I föreliggande studie presenteras vad instrumentallärare på folkhögskolor anser vara viktigt att arbeta med i sin undervisning med tanke på elevers kommande antagningsprov till musikhögskolor. För att belysa studiens forskningsområde läggs tidigare forskning fram samt annan relevant litteratur kring sociala och musikaliska aspekter på folkhögskolan och i instrumentalundervisning. Även antagningskraven för musikhögskolan inom jazzgenren presenteras. Studiens övergripande perspektiv är pragmatismen och dess metodologiska utgångspunkt är kvalitativ. En kvalitativ intervju har gjorts med fyra respondenter bestående av olika instrumentallärare inom jazzgenren på folkhögskolan. Resultatet visar instrumentallärares bild av individualisering som ett centralt verktyg i deras undervisning samt deras olika syn på aspekter som påverkar elevers utveckling, exempelvis övning, motivation och socialt samspel. Respondenterna lyfter även andra relevanta kunskaper och förmågor inför sökningen till musikhögskolan, vilka i korthet är samspel, improvisation och andra musikaliska faktorer. Studien visar att individualiseringsaspekten är en styrka på folkhögskolan. Övning, målsättning och motivation visar sig höra samman med elevers utveckling och läraren kan inta olika roller för att bidra till sina elevers motivation. Det sociala samspelet i folkhögskolans miljö verkar också vara en påverkande faktor. Avslutningsvis diskuteras bland annat musikhögskolornas sökningsinformation på hemsidorna samt huruvida folkhögskollärarnas val av undervisningsinnehåll är relaterat till lärarens egen musikaliska utbildning. / This study is about what instrumental teachers on folk high schools consider to be important aspects in their lessons in order to prepare their students for the admission tests on music colleges. In order to elaborate on the subject and aims of this study, background information such as relevant literature and a discussion of the social and musical aspects of studying in folk high schools and instrumental music education, is presented. A summary of the entry requirements for swedish music colleges specialising in jazz is also included. The study takes a pragmatic scientific approach and is qualitative in its methodology. As such, qualitative interviews were done with four music teachers at a folk high school specialising in jazz. The results of the research show that the teachers use individualisation as a central tool in their music lessons and that their different approaches have a significant impact on the students´ development in terms of practice, motivation, and social relations. The teachers go so far as to include interplay, improvisation and other musical factors in their lessons. The study shows that individualisation is a strength of the folk high school system. Musical exercises, aimed at setting goals and increasing motivation have an important impact on students musical development. In addition, music teachers take on various different roles to contribute to their students development. The social interplay in the environment of the folk high school is another factor that seems to contribute positively to students’ development. This study concludes with a discussion of the information needed to apply to music colleges and how the choice of content of different teachers at the folk high school is related to their own musical education.

The purpose of this thesis is to examine the experience of modernity, and how it related to the process of establishing and determining one’s individual identity. By studying the protocols from discussion seminars on contemporary topics attended by students at Swedish folk high school Wiks folkhögskola in the 1920s and 1930s, the study explores how the students defined themselves in relation to societal changes as well as how they evaluated what they considered to be modern versus traditional. The thesis approaches the subject through the theoretical lens of modernity, defined as the experience of living in an uncertain and changeable present, fundamentally different from what is perceived to be the past. This generates paradoxical feelings of both optimism for the future and nostalgic longing for the past. Alongside the concept of modernity, the thesis utilises theories of individualisation and historical research on the making of the modern self to explore how experiences of modernity related to processes of identity formation. The analysis is structured around three themes, urban and rural lifestyles, leisure as opportunity and threat, and changing gender norms, which were present both in the students’ discussions and in Swedish public discourse during the interwar years. Throughout, the experiences of modernity expressed by the students were much more complex and dynamic than what previous historical research on the modernisation of Sweden has suggested. The thesis therefore argues for a pluralistic and experience-based view of modernity. Furthermore, it questions the relevance of theories of modern individualisation, and to what extent the students’ identities were individual and emancipated from traditional hierarchies. Instead, it considers the role of school authorities, and concludes with the assertation that concepts such as modernity and identity should be approached through empirical studies of historical context and with a critical eye towards power dynamics, authorities, and dominant narratives.

The aim of this thesis is to describe and review the visual art teaching profession from a wider cultural perspective. This can lead to a better understanding of how teachers in 2000s Sweden manage change and relate to their task. This is a starting point for the formation of question areas that are of concern: the importance of their own specific interests in various visual art media for the development of their professional knowledge; what conditions different types of schools provide for the development of the subject and the strategies visual art teachers (in the study) use to develop their teaching on the theme of contemporary art. The theoretical framework is based on a socio-cultural perspective. Analysis combine cultural semiotic and frame factor models. Institutional art theory focuses on art’s audience and the art institutions which are central to contemporary art manifestations. The thesis is based on two case studies conducted by three separate teacher-training days at Bildmuseet in Umeå. 14 Visual Art teachers from four different types of schools: compulsory school, years 7-9, upper secondary school, folk high school and volountary art school (Swe. kulturskola) participated in the study. The investigations has generated data produced through interviews, observation, self-reports and images. Contemporary Art is involved in society's constant change and mix of new medias. The changes concernes the visual art educational field. The opportunities different school contexts provides for education, has an impact on how knowledge is transformed. Conformity, solid structures, formes of assessment and low legitimacy shape resistance. Teaching in visual art is highly based on teachers' own choices. A fragmented knowledge-culture with focus on manual or digital mediations leads to different knowledge-selection. This study highlights resistances that affect applying contemporary art on its own terms. Contemporary art’s starting points and new perspectives represent other paradigms than traditional art classifications. This sigifies tension between the artworld and the educational field. To reducie the tension, a dialogue and interaction between the fields on equal terms is recommended. The study identifies a lack of procedures and resources for formal continuing professional development. There is a need of developing the collective body of knowledge, covering both the theoretical and practical knowledge in the visual art teacher culture.

In this thesis the vocational orientation of the courses offered - as an expression of the folk high school's self-identity- is analysed. The point of departure was that what the folk high school do, is a way to show what it wants to be and, therefore, reflects what it is. Focus is on how the folk high school meets with contemporary tasks and demands in different areas of society. The research objects are, the folk high school as type of school (a total of 147 schools) and a sample of ten individual schools with different ownership. The study is about what the offered courses reveal about the folk high school's reflections and conclusions as regards its future activities in relation to its history and contemporary society. The theoretical framework of the thesis is built on the sociologist Anthony Giddens 'Theory of Structuration' and the concepts of structure and agency. Reflections about the surrounding world and the contributions the schools' want to make in society is assumed to result in a more or less conscious strategy for the future, the folk high school's course politics as it is expressed in action. The identity has been interpreted in vocational roles as they appear in course contents. The word 'vocation' is used in almost the same sense as Giddens defines 'work'. Self-identity was analysed from three different kinds of texts and with one question for each. In the first perspective focus is on official investigations and political decisions, in the period 1970-2000. What role in society is imposed upon the folk high school in contemporary educational policies? In the second perspective all courses offered at all folk high schools in 1972 and 2000 are studied, in order to present a picture of the overall pattern of vocational orientation. In the third perspective the course politics of the ten selected folk high schools are investigated, from the start of the respective schools, and in relation to what each school thinks it 'is'- with different owners and in its particular geographical situation. One overriding conclusion is that the characteristics that make the identity of the folk high school seem unclear and paradoxical are the very same that constitute the self-identity of the folk high school as being complex and multifaceted. The self-identity seems paradoxical when the vocational orientation presents itself as both preserving traditions and answering to today's needs. In other words, the school 'does what it has always done' (is conservative) and at the same time 'captures new needs and tasks' (is flexible). The folk high school's role and uniqueness in what they actually do can be understood as what I have called 'contemporaneous civic functionaries'. Their profiles emerge when flexibility is based on history. I want to designate 'existential rationality' to the motivating mechanism that seems to at the same time force changes and lean on own experiences. Expressing contemporary self-identity is grounded in the individual tradition as motivationbased values, cultural and geographic conditions.

In this thesis the vocational orientation of the courses offered - as an expression of the folk high school's self-identity- is analysed. The point of departure was that what the folk high school do, is a way to show what it wants to be and, therefore, reflects what it is. Focus is on how the folk high school meets with contemporary tasks and demands in different areas of society. The research objects are, the folk high school as type of school (a total of 147 schools) and a sample of ten individual schools with different ownership. The study is about what the offered courses reveal about the folk high school's reflections and conclusions as regards its future activities in relation to its history and contemporary society. The theoretical framework of the thesis is built on the sociologist Anthony Giddens 'Theory of Structuration' and the concepts of structure and agency. Reflections about the surrounding world and the contributions the schools' want to make in society is assumed to result in a more or less conscious strategy for the future, the folk high school's course politics as it is expressed in action. The identity has been interpreted in vocational roles as they appear in course contents. The word 'vocation' is used in almost the same sense as Giddens defines 'work'. Self-identity was analysed from three different kinds of texts and with one question for each. In the first perspective focus is on official investigations and political decisions, in the period 1970-2000. What role in society is imposed upon the folk high school in contemporary educational policies? In the second perspective all courses offered at all folk high schools in 1972 and 2000 are studied, in order to present a picture of the overall pattern of vocational orientation. In the third perspective the course politics of the ten selected folk high schools are investigated, from the start of the respective schools, and in relation to what each school thinks it 'is'- with different owners and in its particular geographical situation. One overriding conclusion is that the characteristics that make the identity of the folk high school seem unclear and paradoxical are the very same that constitute the self-identity of the folk high school as being complex and multifaceted. The self-identity seems paradoxical when the vocational orientation presents itself as both preserving traditions and answering to today's needs. In other words, the school 'does what it has always done' (is conservative) and at the same time 'captures new needs and tasks' (is flexible). The folk high school's role and uniqueness in what they actually do can be understood as what I have called 'contemporaneous civic functionaries'. Their profiles emerge when flexibility is based on history. I want to designate 'existential rationality' to the motivating mechanism that seems to at the same time force changes and lean on own experiences. Expressing contemporary self-identity is grounded in the individual tradition as motivationbased values, cultural and geographic conditions.

The purpose of the present study is to describe adult second language learners’ experiences of mathematics learning from a past and contemporary perspective. What experiences in mathematics do they bring? What does it mean to learn Mathematics through their new language? The study is based on life-world narratives from five second language students with another native language than Swedish. Today they all study at a Swedish folk high school, at upper secondary level and they have previously studied at this level in Mathematics.   The result shows that the meeting with the Swedish school and folk high school context is confusing. They face a new school culture with quite different normative rules and it is unclear to them how to behave as good students in this context. They are positive about the response from teachers which is much unlike their previously experiences. The teachers are competent tutors, supportive, listening, encouraging, friendly, authorities without being iron handed.   The multilingual students in this study describe that the new language is of secondary importance in mathematics learning. Everyone starts off  in year one at upper secondary level and sees mathematics the first period as a refresher. Mathematic studies are, during this period, used to consolidate the mathematical concepts in the new language. All change automatically to their native or previous school language when working with mathematical tasks. There are basic mathematical  concepts learned and automated, it is too cognitively demanding to use the Swedish language. They are critical of how Mathematics is taught, a lot of individual work and pace and says that briefings and discussions are more effective, a teacher led approach that they are familiar with.

Avhandlingen syftar till att undersöka folkhögskoledeltagares sociala representationer om högskola och universitet. Enligt teorin om sociala representationer är folkhögskoledeltagarnas sociala representationer om högskola och universitet något som skapas socialt och förändras beroende på deltagarnas erfarenheter av högskola och universitet. Avhandlingen syftar också till att undersöka dessa sociala representationers ursprung och framväxt, liksom om de har påverkats av andra sociala representationer exempelvis dem om folkhögskolans särart. För att identifiera folkhögskole­deltagarnas sociala identitet och sociala representationer har jag använt mig av empiriska data insamlat genom fria associationer och intervjuer med folkhögskoledeltagare och före detta folkhögskoledeltagare. För att undersöka representationernas ursprung har jag genomfört en dokument­studie på folkhögskolelärarnas tidskrift. Resultaten visar att folkhögskolans företrädare genom hela folkhögskolans historia har förhållit sig till två huvudidéer, den om folkhögskolans särart och den om att folkhögskolan är en institution som anpassar sig efter det omkringliggande samhället och dess krav. Dessa båda idéer förklarar varför olika sociala identiteter och olika sociala representa­tioner existerar bland folkhögskoledeltagarna. Grundidén att folkhögskolan har en särart leder till representationer om folkhögskolan som ett alternativ till annan utbildning och högskola och universitet som något som inte är likt folkhögskola. Den andra grundläggande idén om folkhögskolan som en institution som ständigt anpassar sig leder till representationer om folkhögskolan som en andra chans och högskolan som mål. / The thesis aims to investigate folk high school participants’ social representations of university. According to the theory of social representa­tions, folk high school participants’ social representations of university are created socially and change depending on their experiences of university. The thesis also aims to investigate the origins of these social representations and how they have developed over time, as well as whether and how these rep­resent­ations have been affected by other social representa­tions, such as those of the distinctive character of folk high school. In order to identify folk high schools participants’ social identities and social rep­resenta­tions, I have made use of empirical data collected through free associa­tions and interviews with folk high school participants and former folk high school participants. To discover the origin of the representations and how they developed over time, I conducted a document study of an important folk high school teacher magazine. The results show that throughout the history of folk high schools, the institution has remained true to two basic ideas. These two fundamental ideas explain why different social identities and different representa­tions exist among the participants. The idea of folk high school as something different and special, leads to representations of folk high school as an alternative to other forms of education and to representations of university as some­­thing unlike folk high school. The second idea – that folk high school must adapt to the surrounding community – leads to representations of folk high school as a second chance and social representations of university as a goal.

Avhandlingen syftar till att undersöka folkhögskoledeltagares sociala representationer om högskola och universitet. Enligt teorin om sociala representationer är folkhögskoledeltagarnas sociala representationer om högskola och universitet något som skapas socialt och förändras beroende på deltagarnas erfarenheter av högskola och universitet. Avhandlingen syftar också till att undersöka dessa sociala representationers ursprung och framväxt, liksom om de har påverkats av andra sociala representationer exempelvis dem om folkhögskolans särart. För att identifiera folkhögskole­deltagarnas sociala identitet och sociala representationer har jag använt mig av empiriska data insamlat genom fria associationer och intervjuer med folkhögskoledeltagare och före detta folkhögskoledeltagare. För att undersöka representationernas ursprung har jag genomfört en dokument­studie på folkhögskolelärarnas tidskrift. Resultaten visar att folkhögskolans företrädare genom hela folkhögskolans historia har förhållit sig till två huvudidéer, den om folkhögskolans särart och den om att folkhögskolan är en institution som anpassar sig efter det omkringliggande samhället och dess krav. Dessa båda idéer förklarar varför olika sociala identiteter och olika sociala representa­tioner existerar bland folkhögskoledeltagarna. Grundidén att folkhögskolan har en särart leder till representationer om folkhögskolan som ett alternativ till annan utbildning och högskola och universitet som något som inte är likt folkhögskola. Den andra grundläggande idén om folkhögskolan som en institution som ständigt anpassar sig leder till representationer om folkhögskolan som en andra chans och högskolan som mål. / The thesis aims to investigate folk high school participants’ social representations of university. According to the theory of social representa­tions, folk high school participants’ social representations of university are created socially and change depending on their experiences of university. The thesis also aims to investigate the origins of these social representations and how they have developed over time, as well as whether and how these rep­resent­ations have been affected by other social representa­tions, such as those of the distinctive character of folk high school. In order to identify folk high schools participants’ social identities and social rep­resenta­tions, I have made use of empirical data collected through free associa­tions and interviews with folk high school participants and former folk high school participants. To discover the origin of the representations and how they developed over time, I conducted a document study of an important folk high school teacher magazine. The results show that throughout the history of folk high schools, the institution has remained true to two basic ideas. These two fundamental ideas explain why different social identities and different representa­tions exist among the participants. The idea of folk high school as something different and special, leads to representations of folk high school as an alternative to other forms of education and to representations of university as some­­thing unlike folk high school. The second idea – that folk high school must adapt to the surrounding community – leads to representations of folk high school as a second chance and social representations of university as a goal.

Avhandlingen syftar till att undersöka folkhögskoledeltagares sociala representationer om högskola och universitet. Enligt teorin om sociala representationer är folkhögskoledeltagarnas sociala representationer om högskola och universitet något som skapas socialt och förändras beroende på deltagarnas erfarenheter av högskola och universitet. Avhandlingen syftar också till att undersöka dessa sociala representationers ursprung och framväxt, liksom om de har påverkats av andra sociala representationer exempelvis dem om folkhögskolans särart. För att identifiera folkhögskole­deltagarnas sociala identitet och sociala representationer har jag använt mig av empiriska data insamlat genom fria associationer och intervjuer med folkhögskoledeltagare och före detta folkhögskoledeltagare. För att undersöka representationernas ursprung har jag genomfört en dokument­studie på folkhögskolelärarnas tidskrift. Resultaten visar att folkhögskolans företrädare genom hela folkhögskolans historia har förhållit sig till två huvudidéer, den om folkhögskolans särart och den om att folkhögskolan är en institution som anpassar sig efter det omkringliggande samhället och dess krav. Dessa båda idéer förklarar varför olika sociala identiteter och olika sociala representa­tioner existerar bland folkhögskoledeltagarna. Grundidén att folkhögskolan har en särart leder till representationer om folkhögskolan som ett alternativ till annan utbildning och högskola och universitet som något som inte är likt folkhögskola. Den andra grundläggande idén om folkhögskolan som en institution som ständigt anpassar sig leder till representationer om folkhögskolan som en andra chans och högskolan som mål. / The thesis aims to investigate folk high school participants’ social representations of university. According to the theory of social representa­tions, folk high school participants’ social representations of university are created socially and change depending on their experiences of university. The thesis also aims to investigate the origins of these social representations and how they have developed over time, as well as whether and how these rep­resent­ations have been affected by other social representa­tions, such as those of the distinctive character of folk high school. In order to identify folk high schools participants’ social identities and social rep­resenta­tions, I have made use of empirical data collected through free associa­tions and interviews with folk high school participants and former folk high school participants. To discover the origin of the representations and how they developed over time, I conducted a document study of an important folk high school teacher magazine. The results show that throughout the history of folk high schools, the institution has remained true to two basic ideas. These two fundamental ideas explain why different social identities and different representa­tions exist among the participants. The idea of folk high school as something different and special, leads to representations of folk high school as an alternative to other forms of education and to representations of university as some­­thing unlike folk high school. The second idea – that folk high school must adapt to the surrounding community – leads to representations of folk high school as a second chance and social representations of university as a goal.

Education is an important part of the development of, and democratic processes in, any society. This study aims to explore the experiences of studying in a program combining two types of schools in Swedish, University College and Folk High School. In the theory section of the study, the similarities and differences of the two types of schools are described, as well as the prerequisites under which they operate. The study uses the sociocultural perspective as its starting point.The program is described as a unity with three parts; local congregation, Folk High School and University College. The respondents do report differing perceptions on how unified the educational form actually is. They do, however, mostly express positive views of the program as well as a large willingness to recommend it to others, and generally describe the program as both substantial and well crafted. The analysis shows how didactics and methodology from both types of schools are being used, and how this too is being perceived differently by the respondents.The study shows that this combination of two types of schools is being perceived as a positive for both the students’ learning and coming working life, and that it facilitates an educational form with more learning tools than the type of school individually could offer. Previous research also shows that this type of combination has a positive impact on learning, as well as the importance of a good study environment and general well-being to achieve good study results. However, the study also notes the relatively small amount of previous research into the field of adult education, pointing to the need for continued research into this field, to further our understanding of how to create good learning environments. / <p>Betygsdatum 2021-06-07</p>