Learning from traumatic events: a comparative case study of governmental close protection policies in the aftermath of the murder of Olof Palme and Anna LindhViolent and threatful crimes against politicians are as despicable as any other crime acts against citizen. However, if politicians are targeted solely due to their position – the act can seriously damage the state and central government. This paper compares reports of government commissions and investigations which were initiated after the murder of Swedish prime minister Olof Palme in 1986 and secretary of state Anna Lindh in 2003. The purpose is to analyse and compare the conclusions and distinguish the main arguments that led to those conclusions and decipher similarities and differences through the lens of Tom Christensen’s instrumental perspective as well as Peter May’s social policy learning theory. The methodological approach of a qualitative method for this study fosters a deeper understanding of the ideological stances. Furthermore, the qualitative approach of conducting interviews with officials in various government positions has allowed for a more nuanced and thoughtful analysis. Together with the commissions and report, the interviews provide a holistic perspective of the two timeframes. The research question has been posed as follows: When comparing government commissions regarding the close protection of the central government, which essential similarities and differences can be distinguished? The result suggests that, an ideological change regarding main threats against the central government has taken place. The main policy discussions in the aftermath of the murder of prime minister Olof Palme was terrorism and if it could have been prevented at the time being. One major policy change was the build-up of the Swedish counter-terrorist unit. The main policy discussions in the aftermath of the murder of Anna Lindh was the issue of citizens with severe mental illnesses and how to detect those that pose serious threats to the central government at an earlier stage. Furthermore, given the conclusions of the commissions and reports, it is possible to determine that ”social policy learning” has occurred as according to Peter May’s theory. However, the study also notes an crucial exception; government officials in need of close protection can henceforth conform the structure of it and determine whether they want it or not.

My thesis addresses the antagonism between the mystery of life and the destructive pursuit of power which forms a central theme in the works of Per Olof Sundman (1922–1992). The purpose is to show that Sundman uses the theme of the encounter/non-encounter and the destructive leader to examine the conditions for allowing a deeper experience of reality and the destructive exercise of power. I analyse these themes using concepts borrowed from literary studies (Atle Kittang, Paul Ricoeur, Bertil Romberg, Staffan Björck, Gérard Genette), the philosophy of religion (Martin Buber, Göran Bergstrand) and psychoanalysis (Ludvig Igra, Otto Kernberg, Erich Fromm, Julia Kristeva). My study highlights the problems associated with the destructive exercise of power, which is the overriding theme of Sundman's work.      I explore the theme of the encounter by using the concept pair I-You/I-It. With the aid of this concept pair, I throw light on the aspect of depth in our existence by describing the human encounter. In my analysis on the theme of power, I point out the personal qualities inherent in the destructive leader. I also explore the link between the destructive leader's inner conflict of narcissism and repressed weakness – a conflict projected to the outside world – and the emergence of violence. In order to reveal this inner process, I unearth on a latent level the theme of the destructive leader/stranger in Sundman's work. This enables me to single out the mechanism responsible for the emergence of destructivity in the human psyche, while showing the close link between this pattern of narcissism and projected weakness and a distorted view of reality.    Sundman contrasts this world of power with an integrative attitude to life. In his novel The Expedition, Sundman depicts life in the other world as being a state of human coexistence in which no one is seen to be a stranger. This idea of unity is reinforced by the choice of name for the first-person narrator of the other world. In this novel, the conditions enabling the flourishing of universalism as an attitude to life are also those that give expression in the I-You encounter to the experience of a deeper aspect to our existence.

The topic of the present dissertation is argumentation in the late statesman Olof Palme (1927-1986). One may reasonably think that the fascination for Palme is mainly due to his way of expressing his policy, and therefore also to his argumentation strategy. The theoretical background consists of Lloyd F. Bitzers’s theory on the rhetorical situation, Stephen E. Toulmin’s theory on the description of argumentation structures and on the notion of fallacy, as it appears in pragma-dialectics and informal logic. The rhetorical situation is used to identify vital presuppositions and conditions surrounding the analysed argumentation.Toulmin’s theoretical model is used to analyse structures in the argumentation, and the notion of fallacy is used to discover infringements upon these structures. The object of this analysis is the decisive electoral debates of autumn 1976 between Olof Palme and Thorbjörn Fälldin, held in Scandinavium, Gothenburg, Sweden. Palme had to think of a number of surrounding conditions, such as that the debate was decisive, the composition of the audience. Palme and Fälldin otherwise appeared to be rather equally equipped for the debate. Palme’s task was primarily to gain the number of votes needed to continue to keep social democracy in power. There seem to exist several levels making up his argumentation, grouped under attack and defence. Defence is in most cases based upon a strong connection with the social democrat tradition. The attack is more complicated, linked to Palme’s overall argumentative intention: to depict the non-socialists as a bad governing alternative, and the social democrats as a better one. Fallacies are regarded as instances of breaking the frame of rules that govern a critical discussion. Palme has several fallacy-like features in his argumentation. Among those, most common, are that he attacks the person Thorbjörn Fälldin, instead of the policy or party that he represents. Palme also starts from presupposed premises and tries to link the economic policy of the alliance to an intellectually-thought delimiting between liberal and conservative capitalism and social-democrat solidarity. He strives to portray the liberals and conservatives as money-orientated, whereas social democracy is depicted as people-orientated.Palme goes arguably too far at several moments during the debate,which possibly hurts his own argumentation. / Innehåller en 20-sidig utskrift från radions P1 från duellen mellan Palme och Fälldin i Göteborg den 1 sept 1976.

En av 1800-talets främsta franska konstnärer Eugène Delacroix fick stor betydelse för de nya konstriktningarna under senare hälften av 1800-talet. I Frankrike står han som symbol för konstnärlig frigörelse, för sin långa och envetna kamp mot den franska konstakademin där "les Artistes Indépendants" fortsatte kampen efter honom, vilket ledde till en brytning med akademin år 1884. I samtida internationell forskning har Delacroix betydelse för den moderna konstens utveckling betonats. Syftet med denna magisteruppsats har varit att med formal stilanalys studera influenser från Delacroix måleri i verk med anknytning till det svenska Konstnärsförbundet, som bildades år 1886 i opposition mot och brytning med den svenska konstakademin. Konstnärsförbundet  kom att få stor betydelse för den unga svenska modernismen. Konstnären Richard Bergh var i det svenska kulturlivet tongivande för den svenska konstens förnyelse med den franska unga konsten som förebild. Som konstnärlig ledare för Konstnärsförbundets skolor åren 1890-1908 införde han individuell frihet för eleverna, ljus-och färgstudier inspirerat av Delacroix och neoimpressionismen. Teoretiska utgångspunkter för uppsatsen har varit M.E. Chevreuls lagar om simultan färgkontrast och Paul Signacs analys av Delacroix betydelse för impressionismen till neoimpressionismen. Fantasins roll för att skapa ett själsligt berörande måleri har diskuterats utifrån Charles Baudelaires konstkritik, Delacroix Dagbok och Gauguins symbolism från 1884. För den formala analysen har konstbilder av Richard Bergh, Olof Sager-Nelson, Ivan Aguéli och Isaac Grünewald analyserats med avseende på komplementära färgkompositioner, ljusreflexioner, färger och ljus i belysning och skuggor. Dessa konstnärer har valts ut då de alla på olika sätt representerar ett personligt och nydanande måleri och en konst som fortfarande berör. Sammanfattningsvis visar resultaten att alla konstnärerna praktiserat komplementära färgkompositioner, effekter av simultan färgkontrast och att ljuset haft central betydelse för dem alla. Ljuset har artikulerats såväl i ljus inomhus som utomhus i himmelsljuset, i speglingar, skarpa och diffusa ljusreflexioner, varmare färger i solbelysta delar och kallare i skuggor. Den formala analysen visar att Delacroix måleri med komplementära färgkompositioner otvetydigt kan spåras i de verk som analyserats i uppsatsen. Alla konstnärerna har också strävat efter och lyckats att skapa ett själsligt berörande måleri. Delacroix tankar och måleri kan därför sägas ha bidragit till det svenska måleriets förnyelse genom Konstnärsförbundet. / One of the foremost French artists of the 19th century, Eugène Delacroix stands as a symbol of liberation, for his long and determined struggle against the French Academy of Arts, where the continued struggle of the "Artistes Indépendants" led to a break in 1884. The Swedish Artists´Association was formed in 1886 in opposition to the Swedish Academy of Arts. In Sweden, the artist Richard Bergh set the tone for the renewal of Swedish art. As artistic director of the Artists´Association´s schools in the years 1890-1908, he introduced individual freedom for the students, light and colour studies inspired by Delacroix and the neo-impressionism. In contemporary art history, Delacroix´s importance for the development of modern art has been emphasized. The aim of this master thesis is to use formal style analysis to study influences from Delacroix´s painting in some works of Swedish artists connected to the Swedish Artists´Association´s schools. Art images by Richard Bergh, Olof Sager-Nelson, Ivan Aguéli, and Isaac Grünewald have been analysed for complementary colour compositions, light reflections, colours and light in lighting and in shadows.  Theoretical starting points have been M.E. Chevreul´s Law of Light Reflections and Simultaneous Colour Contrast and Paul Signac´s analysis of the importance of Delacroix painting in relation to the neo-impressionism. To highlight the artist´s desire to touch the viewer, Baudelaire´s art criticism, Delacroix´s Diary, and Gauguins´s symbolism from 1884 have been considered. The results show that all the artists practiced complementary colour compositions, effects of simultaneous colour contrast, and that light was of central importance to all of them. The light has been articulated both in light indoors and outdoors in the sky, in reflections, sharp and diffuse light refelctions, warmer colours in sunlit parts and colder in shadows. All the artists have also strived for and succeeding in creating a soul-touching painting. Delacroix´s thoughts and painting can therefore be said to have unequivocally contributed to the renewal of Swedish painting through the Swedish Artists´ Association.

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Emma Eriksson and Christina Henriksson: Mirror mirror on the wall: A study on how ballad texts reflect women as carriers of tradition in nineteenth century Sweden, Växjö: Musikvetenskap C, 10 p 2005. The aim of this essay is to analyze relations between ballad texts and the lives of female carriers of tradition in nineteenth century Sweden. Four carriers of tradition have been chosen, connected by being informants to Gunnar Olof Hyltén Cavallius, a collector of medieval ballads in Sweden around 1850. The four women are Anna Ehrenström (1786-1857), Catarina Andersdotter (1792-1857), Johanna Gustafva Angel (1791-1869) och Wendela Hebbe (1808-1899). Their lives are seen from a women’s historical perspective. Although there are uncertainties regarding to what extent the collected repertoire of the four women reflects their repertoire as a whole, some conclusions can be drawn regarding relations between remaining ballads and their lives as women. These relations are traced in textual themes and in textual form (e.g. repetition of words and phrases). The closeness between life situation, and choice and shape of ballad texts, leads us to conclude that these occurrences are due to deliberate choices, and that the ballad text thus mirror the lives of these women.

<p>Emma Eriksson and Christina Henriksson: Mirror mirror on the wall: A study on how ballad texts reflect women as carriers of tradition in nineteenth century Sweden, Växjö: Musikvetenskap C, 10 p 2005.</p><p>The aim of this essay is to analyze relations between ballad texts and the lives of female carriers of tradition in nineteenth century Sweden. Four carriers of tradition have been chosen, connected by being informants to Gunnar Olof Hyltén Cavallius, a collector of medieval ballads in Sweden around 1850. The four women are Anna Ehrenström (1786-1857), Catarina Andersdotter (1792-1857), Johanna Gustafva Angel (1791-1869) och Wendela Hebbe (1808-1899). Their lives are seen from a women’s historical perspective.</p><p>Although there are uncertainties regarding to what extent the collected repertoire of the four women reflects their repertoire as a whole, some conclusions can be drawn regarding relations between remaining ballads and their lives as women. These relations are traced in textual themes and in textual form (e.g. repetition of words and phrases). The closeness between life situation, and choice and shape of ballad texts, leads us to conclude that these occurrences are due to deliberate choices, and that the ballad text thus mirror the lives of these women.</p>

Pilsen Alternative Music Scene in 1983-1995 Lucie Marková Abstract The aim of this dissertation thesis is to broaden knowledge about the Pilsen alternative music scene in 1983-1995, especially in the framework of three main themes. The basis of the research is content analysis of oral-historical interviews with witnesses who were part of the Pilsen alternative music scene in the selected period. These witnesses were not only active musicians, but also their fans, or organizers of their performances. Their memories were further compared with knowledge gained from the literature, period newspaper, archives materials and ego documents. The first of the main themes focuses on the musical everyday life of musicians, like getting musical equipment, finding rehearsal room or institution of the founder and organizing public performances. The second part of this dissertation thesis describes the relationship between members of alternative music scene and representatives of political power based on several specific cases (Rockfest, Peace Concert of Olof Palme and repression). The whole text is concluded by chapters devoted to the ninetieth of twentieth century, dealing with the transformation of the Pilsen alternative music scene. All these themes are observed primarily by the witness's perspective. Key words: Pilsen...

This study investigates differences in foreign policy among Swedish political parties during 1972-1982. For 44 years, Sweden was led by the Social Democrats until the centre-right coalition gained power in 1976.  Social Democrat Olof Palme is probably one of the most notable Swedish politicians, known for his strong commitment in foreign policy including opposition to American involvement in Vietnam. However, certain signs show that the centre-right parties also had a strong commitment in many conflicts during the investigated period. Deepened research comparing the left and the right during this period has however not been done. Hence, this study aims to compare if there was any change in policy after 1976, but also look into similarities and differences between the political parties during the whole period. This is done through a comparison of the yearly Swedish foreign policy debates from 1972 to 1982, comparing views in four conflicts at the time: Vietnam, South Africa, Afghanistan and Central America. The findings show many similarities and differences, with small general differences in Swedish foreign policy before and after the historical shift of power in 1976. Interestingly, there is a notable commitment to foreign policy among the centre-right parties - sometimes stronger than Palme and the Social Democrats.

The purpose of this essay is to examine wage-earners' investment funds from the ideological point of view. Were they in any way an integrated part of social democratical democratic socialism and reformism? I emphasize Olof Palme´s ideological idea of democratic socialism and reformism, and how he handled the issue. How did the question of these funds correspondent with the basic ideological points of view, and what was the standpoint of Palme in this issue. My method is built upon a deep study and analyses of SAP board of party and the standing committees protocol in the light of Olof Palme´s and SAP's ideology. I even use information from literature, inquiries and dissertations. I will mainly focus on Palme´s standpoint during this time. There are the tree question areas and answers in this essay. There is an obvious tension between the two poles of labour movement, the state socialism represented by the social democratic party with a social outlook from above and the movement socialism, represented by the trade union movement with view from below. How did the wage-earners' investment funds stand to this traditional tension? How did Olof Palme remain to it? The answers to these questions are, that Olof Palme was very aware of this tension and he warned the trade union to be too radical. The proposal had a more reformistic formation when it was transmitted from the movement socialistic pole to the state socialistic pole. How did the wage-earners' investment funds fit in democratic socialism? The proposal of the wage-earners' investment funds meant that the function socialistic line, which traditionally was brought by the social democracy, now was changed to the line of ownership. Was it Palmes intention to implement a socialistic society with the help of the wage-earners' investment funds, to be more an a large public sector? The final proposition was a compromise and had lost its radical characteristics. It was never Olof Palme’s intention to implement a socialistic society with the help of the wage-earners' investment funds. How did the wage-earners' investment funds fit in the reformistic point of view? Were they system changing or system preserving, or both? The answer to this in this essay is, that the origin proposal was radical and system changing. The final proposal was both system preserving and system changing.