Abstract in English, Afrikaans and Zulu / The aim of the study was to develop a critical posthumanist and democratic theory that may be applied in the teaching and learning of Life Sciences in South Africa in order to achieve an expanded form of democracy that would not discriminate between human and nonhuman. Though both critical posthumanist and democratic theories have been used in pedagogical studies separately, this study focused on the development of a merged and broader theory that has elements of both of the theories. The term nonhuman, as used here, does not specifically refer to non-person individuals only. Rather, it also refers to people who are regarded by the dominant humans as nonhumans – inferiors and subalterns. The latter group of people include the poor, women, children, people of colour and the disabled. Owing to this binarisation characteristic of the Life Sciences as a subject – which it adopts from the nature of science, its curriculum, and pedagogical approaches – the impression is given that as the master of the universe, the human has unlimited power over all other entities. These other nonhuman entities are then regarded as resources for the use of humans. Yet, it is this attitude which has caused humans to abuse nonhumans to the extent that the earth is facing the catastrophe of the Anthropocene. The adoption of a critical education approach characterised by the development of a critical posthumanist and democratic theory that may be applied in the teaching and learning of Life Sciences is essential in dealing with the issue of the Anthropocene that is threatening the earth currently. This study thus seeks to adopt a critical education approach through the introduction of democracy into the teaching and learning of Life Sciences, specifically so that humans would get to a position where they would consider nonhumans as entities with which they co-exist, and entities with equal agency within the environment. The recognition of the need for democracy would allow the humans to treat the nonhumans (such as the environment and ‘subalterns’) with respect, as their compatriots; and by doing that, the harrowing issues leading to the catastrophe of the Anthropocene could be either avoided or averted. / Die doel van die studie was om ’n kritiese posthumanistiese en demokratiese teorie te ontwikkel wat op die onderrig en leer van Lewenswetenskappe in Suid-Afrika toegepas kan word om ’n uitgebreide vorm van demokrasie daar te stel wat nie tussen menslik en niemenslik sal diskrimineer nie. Hoewel kritiese posthumanistiese sowel as demokratiese teorieë apart in pedagogiese studies gebruik word, het hierdie studie op die ontwikkeling van ’n saamgesmelte en breër teorie wat elemente van beide teorieë bevat, gefokus. Die term niemenslik soos wat dit hier gebruik word, verwys nie spesifiek net na niepersoon-individue nie. Dit verwys eerder ook na mense wat deur die dominante mense as niemense – minderes en ondergeskiktes – beskou word. Die laasgenoemde groep mense sluit die armes, vroue, kinders, mense van kleur en gestremde mense in. Vanweë hierdie binêre eienskap van die Lewenswetenskappe as ’n vak – wat dit as gevolg van die aard van wetenskap, sy kurrikulum en pedagogiese benaderings aanvaar het – word die indruk geskep dat die mens as heerser van die heelal onbeperkte mag oor al die ander entiteite het. Hierdie ander niemenslike entiteite word dan as hulpbronne vir gebruik deur mense gesien. Dit is egter hierdie houding wat veroorsaak het dat mense niemense misbruik, in so ’n mate dat die aarde die katastrofe van die Antroposeen in die gesig staar. Die aanneem van ’n kritiese onderrigbenadering wat gekenmerk word deur die ontwikkeling van ’n kritiese posthumanistiese en demokratiese teorie wat by die onderrig en leer van Lewenswetenskappe gebruik kan word, is noodsaaklik om die kwessie van die Antroposeen wat die aarde tans bedreig, te hanteer. Hierdie studie wil dus ’n kritiese onderrigbenadering volg deur middel van die bekendstelling van demokrasie by die onderrig en leer van Lewenswetenskappe, in die besonder sodat mense in ’n posisie sal wees waar hulle niemense as entiteite saam met wie hulle ’n bestaan moet voer, en entiteite met gelyke verteenwoordiging in die omgewing, sal beskou. Om die behoefte aan demokrasie te erken, sal die mense toelaat om die niemense (soos die omgewing en “ondergeskiktes”) as hulle landgenote met respek te behandel; en deur dit te doen, kan die pynlike kwessies wat tot die katastrofe van die Antroposeen sal lei, moontlik vermy of afgeweer word. / Inhloso yalolu cwaningo kwakungukusungula umbono obucayi owenziwa ngemuva kokuphila komuntu nentando yeningi engasetshenziswa ekufundisweni nasekufundeni kwesayensi yezempilo eNingizimu Afrika ukuze kuzuzwe uhlobo olwandisiwe lwentando yeningi olungeke lubandlulule phakathi kwabantu kanye nokungebona abantu. Yize zombili izinkolelo ezibucayi ezenziwa ngemuva kokuphila komuntu nezentando yeningi zisetshenzisiwe ezifundweni zokufundisa ngokwehlukana, lolu cwaningo lugxile ekuthuthukiseni kombono ohlanganisiwe futhi obanzi onezici zombili zale mibono. Igama elithi okungebona abantu njengoba lisetshenziswa lapha, alibhekiseli ngqo kubantu abangebona abantu kuphela. Esikhundleni salokho, libhekise nakubantu ababhekwa ngabantu abaphezulu njengabantu abangebona abantu – abaphansi nabasezingeni eliphansi. Iqembu lokugcina labantu lifaka phakathi abampofu, abesifazane, izingane, abantu bebala nabakhubazekile. Ngenxa yalesi sici sokuhlukaniswa kwesayensi yezempilo njengesifundo – emukela emvelweni yesayensi, ikharikhulamu yayo, kanye nezindlela zokufundisa - kunikezwa umbono wokuthi njengomphathi wendawo yonke, umuntu unamandla angenamkhawulo kuzo zonke ezinye izinhlangano. Lezi ezinye izinto ezingezona abantu zithathwa njengezinsiza ukusetshenziswa abantu. Kodwa-ke, yilesi simo sengqondo esidale ukuthi abantu bahlukumeze abantu abangebona abantu kuze kufike lapho umhlaba ubhekene nenhlekelele yokwakhiwa nokuthuthukiswa komhlaba. Ukwamukelwa kwendlela ebucayi yezemfundo ebonakala ngokuthuthukiswa kombono obucayi owenziwa ngemuva kokuphila komuntu kanye nentando yeningi engasetshenziswa ekufundisweni nasekufundeni kwesayenzi yezempilo kubalulekile ekubhekaneni nodaba lokwakhiwa nokuthuthukiswa komhlaba olusongela umhlaba njengamanje. Lolu cwaningo-ke lufuna ukwamukela indlela yezemfundo ebucayi ngokwethulwa kwentando yeningi ekufundisweni nasekufundeni kwesayensi yezempilo, ikakhulukazi ukuze abantu bafike esikhundeni lapho bezobheka khona abantu abangebona abantu njengezinhlangano abaphila nazo, nezinhlangano ezinokumela ngokulinganayo ngaphakathi kwemvelo. Ukwamukelwa kwesidingo sentando yeningi kuzovumela abantu ukuthi baphathe abantu abangebona abantu (njengemvelo kanye nabasezingeni eliphansi) ngenhlonipho, njengabantu bakubo; futhi ngokwenza lokho, izingqinamba ezihlasimulisayo eziholela enhlekeleleni yokwakhiwa nokuthuthukiswa komhlaba zingagwenywa noma zivinjelwe. / Educational Foundations / Ph. D. (Philosophy of Education)

I den här vetenskapliga essän undersöker jag relationerna mellan olika former av materia, både mänsklig och icke mänsklig, i ett utbildningsrum. Syftet är en ökad förståelse för hur mening och tillblivelse möjliggörs och begränsas utifrån mitt agerande inom ramen för den materiellt-diskursiva praktik som utbildning utgör. Utgångspunkten är en gestaltande berättelse utifrån olika möten mellan mig, en matta och några kursdeltagare i ett utbildningsrum under en ledarskapsutbildning. Essäns teoretiska ramverk består av tankar från filosofen Martin Bubers dialogfilosofi och den posthumanistiska kvantfysikern, Karen Barads, agentiella realism. Utifrån den posthumanistiska analysmetoden, diffraktion, samläses teorier och insikter genom varandra för att söka fram emot ett tydligare artikulerande kring vad det innebär att agera utifrån mitt yrke och vad som är min praktiska kunskap. / In this scientific essay, I explore the relationships between different forms of matter, both human and non-human, in a training room. The purpose is to increase the understanding of how meaning and becoming are made possible and limited based on my actions within the material-discursive practice that education entails. The starting point is a narrative story based on different meetings between me, a carpet and some participants in a training room during a leadership training. The theoretical framework of the essay consists of thoughts from philosopher Martin Buber's philosophy of dialogue and the posthumanist quantum physicist Karen Barad’s, agential realism. Based on the posthumanist method of analysis, diffraction, theories and insights are read through one another to seek a clearer articulation of what it means to act on the basis of my profession and what is my practical knowledge.

Den här uppsatsen undersöker experimenterande danspraktiker med ett- och tvååringar i förskolan, praktiskt och teoretiskt, vilket hittills endast studerats i ett fåtal studier och aldrig tidigare i ett empiriskt och praxisnära projekt med förskolans yngsta barn. Syftet är att undersöka hur danspraktiker kan göras möjliga och kommer till uttryck i experimenterande dans tillsammans med de allra yngsta barnen i förskolan när de görs till aktiva deltagare i danshändelsernas processer, utformning och innehåll i förskolan. I den tre månader långa praktiknära, empiriska studien experimenterar forskaren ihop med en grupp barn 1–2,5 år på en förskoleavdelning, vilket dokumenteras med film- och stillbildskameror av forskaren och barnen. Metodologiskt tar genomförandet stöd och inspiration i a/r/t-ografin som är en praxisnära och estetik-baserad forskningsmetod där forskaren använder den egna kroppen som forskningsverktyg. Analyserna av datamaterialet, vilket består av filmer, foton och processanteckningar, är genomförda med stöd av immanensfilosofisk teoribildning, främst med texter från Gille Deleuze och Felix Guattari samt Erin Manning och begreppet som metod, som analysmetod. Resultaten visar att när förskolans yngsta barn får möjlighet att experimentera i dans ihop med en initierad och deltagande forskare blir danspraktiken mycket varierad och dynamisk i sitt förlopp. Den tar även andra uttryck till innehåll, form och rörelse, gruppkonstellation, materialval och tidslängd än vad som vanligtvis beskrivs om dans i litteratur och forskning. Ett ytterligare kunskapsbidrag är att visa hur tillgången till immanensfilosofi kan producera nya sätt att göra och tänka om danspraktiken och den dansande kroppen och alternativa sätt att arrangera dans med förskolans yngsta barn. Studien erbjuder även förskoledidaktiska kunskaper om hur pedagoger i förskolan kan arrangera kreativa danspraktiker för de yngsta barnen i den dagliga verksamheten. / This essay examines experimental dance practices with one- and two-year-olds in preschool, both practically and theoretically, a topic which has up until now only been examined in a few studies and never before in an empirical and praxis-oriented project with the youngest children of preschool. The purpose of the study is to investigate how dance practices can be made possibleand what comes to expression in experimental dance practices with the youngest children in a preschool environment when they are made to be active participants in the content and execution of experimental dance in a preschool environment. During the three months long practice-based empirical study, the researcher experiments in participation with a group of 1-2,5-year-olds at their preschool department. This work is documented with still image and film camera by the researcher and the children. Methodologically, the study has been conducted through support and inspiration from a/r/t-ography, a practicebased and arts-based research method wherein the researcher uses her own body as an instrument of research. The analysis of the data material, which consists of films, photographs and process notes, is carried out using the concepts of immanence-philosophy, mainly through texts by Gille Deleuze and Felix Guattari and of Erin Manning, and the concept as method, as a method of analysis. The results show that when the youngest children are given the opportunity to experiment in dance together with an initiated and participating researcher, the dance practice becomes varied and dynamic during its course of events. The dance practice also shows novel expressions of form and movement, group constellations, and choices of material and duration than what is commonly described of dance when discussed in literature and research. Furthermore, this essay contributes additional knowledge to the field by showinghow the access to the philosophy of Gille Deleuze and Felix Guattari can produce new ways of doing and thinking about dance practice and the dancing body and alternative ways to arrange dance with the youngest children of the preschool. The study also offers didactical knowledge of how teachers in a preschool environment can arrange creative dance practices for the youngest children in everyday activities.

This study examines how organizations and companies with transparent sustainability profiles aim to establish a relationship between brand, sustainability, and audience based on a theoretical framing perspective. To examine this; the study will limit itself by focusing on the Swedish company Oatly, and their external communications through digital channels and platforms.  According to Van Gorp and Van du Goot (2011: 374), frames serve as a way of explaining complex issues. Through framing a problem area, cause and other conclusions are highlighted. Frames thus function rhetorically – by convincing public opinion and control an audience through the media. Framing occurs in several contexts such as political, via news and advertising (Fairhoust & Sarr 1996).                                                        The study limits it’s analysis to the company Oatly’s official profile on the digital platform Mynewsdesk. The empirical material consists of press releases published within a defined time frame; 5/6/2015–6/3/2017. The study is based on motivated theoretical assumptions; discourse, critical and posthumanist theory, as well as previously established research on the field - framing in relation to sustainability.                                        The research method can be described as a qualitative content analysis based on main elements derived from discourse and semiotic framework. In addition, a framing analysis is applied to further present the result in the form of exemplified frames.                The results of the study suggest, for example, that actors construct importance through framing – which integrates into sustainability discourse through social practices – thereby establishing a relationship between brand, problem area, and audience through a convinced public opinion that further interacts with and reproduces the discourse in question.

Through an experimental theatre play, this thesis explores the development of human-like agency in contemporary “social robot” technology. The entrance point of this study is the gender gap and lack of diversity in contemporary AI/robot development, with an emerging need for interdisciplinary research across robot technology and social sciences. Using feminist technoscience and critical posthumanism as the theoretical framework, this research involves an analysis of a particular social robot case, currently being developed at Furhat Robotics in Stockholm. Inspired by Judy Wajcman (2004), I analyze how socially intelligent machines impact perceptions of human agency, body, gender, and identity within cultural contexts and through interaction. The first part of the empirical research is carried out in the robot-lab. The robot is then, in the second part, invited to perform as an actor in a theatre play. Entangled amidst the other players and audience members, a queered agency starts to reveal itself through human-machine “intra-action” and embodiment (Barad 2003). Human-like agency in machines is shown to be a complex matter, drawing the conclusion that human-beings are vulnerable to a myriad of entanglements and preconceptions that artificial intelligence potentially embodies.

In a prospective post-work society, a select group of citizens participate in a cross-temporal project. As we follow along their journeys, questions arise. How does time move when it is no longer a commodity? What is design in the age of rampant robotics? How do we define creativity? What is wasted potential, and is it possible to be a failure? Most importantly, can fiction teach us anything about reality?

Contemporary scholars seeking to increase Tuber Melanosporum truffle production rely almost exclusively on technological advancements to increase yields, while failing to place the cultivation of truffles, trufficulture, in its historical or local landscape contexts. In this dissertation, I describe how truffle scholars’ conceptualization of trufficulture and landscapes has changed over 150 years in France, while focusing on the French département of Lot. I examine changing relations between humans and nonhumans and how they impact truffle harvests. I analyzed the history of French trufficulture through a close reading of historic truffle manuals, archival research and the classification of remotely sensed images. Shifting from the past to the present, from July 2014-August 2016, I conducted semi-structured survey interviews with working truffle-growers (trufficulteurs) and participant observation at meetings of trufficulteurs, truffle hunts and truffle markets. I utilize actor-network theory (ANT) as both a theory and methodology. Actor-network theory allowed me to follow the impacts made by both humans and nonhumans on trufficulture. I found that truffle harvests in the 1880s dropped by 90%. Highly populated, intensively worked landscapes of viticulture, silvopastoralism and cereal cultivation created conditions suitable to truffles. By the 1870s the phylloxera aphid ravaged grapevines, which made trufficulture an important source of revenue. These advantageous conditions would not last. Post-WWI, yields fell for decades because of an ongoing rural population exodus and consequent agricultural abandonment, which promoted reforestation and closed canopy forests in Lot, France. By the 1960s, French trufficulteurs organized associations to share knowledge and promote local truffle markets to revive production. Trufficulteurs’ utilization of tractors, ‘inoculated’ plants and irrigation systems produced a new form of “modern” trufficulture. State subsidies helped trufficulteurs adopt “modern” practices, in hopes of increasing yields. “Modern” trufficulture has not dramatically increased yields. A few highly-capitalized trufficulteurs dominate production in Lot. Many others practice trufficulture as a hobby. Instead of relying on “modern” technological fixes, my findings suggest that trufficulteurs, farmers and states should reinvigorate extensive polyculture farming practices that maintain open canopy forests, which were beneficial to trufficulture in the past. Actor-network theory allowed me to rethink human and nonhuman relations, and to propose alternatives to “modern” trufficulture.

In this thesis I explore the place of the human in the Anthropocene, and our relationship to the Earth through an analysis of N. K. Jemisin’s The Broken Earth trilogy. As the trilogy depicts an apocalyptic landscape where the Earth has sentience and humanity is divided into three subspecies, this work of speculative fiction lends itself well to be interrogated and examined as an allegory for our current climate crisis. The analysis is anchored in posthumanism and employs a variety of concepts, such as Bruno Latour’s work on agency and deanimation, Donna Haraway’s Chthulucene, and Amitav Ghosh’s work on speculative fiction among others. I argue that The Broken Earth trilogy illustrates that the Earth is an agentive network that can no longer be ignored and contend that the trilogy complicates both anthropocentrism and individualism by depicting amplified versions of human beings, and in doing so highlights the arbitrary boundaries between both nature and society, and human and nonhuman. Thus, The Broken Earth trilogy can be read as a warning call for a future to be avoided at all costs, while concurrently be used to make sense of the incomprehensibility of our contemporary era.

This thesis project explores combining interactive technology and the natural world, through a more-than-human design approach. This project aims to step away from an industry-driven design by valuing plants as equal in the design process. Throughout this report, an overview of the relevant theory and examples are elaborated on. This overview has informed the project in two ways. It formed the foundation of a concept aiming to improve the user’s interconnectedness with nature and it formed the foundation of an evaluation tool developed for aiding designers in design for plants by addressing three design fields: Design for Care, Design for Cohabitation, and Design for Noticing. The concept and the evaluation tool have been developed in parallel and informed each other throughout the project. The final concept contributes to the discussion about addressing more-than-human actors in design. In this case by addressing plant blindness. The evaluation tool contributes to more-than-human design as a tool to evaluate ideas and projects. This project included an extensive analysis of a design collection, workshops regarding the materiality of living plants and assessment of the evaluation tool, an interdisciplinary design approach, and a prototyping phase during which assumptions regarding the concept were tested.

My thesis titled Attributes of corporeality is a continuation of my thinking on the topic of identity. Now I approach identity as a category, not as an identity that belongs to a particular person. I consider the question of how is identity shaped in a postmodern, globalized world and how is it related to corporeality. My answer is based on the reality I know, on the current state of society. However, the intention of my work is above all to express my idea, which is rather a utopian scenario than anything else.