[pt] Partindo da análise das obras de René Descartes (1596-1650) e da concepção de retórica enquanto uma metalinguagem, fornecida tanto por Roland Barthes quanto por Haroldo de Campos, investigamos certa tensão entre Giambattista Vico (1668-1744) e o filósofo francês. Atrito forjado a partir da leitura indireta do retor napolitano das obras de Descartes. Este trabalho trata, portanto, da diferença entre a certificação do conhecimento em Descartes e Vico, diferença que, segundo elucidamos, pode ser situada na tensão entre os conceitos de verdade e verossimilhança, respectivamente, bem como nos conceitos de sentido e senso. Em 1699, Giambattista Vico assumiu a cátedra de Retórica na Universidade Real de Nápoles. A partir deste ano e, até o ano de 1707, o filósofo proferiu discursos de abertura dos anos letivos nesta instituição. Esses discursos nos chegam sob o título de Orazioni Inaugurali (1699-1707), donde foram analisadas, na presente dissertação, às duas primeiras, concernentes aos anos de 1699 e 1700. Tal análise procurou nuançar não apenas o entrelaçamento entre forma e conteúdo como, também, a partir disso, sugerir que a verossimilhança viquiana incide formalmente em seus textos, assim como a verdade cartesiana seria derivada de certa estrutura textual. / [en] Analyzing the works of René Descartes (1596-1650) and the conception of rhetoric as a meta language, provided both by Roland Barthes and by Haroldo de Campos, we investigated tension between Giambattista Vico (1668-1744) and the French philosopher. Misunderstanding forged from indirect reading of Neapolitan rector of the works of Descartes. This work analyzes the difference between the certification of knowledge in Descartes and Vico, a difference that, according elucidated, may be located in the tension between the concepts of truth and verisimilitude, respectively, as well as the concepts of way and sense. In 1699, Giambattista Vico took over the chair of Rhetoric at the Royal University of Naples. From this year by the year 1707, the philosopher gave opening speeches of school years at this institution. These talks come in under the heading of Orazioni Inaugurali (1699-1707), from which were analyzed in the present work the first two, pertaining to the years 1699 and 1700. This analysis sought to nuance not only the interweaving between form and content as, also, from there, suggest that the verisumilitude viquiana focuses formally in his writings, as well as the Cartesian truth would be derived from certain textual structure.

A partir da ideia de uma imanência materialista, a tese procura esboçar um sistema estético que se contraponha aos sistemas estéticos românticos e idealistas (principalmente confrontando-­se com noções provenientes do platonismo e do idea-­ lismo alemão e, também, com algumas noções de M. Heidegger). No percurso da tese são centrais as discussões sobre a possibilidade de se pensar por imagens e so-­ bre as implicações filosóficas, políticas, ideológicas e históricas da necessidade de se embaralhar ciência com poesia. O trabalho, pensado a partir de Ulysses de James Joyce, procura compreender o que as concepções de história, filosofia e política po-­ dem aprender com a experiência da literatura e para isso, a tese analisa principalmente as obras de Homero, Platão, G. Vico, Th. Adorno e B. Espinosa; além desses autores, há uma presença forte das obras de K. Marx e S. Beckett. O trabalho se desdobra a partir do capítulo doze de Ulysses, em que Leopold Bloom se confronta com o cidadão. Este confronto, em um pub de Dublin, é a uma espécie de me-­ tempsicose anacrônica do confronto ente Odisseu e Polifemo na caverna homérica. A tese analisa cinco reencarnações históricas deste confronto cavernoso, respecti-­ vamente seguindo a ordem dos capítulos, temos: cap. I -­ Ulysses de Joyce; cap. II a Dialética do Esclarecimento de Adorno e Horkheimer, principalmente Ulisses ou Mito e Esclarecimento; Cap. III a Ciência Nova de Vico, principalmente A descoberta do Verdadeiro Homero; Cap. IV -­ a Odisséia de Homero interpretada por meio da astu-­ ciosa inteligência da Métis grega; Cap. V -­ Ulysses de Joyce, principalmente o cap. XII do romance. A conclusão procura retraçar o percurso da tese, demonstrando como uma ideia de imanência materialista com base na filosofia de Espinosa esteve implíci-­ ta como o fundamento de nossa proposta de uma Estética da Imanência. / Centred on an idea of materialistic immanence, the thesis aims to outline an aesthetic \"system\" in opposition to the romantic and idealistic aesthetic systems (confronting mainly with aesthetic notions from Platonism and German idealism, but also with some notions from M. Heidegger). In the course of the thesis it is central to discuss about the possibility of thinking through images and the implications for philosophical, political and historical need to mix up science with poetry. The work, conceived regarding James Joyce\'s Ulysses, aims to understand what the conceptions of history, philosophy and politics can learn from the experience of literature, for this, the thesis analyses the works of Homer, Plato, G. Vico, Th. Adorno and B. Spino-­ za, in addition to these authors, there is a strong presence of K. Marx and S. Beckett. The work unfolds from the 12th chapter of Ulysses, where Bloom confronts the citi-­ zen. This confrontation in a Dublin pub is an anachronic \"metempsychosis\" of the confrontation between Odysseus and Polyphemus in the Homeric cave present in the Odyssey. The thesis examines five historical \"reincarnations\" of this cavernous confrontation, following the order of the chapters, we have: ch. I -­ Joyce\'s Ulysses; ch. II -­ Dialectic of Enlightenment, especially \'Odysseus or Myth and Enlightenment\' by Adorno and Horkheimer; ch. III -­ New Science, especially \'The discovery of the True Homer\' by Giambattista Vico; ch. IV -­ Homers Odyssey interpreted through the cunning intelligence of the Greek Métis; ch V -­ Joyce\'s Ulysses, especially chap. XII of the novel. The conclusion of the work aims to retrace the course of the thesis demonstrating how an idea of materialistic immanence based on the philosophy of Spinoza was implicitly the fundament of our Aesthetics of Immanence.

<p>I denna kandidatuppsats undersöks narrativer och argumentation i Jan Björklunds pluggskola. Bakgrunden till uppsatsen är att undersöka hur politiker använder berättelsens övertygande kraft för att vinna röster, och huruvida en argumentation baserat på narrativer är hållbar. Materialet som ligger till grund för denna uppsats är insamlade debattartiklar och uttalanden där Jan Björklund presenterar sin skolpolitik. Teorierna som denna uppsats grundar sig på är den retoriska pedagogiken utifrån Quintilianus och Giambattista Vico, samt det sociokulturella perspektivet på pedagogik. Dessutom används psykologiteorier om narrativens funktion för människans förståelse. Som metod används Ernest G. Bormanns fantasy-themeanalys samt argumentationsanalysen utvecklad av Frans van Eemeren, Rob Grootendorst och Francisca Snoeck Henkemans. Resultaten som framkommit av analysen är att Björklund använder narrativen i argumentativt syfte vilket gör hans argumentation icke hållbar och fallasityngd.</p> / <p>This essay examines narratives and argumentation in Jan Björklunds pluggskolan. The background for this essay is to investigate how politicians use the narratives argumentative force to persuade and if an argument based on a narrative is durable. The material contains articles and statments by Jan Björklund concerning the swedish school system.The theories used in this essey are the rhetoric view on pedagogy, based on Quintilian and Giambattista Vico, and the sociocultural view on pedagogy. The essay also uses psychological theories on the narrative function of human understanding. The methods used in this essay is Bormanns Fantasy theme criticism and the argumentation analysis developed by Frans van Eemeren, Rob Grootendorst and Francisca Snoeck Henkemans. The results of this essay are that Jan Björklund uses the narrative as arguments, which leads to non-durable argumentation.</p>

I denna kandidatuppsats undersöks narrativer och argumentation i Jan Björklunds pluggskola. Bakgrunden till uppsatsen är att undersöka hur politiker använder berättelsens övertygande kraft för att vinna röster, och huruvida en argumentation baserat på narrativer är hållbar. Materialet som ligger till grund för denna uppsats är insamlade debattartiklar och uttalanden där Jan Björklund presenterar sin skolpolitik. Teorierna som denna uppsats grundar sig på är den retoriska pedagogiken utifrån Quintilianus och Giambattista Vico, samt det sociokulturella perspektivet på pedagogik. Dessutom används psykologiteorier om narrativens funktion för människans förståelse. Som metod används Ernest G. Bormanns fantasy-themeanalys samt argumentationsanalysen utvecklad av Frans van Eemeren, Rob Grootendorst och Francisca Snoeck Henkemans. Resultaten som framkommit av analysen är att Björklund använder narrativen i argumentativt syfte vilket gör hans argumentation icke hållbar och fallasityngd. / This essay examines narratives and argumentation in Jan Björklunds pluggskolan. The background for this essay is to investigate how politicians use the narratives argumentative force to persuade and if an argument based on a narrative is durable. The material contains articles and statments by Jan Björklund concerning the swedish school system.The theories used in this essey are the rhetoric view on pedagogy, based on Quintilian and Giambattista Vico, and the sociocultural view on pedagogy. The essay also uses psychological theories on the narrative function of human understanding. The methods used in this essay is Bormanns Fantasy theme criticism and the argumentation analysis developed by Frans van Eemeren, Rob Grootendorst and Francisca Snoeck Henkemans. The results of this essay are that Jan Björklund uses the narrative as arguments, which leads to non-durable argumentation.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This dissertation is the result of research work linked to the Graduate Program in Modern and Contemporary Philosophy of the Federal University of Uberlandia, the work is embodied in the Research Line "Social and Political Philosophy." The theme of the research was to investigate the concept of wisdom in poetic magnum opus of Giambattista Vico (1668-1744). The problem formulation of the research allowed a brief investigation of the philosophical context in which the works of Vico caught the debate on the formation of civil society, but especially the man who is. The Neapolitan philosopher runs through the history of philosophy and aims to discover the true wisdom of the ancients from its method elucidated here. This research topic is covered in the second chapter, which discusses Vico's arguments about the wisdom of men in dark times and fabulous. The third chapter presents the method of philosophical-philological of Vico, that based upon the concept of poetic wisdom examines the wisdom of Homer, or the discovery of the true Homer. In short, the dissertation allows further discussion of the philosophical assumptions of the history of nations that can be known with the approach of fables, which were responsible for the preservation of the first human ideas born in the world of gentility. / Esta dissertação é o resultado do trabalho de pesquisa vinculado ao Programa de Pós-Graduação em Filosofia Moderna e Contemporânea da Universidade Federal de Uberlândia; o trabalho está inscrito na Linha de Pesquisa Filosofia Social e Política . O tema da pesquisa foi a investigação do conceito de sabedoria poética na obra magna de Giambattista Vico (1668-1744). A formulação do problema da pesquisa permitiu uma breve investigação sobre o contexto filosófico com o qual as obras de Vico travaram o debate relativo à formação da sociedade civil, mas, sobretudo do homem que a constitui. O filósofo napolitano percorre a história da filosofia e se propõe a descobrir a verdadeira sabedoria dos antigos a partir do seu método aqui elucidado. Este tópico da pesquisa é contemplado no segundo capítulo, onde se discute os argumentos de Vico a respeito da sabedoria humana nos tempos obscuros e fabulosos. O terceiro capítulo apresenta a aplicação do método de investigação filosófica-filológica de Vico, que embasado no conceito de sabedoria poética analisa a sabedoria de Homero, ou, a descoberta do verdadeiro Homero. Em suma, a dissertação permite o aprofundamento da discussão dos pressupostos filosóficos da História das Nações que podem ser conhecidos com a abordagem das fábulas, que foram responsáveis pela preservação das primeiras idéias humanas nascidas no mundo da gentilidade. / Mestre em Filosofia

A partir da ideia de uma imanência materialista, a tese procura esboçar um sistema estético que se contraponha aos sistemas estéticos românticos e idealistas (principalmente confrontando-­se com noções provenientes do platonismo e do idea-­ lismo alemão e, também, com algumas noções de M. Heidegger). No percurso da tese são centrais as discussões sobre a possibilidade de se pensar por imagens e so-­ bre as implicações filosóficas, políticas, ideológicas e históricas da necessidade de se embaralhar ciência com poesia. O trabalho, pensado a partir de Ulysses de James Joyce, procura compreender o que as concepções de história, filosofia e política po-­ dem aprender com a experiência da literatura e para isso, a tese analisa principalmente as obras de Homero, Platão, G. Vico, Th. Adorno e B. Espinosa; além desses autores, há uma presença forte das obras de K. Marx e S. Beckett. O trabalho se desdobra a partir do capítulo doze de Ulysses, em que Leopold Bloom se confronta com o cidadão. Este confronto, em um pub de Dublin, é a uma espécie de me-­ tempsicose anacrônica do confronto ente Odisseu e Polifemo na caverna homérica. A tese analisa cinco reencarnações históricas deste confronto cavernoso, respecti-­ vamente seguindo a ordem dos capítulos, temos: cap. I -­ Ulysses de Joyce; cap. II a Dialética do Esclarecimento de Adorno e Horkheimer, principalmente Ulisses ou Mito e Esclarecimento; Cap. III a Ciência Nova de Vico, principalmente A descoberta do Verdadeiro Homero; Cap. IV -­ a Odisséia de Homero interpretada por meio da astu-­ ciosa inteligência da Métis grega; Cap. V -­ Ulysses de Joyce, principalmente o cap. XII do romance. A conclusão procura retraçar o percurso da tese, demonstrando como uma ideia de imanência materialista com base na filosofia de Espinosa esteve implíci-­ ta como o fundamento de nossa proposta de uma Estética da Imanência. / Centred on an idea of materialistic immanence, the thesis aims to outline an aesthetic \"system\" in opposition to the romantic and idealistic aesthetic systems (confronting mainly with aesthetic notions from Platonism and German idealism, but also with some notions from M. Heidegger). In the course of the thesis it is central to discuss about the possibility of thinking through images and the implications for philosophical, political and historical need to mix up science with poetry. The work, conceived regarding James Joyce\'s Ulysses, aims to understand what the conceptions of history, philosophy and politics can learn from the experience of literature, for this, the thesis analyses the works of Homer, Plato, G. Vico, Th. Adorno and B. Spino-­ za, in addition to these authors, there is a strong presence of K. Marx and S. Beckett. The work unfolds from the 12th chapter of Ulysses, where Bloom confronts the citi-­ zen. This confrontation in a Dublin pub is an anachronic \"metempsychosis\" of the confrontation between Odysseus and Polyphemus in the Homeric cave present in the Odyssey. The thesis examines five historical \"reincarnations\" of this cavernous confrontation, following the order of the chapters, we have: ch. I -­ Joyce\'s Ulysses; ch. II -­ Dialectic of Enlightenment, especially \'Odysseus or Myth and Enlightenment\' by Adorno and Horkheimer; ch. III -­ New Science, especially \'The discovery of the True Homer\' by Giambattista Vico; ch. IV -­ Homers Odyssey interpreted through the cunning intelligence of the Greek Métis; ch V -­ Joyce\'s Ulysses, especially chap. XII of the novel. The conclusion of the work aims to retrace the course of the thesis demonstrating how an idea of materialistic immanence based on the philosophy of Spinoza was implicitly the fundament of our Aesthetics of Immanence.

Dans le cadre d’une approche philosophique et épistémologique, qui privilège le point de vue rhétorique sur l’argumentation et la ligne de pensée Aristote-Vico-Perelman, la thèse essaye d’analyser la construction de la subjectivité dans le discours argumentatif. Je cherche à montrer qu’il est possible de tracer une théorie de l’argumentation dans laquelle subjective n’est pas synonyme de fallacieuse.<p>En général, la thèse analyse le rôle de celui qui parle et de celui qui écoute dans l’argumentation et dans tous les discours. Je vais soutenir est que la dimension personnelle n’est pas un élément qu’il faut supprimer mais, au contraire, un élément essentiel du discours argumentatif.<p><p>Une approche rhétorique au problème du sujet se base sur une intuition fondamentale de la rhétorique d’Aristote .Comme nous le savons, dans le premier livre de la Rhétorique, Aristote affirme que le discours (logos) est composé (synkeimai) de trois éléments :l’orateur, le sujet traité et l’auditoire .Au même temps la rhétorique est composée des trois éléments :Logos, Pathos et Ethos. La pratique linguistique inclut la dimension émotive, l’orateur et l’auditoire, qui sont des éléments discursifs. De même, l’ethos et le pathos ne sont pas des moyens de preuves irrationnelles ou des fallacies. On verra que cette idée implique un système philosophique et épistémologique assez différent du système normativiste des théories contemporaines :cela implique de revenir sur le concept de rationalité et sur le rapport entre la rationalité, la praxis et son incertitude essentielle.<p><p>Pour question de temps, la thèse ne parle pas de pathos. Elle s’occupe de l’ethos soit du point de vue de celui qui parle (Partie I) soit du point de vue de l’auditoire (Partie II).<p><p>Dans la première partie, on analyse la question de la rationalité rhétorique et des paralogismes et les définitions historiques de la dimension personnelle de l’argumentation (ethos, personne, ad hominem).<p><p>Dans la deuxième, on analyse le rapport entre la dimension personnelle, le sens commun, la vérité, la certitude et la fides.<p>En conclusion, on soutiendra que l’ethos est soit une pistis technique de la rhétorique, soit une des conditions préalables du discours même.<p> / Doctorat en Langues et lettres / info:eu-repo/semantics/nonPublished

Byggbranschens effektivitet beror på många faktorer, en av dem är logistik. Välplanerad logistik kan bland annat minska slöseri av tid och kostnader. Studier har tidigare visat att ineffektiv tidshantering i byggbranschen förekommer oftare än i branscher. Examensarbetet har skrivits för att undersöka vilka problem kan förekomma i logistikprocessen och hur digitalisering kan förebygga problem i logistikflödet. Digitalisering som återspeglas i Building Information Modeling (BIM) skapar möjligheter för att uppnå ett effektivt logistikflöde. Rapporten innehåller två huvuddelar: Faktainsamlingen omfattar begreppet logistik och olika strategier relaterade till ämnet som Lean och Just In Time och tillämpningen av dem i byggbranschen. Jämförelser mellan olika standarder kopplade till förbättrad hantering och klassifikation av material tas upp, bland dessa BEAst och Coclass. Även BIM-projekteringens inverkan på logistik har teoretiskt undersökts med programvaran Vico Office och dess 4D samt 5D-funktioner. Den andra delen fokuserar på enkätundersökningar på byggarbetsplats och intervjuer med BIM-specialist, logistikchef, forskare med utvalda intervjufrågor. Frågorna är utformade efter respektive arbetsroll och alla svar finns transkriberade i slutet av rapporten som bilagor. All samlad information från enkätresultat och intervjuer redovisas i resultat och analys för att slutligen diskutera fördelar och nackdelar med BIM-projektering för logistiska ändamål. Rapporten föreslår mer användning av BIM-projektering i projekteringsstadiet för att effektivisera logistik i byggbranschen. / The efficiency of the construction industry depends on many factors, one of which is logistics. Well-planned logistics can, among other things, reduce waste of time and costs. Studies have previously shown that inefficient time management in the construction industry occurs more often than in other industries. This report has been written to investigate which problems can occur in the logistics process and how digitization can prevent problems in the logistics flow. Digitization reflected in Building Information Modeling (BIM) creates opportunities for achieving an efficient logistics flow. The report contains two main parts: The collection of facts covers the concept of logistics and various strategies related to the topic such as Lean and Just In Time and their application in the construction industry. Comparisons between different standards related to improved handling and classification of materials are addressed, among them BEAst and Coclass. The impact of the BIM design on logistics has also been theoretically investigated with the software Vico Office and its 4D and 5D functions. The second part focuses on surveys about construction workplaces and interviews with BIM specialists, logistics managers, researchers using selected interview questions. The questions are designed according to each work role and all answers are transcribed at the end of the report as appendices. All collected information from the survey results and interviews are presented in results and analysis to finally discuss the advantages and disadvantages of BIM design for logistics purposes. The report proposes more use of BIM design in the design stage to streamline logistics in the construction industry.

Det här examensarbetet har utförts åt företaget SSM där syftet var att standardisera deras tidsplaner och arbetssätt kring planering i produktionen.   Detta arbete har grundat sig på analys av några av SSM:s tidsplaner inom produktion, där dessa har granskats in i minsta detalj. Tre av sex projekt har studerats djupare och författarna har sedan gjort egna standardmallar som baserats på dessa. Utöver detta har även intervjuer/möten hållits med tidsplanerare både inom företaget men även utanför.   Dessa metoder resulterade i slutsatsen att alla platschefer på SSM samt personal på projekteringssidan bör använda sig utav Vico Office i framtiden för att en standardisering av tidsplanerna ska ske. Detta då programmet sparar återanvändbar information från varje projekt som genomförts, vilket på så sätt kan nyttjas i kommande projekt. I programmet finns olika verktyg för hur man väljer att presentera tidsplanen vilka framgår i rapporten.   Efter att ha provat på programmets olika funktioner rekommenderas att företaget använder sig utav det i framtiden då de kan kombinera olika planeringsverktyg samt koppla ihop modellen med bl.a. kostnader, mängder, resurser och tid. Anpassade standardmallar har tagits fram för att förenkla och standardisera tidsplaneringen enligt SSM:s arbetsprocesser. / This thesis has been carried out for the company SSM where the purpose was to standardize their time schedules and also their working methods regarding planning in production.   To achieve this, the thesis has mostly been based on analysis of some of SSM's time schedules in production, where these have been examined in the smallest detail. Three out of six projects have been studied in more depth and the authors have then made their own standard templates based on these. In addition, interviews/meetings have also been held with time planners both within, but also outside the company.   These methods resulted in conclusion that all site managers at SSM and personnel in the design department should use Vico Office in the future in order to standardize the time schedules. This because the program saves reusable information from each project that has been implemented, which can be used in future projects. The program contains various tools, which are stated in the report that allows the user to choose how to present the time schedule.   After trying the different functions of the program, the recommendation is that the company use Vico in the future as they can combine different planning tools and connect the BIM-model with e.g. costs, quantities, resources and time. Custom standard templates have been developed to simplify and standardize time scheduling according to SSM's work processes.

Lo studio effettuato sulle carte di Ungaretti critico e docente universitario ha permesso di evidenziare l'evoluzione dei concetti di memoria e di innocenza e di far emergere alcune basi teoriche della nozione di memoria, elaborate nel corso degli anni Trenta. L’approfondimento della conoscenza di Bergson, Agostino e Vico, infatti, rendono il concetto di memoria sempre più articolato, ampliandone i confini. L’indagine ha inoltre portato alla luce il debito che l’attività critica di Ungaretti ha con le teorie di Giambattista Vico, conosciuto quasi certamente tramite gli animatori de «La Voce», ma poi studiato quale fonte, indiretta, della poetica leopardiana. Sono le teorie vichiane ha suggerire a Ungaretti il ruolo fondamentale della fantasia nella creazione artistica, ruolo che svolge coadiuvando la memoria. Nella Scienza Nuova infatti fantasia e memoria sono sempre associate. Anche in Ungaretti questa associazione, una volta istituita, resiste nel tempo e, nel periodo in cui la suggestione vichiana è più intensa, la fantasia sembra sostituire l’innocenza. Ungaretti si interessa di Vico anche perché il filosofo che pone grande attenzione alla questione delle origini dell’umanità. Un tema imprescindibile per chi, come Ungaretti, fa dell’innocenza primigenia un obiettivo artistico ed umano da raggiungere, tramite la memoria. / The aim of this essay is investigate the evolution of ideas like memory and innocence in Ungaretti's critical writings. These ideas were influenced from studies on Bergson, Agostino e Vico' philosophical teories during the Thirties in Brazil. Thanks to these investigations Ungaretti can wide the bounds of those concepts. Particularly important was Vico's influence and the association introduced between memory and imagination by the neapolitan philosopher in his most important work, the Scienza Nuova. Furthermore, Ungaretti is interested in Vico's humankind origins theory, a fundamental topic for who, like the italian poet, set the idea of archetypical innocence as a human and artistic target attainable by memory.