This study explores the practice of hospitality within the Pauline churches and links this practice with mission. It is theoretically informed by Käsemann’s (1963) emphasis on the unity of the church as “an eschatological datum.” While highlighting faith, Käsemann downplays the role of organization and religious practices. Neither he nor missiological studies deal with the practice of hospitality within this context. Hospitality has been interpreted in the literature primarily as an ethic one should adopt towards strangers. Alternatively, this study interprets it as a ritual-like practice aimed at family, friends and strangers in the context of meal gatherings. The question is whether it served as an instrument of koinonia, a practice aimed to create, maintain and extend the Pauline churches as an open network, without denying the role of kerygma. This enquiry utilizes two methodological approaches to answer this question. First of all, it uses Stark’s (1996) network theory of conversion, in order to provide a framework for hospitality in early Christian mission. Secondly, it uses Bell’s (1992) ritual theory in order to interpret meal fellowship in the Pauline churches. Presupposing that science is a conversation, the relationship between missiology and anthropology is depicted as a conversation, ideally an ongoing conversation. This conversation is possible and potentially coherent because the “basic convictions” of both disciplines, respectively love and power, do not contradict each other. The key contribution of this study is that it shows that several practices in the Pauline churches such as welcoming, foot washing, seating order, distribution of portions, etc. qualify as ritual-like. This finding establishes the ritual-like character of meal fellowship within the Pauline churches. Yet, these practices were found ambiguous. They were not simply an instrument to achieve social integration or the transmission of beliefs. While they set the meal off from daily reality, they did not resolve the tension within the churches. Paul knew that this tension was part of a larger apocalyptic picture, the battle between Christ and Satan. Through ritual-like practice he participated in this battle, employing a “poetics of power” that fostered the church as an open network. / Christian Spirituality, Church History and Missiology / D. Th. (Missiology with specialisation in Urban Ministry)

[pt] É já notório o conhecimento de que o legado da cultura persa no período pós-exílico do judaísmo não pode ser desprezado, especialmente no final deste período, quando o gênero literário apocalíptico estava florescendo. A presente tese analisa a ressurreição individual no que tange às possíveis relações entre a religião persa e o judaísmo intertestamentário, bem como o cristianismo primitivo. Para tanto, o trabalho começa verificando as origens e desdobramentos do fenômeno apocalíptico. Em seguida, focaliza as conexões literárias que poderiam revelar as ligações entre persas e judeus: a tradição do Avesta antigo (especialmente o Yasna 30,7 e o Yasht 19.11.89) é cotejada com o texto de Daniel 12,1-3. Posteriormente, a possível conexão entre Daniel 12,1-3 e Mateus 27,51b-53 é analisada. O objetivo da tese é verificar em que medida o texto de Daniel refletiria um desenvolvimento dentro do judaísmo a partir do contato com a apocalíptica iraniana, bem como em que medida a origem da tradição presente na perícope mateana refletiria a ressurreição individual a partir da tradição de Daniel. A despeito das características próprias de cada texto, os pontos de contato são bastante plausíveis a partir do marco social, gênero literário e objetivo dos textos, especialmente entre Daniel e Mateus. A perícope mateana revelaria uma tradição daniélica, na qual a ressurreição foi vista como uma recompensa aos judeus que morreram em virtude da justiça divina. Como o redator em Daniel, o evangelista revela uma comunidade em conflito, agora com o judaísmo formativo; ela deixa transparecer uma crença em um reino messiânico que atende à expectativa de uma era escatológica que se inicia justamente na morte e ressurreição de Jesus Cristo. / [en] It is well known that the legacy of the Persian culture in the Jewish postexilic period cannot be despised, mainly in the end of this period, just when the apocalyptic literary genre was flourishing. This thesis analyzes the individual resurrection regarding to the possible relationships between the Persian religion and the intertestamental Judaism, as well as the Early Christianity. So, the work begins by reviewing the origins and development of apocalyptic phenomenon. Then, it focalizes on the literary links that could reveal the connections between Persian and Jews: the tradition of the Old Avesta (notably the Yasna 30:7 and the Yasht 19:11.89) is collated with the text of Daniel 12:1-3. Afterward, the possible connection between Daniel 12:1-3 and Matthew 27:51b-53 takes place. The aim of this work is to ascertain the extent to which the text of Daniel would reflect a development within the Judaism based on the apocalyptic Iranian features. After this, verify the extent to which the origin of the tradition revealed by the Matthean pericope would reflect the individual resurrection from the tradition of Daniel. In spite of the own features of each text, the contact points are quite likely from the social setting, literary gender and the aim of the texts, mainly between Daniel and Matthew. The Matthew s pericope would reveal a tradition drawn from danielic tradition, where the resurrection was seen as a reward to the Jews who died because of the divine righteousness. Like the editor of the text in Daniel, the evangelist reveals a community in conflict, now with the formative Judaism. His community presents a belief in a messianic kingdom that meets the expectation of an eschatological era that begins with the death and resurrection of Jesus Christ.

The Freewheelin’ Bob Dylan was released in 1963, during the Cold War. Nuclear apocalypse was a big fear at the time and the fright deeply influenced the album. Therefore, this essay argues that the record contains a poetic narrative, with the overarching theme of contemporary apocalyptic death. The poetic narrative reveals an allusion to Noah’s Ark and the story of Judas, which is not present if the songs are analyzed independently. The narrative consists of five parts: “Blowin’ in the Wind” deals with the uncertainty of the 1960s; “Masters of War” describes the arming of the younger generation to fight a nuclear war; the actual apocalyptic event is chronicled in “A Hard Rain’s A-Gonna Fall”; “Talkin’ World War III Blues” narrates the post-apocalyptic event and the final part is “Corrina, Corrina”, which deals with the reproductive consequences. The material will be analyzed, and the conclusion supported, by recourse to historical contextualization and religious symbolism and allusions. The essay uses Beebee’s analysis of “A Hard Rain’s A-Gonna Fall” (1991) and Roos’ work on the entire Dylan canon from a thematic perspective (1982) to support the conclusions made, but compared to previous papers on The Freewheelin’ Bob Dylan, this essay takes the original mode of music consumption into account and studies the album as a greater whole. Through an analysis of the entire record, allusions are encoded that is not evident if each song is interpreted independently.

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The diversity of Jesus images that resulted from historical Jesus research poses the single most pressing problem of the research endeavour. Diverse historical images lead one to ask questions about historiography. It is a fact that we do not have bruta facta in history but only interpretations of what might have happened. The problem of diverse images is taken up in this thesis. Three different images that are the result of different points of departure and different methods of research are closely scrutinised. The images are: Eschatological prophet, Cynic sage and Galilean Hasid. After close·examination of each of these images one has to conclude that each of them is a viable image. One may question the proponents of each of these images on methodological aspects as well as their presuppositions. This line of questioning would not solve the problem. One would also expand the problem if one were to seek yet another image. A way out of this impasse would be to try to understand the diversity. Is there an image that could explain the diversity? The modem diversity of Jesus images is a continuation of an ancient diversity that one could find in the ancient texts at our disposal. From this we could deduce that Jesus was understood differently by different people from the onset. The challenge is to find an image that would clarify the diversity. What sort of Jesus would have been understood in so many ways? We have reason to take Jesus to be a Jew from Galilee. If we could find a Galilean Jewish image that would explain the diversity, we would be very near the historical Jesus. The image of the Galilean Hasid is a very promising option. Some of the kingdom sayings, that are most probably authentic, were taken as test cases to see whether they could have been uttered by a Galilean charismatic and later interpreted as Cynic and/or eschatological. The conclusion is that the image of Galilean charismatic would open up new avenues to approach the diversity of images of the historical Jesus. / Biblical and Ancient Studies / Th. D. (New Testament)

The use in pictorial art of visual reference to prototypes and conventions in encoding reality forms the crux of the theoretical research. The theoretical component complements the practical research, which focuses on the interplay between perceptions of 'reality' and visual conventions in landscape art. The existence of diverse realities, based on individual ideological and sociocultural perspectives, is acknowledged. In encoding these realities, artists may draw on a reservoir of stylistic, formal and conceptual prototypes. Visual reference constitutes an allegorical procedure because the artist refers to an antecedent text in the representation of a particular 'reality'. Pictorial signs also rely on conventions to convey meaning. Both the perception and the artistic recreation of different realities may thus be regarded as recycling processes. In a world saturated with visual information, reference to prototypes is a powerful procedure which assists contemporary pictorial artists in the creation of meaningful images of current realities. / Art History, Visual Arts & Musicology / M.A. (Fine Arts)

Women have been abused from the beginning of time and it would appear that a patriarchal system has facilitated this abuse. Churches, in general, and Seventh-Day Adventists, in particular, have been silent on the issue of Abuse. It is my thesis that a predominantly confessional Seventh-Day Adventist's view and use of Scripture are foundational to this silence on human rights issues. Adventist eschatology is predominantly apocalyptic in nature, focussing on end-time events, thus, the present is viewed secondary. Human rights issues are marginalised with the focus on evangelism. Thus, relationships are secondary and abused women have not been accommodated within the Seventh-Day Adventist framework of worship and caring. / M.Th. (Practical Theology)

The purpose of this study is to investigate the social and cultural contexts of 1QS (Serek ha-Yahad) by means of a textual study. The analysis of the text is performed in a synchronic perspective. This means that lexical choices, grammatical forms, references, topics, themes, and intertextuality are analyzed text-internally. By doing so, this study sheds new light on old questions of textual cohesion and coherence, questions that until now have been dealt with mostly from a diachronic perspective. The text analysis entails investigation in view of three interrelated dimensions of language function: ideational, interpersonal, and textual. These imply language as transmitting information, creating and sustaining relations, and functioning to organize itself into cohesive units. Although applying some of the terminology from the field of text linguistics (SFL), the focus in this study is on what a text means rather than why. This means that the semantic-pragmatic aspects of language are of foremost interest here. The analysis is performed from bottom and up, then from top down again. Words, phrases, and sentences are investigated up to the broadest linguistic level, namely, to the semantic discourse itself. With an understanding of the larger discourse at hand thanks to this analysis of textual cohesion and coherence, textual details are once again revisited and interpreted anew. In this work, 1QS is analyzed from beginning to end—chronologically, so to say. Then, at the end of each major section, the discourse is analyzed overall. Following the text analysis, conclusions of the investigations are presented. The conclusions argue that the hierarchal structure of the community and its stringent regulations are to be understood as a corrective in response to corrupt society. It is also argued that language in 1QS has a performative function. Rather than describing the way things are, it aspires to evoke the ideal society. Instead of understanding 1QS and the community mirrored in it as a deviant group with little or no contact with the surrounding world, it is then understood as a potent contribution to late Second Temple Jewish discourse concerning how to create a just society and a sanctifying cultic practice. In the final chapter, the insights gained from textual analysis of 1QS are brought into encounter with the theoretical framework posited by French historian and philosopher René Girard (1923–2015). In light of Girard’s philosophy, the hierarchal organization of the community (the Yahad) as well as its regulations can be interpreted as an effort to prevent a mimetic crisis. The function of the scapegoat in 1QS is discussed in light of Girard’s grand theory of the mechanisms of scapegoating in all societies. The study closes with the tentative hypothesis that the community in 1QS deconstructs the scapegoating mechanism by taking the role of the scapegoat upon itself.

This thesis shows how misogynous and stereotypical images of women, which historically have been used to transform them into witches and monsters, are now reused in the construction of the term “batikhäxa” (“tie-dye witch”). Feminist and discourse theory form the framework of this study which includes the analysis of three opinion pieces, or political pamphlets, that were published between 2010 – 2018: "Batikhäxorna och makten" by the pseudonym Julia Caesar, "Refugee 'Children" & The Women Who Sexually Exploit Them" by the pseudonym Angry Foreigner and "De ansvariga för Sveriges kaos behöver en intervention för att ställas till svars " by Katerina Janouch. I use critical discourse analysis to study how discursive strategies are applied in these political pamphlets to delegitimate women, making them the scapegoats of society by use of the concept of the tie-dye witch. My thesis argues that the use of the tie-dye witch discourse reproduces patriarchal power relations by denying women the right to have and express their opinions, decide over their own bodies and exercise power in society. The tie-dye witch can therefore also be understood as an anti-feminist counterimage to the feminist witch who was established as a female role model in the 1960s. The study also uncovers the psychological function of the tie-dye witch as a female super monster who demarks the borders of nation, culture, religion, body and gender. In the studied texts, the tie-dye witch is constructed to separate "us" from "the others", and in doing so she also acts as a unifying figure in and of anti-feminist, islamophobic, xenophobic, nationalist and apocalyptic discourses.

Walter M. Miller, Jr.’s A Canticle for Leibowitz is a timeless story about apocalyptic cycles, conflicts and similarities between religion and science, religious ethics and secular ethics, sin and redemption, myth and preternatural innocence. Canticle is a very religious story about a monastery dedicated to preserving scientific knowledge from the time before nuclear war which devastated the world and reduced humanity to a pre-technological civilization. The Catholic Church and this monastery are portrayed as a bastion of civilization amidst barbarians and a light of faith amidst atheism. Unfortunately, humanity destroys the Earth once again, but Miller ends with two beacons of hope: a starship headed for the unknown to help humanity begin again and the preternaturally innocent Rachel who portends a future for similarly innocent human beings repopulating the Earth. Thus, faith ultimately triumphs over atheism even in the midst of almost total catastrophe.