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Showing 1 to 9 of 9 (0.016 seconds)| 1 |
客語「打」字構式群：論元體現與及物性之檢測 / A Family of da2 'hit' Constructions in Hakka: An Inspection of Argument Realization and Transitivity葉秋杏 Unknown Date (has links)
本論文「客語「打」字構式群：論元體現與及物性之檢測」旨在運用Kay (1995) 以及Goldberg (1995) 等學者所提出的構式語法觀點，對於客語中典型及物動詞「打」字極具廣泛的語意表徵、論元體現、以及其結構上之及物性程度與力道轉移現象進行檢視及探究。先前文獻普遍認為在動詞結構中，動詞是唯一可決定論元體現成分之主要角色。然而，藉由相關語言事實可以發現，除了仰賴動詞外，論元體現也必須靠結構來決定。這些由形式及語意組合而成的結構，亦各自帶有具區辨性之功能。後則採用Voorst (1996) 所提出的四種程度差異之及物性表徵，更進一步地對於詞組結構、句型結構、以及在言談中之句型變化進行討論。藉由檢視句法語意介面之結構類型，本研究將依據構式框架對於客語中「打」字結構群以及動詞「打」字在結構中的論元體現與及物性特徵提出完整縝密之分析。 / In order to explore the comprehensive semantic representation of the prototypical transitive verb da2 (打) ‘hit’ in Hakka, this study, adopting the framework of Construction Grammar proposed by Kay (1995) and Goldberg (1995), examines the diversification of the structural types in Hakka da2 constructions. In addition, the facets of argument realization and transitivity which involves energy transfer and degrees of affectedness are probed into. In the previous literature, it is hypothesized that a verb is the center responsible for the argument realization of the verbal construction. The relevant facts, however, suggest that the argument structure integrates both the verb and the construction. Constructions — pairings of form and meaning — also carry their distinct functions. For a thorough consideration, the increasing level of closeness and intensity of transitivity offered by Voorst (1996) are applied to tackle not only phrasal but also sentential structures and the structural variations in discourse. In adopting these theories to examine the interaction of syntax and semantics, this paper draws on the constructional framework and attempts to capture both general and idiosyncratic properties with a fine-grained analysis for the family of da2 ‘hit’ constructions in Hakka.
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Let's all dance Ballet.---芭蕾舞與成年女性的身體實踐杜綺文 Unknown Date (has links)
本研究的發問從研究者自身經驗以及大眾媒體內容出發，試圖瞭解成年女性學習芭蕾背後指涉出女性身體、芭蕾文化以及社會性別結構之間的何種關係，並從中探討女性身體在習舞的過程中，扮演何種角色。
對此，在理論的引用上，本研究以人類學的「體現」典範和美國女性主義政治哲學家Iris Marion Young的理論觀點，將女性身體視為一個知覺主體進行分析探討；在研究方法上，則採用「深度訪談法」以及研究者本身的「參與體驗」，以對成年女性的習舞身體經驗進行多方詮釋，從中瞭解該經驗所呈現、調和與轉化女性身體、芭蕾文化和社會性別結構的種種現象與關係。
本研究發現成年女性的芭蕾身體經驗共有三個特質：首先，成年女性在學習芭蕾的過程中，得以覺察自我身體感官，抒解身體壓力，並從社會角色回歸真實自我，對於身體的關注也不再僅集中在視覺觀感，同時也重視身體體驗。芭蕾的身體經驗成為成年女性擺脫社會角色，回歸身體知覺的「她方」國度。
再者，芭蕾身體經驗具有「轉化」的功能。此經驗一方面轉化了成年女性和日常生活的關係，改變成年女性在日常生活的姿態、生活行動的意義，讓成年女性有再詮釋個人與生活世界的能力。另外在「芭蕾學習文化」的部分，成年女性在日漸老化、退化身體的限制下，以親身體驗與實踐，重新定義學習芭蕾的年齡上限與可能性，也藉此展現女性身體的能力、自主與超越性。另外，在本研究也發現，成年女性的身體經驗讓過去象徵為男性凝視的芭蕾文化，轉變成女性自我體察與觀看，而重新定義芭蕾的觀看意義，此乃有別於過去女性主義的芭蕾研究結果。
最後，本研究發現女性身體乃是同時交織主客體面貌的多元身體，亦即女性身體在自我知覺以及社會性別結構之中來回游移，時為主體，時為客體，女性身體遂在自我和社會之間不斷變化其面貌。
女性身體有其能動性，但其也必須在社會性別結構之下扮演其角色，因此對於扮演主客體的女性身體的關注，可能不在於尋求身體的終極解放，而是女性身體如何在結構的限制之下，獲得更多的自主與選擇的可能。在本研究中，成年女性在芭蕾學習經驗中，回歸純然的身體知覺，即開啟女性身體自主的可能與契機。
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消費者視覺觀點與廣告訴求類型適配度之體現模擬與溝通效果 / The Effects of Embodied Simulation of Fit between Customers' Visual Perspectives and Advertising Appeals董重麟 Unknown Date (has links)
本研究主要探討消費者想像視角與訊息相適配之說服效果。心像是指感官資訊在短期記憶中運作的心理歷程，在說服文獻中扮演著重要的角色。由過去文獻可知，個體在進行想像時，可以採取兩種不同的想像觀點，一個是行動者觀點，另一個是旁觀者觀點。兩種不同視覺觀點會提供不同的心像資訊，進而影響個體對所想像事件或行動的解讀。旁觀者觀點強調行為的個人意義及個性上的展現，而行動者觀點則強調情境所賦予的感覺及所喚起的情緒。視覺觀點在社會心理學中已有廣泛的研究，但尚未應用到行銷說服領域中。本研究藉由整合心像、視覺觀點、及體現模擬的相關文獻，提出一個觀念性的研究架構，試圖說明當消費對採用不同的視覺觀點時，是如何影響其對廣告訴求的偏好，且是藉由何種心理機制來中介視覺觀點與廣告訴求相一致的說服效果。
針對上述的研究目的，本論文設計三個研究來驗證視覺觀點與廣告訴求適配的說服效果。研究一主要是驗證，若消費者採用行動者觀點來想像，則偏好體驗型產品，相反的，若消費者採用旁觀者觀點來想像，則偏好象徵型產品。研究二主要驗證，若消費者採用行動者觀點來想像，則廠商的溝通策略應強調產品屬性的體驗性利益，相反的，若消費者採用旁觀者觀點來想像，當廠商的溝通策略應強調產品屬性的象徵性利益。研究三是植基體現模擬中預設用途的概念，主要探討的是，如何在廣告圖片中安排預設用途線索，進而可以激發不同的視覺觀點。特別的是，當廣告圖片中有互動的預設線索時，則可以激發出旁觀者觀點，此時應強調象徵型訴求，相反的，當廣告圖片中沒有互動的預設線索時，則可以激發出行動者觀點，此時應強調體驗型訴求。且由三個研究結果可知，視覺觀點與廣告訴求相適配所產生的較佳產品態度，是由體現模擬所中介的。 / The purpose of this research is to understand the persuasive impact of the fit between the visual perspectives and the advertising appeals. Mental imagery, the process by which sensory information is represented in working memory, plays a critical role in persuasion. From a review of the literature, we realize that events can be imagined through the first-person perspective or the third-person perspective. The adoption of the specific vantage point can determine the inference people make about an imagined situation. In particular, the third-person perspective results in a greater dispositional inference, and highlights the broader meaning of the imagined situation, whereas the first-person perspective discloses more information about the inner, affective components of the imagined situation. Visual perspectives have been studied extensively in social psychology, but its implication is rarely applied to consumer behavior.
This study adopts three experiments to examine the persuasive impact of fit between the consumers’ visual perspectives and advertising appeals. Study One suggests that when consumers adopt the first-person visual perspective, compared to a symbolic product, consumers would prefer the experiential product; on the other hand, when consumers adopt a third-person visual perspective, compared to an experiential product, consumers would select the symbolic product. Study Two proposes that when consumers adopt the first-person visual perspective, manufacturers should emphasize a product’s symbolic benefits. On the contrary, when consumers adopt a third-person visual perspective, manufacturers should stress a product’s experiential benefits. Study Three demonstrates that affordance cues would prime different visual perspectives, and when the visual perspective and advertising appeals fit mutually, it will have a strong persuasive effect. In particular, when there is an affordance cue in an advertisement, it will encourage consumers to adopt the third-person visual perspective, and then prefer symbolic appeals. On the contrary, when an advertisement does not have any affordance cues, it will stimulate consumers to embrace the first-person visual perspective, and then prefer experiential appeals. All three studies demonstrate that when there is a fit between the visual perspectives and the advertising appeals, consumers will generate a fluent embodied simulation, which would lead them to have a positive product attitude and purchase intention.
The results of these three studies not only enrich the literature of visual imagery and marketing communication but also provide useful advice to manufacturers, especially on how to create the fit between product positioning and advertising, in order to promote the the positive product attitude and purchase intention of customers.
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書寫、經驗與身體感-以當代飲食書寫為考察核心 / Writing, experience and bodily feeling: a study based on the contemporary food writing賴怡潔, Lai, Yi Chieh Unknown Date (has links)
本文探討寫者如何將日常經驗轉化為文字作品，尤其如何將難以言喻的飲食經驗透過文字生動地表現。透過此問，試圖揭櫫經驗訴諸文字的過程，以及其間複雜交錯的課題。本文採用體現的取徑(embodied approach)，以當代飲食書寫為考察對象，擇取其中代表作家，蔡珠兒與謝忠道的文字作品與兩位作家的訪談資料，來詮釋經驗轉化為文字的脈絡，梳理經驗、身體感以及書寫之間的關係。本文的研究結果為，第一，書寫並非只是由「心」而完成的活動，也涉及「身體」的角色。第二，書寫並非是文字單純對應經驗的表徵過程，而是重新創造的過程，經驗、身體感與文字三者彼此相互作用，在書寫之下連動與共生。第三，本文以飲食書寫來關照書寫活動，重新揭示「書寫」的本質。最後，本文認為體現取徑可作為文學評論的全新視角，並以此對飲食書寫的寫作策略提出相關建議。 / The article explores how does a writer transform ordinary experiences into written languages, and how does he vividly express diet experiences that are beyond expressions. Based on these, this article tries to answer a sophisticated question about the relationship between experiences and languages. Taking the embodied approach to study contemporary food writing, this article discovers the context of experiences transforming into written languages, with representative written works and interviews by two writers, Jewel, Tsai and Chung-Tao, Hsieh. Also, with these materials, I explain the dynamic relationship among experience, bodily feeling and written language. The findings of this research include three points. First, writing activity is affected not only by human mind, but also by human body. Second, writing is not the simple process that languages represent experiences, however, it is the creative process that experiences, bodily feeling and languages interplay each other. Third, this article redefines the essence of writing. Especially, I think that the embodied approach is likely to be a method of literary criticism. On the basis of this approach, I suggest some writing strategies about the contemporary food writing.
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漢語動補結構中的致使義：從論元體現而論 / Causativity in Chinese resultative compounds: on the account of argument realization黃心綸, Huang, Hsin Lun Unknown Date (has links)
漢語的動補結構長久以來一直是漢語語言學中一個複雜難解的議題，動補結構中的論元在句法上應如何體現及其相對應的語意應如何解讀更是許多語言學家致力解決的問題。衍生語法學派 (Derivational Grammar) 的學者 (Cheng and Huang, 1994; Cheng et al, 1997; Huang, 2006, 2007; Li, 1995) 及詞彙功能語法學派 (Lexical Functional Grammar) 的學者 (Her, 2004, 2007, 2009; Shibagaki, 2009) 均曾試圖提出對於漢語動補結構最正確有效的分析，本論文旨在證明衍生語法學派之理論在動補結構分析上的錯誤及不足，並點出詞彙功能語法學派之理論在預測動補結構的論元體現 (argument realization) 及語意解讀 (semantic interpretation) 上有較全面的分析。
然而，某些動補結構，如「這一大桌子菜胖死我了」，含有不同於其他動補結構的致使義 (Causativity)，進而產生特殊的論元體現模式，此情形卻未被涵蓋在詞彙功能語法學派的理論分析中，本論文也依循詞彙功能語法的理論框架，試圖提出足以預測此種特定動補結構論元體現的句法規則，以彌補詞彙功能語法理論在分析此動補結構的論元體現上之遺漏，使其整體分析更臻完善。 / Resultative compounds in Mandarin Chinese have long been a complicated issue in Chinese linguistics. Many researchers have put great effort in trying to solve the problem of how arguments of Chinese resultative compounds should be syntactically realized and how corresponding interpretations should be achieved. Researchers of Derivational Grammar (Cheng and Huang, 1994; Cheng et al, 1997; Huang, 2006, 2007; Li, 1995) and those of Lexical Functional Grammar (Her, 2004, 2007, 2009; Shibagaki, 2009) have all attempted to propose analyses that are accurate in predicting the argument realization and compound predication of Chinese resultative compounds. This thesis aims to prove the insufficiency in the prediction power of derivational accounts and endeavors to show that the account of Lexical Functional Grammar is superior in the analysis of resultative compounds in terms of argument realization and compound interpretation.
However, some resultative compounds, such as that in zhe yi da zhuozi cai pang-si wo le (‘This whole table of dishes is making me fat.’), have certain causativity that makes them different from others in terms of argument realization. Resultative compounds like these are not included in the analysis of lexicalist accounts. Based on the theoretical framework of Lexical Functional Grammar, this thesis also makes an attempt to propose a syntactic rule that predicts the correct argument realization pattern of the kind of resultative compounds mentioned above. It is the goal of this thesis that the proposed rule covers the analysis of the resultative compounds that is missing in previous accounts and makes the lexicalist account given in this thesis a better solution in working on the issues of Chinese resultative compounds.
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客語潛能補語構式之事件概念與論元體現：認知模型與構式理論之整合 / Event conception and argument realizations of Hakka potential complement constructions: Integration of cognitive-constructional models強舒媺, Chiang, Shu Mei Unknown Date (has links)
本論文主要採用Jackendoff (2002)之平行結構(parallel architecture)來展現客語潛能補語各次構式在音韻、句法以及語意結構的共性與殊性，並據此呈現此構式於抽象性連續體(continuum of schematicity)上由「完全能產性」(fully productive)、「半能產性」(semi-productive)至「完全獨特性」(fully idiomatic)各區段之分佈狀態，進一步歸納出此構式家族之構式基模(constructional schema)以及繼承階層體系(inheritance hierarchy)。在構式語法精神下，每個構式皆是「形式-功能」之組合，Jackendoff (2002)之平行結構極為精細且縝密地描繪構式之「形式」面向。而為了檢視論元角色如何體現於客語潛能補語構式，認知語法中對事件概念之處理方式是不容忽視的，因此，為了補強平行結構在呈現構式「認知功能」面向之不足，本論文將Langacker (1991)認知模型中「行為鏈」(action chain)、「撞球模型」(billiard ball model)、「舞台模型」(stage model)等認知概念整合至平行結構中，用以顯示說話者對事件之概念化如何影響客語潛能構式之論元體現，進一步檢視此構式形式與功能之象徵性關係在連續體上之展現。藉由構式理論與認知模型之整合，本研究為語言形式與功能之對應提供一縝密之分析模式，並得以反思構式語法之應用性與發展性。 / Adhering to the constructional view claiming that every construction is a form-function pairing, this dissertation provides a detailed analysis of the correspondence between linguistic manifestations and speaker's construal of events. The main focus of this study is on the interactions between argument realizations and event conception in Hakka potential complement constructions. In order to show more vividly the subtle interfacing relationships among phonological, syntactic and semantic structures, this study adopts Jackendoff's (2002) parallel architecture to present clearly the degree of schematicity of Hakka PC constructions. On the other hand, further integrating the cognitive representations such as action chains and stage model from Langacker's (1991) Cognitive Grammar into the parallel architecture crystallizes the symbolic relations between the constructional form and function. Members of Hakka PC constructions are shown to be distributed on a continuum of schematicity, from fully productive cases, to semi-productive cases, and finally to fully substantive cases. Moreover, all subconstructions form a family, organized in an inheritance hierarchy in which the one at the lower level inherits general qualities from its inheritor, and at the same time possess its own uniqueness. Integrating the cognitive and the constructional models, this dissertation proposes a fine-grained and full-fledged analysis of both the regularities and the idiosyncrasies of Hakka PC constructions.
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漢語動結式中的中心語與論元體現 / Headedness and argument realization in mandarin resultative compounds吳郁賢, Wu, Yu Hsien Unknown Date (has links)
有關漢語動結式的議題，中心語與論元體現皆呈現了複雜的現象。就中心語這部份，過去研究(Cheng & Huang, 1994; Gu, 1992; Huang & Lin, 1992; Y. Li, 1990, 1993, 1995, 1999; C. Li, 2008, 2009; Shen, 1992; Tai, 2003)的論點相當分歧，顯示漢語動結式中心語的位置仍有討論的空間；至於論元體現方面，由於論元與詞類間的互動會帶出許多不同的語意和句法表現，而先前的研究(Her, 2004, 2007; Li, 1990, 1995)尚未足以完整的解釋這些情形。
本研究主要從詞彙的角度來探討中心語和論元體現這兩個議題。首先，依照Her (2004, 2007)的分析方式，本研究嘗試排列出漢語動結式合法的論元結構，並利用這些論元結構描述各個動結式的論元體現，解釋可能的語意及句法結構。接著，同樣根據所提出的合法論元結構，以顯現的論元為主，並採用有關判斷中心語的假設(Zwicky, 1984; Y. Li, 1990, 1995; Chung, 2006; C. Li, 2008, 2009)，整理出漢語動結式中心語的位置。最後，詞彙功能語法中的詞彙映照理論驗證了本研究前半部分對論元體現與中心語的討論，這個理論也另外解釋漢語動結式處所詞倒置的現象。 / Two issues regarding Mandarin resultative compounds, headedness and argument realization, present a complex phenomenon. For one thing, extensive studies (Cheng & Huang, 1994; Gu, 1992; Huang & Lin, 1992; Y. Li, 1990, 1993, 1995, 1999; C. Li, 2008, 2009; Shen, 1992; Tai, 2003) concerning headedness fail to critically determine the head of a Mandarin resultative compound. For another, despite previous research (Her, 2004, 2007; Li, 1990, 1995), the interaction between arguments and grammatical functions of Mandarin resultative compounds remains inconclusive.
To settle the foregoing matters, the purpose of this thesis is to probe into argument realization and headedness from a lexicalist approach, aiming to provide a full account of both issues. In the first part of this thesis, following Her’s (2004, 2007) analysis, the thesis focuses on formulating systematic feasible argument structures for Mandarin resultative compounds, then examining the argument structures of a resultative compound to explain its possible readings and syntactic representations. Based on the available argument structures proposed in the first half, the second part of the thesis investigates the headedness of Mandarin resultative compounds, suggesting that the head can be determined when arguments are overt. The criterion for headedness that is adopted in this thesis involves assumptions proposed by Zwicky (1984), Y. Li (1990, 1995), Chung (2006), and C. Li (2008, 2009). Finally, the thesis demonstrates that both issues of argument realization and headedness are well governed by Lexical Mapping Theory and that Lexical Mapping Theory further clarifies constructions with locative inversion of Mandarin resultative compounds.
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論中文範域論旨角色 / On the thematic role extent in mandarin Chinese謝依庭, Xie, Yi Ting Unknown Date (has links)
範域 (Extent)這個論旨角色在漢語中是個常見卻鮮少被研究的論旨角色 (Halliday, 1964; Teng, 1975; Dowty, 1991; Huang, 1993; Her, 2009)，本研究旨在探討漢語中的範域論旨角色並且為以客體(Theme)，感受者(Experiencer)，以及範域(Extent)三個論旨角色為論元的句子提出合理的解釋，例如 “一本書寫了他三年”此類句子。
本篇論文的第一部份探討漢語中的數量詞(number expression)以及時間詞(duration)並且指出在漢語中他們經常被指派為範域論旨角色(Extent)。接著探討 “一本書寫了他三年”此類句子，並且提出活動動詞(activity verb)以及達成動詞(accomplishment verb)會模仿心理動詞(psych verb)因此產生此類句型，也就是客體(Theme)在主詞位置，而感受者(Experiencer)以及範域(Extent)為受詞。由於動詞 ‘寫’模仿了心理動詞，而且此類句型著重在受詞受到動詞的影響，因此原本的主事者(Agent) ‘他’成為主事者和感受者的複合角色(composite role)，但是只有感受者參與詞彙照映(lexical mapping)。論文最後一部份為“一本書寫了他三年”此類句子進行詞彙照映(lexical mapping)，本篇論文參照Zaenen (1993)的混合解釋方法(mixed account)以及Her (1999, 2003, 2007)的統一映照理論(unified mapping principle)成功的解釋了此類句子的論元體現(argument realization) 。 / Extent (Dowty, 1991; Her, 2009) is also referred to as Range (Halliday, 1964; Teng, 1975) or Domain (Huang 1993). It is a less studied yet commonly seen thematic role in Mandarin Chinese. This thesis aims to investigate the thematic role Extent in Mandarin Chinese, and to propose an explanation for the sentence where the verb has three arguments as Theme, Experiencer and Extent, such as yi4ben3 shu1 xie3le5 ta1 san1 nian2 ‘It took him three years to write a book’.
In the first part, this thesis explores the thematic role Extent in Mandarin Chinese, and it is proposed that number expression and duration be considered as Extent. Then, the sentences having three arguments such as in the sentence yi4ben3 shu1 xie3le5 ta1 san1 nian2 ‘It took him three years to write a book’ are investigated. It is proposed that activity verb and accomplishment verb model the syntactic behavior of psych verb so that they can have Theme in the subject position and Experiencer and Extent as two complements. Since the activity verb xie3 ‘write’ models the psych verb and the sentence structure focuses on the [affected] feature of the object, the Agent ta1 ‘he’ becomes a composite role of Agent and Experiencer, but only the Experiencer can participate in the lexical mapping. In the last part of the thesis, the lexical mapping of the sentence yi4ben3 shu1 xie3le5 ta1 san1 nian2 ‘It took him three years to write a book’ is demonstrated. This thesis adopts Zaenen’s (1993) mixed account and Her’s (1999, 2003, 2007) unified mapping principle (UMP) to successfully account for the argument realization of the sentence.
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論胡塞爾現象學之主體性悖論 / ON PARADOX OF SUBJECTIVITY IN HUSSERL’S PHENOMENOLOGY江偉峰, Chiang,Wei-Feng Unknown Date (has links)
主體性，是作為相對於客體性而言之主觀存在，且同時是作為在客體性中的客觀存在。如此一種普遍地可能存在於一切認識活動中的雙重存在狀態，正是所謂的「主體性的悖論」。而根據胡塞爾現象學式的沈思回溯考察，這樣一種可能的悖論形態之形成的原因，無非就出於主體多少偏執「客觀存在性先行存在」作為認識活動的理所當然性的前提之故。因為此種由主體對客體性存在與否具有著強烈興趣而產生出的偏執，總是讓主體在對「客觀存在性如何先行存在」此一問題少有深思的情形下，或是有所盲目或是有所扭曲地將自身多少誤解為關聯於客體而共同存在於客體性之中，且同時還多少將此種主體-客體的關聯當作兩者間具有某種平行類比意義的根據，甚而多少誤解主體是客體的類比存在性且可來自於對客體的存在性進行抽象而得之補充抽象的東西。如此一來，不僅主體固有的本質存在方式多少被化約遮蔽地客體化了，客體作為主觀的被給予東西的意義也多少被片面地簡化了，甚至還有那種由最深刻的不可理解的悖論危險性，所帶來之「客觀存在性如何能被主觀地認識」此一非比尋常的認識活動/知識（真理）之謎。而根據胡塞爾現象學式的沈思回溯考察，唯有通過徹底的「懸擱」來全面克制對客體性存在與否的強烈興趣，主體的目光才能完全解除指向客觀存在性的束縛，而以自由的反思活動來真正深入自身的主觀存在性之中，「無悖論地」揭示出自身「如何」以固有的本質存在方式主觀地認識到一切作為客觀存在性之主觀被給予的「事物本身」。
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