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The double bind between individual and social constructions in female survivors of sexual abuse : a qualitative studyVan Niekerk, Rudolph Leon 22 August 2012 (has links)
M.A. / This study is an attempt to investigate the way in which female survivors of childhood sexual abuse made sense of their experiences. Three participants were interviewed and the relevant themes that emerged from those interviews were coded and reported. The study was conducted from a qualitative perspective that was grounded in social construction methodology. The survivors' individual constructions of meaning at the time of their sexual abuse, their introduction to the social constructions of meaning about child sexual abuse and the double bind between these constructions are reported. The survivors' narratives are representations of the positive way they constructed meaning about their experiences as a way of coping. Their stories are also reflections of the confusion they experienced when introduced to the social constructions of child sexual abuse that differed from the meaning they attributed to their experiences. The study is a representation of the double bind that the difference between the individual and social constructions of their child sexual abuse created for them.
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O abuso sexual infantil intrafamiliar: do segredo à elaboraçãoMartins, Janaina da Mota 01 December 2015 (has links)
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Previous issue date: 2015-12-01 / Considered a serious social and public health problem, sexual violence against children is expressed in various ways including the domestic sexual abuse. The problem of this study is localized around the issues of sexual abuse perpetrated by father against children. Based on issues and concerns caused by the clinic listening to children and adolescents involved in situations of sexual violence and their families
aimed to study, within the psychoanalytic perspective, the impact on family dynamics, the development of intra-family sexual abuse and the implications for the child. Participated in the survey the mother of a child who suffered sexual abuse by her biological father and revealed the fact to mother after almost two years, referred to
research by the Interprofessional Reference Center on Attention to Children and Adolescents Victims of Violence of Capital / Court of Justice of Pernambuco [TJPE]. We adopted for the collection of data the semi-directed psychological interviews, within the clinical-qualitative approach, observing the ethical guidelines for research
with human beings; for the analysis of the data we use the Content Analysis[AC], grouping the interview fragments themes to then understand them in their core sense. Our research has shown that disclosure of child sexual abuse is a slow and gradual process that requires an intense psychic work for the child and unfolds in his
narrative. We found that the revelation of incestuous sexual abuse does not necessarily promote early relief and can be lived in a threatening and painful for the child / adolescent, associated with anxieties and fantasies, being able to be more difficult than the experience of abuse. Both the child and family members when
deciding the complaint, are asked to talk about what happened in different instances, mostly disjointed, forcing members to share, countless times, how was the abuse by setting up a true via-crucis for children mainly. We also note that the data analyzed in the interview show that in relation to the family, the process of revelation leads to a
destabilizing period requiring the emotional disposition group for the development and transformation. It can tell that our study corroborates findings from previous research, with regard to maternal reactions to the disclosure, evidencing the psychological suffering that mothers have to take notice of the fact, and must receive equal attention and care in the course of revelation, noting that occupy a significant place in this process. As regards the disclosure in the clinical context, we emphasize the importance of clinical work and Therapist figure mediating the child relationship with his experience of abuse, offering a safe environment for creating senses. Thus, we hope that this research has contributed in some way to broaden the discussion around the issue of child sexual abuse assistance in the field of clinical and academic circles. / Considerado um grave problema social e de saúde pública, a violência sexual contra crianças se expressa de diversas formas incluindo o abuso sexual intrafamiliar. A problemática deste estudo circunscreve-se em torno das questões sobre o abuso sexual perpetrado por pai contra filhos (as). Respaldadas em questões e inquietações provocadas pela escuta clínica de crianças e adolescentes envolvidos em situações de violência sexual e suas famílias objetivamos estudar, dentro da
perspectiva psicanalítica, as repercussões na dinâmica da família, da revelação do abuso sexual intrafamiliar e as implicações para a criança. Participou da pesquisa a mãe de uma criança que sofreu abuso sexual praticado por seu pai biológico e revelou o fato à mãe depois de quase dois anos, encaminhadas à pesquisa pelo Centro de Referência Interprofissional na Atenção a Crianças e Adolescentes
Vítimas de Violência da Capital/Tribunal de Justiça de Pernambuco[TJPE]. Adotamos para a coleta de dados as entrevistas psicológicas semidirigidas, dentro da abordagem clínico-qualitativa, observando os cuidados éticos para a pesquisa com seres humanos; para a análise dos dados utilizamos a Análise de Conteúdo, agrupando os fragmentos da entrevista em eixos temáticos para, então,
compreendê-los em seus núcleos de sentido. A nossa investigação mostrou que a revelação do abuso sexual infantil é um processo lento e gradual, que demanda um intenso trabalho psíquico para a criança e se desdobra na sua narrativa. Verificamos que a revelação do abuso sexual incestuoso não necessariamente promove alívio de início, podendo ser vivida de ameaçadora e dolorosa para a criança/adolescente,associada às angústias e fantasias, sendo capaz de se tornar mais difícil do que a própria experiência do abuso. Tanto a criança como membros da família quando decidem pela denúncia, são solicitados a falar sobre o que aconteceu em diferentes
instâncias, em sua maioria desarticuladas, obrigando-os a contarem, inúmeras vezes, como se deu o abuso, configurando-se numa verdadeira via-crúcis para a criança, principalmente. Observamos também que os dados analisados na entrevista demonstram que em relação à família, o processo de revelação leva a um período
de desestabilização exigindo do grupo disposição emocional para a elaboração e transformação. É possível dizer que nosso estudo corrobora achados de pesquisas anteriores, no que se refere às reações maternas perante a revelação, ficando evidente o sofrimento psíquico que as mães apresentam ao tomar conhecimento do fato, sendo necessário que recebam igual atenção e cuidado no decurso da
revelação, lembrando que ocupam um lugar significativo neste processo. No que se refere à revelação no contexto clínico, destacamos a importância do trabalho clínico e da figura do terapeuta intermediando a relação da criança com sua experiência de abuso, oferecendo a ela um ambiente seguro para criação de sentidos. Dessa
forma, esperamos que esta pesquisa tenha contribuído de alguma forma, para ampliar o debate em torno da problemática do abuso sexual infantil intrafamiliar no campo da clínica e da academia.
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Lost his voice? interrogating the representations of sexualities in selected novels by Gabriel Garcia MarquezManyarara, Barbara Chiedza 11 1900 (has links)
This thesis interrogates García Márquez’s representations of sexualities in the following selected novels: Chronicle of a Death Foretold (1981); The Autumn of the Patriarch (1975); One Hundred Years of Solitude (1967); The Sad and Incredible Tale of Innocent Erendira and her Heartless Grandmother (1972); and Memories of My Melancholy Whores (2004). It is argued here that García Márquez’s employment of the sexuality motif enables him to delve into many worldwide current concerns such as the irrelevance of some socio-cultural sexual practices; commercial sexual exploitation of children; the different manifestations of prostitution; and female powerlessness under autocratic rule. Earlier literary critics have tended to narrowly interpret García Márquez’s employment of the sexuality motif as just a metaphor for colonial exploitation of the colonised. The study also explores the writer’s artistic role and concludes that García Márquez speaks against commercial sexual exploitation of children as he concurrently speaks on behalf of children so exploited. Similarly, the writer speaks on behalf of prostituted womanhood by showing how prostitutional gains do not seem to cascade down to the prostitutes themselves. García Márquez also invests female sexual passivity as a coping mechanism against a dictator’s limitless power over the life and death of his citizens. However, the writer also constructs female agency that grows from the rejection of an initial victimhood to develop into an extremely flawed and corrupt flesh trade that co-opts and indentures children into sex work with impunity. Thus the study breaks new ground to show that García Márquez’s representations of different sexualities are not merely soft porn masquerading as art. His is a voice added to the worldwide concerns over commercial sexual exploitation of children in the main and also the recovery of a self-reliant female self-hood that was previously inextricably bound to male sexual norms. Quite clearly, García Márquez demonstrates that female prostitution is driven by a lack of social safety nets, a lack of other economically viable options and also a distinct lack of educational opportunities for female economic independence, hence the flawed female agency. / English Studies / D. Litt. et Phil. (English)
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Gebrochenes Schweigen / Körper, Gewalt und Erinnerung in der zimbabwischen Literatur der 90er JahreNeumann, Stephanie 30 September 2003 (has links)
In der zimbawischen Literatur sind die Themen Nation, Körper, Gewalt, Sprache und Erinnerung aufs engste miteinander verbunden. Durch den Einfluß von Yvonne Vera hat sich in den 90er Jahren das Bild des weiblichen Körpers und insbesondere die Diskussion um koloniale und postkoloniale Gewalt deutlich verändert. Im ersten Teil der Arbeit geht es um die Frage nach Nation. Unterschiedliche Darstellungen von Nehanda und den Kämpferinnen des 2. Chimurenga werden näher beleuchtet. Außerdem geht es um Veras "pastoral novel" in der sie von einer weißen Farmersfrau erzählt. Im zweiten Teil geht es um die Körperkonzepte in der zimbabwischen Literatur. Gewalt in der Familie und vor allem der weibliche Körper als Schlachtfeld steht hier im Mittelpunkt. Die Vergewaltigte und die Prostituierte sind auch weiterhin Symbole für den kolonisierten afrikanischen Kontinent. Vera versucht diese Frauen aus einer anderen Perspektive zu betrachten. Bei ihr geht es um die Erfahrung der Frauen selbst. Der dritte Teil der Arbeit befasst sich schließlich mit der Frage nach der Darstellbarkeit von Gewalt. Wie ist es möglich von Gewalt zu erzählen, ohne die Gewalt zu reproduzieren? Vera beantwortet diese Frage mit der Reflexion über des Erzählen. Bei ihr wirkt Sprache heilend. / In Zimbabwean literature, the themes of nation, body, violence, language, and memory are closely connected. The dissertation analyses, how the treatment of these themes changed significantly during the 1990s. The focus lies on Yvonne Vera's work and its influence on the image of the female body and the debate about colonial as well as postcolonial violence. The first part deals with the question of nation at the example of various narratives about Nehanda and other female freedom fighters in the Second Chimurenga. Further material is drawn from Vera's "pastural novel", in which she tells about a white settler woman. The second part looks at body concepts in Zimbabwean literature. Special attention is paid to domestic violence and the image of the female body as battlefield. The raped woman and the prostitute are still widely used as symbols for the colonized African continent. Vera tries to break with this tradition by looking at such female characters from the perspective of their own experiences. The third part, finally, raises the issue of the representation of violence. How is possible to write about violence without reproducing it? Vera answers this question by reflecting about narration. Language thus works as a healing power in her texts.
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Problematika sexuálního zneužívání v dětství / Problems of Sexual Abuse in ChildhoodVACHOVÁ, Pavla January 2011 (has links)
The thesis concentrates on the issue of sexual abuse in childhood. The work is divided into four main chapters. The first and second chapter characterizes the development of a role of child from past to the present, particularly in legal terms. The author's focus is dedicated to the term definition of sexual child abuse, data and incidence of sexual abuse in context with other countries. Supported by viewpoint of other authors, a description of different views on sexual abuse of children is presented with specific forms of abuse (contact and non-contact). The third chapter deals with specific risk factors, related to children, the perpetrators (aggressors) and families. Autor´s focus is on the offender (deviant and non-deviant) and their degree of threat. The data is supported by research results published in the Czech Republic and statistical data from OSPOD MLSA. The last, fourth chapter is considered by the author to be of a great importance as it discusses the implications derived from sexual abuse in childhood. This traumatic experience may have crucial impact on further development and quality of life of the victim. The work is concluded with offers of preventative methods and the role of social worker in the process of uncovering a case of sexual abuse of a child.
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La représentation de la violence faite aux femmes dans 'Un dimanche à la piscine à Kigali' de Gil Courtemanche et 'Je m’appelle Bosnia' de Madeleine GagnonThach, Thida January 2014 (has links)
La violence faite aux femmes est une réalité encore très présente, surtout dans les sociétés patriarcales, même après des décennies de lutte féministe. C’est aussi un thème privilégié en littérature. La présente thèse propose justement une analyse de ce thème à travers deux romans assez récents qui mettent tous deux de l’avant des aspects particuliers de la question : Un dimanche à la piscine à Kigali de Gil Courtemanche et Je m’appelle Bosnia de Madeleine Gagnon. Nous tenterons de cerner les différentes formes de violences à l’œuvre dans les deux narrations : la violence faite aux filles, celle faite aux femmes, et enfin la violence spécifique qu’engendrent les conflits armés avec le viol comme arme de guerre. Nous proposerons une analyse intersectionnelle de ces formes de violences afin de mesurer les représentations et les répercussions des notions de classe et de race eu égard aux toiles de fond différentes des deux romans : le génocide chez Courtemanche, le nettoyage ethnique chez Gagnon. Nous aborderons aussi les narrations sous l’angle de l’agentivité. Dans des sociétés fondamentalement patriarcales, quel pouvoir peuvent espérer avoir les personnages féminins sur leur destin personnel et collectif? Y a-t-il pour ces femmes fictives des stratégies possibles pour atteindre une liberté d’action, si mince soit-elle?
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