Submitted by Geandra Rodrigues (geandrar@gmail.com) on 2018-04-02T19:11:07Z No. of bitstreams: 1 andrealuciadelimacabral.pdf: 1171605 bytes, checksum: e50145e1a9edf17e6516905116d73313 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2018-04-02T20:03:55Z (GMT) No. of bitstreams: 1 andrealuciadelimacabral.pdf: 1171605 bytes, checksum: e50145e1a9edf17e6516905116d73313 (MD5) / Made available in DSpace on 2018-04-02T20:03:55Z (GMT). No. of bitstreams: 1 andrealuciadelimacabral.pdf: 1171605 bytes, checksum: e50145e1a9edf17e6516905116d73313 (MD5) Previous issue date: 2015-11-23 / PROQUALI (UFJF) / Este estudo propõe uma análise da obra Giroflê, Giroflá da escritora mineira Cosette de Alencar, publicada no ano de 1971. Em um primeiro momento busca-se situar a posição ocupada pela escritora, enquanto mulher, na sociedade. Para tanto, apresenta-se alguns apontamentos sobre a crítica feminina a respeito da produção literária e, em seguida, um mapeamento da produção intelectual feminina das décadas de 1960 e 1970 na cidade de Juiz de Fora. Em um segundo momento busca-se apresentar uma estruturação da narrativa a partir de conceitos presentes em autores como Afrânio Coutinho (1976) e James Wood (2012), definindo os elementos: enredo, tempo, espaço e personagens presentes em Giroflê, Giroflá. Sustentaram este trabalho, dentre outros, teóricos como Virginia Woolf, Simone de Beauvoir, Elisabeth Badinter, Heloísa Buarque de Hollanda, Nelly Richards e Regina Dalcastagnè. A pesquisa foi alimentada com levantamentos bibliográficos partindo de artigos, livros, dissertações e teses relacionadas à escritora Cosette de Alencar e seu romance em análise, bem como consulta ao acervo da família Alencar, devidamente depositado no Museu de Arte Murilo Mendes - MAMM e às crônicas publicadas pela escritora no Diário Mercantil que estão sob a guarda do Arquivo Histórico de Juiz de Fora. Partindo da análise estrutural do romance, assim como do contexto de sua produção e do lugar de enunciação de Cosette de Alencar, pretende-se destacar a importância de sua produção para as literaturas mineira e brasileira, assim como propor vieses de análise de sua obra até então não contemplados. / This study proposes an analysis of Giroflê, Giroflá, work of the writer from Minas Gerais Cosette de Alencar, published in 1971. At first it seeks to situate the position occupied by the writer, as a woman in society. For this end, we present some notes on women's critical about the literary production and then a mapping of female intellectual production of the 1960s and 1970s in the city of Juiz de Fora. In a second step we seek to provide a narrative structure from concepts present in authors like Afrânio Coutinho (1976) and James Wood (2012), defining the elements: plot, time, place and characters present in Giroflê, Giroflá. Supported this work, among others, theorists like Virginia Woolf, Simone de Beauvoir, Elisabeth Badinter, Heloisa Buarque de Hollanda, Nelly Richards and Regina Dalcastagnè. The research was conducted with bibliographical search starting from articles, books, theses and dissertations related to the writer Cosette de Alencar and her novel in question, as well as consulting the Alencar family collection, duly deposited at the Art Museum Murilo Mendes - MAMM and the chronics of the writer published by Diário Mercantil that are in the custody of Juiz de Fora Historical Archives. Starting from the structural analysis of the romance as well as the context of its production and the place of enunciation filled by Cosette de Alencar, is intended to highlight the importance of her production to the literature from Minas Gerais and Brazil, as well as propose different views for analysis of her work not covered so far.

Orientador: Sirio Possenti / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-20T10:50:50Z (GMT). No. of bitstreams: 1 OliveiraBitencourt_DaianeRodriguesde_M.pdf: 1022614 bytes, checksum: 90f72f4703c12467ebef8acea3f7420a (MD5) Previous issue date: 2012 / Resumo: O objetivo desta pesquisa é analisar como a Semântica Global Batista filtra discursos sobre o feminino na revista Visão Missionária. Este trabalho fundamenta-se nas noções de Semântica Global e de Discursos Constituintes propostas por Maingueneau. O corpus de análise é a revista Visão Missionária, a qual é uma publicação da União Feminina Missionária Batista do Brasil. Essa revista ensina como a mulher batista deve exercer suas funções diárias como uma mulher cristã. Nesta pesquisa, inicialmente, discute-se o espaço protestante brasileiro e a constituição do discurso batista. Em seguida, descreve-se a Semântica Global Batista e seu funcionamento nas práticas da Igreja. A seguir, apresenta-se a constituição de Visão Missionária, contrapondo-a a outras revistas femininas. Posteriormente, analisa-se como a revista representa a mulher batista em seus papéis de mãe, esposa e profissional como uma "Mulher Cristã em Ação". Depois disso, investiga-se como a Semântica Global Batista também regula as recomendações indicadas à mulher em seu cuidado com o corpo e a beleza. Por fim, verifica-se o funcionamento dessa Semântica Global no sistema de citações, particitações e comentários na revista. Os resultados da pesquisa mostram como a Semântica Global Batista regula não apenas os níveis discursivos, mas também os institucionais da Igreja, bem como os discursos sobre o feminino veiculados em Visão Missionária / Abstract: The objective of this research is to analyze how Baptist Global Semantic filters discourses about the feminine in Visão Missionária magazine. This work is based in the notions of Global Semantic and Constituents Discourses proposed by Maingueneau. The corpus of analysis is the Visão Missionária magazine, which is a publication of the Baptist Woman's Missionary Union of Brazil. The magazine teaches the Baptist Woman how to play her various functions in daily as a Christian. First of all, this research discusses the Brazilian Protestant space and the constitution of the Baptist discourse. Second, it describes the Baptist Global Semantics and its functioning in the church practices. Next, it presents the constitution of Visão Missionária, contrasting it to other women's magazines. Later, it considers how the magazine represents the Baptist woman in their roles as mother, wife and professional as a "Christian Women in Action." After that, it investigates how the Global Semantic Baptist also regulates the recommendations given to women in their care with her body and beauty. Finally, it verifies the functioning of this Global Semantic in the system of citations, particitations and comments in the magazine. The research results show how the Baptist Global Semantic regulates not only the discursive level, but also the institutional church as well the discourses about the women published in Visão Missionária / Mestrado / Linguistica / Mestre em Linguística

[pt] Este trabalho tem por objetivo estimular o debate a respeito da comunicação e do consumo de bens de luxo. A partir da análise das configurações de uso dos discursos e narrativas de um grupo de informantes nativos - produtores e consumidoras de bens de luxo -, pretende-se investigar um conjunto de representações e relacionamentos sociais que se manifestam dentro de um imaginário contemporâneo que define padrões de bom gosto, beleza e sucesso. Entendendo que o consumo de bens de luxo é um processo que classifica e categoriza seus usuários coletivamente; é lançado um olhar quanto à produção de hierarquizações, significados e subjetividades na cultura de massa a partir das apropriações sociomidiáticas acerca do luxo. Distinção, poder e prestígio aparecem como noções centrais na construção deste paradigma que se perpetua ao contemplar a ordem social, conferindo ares de renovação estética e atualização ao sentido de tradição. / [en] The objective of this research is to provoke new scholarly debate as it relates to the communication and the consumption of luxury goods. Parting from the analysis concerning key configurations on the uses of speeches and narratives of a group of native informers -producers and consumers of luxury goods -, it is intended to investigate a set of representations and social relationships revealed inside of a contemporary imaginary which defines the ideal standards of goodtaste, beauty and success. Understanding that the consumption of luxury goods is a process that classifies and categorizes its users collectively; it has launched a look onto the production of hierarchies, meanings and subjectivity within the realm of mass culture and the media`s appropriations pertaining to the luxury universe. Distinction, power, and prestige appear as central notions to the construction of this paradigm which perpetuates itself by contemplating social order as it confers airs of aesthetic renewal and continuous updating to the sense of tradition.

Certaines femmes alcooliques consultent pour leur problème d'alcool quand leurs enfants, grands adolescents ou jeunes adultes, prennent leur indépendance. Elles interrogent donc une problématique de dépendance – leur dépendance à un produit – quand leurs enfants prennent leur autonomie.L'hypothèse générale de cette recherche est que pour les femmes alcooliques, la séparation avec les enfants quittant le domicile familial réactiverait les enjeux de séparation-individuation impliqués également dans la dépendance à l'alcool. La concomitance des demandes d'arrêt d'alcool et d'aide pour se séparer des enfants serait due à un soi indifférencié, conséquence de processus de séparation-individuation entravés précocement. Le soi de la femme alcoolique est un soi peu différencié de sa famille d'origine, un « soi-famille » en lieu et place d'un soi individuel, qui se réactualise dans la famille actuelle.La méthode de cette recherche repose sur trois cas cliniques issus de prises en charge sur plusieurs années en addictologie, ainsi que sur l’utilisation de dessins libres de l'arbre généalogique, de données d'une recherche hospitalière et d'un matériel littéraire. Un premier axe d'analyse du matériel clinique porte sur le type de relations que la femme alcoolique a avec ses parents, avec son conjoint et avec ses enfants. Un deuxième axe étudie la fonction de la consommation d'alcool pour la mère alcoolique dans les enjeux de séparation-individuation. Un troisième axe analyse les manifestations d’un « soi-famille » chez la patiente, en lieu et place d'un soi individuel. Cette étude montre les différentes formes que peut prendre le « soi-famille » chez la femme alcoolique lors du départ des enfants du domicile familial, et l'intérêt de l'approche familiale quand une mère souffre d'alcoolisme.Les résultats de cette recherche mettent en évidence l'aspect indifférencié du soi des mères alcooliques, qui tend vers une lente différenciation, et vers l'émergence d'une position féminine. / Certain alcoholic women consult for their drinking problem when their children, old teenagers or young adults,take their independence. Thus they question a problem of dependence - their dependence on one product - when their children achieve their independence.The general hypothesis of this research is that for alcoholic women, the separation with the children leaving the family home would reactivate the issues of separation-individuation also implied in alcohol addiction. The concomitance of their desire to stop alcohol and their need for help to part from their children would be due to a self undifferentiated, consequence of the process of separation-individuation hindered prematurely. The self of the alcoholic woman is a self little differentiated from her family of origin, one "family self" instead of an individualself, which revives itself into the current family.The method of this research is based on the analysis of three clinical cases stemming of many years care in addictology, free drawings of the family tree, data of a hospital research and some literary material. A first axis of analysis concerns the type of relations whom the alcoholic woman has with her parents, with her spouse and with her children. The second axis studies the function of alcohol consumption for the alcoholic mother in the issue of separation-individuation. The third axis analyzes the expression of one "family self" in the patient, instead of an individual self. This study shows the different aspects which the "family self" in alcoholic women as their children leave then family home can take, and the benefit of the family approach when a mother suffers from alcoholism.The results of this research highlight the undifferentiated aspect of the self of the alcoholic mothers, who aims towards a slow differentiation, and towards an emergence of a feminine position.

When attempting to convey certain political or ideological agendas in literary texts maintaining specific writing strategies can work as a useful tool. From a feminist perspective the use of écriture feminine as a means of undermining patriarchy has been largely neglected as well as misunderstood by many feminists. However, as argued in this essay, écriture feminine is not only a useful tool for pursuing a feminist agenda, but is also something that needs to be discussed due to the many misunderstandings of it. Resting on the theoretical perspectives of Judith Butler, Hélène Cixous, Antonio Gramsci, Eve Kosofsky Sedgwick and Richard Slotkin this essay investigates Angela Carter’s short story “The Lady of the House of Love” in relation to écriture feminine by exploring how the text rejects patriarchy and its idea of the gender binary. In this short story Carter re-works the classic Sleeping Beauty fairy tale and provides us with a feminist’s version of it. The main thesis of this essay is therefore that Carter challenges the gender binary by de-victimizing “woman” and by engaging in a style of writing that overturns western culture’s definitions of “woman” Carter provides a version of Sleeping Beauty that radically differs from the hegemonic/patriarchal versions.

Flera feministiska tolkare har anmärkt att i Emmanuel Levinas i sin filosofi använder ordet feminin på ett sätt som skapar förvirring. I en första läsning verkar det som om han menar kvinnor. Han beskriver dem som tysta, mystiska och utan att ingå i den etiska relationen. Men vid en djupare studie förefaller användningen av det feminina mer som om han vill beskriva ett fenomen av känslor eller möjligen en metafor av riktiga kvinnor. Syftet med denna uppsats är att studera Emmanuel Levinas begrepp det feminina. Denna litteraturstudie har dessutom ett tydligt feministiskt perspektiv. Som huvudkritiker har jag valt den feminist-judiska filosofen Claire Elise Katz. Hennes främsta argument är att tolkningen och förståelsen av Levinas filosofi måste ske i ljuset av den judiska traditionen. Hon tolkar också Levinas det feminina dualistiskt, som riktiga kvinnor och som metafor. I min reflektion av studien kritiserar jag hennes argument där det judiska arvet skulle vara avgörande. Jag tolkar det feminina som absolut alteritet. Tolkningen är möjlig för alla religionsinriktningar i fenomenologisk mening och inte bara judendomen. / Several feminist interpreters have noted that Emmanuel Levinas uses the word feminine in a way that might create confusion. In a first reading, it seems that he denotes women. He describes them as silent, mysterious and without being part of the ethical relation. But in a deeper study, the use of the feminine appears more as a description of a phenomenon of feelings or possibly a metaphor. The purpose of this essay is to study Emmanuel Levinas’ concept of the feminine. This study also has a clear feminist perspective. As a main critic, I have chosen the feminist-Jewish philosopher Claire Elise Katz. Her main argument is that the interpretation and understanding of Levinas’ philosophy must be done in the light of the Jewish tradition. She also interprets Levinas' the feminine in a dualistic way, like real women and as metaphors. In my study, I criticize her argument that the Jewish inheritance would be decisive. I argue that the feminine as absolute alterality is possible for all religions in phenomenological sense, not only for the Jewish tradition.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / In this work he tried to understand the effects on the women hard-working Latin-Americans of the recent transformations happened in the world of the work. For so much, the analysis begins with the introduction of the feminine work starting from to industrial revolution, what brought consequences for every working class, in matter, for the women hard-working Latin-Americans that continue being explored and subdued by the capital. For her attainment the inductive and descriptive method was used in order to make possible the understanding of the bibliographical works that they based the investigation. This way, the research intended to do a rescue and a reflection of the conjuncture concerning the elements that favor the feminine insert in the world of the work and at the same time, it tried to observe the impediments that took it for a precarization of his workforce. Demonstrating like this, that in spite of the woman to have destroyed the old image of the traditional society, with the woman in her wife role, mother, administrator of the home, the children's educator, the feminine disadvantage still persists, therefore the woman still an unequal being is considered in the contemporary society. However, in spite of all of the difficulties faced by the woman, it is unquestionable that the incorporation of the same in the job market should be valued and fomented, therefore it is an important one aid for a larger economic growth, social and political of the nations. / Neste trabalho procurou-se compreender os efeitos sobre as mulheres trabalhadoras latino-americanas das recentes transformações ocorridas no mundo do trabalho. Para tanto, a análise inicia com a introdução do trabalho feminino a partir da Revolução Industrial, o que trouxe conseqüências para toda classe trabalhadora, em particular, para as mulheres trabalhadoras latino-americanas que continuam sendo exploradas e subjugadas pelo capital. Para sua consecução utilizou-se o método indutivo e descritivo a fim de possibilitar a compreensão das obras bibliográficas que embasaram a investigação. Desse modo, a pesquisa propôs-se a fazer um resgate e uma reflexão da conjuntura acerca dos elementos que favorecem a inserção feminina no mundo do trabalho e ao mesmo tempo, procurou observar os entraves que a levaram para uma precarização da sua força de trabalho. Demonstrando assim, que apesar da mulher ter destruído a antiga imagem da sociedade tradicional, com a mulher no seu papel de esposa, mãe, administradora do lar, educadora dos filhos, a desvantagem feminina ainda persiste, pois a mulher ainda é considerada um ser desigual na sociedade contemporânea. Entretanto, apesar de todas as dificuldades enfrentadas pela mulher, é inquestionável que a incorporação da mesma no mercado de trabalho deve ser valorizada e fomentada, pois é um importante auxilio para um maior crescimento econômico, social e político das nações.

This mini-thesis investigates some of the nineteenth century socio-cultural ideals that have structured a connection between virtuosic aerial skill and bodily aesthetics. It views the emergence of a style of aerial kineticism that is structured from the gender ideologies of the period. It investigates the continual recurrence of this nineteenth century style amongst contemporary aerial dance works and outlines the possible frictions between this Victorian style of kineticism and contemporary aerial explorations. From this observation, a possible catalyst may be observed with which to relocate and inspire a study of aerial kinetics sans the nineteenth century aesthetic component. This kinesiological catalyst may be viewed in conjunction with the theories of ground-based kinetic theorist, Rudolph Laban’s choreutic study of the body in space. Thus, it may be possible to suggest and introduce a possible practical dance scholarship for aerial dance. This mini-thesis includes an introductory choreological investigation that draws on and integrates the disciplines of kinesiology; choreutic theory; existing aerial kinetic technique; musicology; and the physical sciences.

Ce travail porte sur d’une part l’interrogation sur l’existence de la perversion féminine, rarissime voire inexistante d’après les écrits fondamentaux de la psychanalyse, et de l’autre part sur l’exploration de la dynamique propre au montage pervers au féminin. Si la femme qui se situe du côté de l’amour a amené Lacan a énoncé la maxime célèbre, celle de la femme n’existe pas, puisqu’elle n’est « pas toute » et que la femme ne s’écrit que barrée, la femme perverse se révèlera être l’envers de la femme. De ce fait, la femme perverse prône l’existence de la femme et sa possible écriture. Le montage pervers de la femme perverse bafoue la loi de la différence des sexes en aboutissant à une falsification outrancière des formules de la sexuation. Ainsi, il s’agit d’une perversion féminine comme imposture. En effet, l’imposture perverse de la femme perverse se déploie à travers l’identité factice que la femme perverse se fabrique afin de contrer l’autre femme, celle qui n’existe pas. D’emblée, la prévalence imaginaire chez la femme perverse est le mécanisme qui permet à la perverse d’avoir la foi dans la possession d’un phallus, d’une part largement supérieur à celui de l’homme, puisqu’il n’est pas borné par la détumescence et d’autre part, la relevant au rang de l’exception, puisqu’elle est la seule femme à le détenir. La mise en scène perverse, dont l’ancrage est imaginaire, opère dans les filets signifiant du symbolique. En effet, le symbolique, scène de la loi de la différence des sexes, se trouve bafoué et souillé. Ainsi, c’est ce savoir autre, sorte de « sur-savoir », prôné par la femme perverse qui divise l’autre, -témoin sidéré-, et perdure son illusion, sa foi, dans l’avoir du phallus. Toutefois, derrière cette armure d’invincible se révèle une angoisse à la teinte mélancolique, connectée à l’insignifiance du sexe féminin. Ainsi, c’est ce non-lieu de la femme auquel la femme perverse par imposture et simulacre s’invente un lieu, qui constitue l’angoisse de laquelle la femme perverse se prémunit. / This work concerns on one hand the interrogation on the existence of the even non-existent feminine, extremely rare perversion according to the fundamental papers of the psychoanalysis, and somewhere else on the exploration of the dynamics appropriate(peculiar) to the perverse assembly(editing) in the feminine. If the woman who is situated near(on the side of) love brought Lacan expressed the famous maxim, that of the woman do not exist, because she " is not quite " and because the woman spells only blocked, the perverse woman will turn out to be to the woman(wife). Therefore, the perverse woman advocates the existence of the woman and her possible writing. The perverse assembly(editing) of the perverse woman scoffs at the law of the difference of the sexes by ending in an exaggerated forgery of the formulae of her(it) So, it is about a perversion feminine as imposture. Indeed, the perverse imposture of the perverse woman spreads (displays,deploys) through the artificial identity that the perverse woman makes to counter the other woman, the one who does not exist. Straightaway, imaginary prevalence at the perverse woman is the mechanism which allows the pervert to have the faith in the ownership of a phallus, on one hand widely upper to that of the man, because he (it) is not limited by the détumescence and on the other hand, raising(finding) it to the rank of the exception, because she is the only woman to hold(detain) him(it). The perverse direction (fabrication), the anchoring of which is imaginary, operates in nets meaning of symbolism. Indeed, symbolism, scene (stage) of the law of the difference of the sexes, is scoffed and soiled. So, it is So, it is this other knowledge, kind of " to know ", lauded by the perverse woman who divides the other one, - the bewildered witness(baton), and continues its illusion, its faith, in the credit note of the phallus. However, behind this armor of invincible shows itself an anxiety in the melancholic tint, connected to the insignificance of the female genital organ. So, it is this dismissal of the charges of the woman in which the perverse woman by imposture and enactment invents a place, which establishes (constitutes) the anxiety of which the perverse woman protects himself.

Submitted by Renata Lopes (renatasil82@gmail.com) on 2015-12-17T17:43:35Z No. of bitstreams: 1 raissavarandasgalvao.pdf: 878774 bytes, checksum: f87212727d85eae87be30b7c005a2d70 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2015-12-17T18:04:50Z (GMT) No. of bitstreams: 1 raissavarandasgalvao.pdf: 878774 bytes, checksum: f87212727d85eae87be30b7c005a2d70 (MD5) / Made available in DSpace on 2015-12-17T18:04:50Z (GMT). No. of bitstreams: 1 raissavarandasgalvao.pdf: 878774 bytes, checksum: f87212727d85eae87be30b7c005a2d70 (MD5) Previous issue date: 2015-09-30 / CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / O presente trabalho tem como objetivo a análise dos diários pertencentes à fase adulta da poetisa Sylvia Plath, que abrangem o período de 1950 a 1962. Para melhor entender as características que compõem os diários no geral, recorro à Philippe Lejeune, em O pacto autobiográfico e “Diários de garotas francesas no século XIX”. No capítulo inicial, associo as escritas de si ao fortalecimento da noção de indivíduo moderno bem como ao rompimento entre espaço público e privado, noções que foram construídas ao longo da história. A partir desse panorama inicial, no decorrer do trabalho, procuro refletir a respeito da questão feminina, bem como as relações entre gênero e autoria, por meio da escrita íntima deixada pela poetisa. Para tal, recorro principalmente aos textos Um teto todo seu e “Profissões para mulheres”, de Virginia Woolf, assim como à obra O segundo sexo, de Simone de Beauvoir. Busco refletir, ainda, sobre o processo de construção do eu realizado por Plath no espaço de seus diários, uma vez que essa espécie de escrita possibilita aquilo que denominamos “arquivamento de si”. Desse modo, compreendo o texto do diário como um discurso, uma narrativa que, como tal, é dotada de aspectos ficcionais. Trabalho, assim, com as múltiplas identidades vivenciadas por Sylvia Plath, bem como as distintas imagens e interpretações que os demais realizaram dela. / This study aims to analyze the adult stage diaries belonging to the poet Sylvia Plath, covering the period from 1950 to 1962. To better understand the characteristics that make up the overall of these diaries, I turn to Philippe Lejeune, in The autobiographical pact and "Diaries of French girls in the nineteenth century." In the opening chapter, I associate her writing of herself to the strengthening of the modern notion of individual as well as the split between public and private space, notions that have been built throughout history. From this initial panorama, in the course of this work, I try to reflect on the women's issue, as well as the relationship between gender and authorship, through the intimate writing left by the poet. To this end, I resort mainly to the texts A room of One's Own and "Professions for women", by Virginia Woolf, as well as to the work The Second Sex, by Simone de Beauvoir. I seek to reflect also on the construction process of the self carried out by Plath within her diaries, since this kind of writing makes possible what we call "archiving of oneself". Thus, I understand the text of the diary as a discourse, a narrative that, as such, is endowed with fictional aspects. I work then with the multiple identities experienced by Sylvia Plath, and with the different images and interpretations that others made of her.