Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2017-10-19T12:02:40Z No. of bitstreams: 1 Rodrigo Florciz.pdf: 948429 bytes, checksum: 4b8794e77524bfebd4ed5c9bd254c3f9 (MD5) / Made available in DSpace on 2017-10-19T12:02:40Z (GMT). No. of bitstreams: 1 Rodrigo Florciz.pdf: 948429 bytes, checksum: 4b8794e77524bfebd4ed5c9bd254c3f9 (MD5) Previous issue date: 2017-09-26 / Fundação São Paulo - FUNDASP / This dissertation is part of the research on History and Description of the Portuguese Language of the Postgraduate Studies Program in Portuguese Language of the Pontifical Catholic University of São Paulo (PUC-SP), which is divided into three chapters and analyzes the work Paulicéia Desvairada by Mário Raul de Morais Andrade, Mário de Andrade, one of the most important writers of Brazilian Modernism. We note that Mario incorporates the artistic, philosophical and aesthetic tendencies of his time in his works and that Paulicéia Desvairada has the contradictions of Modernism, particularly with regard to the pronominal placement, but it is still an innovative work on the Brazilian scene. The methodological procedure is the theoretical-descriptive-analytical and in the theoretical apparatus, we use Fausto (2003), (2006), Brito (1959) and Pinto (1978), (1981) and (1988) as a way of understanding the historical, literary and linguistic moment. The relevance of the research is justified, since there are few linguistic studies about Mário de Andrade. The results attest that Paulicéia Desvairada is a central work of Brazilian modernism / Esta dissertação insere-se na linha de pesquisa História e Descrição da Língua Portuguesa, do Programa de Estudos Pós-Graduados em Língua Portuguesa da Pontifícia Universidade Católica de São Paulo (PUC-SP), que, dividida em três capítulos, analisa a obra Paulicéia Desvairada de Mário Raul de Morais Andrade, Mário de Andrade, um dos mais importantes escritores do Modernismo brasileiro. Observamos que Mário incorpora as tendências artísticas, filosóficas e estéticas de sua época em suas obras e que Paulicéia Desvairada tem as contradições próprias do Modernismo, em particular com relação à colocação pronominal, mas não deixa de ser uma obra inovadora no cenário brasileiro. O procedimento metodológico é o teórico-descritivo-analítico e no aparato teórico, utilizamos Fausto (2003), (2006), Brito (1959) e Pinto (1978), (1981) e (1988), como uma forma de compreender o momento histórico, literário e linguístico. A relevância da pesquisa é justificada uma vez que existem poucos estudos linguísticos sobre Mário de Andrade. Os resultados atestam que Paulicéia Desvairada é uma obra central do Modernismo brasileiro

The purpose of this essay is to analyze the portrayal of gender and sexuality within fashion photography through a representational study of men and women in select Gucci fashion campaigns, Fall/Winter 1996 and Spring/Summer 2003. In doing so we also find specifics as to how artistic expression can manifest itself in the form of sexist advertising, this being through the sexualisation of fashion photography. The study commences with an introduction, explanation of its purpose, and a descriptive background of the Gucci fashion house and it’s then creative director Tom Ford, the material used and the public criticism it has received as sexist portrayal of women. The frame of the study takes form  through the theoretical approaches of gender theory and postfeminism focusing on the structural order of gender, gender roles and the use of feminine pleasure within advertising. Moreover we base our study on the concept of previous research on male pleasure alongside its female counterpart as well as the male concept of power. The analysis is performed through the methodical approach of Roland Barthes semiotic analysis including the use of denotation, connotation and myth as well as a multimodal analysis with a chosen set of semiotic resources; these are primarily focused on terms such as gaze, actions, positioning and camera angles. The material in question is divided into three pictures from each fashion house, totaling a set of six pictures each analyzed individually and ultimately discussed as a whole. Our findings result in a significantly more diverse interpretation than the single result expressed by public, governmental and editorial outcry; implying that the campaigns analysed can, through the use of semiotic and multimodal analysis carry significantly different meaning depending on what pictures are being analyzed as well how it is analyzed and interpreted. As such our results imply significantly less sexist and more conceptually diverse campaigns than what they, and Gucci under Tom Ford, have been known for. Moreover we found that the portrayal of fashion photography can be used as a tool for masking sexual violations through the pretext of artistic expression.

Thesis (M.A. (Afrikaans and Dutch))--North-West University, Potchefstroom Campus, 2007.

This study explores the possibilities of rewriting the text of a complex novel as a film script. Film is an important contemporary artform but the actuality of the thematic content of contemporary Afrikaans novels is not well represented in current films. In this study an adaptation of the novel, The long silence of Mario Salviati by Etienne van Heerden (2000) ,t o a script is made in an attempt to provide the Afrikaans scriptwriter with a workable method. The theme which features prominently in the adaptation is the experience of identity in the post-colonial and/or post-apartheid era in South Africa. Theoretical reflection on the problem of adaptation is essential before the chosen novel can be turned into a script, since the scriptwriter has to make certain adjustments during the process of adaptation. The adaptation of a novel to a script implies the translation of a written, descriptive text into a visual text. When a complex novel such as The long silence of Mario Salviati is rewritten as a script, a detailed analysis of the novel must be undertaken in order to identify the relevant ideological content, the important themes and underlying meanings which should be retained in the film script. In order to find appropriate visual images for the thematic content of the novel, contributions of semiotics to film studies are studied and implemented in the process of visualisation. The chosen theme for the script of The long silence of Mario Salviati is "Identity, hybridity and liminality in the Tallejare community". This theme features prominently in many narratives about post-colonial and post-apartheid issues; therefore theoretical reflections on the concepts of liminality and hibridity are included in the study. There are two main sections in the dissertation. In the first section aspects of scriptwriting are analysed and discussed in order to develop a workable method for scriptwriters. The study entertains the hope that more contemporary Afrikaans novels will be adapted for the big screen or television by the film industry. This is necessary to ensure that the experience of South African identity is represented adequately in the Afrikaans film industry. The second section of the dissertation contains the film script, which is an adaptation of the novel The long silence of Mario Salviati by Etienne van Heerden. The script forms an integral part of the study as well as of the dissertation. / Thesis (M.A. (Afrikaans and Dutch))--North-West University, Potchefstroom Campus, 2007.

This study explores the possibilities of rewriting the text of a complex novel as a film script. Film is an important contemporary artform but the actuality of the thematic content of contemporary Afrikaans novels is not well represented in current films. In this study an adaptation of the novel, The long silence of Mario Salviati by Etienne van Heerden (2000) ,t o a script is made in an attempt to provide the Afrikaans scriptwriter with a workable method. The theme which features prominently in the adaptation is the experience of identity in the post-colonial and/or post-apartheid era in South Africa. Theoretical reflection on the problem of adaptation is essential before the chosen novel can be turned into a script, since the scriptwriter has to make certain adjustments during the process of adaptation. The adaptation of a novel to a script implies the translation of a written, descriptive text into a visual text. When a complex novel such as The long silence of Mario Salviati is rewritten as a script, a detailed analysis of the novel must be undertaken in order to identify the relevant ideological content, the important themes and underlying meanings which should be retained in the film script. In order to find appropriate visual images for the thematic content of the novel, contributions of semiotics to film studies are studied and implemented in the process of visualisation. The chosen theme for the script of The long silence of Mario Salviati is "Identity, hybridity and liminality in the Tallejare community". This theme features prominently in many narratives about post-colonial and post-apartheid issues; therefore theoretical reflections on the concepts of liminality and hibridity are included in the study. There are two main sections in the dissertation. In the first section aspects of scriptwriting are analysed and discussed in order to develop a workable method for scriptwriters. The study entertains the hope that more contemporary Afrikaans novels will be adapted for the big screen or television by the film industry. This is necessary to ensure that the experience of South African identity is represented adequately in the Afrikaans film industry. The second section of the dissertation contains the film script, which is an adaptation of the novel The long silence of Mario Salviati by Etienne van Heerden. The script forms an integral part of the study as well as of the dissertation. / Thesis (M.A. (Afrikaans and Dutch))--North-West University, Potchefstroom Campus, 2007.

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-11-21T08:58:32Z No. of bitstreams: 1 Célia Maria Ribeiro.pdf: 1742445 bytes, checksum: a8dea33a0619c23b8118adceaf216235 (MD5) / Made available in DSpace on 2018-11-21T08:58:32Z (GMT). No. of bitstreams: 1 Célia Maria Ribeiro.pdf: 1742445 bytes, checksum: a8dea33a0619c23b8118adceaf216235 (MD5) Previous issue date: 2018-09-28 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This work introduces Pope Francis ministry in a different light, an approach which has not been usually adopted, so far: Ignatian spirituality. From the start, it narrates Jorge Mario Bergoglio’s spiritual and intellectual backgrounds, which were firstly incorporated from his own family and further developed when he joined in the Society of Jesus. His trajectory as a clergyman highlights his struggles with his fellow brothers in his religious congregation, where he experienced both setbacks and advancements, especially, when we consider the Latin America historical context at the time, during which Argentina, where he was born and raised, was under a military dictatorship. Nevertheless, in spite of all the political tensions, his decisions always go in the direction of pastoral work and spiritual discernment. Following that, this work highlights the Second Vatican Council major influence over the Church new policies in our contemporary cultural scenario, a context full of challenges which were long felt in the successive Church crisis. This was an important aspect for Pope Benedict XVI resignation, which is also assessed in this work, a resignation that was followed by the conclave ending up in the election of the first Jesuit Pope. The circumstances for his choice and the facts triggered by the new Bishop of Rome, beginning with his decision to be called “Francis” and advancing to the traits of his Petrine ministry, are taken into account, especially in the light of Ignatian spirituality, when references to time, places and people are underlined. Nevertheless, it is a work that introduces Pope Francis inner language in the context of his outspoken life / Este trabalho apresenta o ministério do Papa Francisco sob um enfoque com poucos precedentes, até então: a espiritualidade inaciana. De início, narra a formação espiritual e intelectual de Jorge Mario Bergoglio, obtida a partir de sua própria família e desenvolvimento na Companhia de Jesus. Em sua trajetória, destacam-se as nuances e os reveses da convivência na congregação religiosa, sobretudo, no contexto latino-americano, em decorrência da ditadura militar na Argentina, país de sua origem e crescimento pessoal e eclesial; assim como as tensões para a tomada de decisão, porém sempre baseada no discernimento espiritual e pastoral. A seguir, sinaliza para a influência do Concílio Ecumênico Vaticano II na reorientação da Igreja e na relação com a cultura contemporânea, repleta de desafios, os quais foram sentidos na longa crise da instituição milenar. Este, um aspecto considerado relevante na renúncia do Papa Bento XVI, também abordado na pesquisa, seguido do conclave que culminou na eleição do primeiro Papa jesuíta. As circunstâncias de sua escolha e os fatos desencadeados pelo novo Bispo de Roma, desde a opção por chamar-se “Francisco” às características próprias do seu ministério petrino, são levados em consideração, especialmente à luz da espiritualidade inaciana, quando se assinalam as referências aos tempos, lugares e pessoas. Contudo, trata-se de um trabalho que analisa a linguagem interior do Papa Francisco baseada na exterioridade de sua vida

Cyber attacks by domestic and foreign threat actors are increasing in frequency and sophistication. Cyber adversaries exploit a cybersecurity skill/knowledge gap and an open society, undermining the information security/privacy of citizens and businesses and eroding trust in governments, thus threatening social and political stability. The use of open digital hacking technologies in ethical hacking in higher education and within broader society raises ethical, technical, social, and political challenges for liberal democracies. Programs teaching ethical hacking in higher education are steadily growing but there is a concern that teaching students hacking skills increases crime risk to society by drawing students toward criminal acts. A cybersecurity skill gap undermines the security/viability of business and government institutions. The thesis presents an examination of opportunities and risks involved in using AI powered intelligence gathering/surveillance technologies in ethical hacking teaching practices in Canada. Taking a qualitative exploratory case study approach, technoethical inquiry theory (Bunge-Luppicini) and Weick’s sensemaking model were applied as a sociotechnical theory (STEI-KW) to explore ethical hacking teaching practices in two Canadian universities. In-depth interviews with ethical hacking university experts, industry practitioners, and policy experts, and a document review were conducted. Findings pointed to a skill/knowledge gap in ethical hacking literature regarding the meanings, ethics, values, skills/knowledge, roles and responsibilities, and practices of ethical hacking and ethical hackers which underlies an identity and legitimacy crisis for professional ethical hacking practitioners; and a Teaching vs Practice cybersecurity skill gap in ethical hacking curricula. Two main S&T innovation risk mitigation initiatives were explored: An OSINT Analyst cybersecurity role and associated body of knowledge foundation framework as an interdisciplinary research area, and a networked centre of excellence of ethical hacking communities of practice as a knowledge management and governance/policy innovation approach focusing on the systematization and standardization of an ethical hacking body of knowledge.

El teatro musical es un género que ha ido creciendo en Lima durante las últimas décadas, es por ello que consideramos importante realizar una investigación al respecto. Al realizar un análisis rápido de algunas obras de teatro musical con componentes de creación limeña, tales como: texto original, música original, música, aunque no original, peruana; nos damos cuenta la influencia notable que han tenido en ella las producciones de Broadway. Hemos decidido, de todas ellas, tomar el caso de Pantaleón y las visitadoras, que se estrenó cuando estábamos buscando un ejemplo que corrobora nuestra tesis. Esto nos lleva a hacernos la pregunta: ¿Cómo se reproduce la estructura dramática de una obra de teatro musical propia de Broadway en una obra original peruana de dicho género? Para poder responderla, analizaremos la estructura dramática de algunas obras representativas de la industria de teatro musical de Broadway como: Hairspray, En el barrio y La tiendita del Horror, para luego compararlas con la manera en que esta fue llevada a cabo en Pantaleón y las visitadoras (2019). Cabe resaltar que al ser la música un componente esencial del género frente a la dramaturgia convencional, analizaremos también si las canciones cumplen aquí en el teatro de la capital, el mismo rol que el que cumplen en las piezas del género de Broadway.

In this dissertation, I investigate connections between French philosophy and the theory of architecture from the mid-1960s to the early 1990s. In the mid-1960s, many architects became acutely aware of the crisis of modern architecture embodied in the failings of social housing, the routinized corporate modernism of the postwar period, and the commodification of design. They questioned the principles of the Modern Movement and emphasized the “arbitrary” nature of the relationship between form and function while turning to French structuralism, semiology, and post-structuralism for potential answers. My period of study spans from the the period of political uprisings of the 1960s to the advent of digital design in the early 1990s.To date, little in-depth research has been done on the close relation between French philosophy and architecture in this period and its role in foreshadowing postmodern developments. My dissertation addresses this gap by presenting case studies of the theoretical work of six different architects: Aldo Rossi, Alan Colquhoun, Mario Gandelsonas and Diana Agrest, Bernard Tschumi, and Peter Eisenman. These case studies share a common thread: a preoccupation with structuralist and poststructuralist concerns with language. However, concepts such as “structure,” “event,” and “meaning” often have different meanings for each of these architects. Thus, my project could be described as a history and criticism of architectural theory—one that focuses specifically on the dissonances and contradictions present within the theoretical writings of these architects, while examining the polemics and discussions between them. I consider their built work only to the extent that it helps to elucidate or challenge theoretical concepts. Thus, in my case study on Aldo Rossi’s writings, I interrogate the analogy between the structuralist concern for articulating discrete and finite linguistic units and the latter’s notion of “type” and urban morphology. In the chapter on Alan Colquhoun, I discuss the influence that the work of Roland Barthes, Claude Lévi-Strauss, and Ferdinand de Saussure had on his reflections about “meaning” and “convention” in architecture. In the case study on the work of Diana Agrest and Mario Gandelsonas, I examine the extent to which their understanding of “theory” and of “ideology” is indebted to the work of Louis Althusser and trace the influence of Roland Barthes, whose seminar on S/Z they attended in Paris before moving to New York in 1971. Likewise, I analyze the role that thinkers such as Henri Lefebvre, Roland Barthes, and the Tel Quel circle in the late 1970s, and Jacques Derrida in the early 1980s had on Bernard Tschumi’s writings on the “polysemy of meaning” and on the “event.” Finally, I examine Peter Eisenman’s collaboration with Jacques Derrida in the 1980s questioning Eisenman’s eclectic appropriation of Derrida’s philosophical concepts. Besides elucidating this significant period of architecture in which many of the fundamental principles of modern architecture were overturned, in the conclusion of this study, I discuss briefly the “post-critical turn” in the architectural scholarship of the past two decades with the hope of challenging its basic assumptions. My hope is to contribute, through its critical reevaluation, to theory’s renewal.

Desde la aparición de las primeras formas literarias hasta la actualidad se ha recurrido en utilizar ciertos tópicos que fascinan tanto a los narradores como a los receptores. No obstante, cada nueva generación de escritores se encarga no solo de reproducir, sino también de deconstruir los tópicos del pasado de acuerdo a su contexto histórico y social. En el presente texto se analiza comparativamente dos novelas peruanas contemporáneas: Travesuras de la niña mala, de Mario Vargas Llosa, y La hora azul, de Alonso Cueto. El objetivo es demostrar cómo, a pesar de que en los estudios de género y subalternidades cada vez tienen más presencia en la teoría literaria, estas dos novelas de reconocidos autores peruanos mantienen personajes cargados de estereotipos. Específicamente, comparo cómo los personajes femeninos principales, que son el interés amoroso de los protagonistas de las novelas, tienen una carga negativa relacionada con las figuras de “mujer mala”, “femme fatale” y “maroca”. En torno a la figura de “mujer mala”, desde el punto de vista del protagonista, se enlazarán distintos estereotipos que marcan jerarquías étnico-raciales, socioeconómicas, intelectuales y morales. Estas jerarquías diferencian a la niña mala, de Vargas Llosa, y Miriam, de Cueto, de sus protagonistas masculinos. De este modo, se las construye como “otras”, y mediante el análisis de recursos estilísticos como la narración en primera persona, el melodrama y el final fatal, se demostrará cómo a pesar del intento de escapar de los roles tradicionales, los personajes femeninos de Travesuras de la niña mala y La hora azul recaen en estereotipos negativos que, si bien las convierten en musas de los protagonistas, también amenazan con llevarlos a la ruina.