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21	För att man vill göra något själv : En studie om hur den svenska punken spreds som en löpeld med avstamp 1977 / Because you wanna do something yourself : A study of how the Swedish punk movement was established from 1977 onwards Mörtberg, Sara January 2008 (has links) <p>This thesis describes how the punk movement was started in Sweden and how it continued to grow in the late 70's. The main questions are: How was the punk movement regarded in Sweden?; How did punk reflect the society? and What does the term punk represent?</p><p>The study is based on journalistic texts in newspapers and magazines from the period of the breakthrough of punk. The work is based on a methodical review of the material and is organized thematically under topics like opinions, gigs, clothing and music. Initially, punk lead to misunderstandings and misperceptions since few people knew what punk was all about. The study reflects society in its time and is therefore more than just a caption of history.</p><p>Punk attracted much attention in Sweden in 1977 and in its wake came a number of misunderstandings due to the punk look and the ‘punks’ alleged views. During 1978, the punks got their own Swedish identity and a lot of the misconceptions started to disappear. In time, ties were tied between the former rivals, the punk, and the Swedish music movement (Musikrörelsen). The situation changed by the principle of 'Do it yourself' (DIY) in the punk when more young people started doing something for themselves rather than being passive.</p> Punk Sverige svensk punk ungdomar ungdomskultur subkultur musik gör det själv konserter svenska musikrörelsen progg tjejer inom punken fanzine
22	För att man vill göra något själv : En studie om hur den svenska punken spreds som en löpeld med avstamp 1977 / Because you wanna do something yourself : A study of how the Swedish punk movement was established from 1977 onwards Mörtberg, Sara January 2008 (has links) This thesis describes how the punk movement was started in Sweden and how it continued to grow in the late 70's. The main questions are: How was the punk movement regarded in Sweden?; How did punk reflect the society? and What does the term punk represent? The study is based on journalistic texts in newspapers and magazines from the period of the breakthrough of punk. The work is based on a methodical review of the material and is organized thematically under topics like opinions, gigs, clothing and music. Initially, punk lead to misunderstandings and misperceptions since few people knew what punk was all about. The study reflects society in its time and is therefore more than just a caption of history. Punk attracted much attention in Sweden in 1977 and in its wake came a number of misunderstandings due to the punk look and the ‘punks’ alleged views. During 1978, the punks got their own Swedish identity and a lot of the misconceptions started to disappear. In time, ties were tied between the former rivals, the punk, and the Swedish music movement (Musikrörelsen). The situation changed by the principle of 'Do it yourself' (DIY) in the punk when more young people started doing something for themselves rather than being passive. Punk Sverige svensk punk ungdomar ungdomskultur subkultur musik gör det själv konserter svenska musikrörelsen progg tjejer inom punken fanzine
23	Samizdat v informační době: Jak ovlivnil Web 2.0 kulturu fanzinů / Printed DIY media in information age: how Web 2.0 influenced culture of fanzines Hroch, Miloš January 2016 (has links) The thesis aims to explore changes in the production of music fanzines brought about by the advent of new media. Fanzines are defined as nonofficial magazines published independently in compliance with the code of DIY ethics. The theoretical part of this work focuses on the history of fanzine production as well as on concepts of alternative media, which is necessary in order to examine the current state of the aforementioned alternative media sphere. Furthermore, the theoretical part describes fans' behaviour, as they are the most prominent representatives of active audiences. This behaviour is a key to understanding the motivation behind fanzine production as well as the nature of media communication in the cyberspace, where boundaries between producers and consumers of media messages disappear. The main part of this work analyses interviews with ten figures from the Czech community of both pre-internet authors and those of post-internet era, the latter being used to internet communication. Described discursive patterns reveal the existence of two separate worlds: traditional fanzine community and online environment, coexisting in mutual awareness. Yet the former strives to guard its boundaries, protecting its products from the internet, albeit oftentimes entering the virtual space in search for...
24	De la musique et des mots. La critique rock à l’aune de la littérature (1966-1975) / Words and music. Rock criticism as Literature (1966-1975) Berthomier, Maud 26 June 2012 (has links) Dans la seconde moitié des années soixante naissent aux États-Unis le rock et la critique rock.Les participants de ces deux sphères s'unissent jusqu'à former une camaraderie, mais de cette rencontre surgit aussi un troisième champ. Ni vraiment musical, ni totalement critique, celui-ci est avant tout « littéraire ». Il nous met au défi de parler de critique rock pour mieux discuter de littérature et non de musique. C'est dans ce paradoxe apparent que Lester Bangs évolue par exemple. Génie tutélaire de ce petit groupe d'auteurs formés au sein des premiers fanzines et magazines rock, il ne décrit pas seulement les mythes rock ; il interroge aussi leur écriture. Plus avant, ce qui se dessine dans ses textes est le portrait du jeune écrivain « débutant » issu de la grande tradition du « journalisme littéraire ». Cela crée des liens entre les conditions d'accès à l'écriture dans la presse et le devenir « écrivain » en littérature. De même, trouve-t-on des annonces et des échos de ces discours dans le « cinéma direct » américain de l'époque, ainsi que dans la critique rock française. Le film Dont Look Back de Donn Alan Pennebaker par exemple montre déjà dès 1965 la nécessité de la création d'une critique non-journalistique sur le rock. Puis, Yves Adrien s'inspire de l'œuvre de Lester Bangs. Et enfin aujourd'hui à plus de quarante ans de distance, toujours Nick Tosches, Peter Guralnick, Greil Marcus et Lenny Kaye reconstruisent en paroles cette première expérience d'écriture et de publication. Aussi, cette thèse étudiera la création inattendue d'un champ littéraire au sein de la critique rock sur un plan mythographique : bien qu'éphémère, celui-ci s'avèrera fécond / In the second half of the sixties, rock music and rock criticism emerge in the United States. The protagonists of the two spheres gather to create a sense of camaraderie, but a third field also arises from that encounter. It is first and foremost a literary one, neither really musical, nor completely criticism-oriented. As a result, it challenges us to discuss rock criticism in order to better understand literature rather than music. Lester Bangs in particular dwells within that apparent paradox. As the figurehead of this little group of authors formed in early rock fanzines and magazines, he not only describes the rock myths but also discusses the way they are written. The portrait of the “aspiring writer” originating from the tradition of “literary journalism” also appears in his texts. This links the conditions of writing in the press to the situation of the fresh writer-to-be in literature. Similarly, auguries and echoes of such discourses can be found during the same period in American “direct cinema” and French rock criticism. For instance Donn Alan Pennebaker already underlines in 1965 the need for a non-journalistic criticism on rock in his documentary Dont Look Back. Later, Yves Adrien follows Lester Bangs works. Finally, forty years on, Nick Tosches, Peter Guralnick, Greil Marcus and Lenny Kaye continue today to reshape verbally this initial experience of writing and publishing. This thesis studies the unexpected birth of a new literary field through mythography. Though short-lived, it was nonetheless fecund Camaraderie Champ littéraire Cinéma direct Critique rock Culture rock Discours Donn Alan Pennebaker Fanzine Fiction Journalisme littéraire Lester Bangs Littérature Magazine Mythographie Yves Adrien Camaraderie Direct cinema Discourse Donn Alan Pennebaker Fanzine Fiction Lester Bangs Literary field Literary journalism Literature Magazine Mythography Rock culture Rock criticism Yves Adrien 810 840
25	RISK, RESPECT & UNSPEAKABLE ACTS : Untangling Intimate-Sexual Consent through 'Intuitive Inquiry' & 'Agential Realism' / RISK, RESPEKT & OBESKRIVLIGA HANDLINGAR : 'Untangling' intimt-sexuellt samtycke genom 'Intuitive Inquiry' & 'Agential Realism' Storm, Frida January 2021 (has links) In an attempt to address the issues in research and theory on consent, this thesis explores what consent can be seen as "doing" through an 'Intuitive Inquiry' (Anderson 2011a) and 'Agential Realism' (Barad 2007). Various manifestations of consent appears through: the experience of the researcher, consent research and theory, consent legislation, interviews with professionals in intimate-sexual consent, and, feminist fanzines. Consent evokes issues around agency, power, communication, respect, violence, risk, morals and ethics that go beyond sexual-intimate negotiation. Consent emerges as multiple, complex and fluid in 'intra-action' (ibid.) with the context. Entanglements and paradoxes of consent are further explored in 'diffractive analysis' (ibid.) through "bodily autonomy" and"rights/obligations". As a phenomenon, consent appears to make agency and power intelligible (to different degrees), but, can not be said to provide a viable strategy against sexual violence. The tenets of consent discourse risk (re)producing anxieties around intimacy and sex, responsibilizing survivors and obfuscating sexual violence. Further and improved research on communication in everyday sexual negotiation, sexual violence, consent legislation and what consent "does" is urgently needed.Through creative method and new epistemology the thesis (re)presents a knowledge process true to lived experience, as well as, an invitation to pull the terrible wonderful world, it's complexities, and us in it, closer. / I ett försök att ta itu med problem inom forskning och teori om 'consent' undersöker denna avhandling vad samtycke kan ses som ”göra” genom 'Intuitiv Inquiry' (Anderson 2011a) och'Agential Realism' (Barad 2007). Olika manifestationer av 'consent' framträder genom: forskarens erfarenheter, samtyckes-forskning och teori, samtyckelagstiftning, intervjuer med professionella inom samtycke, och, feministiska fanzines. Samtycke väcker frågor kring agens, makt, kommunikation, respekt, våld, risk, moral och etik som går bortom sexuella-intima förhandlingar. Samtycke framträder som multipelt, komplext och rörligt i 'intra-action' (ibid.) med kontexten. 'Entanglements' och paradoxer inom samtycke undersöks vidare i 'diffraktiv analys' (ibid.) genom "kroppslig autonomi" och"rättigheter/skyldigheter". Som ett fenomen gör samtycke agens och makt möjlig att tänka (iolika grad), men kan inte sägas bidra med en hållbar strategi mot sexuellt våld. Grundsatserna i samtyckesdiskursen riskerar att (re)producera ängsla kring intima-sexuella situationer, responsibilisera offer och dölja sexuellt våld. Ytterligare och förbättrad forskning är i akut behov kring kommunikation i vardagliga sexuella förhandlingar, sexuellt våld, samtyckeslagstiftning och vad samtycke "gör". Genom kreativ metod och ny epistemologi (re)presenterar avhandlingen en kunskapsprocesssom är trogen till levd verklighet, samt en inbjudan att närma sig, den fruktansvärda underbara världen, dess komplexitet, och oss inom den. Doing Consent Communication Intuition Somatics Intimacy Sex Sexual Violence Negotiation Coercion Rape Legislation Feminism Neoliberal Queer Fanzine BDSM Dance Performance Sex Work Responsibilization Accountability Diffraction Entanglement Autonomy Agency Power Trauma. Görande samtycke consent kommunikation intuition somatik intimitet sex sexuellt våld förhandling tvång våldtäkt lagstiftning feminism nyliberalism queer fanzine BDSM dans uppträdande sexarbete responsibilisering ansvar diffraction entanglement autonomi agens makt trauma. Gender Studies Genusstudier
26	Skimmer, trassel, djupt, mörkt, blött Engström Apelmo, Sally January 2023 (has links) Shimmer, Tangle, Deep, Dark, Wet is an exploration of the possibilities of the publication, the underwater world, editorial work and an investigation in different materials. The work includes among other things, a professional mermaid, a marine geologist, three underwater rugby players, and a poem about the waves in the Persian Gulf. / Skimmer, trassel, djupt, mörkt, blött är ett utforskande av publikationens möjligheter, världen under vatten, redaktionellt arbete och ett experimenterande med olika material. Arbetet innehåller bland annat en professionell sjöjungfru, en maringeolog, tre undervattensrugbyspelare och en dikt om vågorna i persiska viken. Graphic design Fanzine Artist book Underwater Water Sea Lake Publication Editorial Aquarium Interview Mermaid Underwater rugby Marine geology Poetry Photography Risograph Printing technique Paper Binding Grafisk design Formgivning Fanzine Artist book Undervatten Vatten Hav Sjö Publikation Redaktionellt Akvarium Intervju Sjöjungfru Undervattensrugby Maringeologi Poesi Fotografi Risografi Utskriftsteknik Papper Bindning Design Design

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