- About
-
The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 1 to 5 of 5 (0.057 seconds)Spelling suggestions: "subject:"kvinnliga konstnärer"" "subject:"kvinnliga konstnären""
| 1 |
Jag ska bli målarinna! : Stina Forssells liv och konstnärskapJohansson, Hans January 2022 (has links)
Uppsatsen handlar om konstnären Stina Forssells (1906-1970) liv och konstnärskap. Då hon varit tämligen okänd ges en biografisk skildring av hennes liv, från uppväxten i Uddevalla och fortsatta liv och verksamhet i Stockholm. Fakta har främst inhämtats via intervjuer av barn och barnbarn till vänner och släktingar. Hennes konstnärskap skildras genom beskrivning och tolkning av hennes huvudsakliga motivbilder som bestod av porträtt, interiörer, stilleben och landskap. Tolkningar sker genom formalanalyser och kontextuella analyser. Vidare studeras på vad sätt Forssells personlighet och den konst- och samhälleliga kontexten påverkade hennes konstnärskap samt hur hennes konstnärskap värderats utifrån ett genusperspektiv. Utöver att vara en biografisk och konstanalytisk studie har ett av uppsatsens viktigaste syften varit att analysera vilken konststil Forssells konst kan innefattas i. Resultatet har blivit att en stor del av hennes viktigaste verk kan införlivas i konstriktningen den nya sakligheten. Ännu en frågeställning har gällt vilken position Stina Forssell har, och har haft, i svensk konsthistoria, och varför hon blivit bortglömd. Var hon ännu en av dessa kvinnliga konstnärer som borde förtjänat en mer framskjuten position? Är det på tiden att hon placeras jämsides med till exempel Arvid Fougstedt inom den nya sakligheten? / This essay is about the life and artistry of the artist Stina Forssell (1906-1970). As she has been relatively unknown, a biographical accpount of her life from growing up in Uddevalla and continued life and activities in Stockholm is given. The facts have mainly been gathered through interviews of children and grandchildren of friends and relatives. Her artistry is depicted through the description and interpretation og her main subject imageswhich consisted of prtraits, interiors, still lifes and landscapes. Interpretations take place through formal analyses and contextual analyses. Furthermore it is studied in what way Forssell´s personality, and the art and social context influenced her artistry and how her artistry was valued from a gender perspective. In addition to being a biographical and art study, one of the most important purposes of the essay has been to analyse the art style of Forssell´s art. The result has been that a large part of her most important works can be incorporated into the art direction of the new objectivity. Another important question concerns what position Stina Forssell has in Swedish art history, and why she has been forgotten. Was she yet another one of those woman artists who deserved a more prominent position? Is it about time that she should be placed alongside, for example, Arvid Fougstedt in the art style of the new objectivity?
|
| 2 |
Sigrid Blomberg och altargruppen i Oskarshamns kyrka : en kvinnas verk / Sigrid Blomberg and the altarpiece in the church of Oskarshamn : a woman’s work of artAndersson, Anna-Malin January 2020 (has links)
Sigrid Blomberg and the altarpiece in the church of Oskarshamn – a woman’s work of art, is an essay with the aim to describe, analyse and to discuss the gypsum altarpiece in the city church of Oskarshamn and its artist, the Swedish sculptor Sigrid Blomberg. The essay begins with a brief historical description of the situation for female artists in Sweden at the turn of the 20th century and a comment on the material chosen for the altarpiece – gypsum. This is followed by a short summary of the life of Sigrid Blomberg and two other examples of her work to illustrate and discuss similarities with the altarpiece in the church of Oskarshamn. This is followed by a description of the church and its interior, as well as the altarpiece’s history, creation process and problems. The essay then focuses on an analysis of the different parts, as well as the whole, of the altarpiece – characters, meanings and interpretations. The essay ends in a discussion of the findings and the author’s conclusions regarding the altarpiece and the artist’s place in the art history. Central in the essay is the apparent lack of female artists in the art canon and the reasons and effect due to this. The author uses a semiotic method and a feminist theory premiss to find the answers to questions such as: why was a female artist chosen for the assignment; how does the artwork compare to other, equivalent and contemporary artworks; how may the placing of the work have effected the perception of the altarpiece; have the perception changed over time; and finally what’s characteristic for the artist Sigrid Blombergs idiom?
|
| 3 |
När rummets väggar rämnar : Anna Berglund 1857-1946. Ett konstnärskap i brytningstid mellan tradition och modernitet. / When the walls of the room crumble : Anna Berglund 1857-1946. An artistic practice in the break between tradition and modernity.Olsson, Helena January 2022 (has links)
The overall objective of this thesis is to fill a gap in art historical research as well as in the history of women in a more general sense. The main focus is the life and work of artist Anna Berglund (1857-1946), who’s artistic practice spanned the fields of design, decorative art, calligraphy and watercolour painting. The thesis is the first attempt to conduct research into Berglund’s artistic practices. Primary sources from and about Berglund are scarce, as not much has survived the test of time in terms of personal documents such as letters, notes or diaries. Therefore, the political, social and cultural conditions of Berglund’s time and environment have complemented and contextualised the primary source material. Biographical method, archival research, and the application of sociologist Pierre Bourdieu’s field theory have formed the foundation of the thesis. In addition, the thesis is built around questions into 19th century women’s development of social networks and adaptation of strategies to navigate and establish themselves as professionals. The research show that Anna Berglund’s habitus and economic, cultural and social capital enabled her to enter and navigate the field. Furthermore, Berglund developed and adapted professional strategies to navigate the field and to build a network that enabled her to push her career forward. The nature of pattern drawing as a new and quickly expanding professional field in the late 1800s contributed and enabled Anna Berglund, as well as others, to enter, navigate and establish themselves on the field and as entrepreneurs.
|
| 4 |
Lotte Lasersteins feminina blick på den moderna kvinnan : En studie av fyra kvinnogestaltningar / Lotte Laserstein's Feminine Gaze on the Modern Woman : A Study of Four Female DepictionsUnneberg, Alicia January 2024 (has links)
No description available.
|
| 5 |
Den qvinnliga konstnären: : representationer i tidskriften Palettskrap 1877 –1904 / The woman artist: : representations in the journal Palettskrap 1877 – 1904IÖsterberg, Susanna January 2016 (has links)
Jag har ägnat denna uppsats åt att undersöka Kungliga Konstakademiens elevtidning Palettskrap från och med att det grundades 1877 till och med 1904.Tidningen består av anteckningar, protokoll och en mängd med bilder såsom porträtt, illustrationer och skämtteckningar. Mitt syfte har varit att se hur konflikten kring kvinnorollen generellt och kvinnliga konstnärsrollen specifikt kommer till uttryck under det sena 1800-talet i en intern elevtidning som Palettskrap. Jag har huvudsakligen utfört bildanalyser men även lyft fram text ur Palettskrap som har varit relevant för mitt ämne. Jag har analyserat bildernas uttryck och bildbudskap utifrån Roland Barthes semiotiska metod. För en genusmedveten och kritisk blick på det konsthistoriska sammanhanget, har jag har tillämpat ett feministiskt perspektiv som varit verktyg för att dekonstruera den maskulina myten om modernismen och konstnären. Min undersökning visar att det finns två etablerade stereotyper/kategorier av den kvinnliga konstnären: den ”okvinnliga” konstnären och ”amatören”. Dessa två stereotyper återspeglar den borgerliga synen på kvinnlighet/femininitet som oförenlig med konstnärsrollen. / I have dedicated this essay in researching the journal Palettskrap founded by students at the Royal Swedish Academy of Arts in 1877. Palettskrap consists of notes, protocols and a variety of images such as portraits, illustrations and satirical cartoons. My purpose has specifically been to see how the conflict of the woman artist is articulated during the late 1800's in a student journal such as Palettskrap, and also more generally, how the woman's role in society is articulated. I have primarily analyzed images but I have also exposed text from Palettskrap which has been relevant to my subject matter. By using Roland Barthes' semiotics, I have analyzed the images' expression and message. For a gender-sensitive and critical eye on the art historical context, I have applied feminist theory which has been useful in deconstructing the masculine myth on modernism and ”the artist”. My research shows that there are two established stereotypes/categories of the woman artist: the ”unwomanly” artist and the ”amateur”. These two stereotypes reflect the bourgeois notions of womanhood/femininity as incompatible with the role of the artist.
|
Page generated in 0.0909 seconds