Considéré généralement comme objet de l’art, sujet de la littérature et catégorie de l’esthétique chinoise, shanshui, les « montagnes-eaux », est censé relever d’un sentiment et d’une conception de la nature relativement différente de celle de l’Occident. Or la construction moderne de shanshui au prisme de la nature n’intègre la multiple pratique paysagère historiquement fondée dans la tradition lettrée, inextricablement liée à l’invention des montagnes-eaux : l’érémitisme, la recherche d’immortalité, l’excursion, la réunion littéraire lettrée, la création poétique, picturale et du jardin. Centrée sur l’histoire tri-séculaire après la chute de la Dynastie Han, en exposant les conjonctures particulières, analysant la notion ‘ziran’ dans l’étude du Mystère, rassemblant et traduisant les écrits et poèmes thématiques qui témoignent des mouvements et tendances extra-mondains dans les milieux lettrés sous les Wei-Jin (220-420), cette thèse vise à montrer que shanshui, plutôt que d’être constitué par la dualité nature/art, est inventé comme un paradigme confrontant, dans une bipolarisation de la réalité lettrée à cette époque, l’espace confucéen et l’espace taoïste, le service et la retraite, les affaires mondaines et la recherche de l’idéal par-delà la société. Autour de shanshui se cristallisent les idées-valeurs comme l’authenticité, la dévotion, la vertu, la liberté, le naturalisme, le mysticisme, la créativité et la transcendance immanente, en cela, nous supposons la co-naissance des montagnes-eaux et d’un idéal-type de l’humanisme classique chinois. / Generally regarded as the object of art, the subject of literature and Chinese aesthetic category, Shanshui (mountains-waters) is believed to be relevant to aesthetical feelings as well as the philosophical concept of nature that is different from that of the West. However, the modern construction of Shanshui through the prism of nature does not integrate the multiple landscape practices historically founded in the gentry's tradition, which had contributed to the invention of mountains-waters: eremitism, immortality seeking, excursion, gathering of literary circles, and the creation of poetry, paintings and gardens. Focusing on the history of Wei-Jin (220-420) after the fall of the Han dynasty, exposing the particular contexts, analyzing the notion of 'Ziran' in the Xuanxue school, gathering and translating the writings and thematic poems showing the extra-mundane movements and tendencies in literate milieus under this time, this thesis aims to show that Shanshui, rather than being constituted by the duality of nature and art, has been invented as a cultural paradigm to confront, in a bipolarization of the reality of ruling gentry class, the Confucian space and the Taoist space, service and disengagement, mundane concerns and pursuit of the Ideal beyond society. Around Shanshui the ideas and values such as authenticity, deep affection, virtue, liberty, naturalism, mysticism, creativity and immanent transcendence are crystallized, in this way, we may assume the co-birth of mountains-waters and an ideal type of Chinese classical humanism. / 山水研究以往側重于詩歌，繪畫與哲學分析，并普遍將山水視為自然再現，自然情感與某種不同於西方自然觀的審美表達。然而，“相對不同”的判定卻是建立在自然／文化兩分的現代二元范式的“普世應用”上的。因為僅僅強調山水源於“發現自然”並不能整合與山水緊密相關且貫穿於士傳統中的文化實踐：如隱逸，遊仙，遊覽，雅集，以及對世外理想之境的不懈書寫，描畫與營造。本論文考察了魏晉時期(220-420)的社會，政治與文化背景：名教自然的對立，隱逸遊仙的結合，魏晉風度，衣冠南渡，僑立，宗教興起，道釋義理在文化士族內部經由玄學促生的思想轉向等；通過分析魏晉玄學中的自然概念，整理翻譯相關的歷史文本與詩歌，試圖說明，與其說山水是自然／藝術的二元構建，毋寧說山水是士階層在仕與隱，經世與玄遠，世表與塵外的現實兩極化中所創建的一種文化範式。圍繞山水，凝聚了一系列具有重要文化特徵的理念与價值——保真，養身，自足，逍遙，自然主義，暢神玄覽，內在超越與審美理想。這意味著與山水共生的是一種中國古典人文主義的理想型。

本研究主要在探討雇主對殘障工作者的印象、對定額晉用的態度、雇用殘障者態度及雇用行為四個變項的關係。參與本研究的受試為 272位服務於百人以上民營企業、有實際參與雇用決策且擔任現職一年以上之人事主管及單位主管。研究的結果發現：(一)雇主對殘障工作者持有正面的評價。(二)雖然雇主認為定額晉用制度是難以達成且不公平的，但是仍認為有其存在的必要。(三)在雇用態度上，雇主有高的雇用意願，認為雇用殘障者不會提升雇用成本，且同意雇用殘障者可獲致一些雇用上的利益。(四)在雇主個人變項與各項態度的相關上，研究發現：(1)低學歷者(高中以下) 較高學歷者(大學及研究所)有正向的態度。(2) 在工作場合中曾與殘障者接觸者較不曾接觸者有正向的態度。(3) 知道定額晉用規定者較不知道者有正向的態度。(五)在各項態度的相關上發現對殘障者印象、定額晉用態度與雇用殘障者態度間均有相關存在殘障者態度最有預測力。(六)在各項態度與行為的相關上發現人事主管中態度與行為的關聯性較單位主管強。(七)組織規模小的企業(較大企業)及製造業(較服務業)達成定額晉用的比例高。 / The purpose of this research was to explore the relationships between employers' impression toward the disabled, attitudes toward employmentthe disabled, attitudes toward the quota scheme (in Welfare Laws for theInvalid), and the performed behaviors for employment the disabled. Twohundred and seventy-two direct and personnel managers attended this research. The major findings of this study were as follows: (1) Employer shad favorable impression toward the disabled, especially on the dimension of job attitudes. (2) The quota scheme was evaluated to be difficult and unfaire, but also necessary. (3) Employers had high willing to employ thedisabled, and tought that to employ the disabled would not heighten the cost of employment, but also could gain some benefits. (4) Employers whohad lower educational level, who had contact with the disabled at work,or who knew of the quota scheme before attending this study had more favorable attitudes than had other employers. (5) There were positiverelationships between the impression toward the disabled, attitudes towardemployment the disabled and attitudes toward the quota scheme. (6)the linksbetween the attitudes and the performed behaviors were stronger in personnelmanagers than in direct managers. (7)The rate of achieving the legal numbersfor employment the disabled was heigher in manufacturing or small corporations tnan in service or large corporations.

本文主要試圖回應傳統經學史論述中鄭王之辨此一議題。傳統經學史書寫中，或是以學派競爭的立場，或是採取鄭學中心角度，對王肅多予以負面評價。本文受到現象學思維啟發，試圖通過歷史性的追溯，重新梳理王肅形象的建構歷程。其次，透過重新閱讀目前傳世之王肅著述，以說明王肅個人的吉禮與凶禮主張，進而分析具體的禮文儀節，歸納出王肅禮學義體系的義理內涵與特質。第三、藉由中古禮家徵引王肅禮說的相關記載，以觀察王肅禮說在中古禮家進行禮學實踐時，造成了哪些短期影響及長期效應。 全文共分五章：〈第一章：緒論〉主在介紹本研究相關背景資訊、研究目的與研究方法；〈第二章：現代經學意義下王肅形象的建構與反省〉主要透過統計《皇清經解》中對於王肅的評議情形，以說明乾嘉學者對於王肅的總體觀感；其次以「教科書經典效應」的立場，分析清季皮錫瑞《經學歷史》對於現代經學研究環境所造成的影響。透過上述二者的討論，藉此說明現代經學研究者視野下王肅形象的建構過程。〈第三章：王肅禮學義理及其時代意義〉透過整理歸納，以說明王肅吉禮凶禮的具體主張，藉以呈現王肅禮學體系的人間屬性。此外，透過重建曹魏皇權語境的脈絡化處理方式，說明王肅禮學與明帝皇權的互動過程。〈第四章：王肅禮學體系的擴散與傳播〉藉由中古禮家明引王肅禮說的表現，以試圖說明王肅禮說對於中古禮制發展與禮學實踐的影響情形。並進而勾勒後世徵引行為如何反饋王肅禮說內涵。〈第五章：結論〉除了總結各章所得、研究缺失外，更試圖彰顯「擴散與傳播」的研究立場對中國古代（經）禮學研究具有哪些價值與意義。