<p>This thesis concerns the feminist consciousness-raising novel of the 1970s. The aim of the thesis is to examine narrative strategies which, according to the consciousness-raising practice, are adapted to enlighten the political aspects of the personal. The focus is both on strategies that address the protagonist and on those that address the reader. I also examine in which way the use of these strategies is dependent upon ideas of class and gender.</p><p>I find that the narrative situation, in this case the relationship between the protagonist and the narrator, is central to the use of the consciousness-raising narrative strategies. In Anna-Lisa Bäckmans Fia i folkhemmet och Fia med manifestet, the protagonist Fia is positioned as an oppressed working-class woman, which results in a narrative situation that gives the protagonist a limited space of action and that gives the narrator the power to interpret the experiences of the protagonist. In Margareta Sarris Ta dej en slav och Mor ror åran är trasig, the relationship between the protagonist and the narrator is more equal, due to its dialogic form that enables the protagonist Lisa to talk back to the narrator. The consciousness-raising narrative follows a heteronormative development that is characteristic of all novels examined.</p><p>The analysis demonstrates that the narrative situation is important to the plot. Lisa is able to change the course of her life according to the novel’s feminist analysis, which Fia to a lesser degree, is not. The analysis also demonstrates that the narrative position is constructed according to gender as well as to class.</p>

<p>Jag kommer i denna uppsats med hjälp av diskursanalys, analysera och studera vilka diskurser som finns i och med begreppet klassresa. Jag kommer även att presentera de identitetsprocesser som pågår vid klassresan. Jag vill med denna uppsats se hur viktig klasstillhörigheten är och hur processen går till när en person gör en så kallad klassresa. Jag ska belysa flytten från att ha tillhört arbetarklassen till att tillhöra medelklassen. Jag kommer att beskriva hur dessa personer upplever flytten samt hur de kände att de blev bemötta av andra människor i medelklassen.</p>

<p>The invisible entrepreneurship is a study of owners of businesses with foreign heritage. It describes the unexplored relationship between ethnicity and class within this group of entrepreneurs.</p><p>The result of the study is a model which I have found to be suitable to use when depicting the relationship between the ethnic profile and class. The model indicates that the importance of ethnicity decreases as both the owner of, and the business reach a more prominent class. The method of collecting data has been interviews with owners of businesses and Grounded theory has been used to analyse this data. Theories on ethnicity, owners of businesses with foreign heritage, and class in relation to ethnicity have been discussed on the basis of social constructivism. Also, the conception of ethnicity, foreigners, and owners of businesses with foreign heritage, entrepreneur and class has been discussed and defined.</p>

<p>Syftet med högskoleavhandlingen var att konstruera en klass-D förstärkare för audio med en DDXi-2161 krets från Apogee. Förstärkaren har en digital stereoingång för I²S-format. Digitalisering av en analog audiosignal sker med codec-kretsen WM8731 från Wolfson. För att möjliggöra implementering av funktioner för digital signalbehandling av audiosignalen ingår en FPGA-krets från Altera i systemet. Gränssnitten mellan codec-kretsen och FPGA:n samt FPGA:n och klass-D förstärkaren är beskrivna med VHDL och implementerade i FPGA:n. Klass-D förstärkaren har byggts upp på ett två-lagers mönsterkort. Ett utvecklingskort från ALTERA (DE2) med codec-krets och FPGA har använts. Resultaten visar goda möjligheter att konstruera en klass-D förstärkare med bra ljud och låg effektförbrukning.</p>

<p>I två analyser av filmerna; <em>Do The Right Thing</em> av Spike Lee (1989) och <em>Hemligheter och lögner</em> av Mike Leigh (1996), har jag undersökt  hur och varför samhällsproblematik  som berör klass- och rasfrågan presenteras på film utifrån hur cultural studies teoretiskt förhåller sig till problematiska relationer mellan kulturella identiteter i USA och Storbritannien. Jag kom fram till att identifikationen av den kulturella identiteten var olika i respektive länder; USA och Storbritannien. I USA var rastillhörigheten utgångspunkten för den kulturella identiteten och i Storbritannien var det klasstillhörigheten utgångspunkten för den kulturella identiteten.</p>

I två analyser av filmerna; Do The Right Thing av Spike Lee (1989) och Hemligheter och lögner av Mike Leigh (1996), har jag undersökt  hur och varför samhällsproblematik  som berör klass- och rasfrågan presenteras på film utifrån hur cultural studies teoretiskt förhåller sig till problematiska relationer mellan kulturella identiteter i USA och Storbritannien. Jag kom fram till att identifikationen av den kulturella identiteten var olika i respektive länder; USA och Storbritannien. I USA var rastillhörigheten utgångspunkten för den kulturella identiteten och i Storbritannien var det klasstillhörigheten utgångspunkten för den kulturella identiteten.

This thesis concerns the feminist consciousness-raising novel of the 1970s. The aim of the thesis is to examine narrative strategies which, according to the consciousness-raising practice, are adapted to enlighten the political aspects of the personal. The focus is both on strategies that address the protagonist and on those that address the reader. I also examine in which way the use of these strategies is dependent upon ideas of class and gender. I find that the narrative situation, in this case the relationship between the protagonist and the narrator, is central to the use of the consciousness-raising narrative strategies. In Anna-Lisa Bäckmans Fia i folkhemmet och Fia med manifestet, the protagonist Fia is positioned as an oppressed working-class woman, which results in a narrative situation that gives the protagonist a limited space of action and that gives the narrator the power to interpret the experiences of the protagonist. In Margareta Sarris Ta dej en slav och Mor ror åran är trasig, the relationship between the protagonist and the narrator is more equal, due to its dialogic form that enables the protagonist Lisa to talk back to the narrator. The consciousness-raising narrative follows a heteronormative development that is characteristic of all novels examined. The analysis demonstrates that the narrative situation is important to the plot. Lisa is able to change the course of her life according to the novel’s feminist analysis, which Fia to a lesser degree, is not. The analysis also demonstrates that the narrative position is constructed according to gender as well as to class.

Jag kommer i denna uppsats med hjälp av diskursanalys, analysera och studera vilka diskurser som finns i och med begreppet klassresa. Jag kommer även att presentera de identitetsprocesser som pågår vid klassresan. Jag vill med denna uppsats se hur viktig klasstillhörigheten är och hur processen går till när en person gör en så kallad klassresa. Jag ska belysa flytten från att ha tillhört arbetarklassen till att tillhöra medelklassen. Jag kommer att beskriva hur dessa personer upplever flytten samt hur de kände att de blev bemötta av andra människor i medelklassen.

This thesis discusses the representation of bodies in todays non-fiction television in Sweden. I have chosen to focus on deviant bodies (sexual, deformed or unhealthy) on display in reality-shows and documentaries on SVT, TV4 but especially on the commercial channels TV3 and Kanal5. Also discussed are the viewers emotional and bodily reactions. Altough these shows are different from one another in many respects, I argue that there is also a common thread between them. From a sociological and cultural perspective, and with help of some historical examples, I try to illustrate how we view these shows and what their function is. I conclude that the body is a site of powerstruggle and that these shows have many different levels of meaning. We cathegorize and value these deviant bodies but also our own. It is about making creating a ”us and them” and in the long run it has to do with making class and identity. The voyeuristic pleasure in watching these people displayed on TV is made possible from the safe distance of our livingroom.

The aim of this essay is to show if and how group identities are being constructed in maindocuments from three political parties in the Swedish parliament, focusing on class, genderand ethnic identities. The three parties who’s documents are being analyzed are theModerate Party, the Sweden Democrats and the Left Party. The conclusion of the essay isthat the Moderate Party is so focused on the individual that they are not promoting groupidentity based on class, gender or ethnicity. The Sweden Democrats are mostly discussing,and therefore creating a discourse of, cultural identity, where Swedish, Nordic, Europeanand Western culture are being created as the ‘us’, and others are being created as ‘them’.They are also promoting difference between men and women, therefore dividing the sexesin groups. The Left Party are focused on class, and are dividing people in working class (themajority) and the elite (the minority). They are also creating a ‘us’ and ‘them’ whilediscussing the patriarchy, a system in which the man is superior and the woman is inferior.