction, Oryx and Crake. Murky and bleak as the story shows, it is to ring alarm bells. Therefore, with the work of fiction , this thesis problematises that with the banner of scientific objectivity, science or social sciences and consortia as accomplices, subjective intentions (individuals) are being manipulated and deployed. However, subjects as objects, we are all in one of the machinery under a larger context of the power mechanism without knowing the condition. The novel problematises several effects of bio-politics, such as technocracy and systems of classification, all of which seems to guarantee everyone a perfect life. A utopian plan is thought to save the tottering world. My argument is under the regime of bio-power, the subjectivity of an individual is passive and everyone acts like a docile body. However, can we see any resistance in the novel? Do we still have some hope woven in the storyline? To pursue a quality life and to lead a life of great happiness, a vigilant attitude is indispensable. Jimmy the Snowman, though wounded and traumatized, survives the human calamity. Snowman’s ability to love and reflection signals hope for future, which echoes an art of existence to the care of the self and then the others from the Greco-Roman period. Besides, Jimmy the Snowman bears a questioning attitude to reflect on lives he has lead, trying to break a passive subjectivity under the bio-power. Through the genealogy of the care of the self from the Greco-Roman period to modern times, Foucault provides us a vision to see the shaping of subjectivity. Hence, given the care of the self in ancient times, an art of existence, the ethics of life, provides us examples to draw an experience. In this way, although Oryx and Crake is an open-ended story, left with survivors and Jimmy the Snowman, I believe that Atwood does not give us an apocalypse but a world waiting for making amends. Keywords: post-apocalyptic, speculative, technocracy, the care of the self
Estimación de coeficientes de consaguinidad y su efecto sobre peso al nacimiento y peso de vellos en una población de alpacasVilela Velarde, Jorge Luis 2015 (has links)
En la actualidad, información acerca de consanguinidad e intervalo generacional en alpacas, a partir de información de registro genealógico, para el monitoreo del progreso genético de programas de selección, depresión consanguínea sobre caracteres productivos o variabilidad genética para estrategias de conservación, son escasos. El objetivo de esta investigación es determinar los coeficientes de consanguinidad, el intervalo generacional y el efecto de la consanguinidad sobre peso al nacimiento y peso de vellón, en una población de alpacas. Para determinar estos parámetros, una base de datos de 12,493 individuos nacidos entre 1999 y 2012 en el fundo Mallkini del grupo MICHELL, en Puno, Perú, fue analizado y procesado con el programa Pedigree Viewer y ENDOG 4.8. Para el análisis estadístico de los resultados, se usó el paquete estadístico SAS. El coeficiente de consanguinidad promedio fue de 0.1654%, para toda la población. Solo 1.097% de las alpacas tuvieron un coeficiente de consanguinidad mayor a 0, con un valor mínimo de 1.56% y un máximo de 25%. El intervalo generacional obtenido fue de 5.938±0.017, 6.319±0.034, y 5,606±0.034 para toda la población, los machos y las hembras, respectivamente. El efecto de 1% de consanguinidad resulta en -0.00418 Kg y -0.01107 Kg para peso al nacimiento y peso de vellón, con valores de p= 0.530 y p= 0.002, respectivamente. Además, se observó un incremento promedio del coeficiente de consanguinidad en la población menor a 1% por generación (0.23%). Estos resultados muestran que la consanguinidad en esta población es muy baja y el incremento de la consanguinidad es menor al 1%, lo cual es bajo. El intervalo generacional es el esperado considerando su fisiología y tiempo de vida productiva. No obstante, el efecto de la depresión consanguínea sobre peso al nacimiento no es estadísticamente significativo pero para peso de vellón si los es. Es importante contar con mayor información genealógica para una mejor estimación de coeficientes de consanguinidad y su efecto sobre caracteres productivos en alpacas. --- Nowadays, information about inbreeding and generation intervals in alpacas from pedigree information to monitoring genetic progress of selection programs, inbreeding depression on productive traits or genetic variability for conservations strategies, are scarce. The aim of this research is to determinate inbreeding coefficients, generation intervals and the effect of inbreeding on birth weight and fleece weight in a population of alpacas. To determinate these parameters, data from 12,493 individuals born from 1999 to 2012 in Mallkinis´ Farm - MICHELL Group, in Puno, Perú, were analyzed and processed with Pedigree Viewer and the program ENDOG 4.8. Stastistical analysis was made with SAS. Average inbreeding coefficients was 0.1654% for the whole population. Only 1.097% alpacas had inbreeding coefficients greater than 0, with a minimum value of 1.56 % and a maximum of 25%. Generation intervals obtained were 5.938±0.017, 6.319±0.034, and 5,606±0.034 for the whole population, males and females, respectively, being differences between sexes statistically significant. Furthermore, differences were found per type and color of alpacas. The effect of 1% of inbreeding results in -0.00418 Kg and -0.01107 Kg for birth weight and fleece weight, with p= 0.530 and p= 0.002, respectively. Also, the average increase of inbreeding coefficients by generation was less 1% (0.23%). The results show that the inbreeding in this population is present in a smaller extent. Nevertheless, the effect of inbreeding depression in birth weight is no statistically significant but fleece weight it is. It is important to get more genealogical information for a better estimation of inbreeding coefficients and its effect on productive traits in alpacas Key words: Inbreeding, alpaca, genealogical, inbreeding depression
The past fifteen years have seen an unexpected resurgence of taxidermy in popular culture — from hip restaurants and bars to interior design and movies. However this phenomenon has been counterposed by the simultaneous dismantling of dioramas in natural history museums in light of a postcolonial critical reappraisal of the practice, predominantly contextualizing taxidermy as the negative by-product of Victorian-era colonization. It is clear that utopian positivistic visions of that time and the imperialist economies of power, subjugation, and wealth indeed contributed to the emergence of taxidermy. However, between this negative positioning of its historical past and the renewed ‘hype’ it has found in popular culture, lies the emergence of taxidermy in the contemporary exhibition space. This thesis focuses on the latter phenomenon, questioning the problematic and uncomfortable encounters with manipulated animal bodies that seemingly return, along with our shared histories, to haunt us. Taking Steve Baker’s landmark theorization of the postmodern animal as a starting point, and more specifically concentrating on the ‘botched taxidermy’ strand of his thought, this thesis focuses on a selection of works by contemporary artists Gerard Richter, Roni Horn, Jordan Baseman, and Steve Bishop. Situated across the disciplines of animal studies, Foucault studies, and visual cultures, this inquiry focuses on how the differential specificities of mediums such as photography, painting, and sculpture in some instances provide a productive opportunity to rethink human/animal relations through art. To support this analysis, and departing from the frame offered by Baker, this thesis also provides a new critique of Foucault’s fragmentary work on painting and photography. It thus expands his unfinished project to adapt genealogical and biopolitical frameworks to visual analysis. More broadly, this thesis grounds current posthumanist debates in the definitive movements of contemporary art.
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