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11	大家都不看新聞了?手機新聞接收的日常節奏實踐 / How to “read” the news? Rhythmanalysis on mobile news 蕭奕雯, Hsiao, Yi Wen Unknown Date (has links) 本研究以日常生活為研究範疇，探討使用者的手機新聞接收實踐如何鑲嵌於日常節奏中，並重新釐清該如何理解如此經驗下的新聞。故以液態現代性為基本認識架構，重新詮釋新聞如何液化；接著，再從液態的時間經驗轉向節奏，並從列斐伏爾物的節奏分析中發現「人－技術－日常節奏」的交互關係；最後以關聯性機緣了解節奏的生成，開展本文的分析架構：日常生活脈絡、主動揭露的技術、以及與整體媒介世界的關聯，進一步理解使用者殊異的手機新聞接收實踐。因此，為了更深入瞭解使用者的個人經驗，以及如何詮釋意義，本研究採取深度訪談法。從中發現，當手機新聞進入使用者的日常生活，為了與原有日常節奏協調，使用者會形成一套調配時間與空間的邏輯，或建立特定接收規則，進而形構如「拿起來看一下」的接收節奏、和「都看討論比較熱烈」的篩選機制；這過程中，手機和接收平台的技術節奏、既有的功能條件、以及技術的社會意涵皆會影響使用者的手機新聞接收實踐；最後我們亦發現，如此接收實踐背後更隱含與整體媒介世界的關聯，且媒介世界的基礎結構亦會作為背景、認識架構滿實使用者自身的新聞接收經驗。是以，我們不能只討論新聞本身，而需擴大到使新聞顯現的背景脈絡與整體環節，進而提出「新聞體驗」的想法，認為如此體驗是相應關聯下、具明確指向性的個人體驗，且是於世之中，由不斷連續的、當下的直接知覺形構而成，期盼能以新聞體驗的概念重新釐清新聞之於個別使用者的核心價值，這才是新聞不被淘汰的關鍵。 / This study aims at exploring how users’ daily reception of mobile news embedded in their everyday life. In order to clarify the essence of news, the study applies the concept of Liquid Modernity as the research framework, adopting Lefebvre’s rhythmanalysis to reframe the interrelationships of “human- technics- daily rhythm”. In response to this question, this study develops three analysis units: contexts of everyday life, self-revealed technics, and the interrelation to the whole media world. In-depth interview is conducted to deeply understand user experience. It is found that, when mobile news enters users’ life, users adjust their thinking patterns of zoning time and space, and restructure the rules of reception for integrating original daily pace. The technical rhythms of the mobiles and the reception platforms, the technical properties, and social affordances of the technics, all are the factors to affect users’ mobile news reception. This study also found that the practices implying the interrelation with the whole media world, and the whole media world would be the background to fulfill user experience of news reception. In conclusion, this study suggests that, ‘News’ is an activity of experience. This personal experience is instituted by continuing direct-perception at a given time. Individual users have been changed from passive acceptance to active experience and restructure the value of news. The concept of ‘news experience’ helps us think the meaning of news for each user; clarify how to ‘experience’ news rather than “reading” news. 手機新聞列斐伏爾節奏分析關聯性機緣液態現代性媒介世界新聞體驗 Mobile news Henri lefebvre Rhythmanalysis Relational affordances Liquid modernity Media world News experience
12	Énergie et mélancolie : les entrelacs de l'écriture dans les Notebooks de S.T. Coleridge Volume 1, 2 et 3 Page-Jones, Kimberley 13 September 2013 (has links) Durant toute sa vie, Samuel Taylor Coleridge, poète et philosophe romantique anglais, a consigné ses pensées et ses réflexions sous forme de fragments dans des Notebooks, aujourd’hui regroupés dans cinq volumes. Derrière cette écriture mosaïque se dessine l’histoire d’un esprit nourri d’une insatiable curiosité pour le monde naturel et la psyché humaine. Libre de toute contrainte de structure et de genre, l’espace des Notebooks est peut-être celui qui s’ajuste le mieux au rythme si particulier de la pensée du poète. Ces textes se donnent ainsi à lire comme le reflet d’une pensée en constante évolution, qui sans cesse digresse, explore des possibles, ouvre des voies inexplorées. Cette thèse se propose donc de tenter d’en saisir les variations par une approche rythmanalytique du corpus d’étude. L’écriture des premiers carnets est essentiellement nomade, elle témoigne d’un plaisir de pérégriner, de s’ouvrir à la texture du monde. Elle se nourrit de l’énergie d’un corps en mouvement et d’une volonté d’habiter poétiquement l’espace. Toutefois, au fil du temps, le regard du poète semble peu à peu substituer le diffus et le nocturne à l’espace géopoétique ; l’écriture des Carnets se replie sur l’intime de l’être et se teinte de mélancolie. L’écriture de la mélancolie ne serait-elle pas dès lors l’envers sombre de l’écriture nomade, une écriture qui se nourrit de l’énergie du désir et de l’angoisse, et qui ne cesse de s’enrouler sur elle-même pour tendre vers ce point obscur ? Néanmoins, la mélancolie des Carnets n’est jamais synonyme d’effondrement ou de néant, elle n’appelle pas le vide mais, bien au contraire, trouve sa source d’inspiration dans une formidable vitalité pour faire advenir au jour de la parole ce qui ne se donne à voir que dans l’obscurité de la nuit. / During all his life, the English poet and romantic philosopher Samuel Taylor Coleridge secretly kept his thoughts and reflections in his Notebooks, which have been published in five volumes. This mosaic writing tells the story of a mind fed on an insatiable appetite and curiosity for the natural world and the human mind. Freed from any structural or generic constraint, the Notebooks certainly offered the poet a scriptural space well-suited for the rhythm of his thought. These texts can thus be read as the reflection of a mind constantly evolving, digressing, exploring new areas and opening new vistas. This work is an attempt to seize the variations of the Coleridgian thought by approaching rhythmically the first three volumes of the Notebooks. The writing of his first notebooks is essentially nomadic and asserts the pleasure of wandering through the natural world and delving into its texture. It feeds upon the energy of a body exploring space and of a mind struggling to inhabit the world poetically. Yet, as time passes, the poet’s gaze seems to linger more on the nocturnal sky than on the natural space. The writing of the Notebooks is then no longer the poetic substrate of the early days; it turns inward, loaded with melancholy. The writing of melancholy could therefore be seen as the darker side of the nomadic writing, one that feeds upon the energy of desire and anxiety, that takes a circumvoluted path towards this “dark spot”. Nevertheless, melancholy does not mean the annihilation of the self nor does it call for hollowness. Its source of inspiration resides in the vital force of creation which strives to bring to the light of speech that which can only be glimpsed at in the darkness of the night. Écriture de soi Journal intime Carnet Romantisme Entrelacs Errance Recueil Relation Rhyzome Polype Lieu Espace Géopoétique Marche Nomadisme Rythme Polyrythmie Rythmanalyse Imagination Énergie Désir Descriptif Spirale Image Mélancolie Acédie Vortex Fancy Nocturne Writing of the self Diary Notebook Romanticism Interlacing Wandering Collection Relation Rhizome Polypus Place Space Geopoetic Walk Nomadism Rhythm Polyrhythm Rhythmanalysis Imagination Energy Desire Descriptive Eddy Image Melancholy Acedia Vortex Fancy Nocturnal
13	La rythmanalyse chez Henri Lefebvre (1901-1991) : contribution à une poétique urbaine / Henri Lefebvre's Rhythmanalysis as a form of Urban Poetics Revol, Claire 05 October 2015 (has links) Cette thèse propose d'explorer les textes que Henri Lefebvre (1901-1991) a consacré à un projet de connaissance des rythmes, une « rythmanalyse », terme qu'il emprunte à Gaston Bachelard, pour contribuer à ce que nous appelons une poétique urbaine. Henri Lefebvre a laissé une œuvre fondatrice dans les études urbaines contemporaines en théorisant l'avènement de la société urbaine moderne et en produisant une théorie critique de l'urbanisme et des espaces et des temps sociaux qui en résultent. Nous montrons que la théorie critique est solidaire d'une poétique issue du romantisme révolutionnaire de l'auteur, qu'il développe au contact de pratiques artistiques, notamment celles de l'Internationale Situationniste. À l'encontre de ce qu'il analyse comme le processus d'abstraction de l'espace et du temps urbain, la rythmanalyse fait partie de la quête d'un espace-temps approprié à même de métamorphoser la société urbaine et de restituer le corps total, afin que l'urbain devienne l’œuvre de l'homme. Lefebvre ne propose pas seulement une méthodologie qualitative d'observation des rythmes, mais une expérimentation rythmanalytique, dont nous pouvons imaginer la pratique sous la forme de l'utopie expérimentale. La rythmanalyse fournit ainsi les idées directrices d'une poétique appliquée, à même de créer des formes, des textures et des styles pour l'habiter urbain. Cette poétique urbaine, à la fois création et connaissance, procède par des pratiques expérimentales et restitue le jeu rythmique qui enrichit l'expérience esthétique de l'espace et du temps urbain. / This thesis proposes to explore the texts that Henri Lefebvre (1901-1991) devoted to his project of understanding rhythms, his « rhythmanalysis », a term borrowed from Gaston Bachelard, to contribute to what we call an urban poetics. Henri Lefebvre has produced fundamental work in contemporary urban studies in both his theorization of the advent of modern urban society, and his elaboration of a critical theory of urban planning with its resultant social spaces and temporalities. We show that this critical theory unfolds in line with his construction of a poetics, which is inspired by the revolutionary romanticism that the author developed through his contact with artistic practices, especially those of the Situationnist International. Against his analysis of abstraction as an inherent process of urban space and time, his rhythmanalysis contributes to the creation of an appropriate space-time, with its ability to transform urban society and reconfigure the Total body so that what is urban can be instead considered a work of art. Lefebvre provides not only a qualitative methodology for the observation of rhythms, but also the outline of a rhythmanalytic experimentation, which can be associated with the practices of an experimental utopia. Rhythmanalysis offers guidelines for an applied poetics; it goes as far as creating forms, textures and styles for urban living. This urban poetics, simultaneously a creative act and one steeped in knowledge, proceeds through experimentation and restores the rhythmic game that enriches our aesthetic experience of urban space and time. Rythmanalyse Henri Lefebvre (1901-1991) Poétique urbaine Espace-Temps urbain Philosophie de l'habiter Expérimentation Architecture (philosophie) Urbanisme (philosophie) Romantisme révolutionnaire Utopie Esthétique urbaine Rhythmanalysis Henri Lefebvre (1901-1991) Urban poetics Urban space-Time Inhabiting (philosophy) Experimentation Architecture (philosophy) Town-Planning (philosophy) Revolutionnary romanticism Utopia Urban aesthetics 190
14	A reinterpretation of urban space in Pretoria Van der Klashorst, Elsa 2013 February 1900 (has links) Various potential modes of interpreting the urban space in the inner city of Pretoria is evaluated in this study with the purpose of expanding discourse around spatial production in the city. Production of meaning through formal and structural means produced a city that served as administrative capital and ideological base for Afrikaners until the arrival of a democracy in 1994. The contemporary urban space is produced by people through everyday life, as theorised by Henry Lefebvre, rather than through formal means such as name changes. This study evaluates the way that identity and belonging is created by referring to everyday life practices, rhythmanalysis and daily activities as performances. Urban space is evaluated from a phenomenological perspective through the eyes of an artist and resident and expressed in an art exhibition. The way artists Julie Mehretu and Franz Ackermann dealt with urban space in their art is also referenced. / Art History, Visual Arts & Musicology / Master of Visual Arts African city Afrikaner Art and city De Certeau Deleuze & Guattari Everyday life Lefebvre Performance Performativity Post-Apartheid city Post-colonial Pretoria Rhythmanalysis Social space Tshwane Urban geography Urban space 704.94468227 Public spaces in art Architecture -- South Africa -- Pretoria Cities and towns in art Pretoria (South Africa) -- In art Art, South African Pretoria (South Africa) -- In art
15	Rytmen bor i mina steg : En rytmanalytisk studie om kropp, stad och kunskap / The rhythm lives in my steps : A rhythm-analytical study of body, city and knowledge Johansson, Sara January 2013 (has links) This thesis brings together a fascination with the city and a keen interest in the knowledge process. The point of departure is the bodily, sensory and emotional experience. That the author uses her own perceptions and experiences and is preoccupied with her own knowledge process means that she writes herself into an autoethnographic context. She also experiments with the writing and allows it to take on a more literary form as she writes about her own sensory impressions and feelings. The term rhythmanalysis is employed as a way of assessing, exploring, interpreting and understanding the world that embraces the embodied experience. Human beings are embodied beings, a claim we can make by referring to our own experiences as well as how we perceive, communicate and interact. The study delves into two aspects of rhythmanalysis, first as a way of describing the knowledge process as rhythm-analytical, which implies that bodily experiences are equally important as intellectual ones, and secondly as a way of talking about the city as polyrhythmic. It follows upon the latter that embodied rhythmanalysis of the city is possible. The rhythmanalysis may ultimately be seen as a project aimed at overthrowing the Cartesian dualism between body and mind. That we are embodied has a methodological consequence that is as simple as it is essential: the scholar exists in the world she studies. The researcher is not a neutral observer. She is a co-creator. She is a body, placed in time, space and history. She is situated, which means that her knowledge is also situated. Thus, the rhythmanalysis encompasses the body, the senses and feelings, and can be described with one key word: movement. It finds support in theories that acknowledge the fluid, the becoming, the situated, the performative, the relational, the dynamic, the material. It seeks methods that experiment, that focus on practices rather than discourses, that are preoccupied with a movable world rather than a static one. rhythmanalysis rhythm methodology method knowledge process movement city walking body mind embodiment Cartesian dualism affect emotion feeling senses touch sensory ethnography non-representational theory phenomenology new materialism/material feminism situated knowledge autoethnography memory rytmanalys rytm metodologi metod kunskap rörelse stad promenad kropp medvetande förkroppsligande cartesiansk dualism affekt emotion känsla sinnen känsel sinnlig/sensorisk etnografi icke-representationell teori fenomenologi ny materialism/materiell feminism situerad kunskap autoetnografi minne
16	A reinterpretation of urban space in Pretoria Van der Klashorst, Elsa 02 1900 (has links) Various potential modes of interpreting the urban space in the inner city of Pretoria is evaluated in this study with the purpose of expanding discourse around spatial production in the city. Production of meaning through formal and structural means produced a city that served as administrative capital and ideological base for Afrikaners until the arrival of a democracy in 1994. The contemporary urban space is produced by people through everyday life, as theorised by Henry Lefebvre, rather than through formal means such as name changes. This study evaluates the way that identity and belonging is created by referring to everyday life practices, rhythmanalysis and daily activities as performances. Urban space is evaluated from a phenomenological perspective through the eyes of an artist and resident and expressed in an art exhibition. The way artists Julie Mehretu and Franz Ackermann dealt with urban space in their art is also referenced. / Art History, Visual Arts and Musicology / M.A. (Visual Arts) African city Afrikaner Art and city De Certeau Deleuze & Guattari Everyday life Lefebvre Performance Performativity Post-Apartheid city Post-colonial Pretoria Rhythmanalysis Social space Tshwane Urban geography Urban space 704.94468227 Public spaces in art Architecture -- South Africa -- Pretoria Cities and towns in art Pretoria (South Africa) -- In art Art, South African

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