Akademisk avhandling--Stockholm. / Extra t.p. with thesis statement, inserted. "Literaturförteckning": p. 336-354.

Uppsatsen syftar till att undersöka hur hållbarhetsperspektivet kan inkluderas i svenskämnet, då många ungdomar känner en oro för klimatförändringar och för att hållbarhet är en del av de globala målen och skolans värdegrund. För att kunna undersöka detta har en ekokritisk och didaktisk närläsning genomförts av Mats Strandbergs roman Slutet. Romanen låter läsare följa Simon och Lucinda, två ungdomar som lever i en värld som är på väg att gå under.  Resultaten visar att boken främst har fokus på människan. Människan och hens ansvar gentemot naturen är viktigt, men även människans känslor kring det hemska som ska hända i världen de lever i. Naturen befinner sig i periferin av människan. Närläsningen visar att boken har potential att vara underlag för diskussioner i klassrummet kring existentiella frågor och oroskänslor som ungdomar kan ha inför framtiden.

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Freedom of religion or belief is indisputable in Human rights discourse, more discussed is exactly what it is that is included in the concept of freedom of religion or belief (in Swedish: religionsfrihet). This thesis focuses on the freedom of religion or belief in a European context, in particular on the European court of human rights and article 9 in the European convention for human rights. Some criticism has been directed against the Court to the effect that its practice and verdicts don't answer to the pronounced desire to develop a pluralistic and inclusive form of freedom of religion or belief. My aim is to examine, analyse and test three different theories, which all try to develop alternatives to the expression freedom of religion or belief, in relation to six verdicts from article 9 in Europe convention. My basic purpose is to try to find new ways of talking about freedom of religion or belief that might lead to a more inclusive, pluralistic and equal interpretation of that concept. The three theories wich I use are elaborated by Richard Amesbury (associate professor at Claremont school of Theology); Hugo Strandberg (TD at Åbo Akademi) and Eberhard Herrmann (professor in philosophy of religion at Uppsala University); and Martha Nussbaum (professor of law and ethics at the University of Chicago). The six cases from the European court are: X v. Federal Republic of Germany, X v. United Kingdom, Chappell v. United Kingdom, Dahlab v. Switzerland, Leyla Sahin v. Turkey, Dogru v. France. The results of this thesis suggest that the use of alternative expression to the Swedish term religionsfrihet might to a great extent lead to a more inclusive, pluralistic and equal form of freedom of religion or belief – for example in such areas as: individuality, minorities and frames of reference in society as such.

Syftet med denna uppsats är att ur ett genreteoretiskt och komparativt perspektiv med hjälp av metoden närläsning undersöka vilka av gotikens genrekonventioner som förekommer i svensk urban fantasy. Romanerna som analyseras är Nene Ormes Udda verklighet (2010), Mats Strandbergs och Sara Bergmark Elfgrens Cirkeln (2011), samt Charlotte Cederlunds Middagsmörker (2016). De gotiska genrekonventioner som används vid analysen är hämtade från Mattias Fyhrs definition av gotik i hans doktorsavhandling De mörka labyrinterna (2003). I diskussionsdelen kombineras dessa med Alastair Fowlers teori ur Kinds of Literature (1982) kring hur olika genrer förefaller ha en rörlighet och flyta in i varandra. Resultatet av analysen visar att samtliga av Fyhrs kategorier finns representerade i de tre romanerna, och skiljer sig något i hur de gestaltas. Följande slutsatser dras: att många likheter förekommer såsom att de drömmar och syner som skildras är vitala för böckernas handlingar, att huvudkaraktären i samtliga analyserade romaner är kvinnlig, utom i Cirkeln där fem perspektiv förekommer varav ett är manligt, att alla romaner har sina egna varianter på fantasytroperna Rådet och Den utvalda, samt att urban fantasy inte går att se som en modern variant av gotiken utan snarare utgör en sentida ättling till gotikgenren.

Submitted by Marta Toyoda (1144061@mackenzie.br) on 2016-12-06T22:56:27Z No. of bitstreams: 2 Valéria Cristina Vilhena.pdf: 1563899 bytes, checksum: 176b80fba97b07985134b3d650f957ce (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Aline Amarante (1146629@mackenzie.br) on 2016-12-08T16:20:57Z (GMT) No. of bitstreams: 2 Valéria Cristina Vilhena.pdf: 1563899 bytes, checksum: 176b80fba97b07985134b3d650f957ce (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2016-12-08T16:20:57Z (GMT). No. of bitstreams: 2 Valéria Cristina Vilhena.pdf: 1563899 bytes, checksum: 176b80fba97b07985134b3d650f957ce (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2016-08-18 / Fundo Mackenzie de Pesquisa / This thesis is the result of research carried out about Frida Maria Strandberg (1891-1940), a Swedish missionary sent to Brazil by the Philadelphia Church in Stockholm in 1917, who helped in the expansion of the Brazilian Pentecostal movement, which resulted in the movement of the Assemblies of God. In Brazil, Frida married, had children, and worked with churches in the north of the country, moving to the Southeast when, with her husband Gunnar Vingren, she started the Assemblies of God in Rio de Janeiro. In 1932, the family returned to Sweden. A few months later her husband died. She tried to return to Brazil, but was prevented from doing so. She was hospitalized in psychiatric hospitals, dying in 1940. Since then, for 80 years there has been a process of forgetting Frida and her work in Brazil. Therefore, this text looks to evaluate, in the light of gender studies, her life story, and the pressure that was placed on her in a context of male domination over women. The consequence of this process of symbolic violence has been the erasing of Frida and her history, for decades, from the history of the Brazilian Assemblies of God. / Esta tese resulta de uma investigação efetuada sobre Frida Maria Standberg (1891-1940), missionária sueca enviada para o Brasil pela Igreja Filadélfia, de Estocolmo, em 1917, e que ajudou na expansão do movimento pentecostal brasileiro, que resultou no movimento das Assembleias de Deus. Frida no Brasil se casou, teve filhos, trabalhou com igrejas no Norte do País, se transferindo para o Sudeste quando, ao lado do marido, Gunnar Vingren, trabalhou na implantação das Assembleias de Deus no Rio de Janeiro. Em 1932, a família retornou para a Suécia. Alguns meses depois seu marido morreu. Tentou voltar ao Brasil, mas, foi impedida de fazê-lo. Foi internada em hospitais psiquiátricos, morrendo em um deles em 1940. Desde então, ao longo de 80 anos houve um processo de esquecimento de Frida e de suas atividades no Brasil. Portanto, procurou-se neste texto avaliar, à luz da perspectiva de gênero, a sua trajetória, e a pressão que sobre ela foi feita num contexto de dominação masculina sobre as mulheres. Resultou desse processo de violência simbólica, o apagamento de Frida e de sua trajetória, por dezenas de anos, da história das Assembleias de Deus brasileiras.

Dystopian fiction seeks to make conscious the faults of contemporary society through estrangement. Newspeak plays an important role in this estrangement, being a euphemistic and propagandistic language meant to distort the characters' perception of the fictional world. This type of language, however, has two different functions: one fictional and one didactical, where the latter seeks to emphasize the negative aspects of the fictional world to the reader. In this thesis I analyze the use of newspeak and language control as a means for social criticism in five Swedish dystopian novels published from the late 1950s through to the late 1970s. The novels analyzed are: Strålen (1958) by Ann Margret Dahlquist-Ljungberg, De sista (1962) by Arvid Rundberg, Elektra. Kvinna år 2070 (1967) by Ivar Lo-Johansson, Klotjorden (1970) by Kerstin Strandberg, and Järnblommorna (1979) by Jenny Berthelius. Apart from newspeak and language control I also examine the use of obsolete language and literary onomastics. Additionally, the thesis contains a smaller bibliography of Swedish utopian and dystopian novels published from 1950 to 1979. Language plays a central role in the novels analyzed: they contain different forms of newspeak and whilst these languages only figurate sporadically, their function is clearly didactic and meant for social criticism. Language control on the other hand, is a common theme that is often used to accentuate a totalitarian threat towards society. Most of the novels, however, primarily deal with obsolete language. It is the lost and forgotten that produces anxiety. This type of language emphasizes a loss of normative values that makes the reader question the fictional society as well as their own.

In the Anthropocene, a new approach towards nature in poetry is emerging. This change is closely related to ecocritical theory, which is a reevaluation of the human view on, and representation of, nature. It moves away from a more traditional anthropocentric perspective to a more critical one. This can for instance be in the spirit of Arne Naess or Timothy Morton, the two main theorists used in this essay. This essay is an ecocritical close reading of two Swedish contemporary poems on nature: “När jag går i skymningsmörkret” by Ingela Strandberg (from Att snara en fågel, 2018) and “(Strandförskjutningar)” by Gunnar D Hansson (from Tapeshavet, 2017). The focus of the reading is on the representation of wild, untouched nature. The formulated questions in the essay concern how untouched nature is represented in the poems, the human relationship towards it and how the differences and similarities between the two poems relate to and transform romantic representations of nature.  The conclusion is that these two very different poems exemplify the range of contemporary Swedish nature poetry. Strandberg’s poem is leaning towards a romantic or ecosofist representation of nature, whilst Hansson’s is more clear-cut ecocritical in line with Morton’s dark ecology.

Med utgångspunkt i en ökning av så kallad klimatångest bland barn, är denna studies syfte är att undersöka och analysera ekologiska frågeställningar inom barnlitteratur och läromedel för mellanstadieelever för att se hur försöken att skapa ekologiskt medvetna medborgare görs, hur ansvaret mellan barn och vuxna behandlas, hur det hållbara samspelet mellan natur och mänsklighet problematiseras och hur hotet om undergång skildras och hanteras. Analysen genomförs med hjälp av en kvalitativ textanalys av de skönlitterära verken Kometen kommer av Tove Jansson och Slutet av Mats Strandberg, samt av fyra läromedel i SO- och NO-ämnen ur serien Utkik.Resultatet visar att texterna tar upp hållbarhetsfrågor mestadels ur ett människocentrerat perspektiv, men där människan samtidigt skuldbeläggs för klimatkrisen och där barnen åläggs ansvaret för att lösa den. Balansgången mellan att aktivera barnen och utbilda dem i hållbarhet utan att orsaka klimatångest visar sig vara svår att hantera. Skönlitteraturen gör det via skildringar om undergång, och läromedlen genom att uttryckligen beskriva hotet. En medvetenhet om vilket material som väljs ut och varför är ett nödvändigt didaktiskt förhållningssätt. / With basis in the increase of so-called climate anxiety among children, the purpose of the study is to investigate and analyse ecological issues in children’s literature and text books meant for pupils in grades 4–6. We examine how pupils are required to become ecologically aware citizens, how the responsibility among children and adults is handled, how the interplay between nature and humanity is problematised and how the threat of destruction is depicted. The qualitative text analysis focuses on the two novels Kometen kommer (Comet in Moominland, by Tove Jansson) and Slutet (The End, by Mats Strandberg), as well as four text books of different subjects in the Utkik (Outlook) series.The result shows that the texts describe issues of sustainability from a human-centered perspective, where man is considered responsible for the climate crisis and the children are enjoined the responsibility of putting an end to it. The balance between activating the children and teaching them about sustainability, without causing even more anxiety, seems difficult to handle. The novels use apocalyptic themes, while the text books expressively focuses on describing the different factors of threat. A conscious selection of teaching material and children’s literature – what? and why? – is a necessary didactical approach.

This dissertation investigates the way that feminist resistance is expressed in two Swedish and two German so-called New Woman novels from the turn of the twentieth century: Elin Wägner’s Pennskaftet (1910, Penwoman), Gabriele Reuter’s Aus guter Familie (1895, From a Good Family), Hilma Angered-Strandberg’s Lydia Vik (1904), and Grete Meisel-Hess’s Die Intellektuellen (1911). The theoretical apparatus is comprised by the work of Michel Foucault, Judith Butler, Jacques Lacan, and Jessica Benjamin. By introducing a psychoanalytic and feminist perspective, this dissertation seeks to develop the possibilities for agency and resistance within the framework of Foucault’s theories. It investigates four textual and contextually grounded strategies of resistance that are prominent in these novels: individuality, openness, desire, and eugenics. This study demonstrates how Gabriele Reuter, Grete Meisel-Hess, and  Hilma Angered-Strandberg, inspired by the ideas of Friedrich Nietzsche and Ellen Key, depict feminine individuality in relation to a scientific and philosophical discourse that specifically denied women individuality. The authors anchor individuality in a corporality that was similarly denied to women by a bourgeois and dogmatic Christian discourse. Openness and wit function as resistance strategies in Elin Wägner’s Pennskaftet. Humorous rejoinders and narrative comments can disarm a conservative. An open attitude towards the emancipation project could also help to resolve the conflicts between different feminist positions and between different women. Desire functions as an important resistance strategy in each of the novels examined. It is variously represented as a vital instinct, a desire for knowledge, and a sexual desire, as in Gabriele Reuter’s Aus guter Familie – or as a desire for suffrage, as in Pennskaftet, or for maternity legislation, as in Grete Meisel-Hess’s Die Intellektuellen. By formulating a notion of feminine desire, turn-of-the-century feminists were able both to seize control of sexuality from the church and to wrest morality from the grasp of the bourgeoisie. These resistance strategies could also have a biopolitical character: in Grete Meisel-Hess’s Die Intellektuellen, woman is placed at the service of humanity on eugenicist grounds, and her good qualities are seen as capable of promoting humanity’s progress. This dissertation shows that in these novels desire at the individual level serves to reinforce feminine subjectivity. Love is seen as associated with an intensified sense of life and as a precondition of creativity. At the social level, desire also functions as the basis for a feeling of solidarity among women that instils in them courage and an urge to persevere in the suffrage struggle, this latter a highly protracted process. In this way desire acquires political potential. A framing chapter on context provides the intellectual and philosophical backgrounds of the various strategies of resistance. It is followed by four analytical chapters, each of which addresses one novel.