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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 11 to 20 of 20 (0.019 seconds)Spelling suggestions: "subject:"laura mulvey"" "subject:"laura mulveys""
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Self-Inclusion of the Queer Body in Barbara Hammer's 'Superdyke Meets Madame X' (1975)Plumley, Bailey 11 May 2021 (has links)
No description available.
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Genderová analýza vývoje ženských hrdinek v animované tvorbě Walta Disneyho / Gender analyse of female heroes developement in Walt Disney animationDaňková, Andrea January 2019 (has links)
The thesis addresses analysis of stories and narrative in relation to the subject of gender. This analysis primarily deals with fairy tale The Beauty and the Beast by Disney. The first part is about general theoretical basis for my thesis and about the most important authors in this field. Archetypes and logocentrism topics are dealt with partially as well. The foundations of the first part are however literary and motion-picture feministic theories, also the concept of the myth of beauty. In the practical part sequences of the The Beast and the Beauty are studied. Findings described in theoretical part is utilized here and the marked and subtle influence of androcentric culture on style and content of the story is shown.
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Cultural Studies und GeschlechtGeimer, Alexander 25 April 2017 (has links)
In den Anfängen der Cultural Studies in der Birmingham School spielte Geschlecht eine eher untergeordnete Rolle. Bald wurden jedoch auch feministische Positionen herangezogen, um Ungleichheiten der Alltagspraxis zu erklären, die nicht klassentheoretisch zu fassen waren. In den Arbeiten von Rubin und Mulvey beispielsweise werden Geschlecht bzw. Geschlechtsunterscheidungen und -ungleichheiten durch makrosoziale Wissensstrukturen und kollektive Praktiken reproduziert.
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Moores gaze : En komparativ analys av ikoniskt och lingvistiskt framställt våld mot kvinnliga karaktärer i tre graphic novels av Alan MooreByrén, Nils January 2017 (has links)
Seriemediet inkorporerar lingvistiska och ikoniska tecken för att uttrycka etiska, moraliska, sociala och politiska budskap, vilka kan slätas över av en underhållande och tilltalande form. Detta gör mediet lämpligt för en retorisk analys. Ett omdiskuterat ämne inom seriemediet är dess gestaltning av kvinnor, å ena sidan i form av stereotypa könsroller och underrepresentation av verkligt intressanta kvinnliga karaktärer, å andra sidan sexualiserande porträtteringar, våld och övergrepp. Denna uppsats undersöker hur våld mot kvinnor gestaltas i mötet mellan olika typer av bilder och texter i ett och samma serieförfattarskap. Undersökningen genomförs med hjälp av Roland Barthes ”Rhétorique de l’image” (1964) och teorin om the male gaze som Laura Mulvey diskuterar i artikeln ”Visual pleasure and narrative cinema” (1975). Analysen inspireras av en komparativ metod beskriven av Lennart Hellspong i Metoder för brukstextanalys (2001). Uppsatsen granskar utdrag ur Watchmen, Batman: The Killing Joke och The League of Extraordinary Gentlemen av Alan Moore, en av vår tids mest ansedda författare inom seriemediet, också känd för att porträttera våld mot kvinnliga karaktärer. Uppsatsens påvisade en ambivalens i porträtterandet av våld mot kvinnor i utdragen ur Alan Moores graphic novels, samt behovet av att problematisera såväl Alan Moores serier som Laura Mulveys the male gaze, men också möjligheten att använda hennes och Barthes teorier inom retorikdiskursens och seriemediets ramar för att granska hur samspelet mellan bild och text kan uttrycka olika typer av budskap och attityder.
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Den lesbiska blicken : En undersökning av blick och betraktarskap utifrån tre målningar av Romaine BrooksMohlin, Anna January 2012 (has links)
This paper aims to investigate the terms and conditions of a lesbian gaze and a lesbian spectatorship from a feminist and queer theoretical point of view. The empirical material consists of three paintings by the American artist Romaine Brooks (1874-1970). Brooks was based in Paris in the early 20th century where she was surrounded by a group of intellectual and usually cross-dressing lesbians. The women within this context are the ones depicted in Brooks’ paintings and this makes her one of the first artists in modernity to openly portray lesbian and cross-dressing women. Her paintings lead into new conditions for the traditional understanding of spectatorship as well as female positions, since there is no male involvement or presence within the interactive space surrounding these paintings. The survey tries to further investigate and break down already existing theories concerning spectatorship with the main focus on Laura Mulvey’s the male gaze, termed in the essay “Visual Pleasure and Narrative Cinema” (1975). The queer theoretical approach in this paper is based on Judith Butler’s performativity, which then is attached to gaze theories in order to investigate the active and passive positions found in Brooks’ paintings. The paper does also include an analysis of the male gaze in relation to modernism, avant-garde, canon and subsequently the reason behind Brooks’ absence in modernist canon.
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Omslag till böcker och DVD-filmer : en jämförande studie av visuell kommunikation i omslagen till Män som hatar kvinnor och Niceville / Covers of Books and DVD-movies : a Comparing Study of Visual Communication in the Covers of Män som hatar kvinnor and NicevilleLundgren, Helena January 2012 (has links)
This thesis is about covers of books and DVD movies. I have tried to find out if the visual communication of the covers differs between the book and movie with the same story. Do they appeal to different target groups? I have also been trying to find out what designers can do to increase the visibility of covers among others. Are there certain rules to follow for making a cover visible? To reach a conclusion I have been studying components in advertising pictures, since covers work as a kind of advertiser for the product. I have also been studying visual communication and how designers use advertising pictures to communicate with the observer. Semiotics, advertising and comparisons between the covers have been my method for analyze. I have come to the colclusion that covers of books and DVD movies do communicate in different ways and partly to different target groups. There are certain rules to follow if you want to increase the visibility of a picture among others. The results indicate that the book covers have an older target group than the DVD covers.
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The Rainbow Effect: Exploring the Implications of Queer Representation in Film and Television on Social ChangeReddy, Maya S 01 January 2014 (has links)
In this thesis, I explore how specific films and television shows use the preexisting structure and mechanics of narrative film in order to create queer characters and stories that defy their otherness and stereotypes, thus creating a profound cinematic experience. Not only does the manipulation of these structures and mechanics heighten the realism and depth of the narrative at hand, it also enhances audience identification by allowing queer viewers to find themselves and straight viewers to understand the “other.” In this manner, the New New Queer Cinema and television have had lasting effects on the modern gay rights movement, changing perceptions and attitudes of society on an extremely personal level and making way for incredible strides in public policy changes.
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Feministische FilmtheorieGradinari, Irina 27 April 2017 (has links) (PDF)
Feministische Filmtheorien erforschen Kino als kulturelle Institution und untersuchen vor allem seine geschlechtsspezifischen Repräsentationsstrategien, seine Subjektivitätskonzepte und seine geschlechterdifferenten Produktions- und Rezeptionsbedingungen. Ihre Anfänge nahmen sie während der zweiten Frauenbewegung der 1960er Jahre. Gesucht werden u. a. Gegenentwürfe zur männlichen Perspektive populärer Filme, in denen Frauen als passive Objekte fungieren.
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Feministische FilmtheorieGradinari, Irina 27 April 2017 (has links)
Feministische Filmtheorien erforschen Kino als kulturelle Institution und untersuchen vor allem seine geschlechtsspezifischen Repräsentationsstrategien, seine Subjektivitätskonzepte und seine geschlechterdifferenten Produktions- und Rezeptionsbedingungen. Ihre Anfänge nahmen sie während der zweiten Frauenbewegung der 1960er Jahre. Gesucht werden u. a. Gegenentwürfe zur männlichen Perspektive populärer Filme, in denen Frauen als passive Objekte fungieren.
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Fanning While Female: Gatekeeping, Boundary Policing, and the Harassment of Women in the Star Wars FandomGilkeson, Shanna R. 11 August 2023 (has links)
No description available.
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