Dies ist ein kurzer Überblick über Python-Projekte abseits von Einsatzmöglichkeiten im Beruf.:1. Einleitung 2. Python unterrichten 3. Mit Python promovieren 4. Mit Python chatten lassen 4.1. Implementation 4.2. Literaturwissenschaftlicher Hintergrund 5. Mit Python leben 6. Mit Python basteln Literatur

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Made available in DSpace on 2016-04-04T18:33:08Z (GMT). No. of bitstreams: 1 Adriana Zampieri Martinati.pdf: 4869657 bytes, checksum: acf4ce5f7119bf55d063cea6eefd9b99 (MD5) Previous issue date: 2012-12-12 / The transition from Childhood Education (Educa??o Infantil EI) to Elementary School (Ensino Fundamental EF) is the topic of this study, which presents as main objective to analyze this passage from the perspective of their main characters, the children and teachers. The Brazilian Law number 11.274/06 has broadened the duration of EF to 9 years, having children entering at 6 years old; and the official documents prescribe that the transition from EI to EF shall not happen in an abrupt way, because it is a potential moment of breaches and crises which may interfere on the child s bio-psychological development. Such moment shall be lived in the most productive way possible. In this sense, the issue on this research has been formulated in the following way: How has the process of school transaction from EI to the nine-year EF taken place in both schools segment?. The specific objects are: (i) analyzing the children s interpretation on their experiences in EI and EF, (ii) identifying the teachers actions regarding the passage from EI to EF; and (iii) identifying the teachers conceptions on the mandatory entrance of six-year-old children in EF. The method, of qualitative nature, is based on the school transition process, which happens in two moments: Phase I, completed with a group of 10 children between 5 and 6 years old in a Childhood Education Municipal School (Escola Municipal de Educa??o Infantil EMEI); Phase II, completed with 4 children who were part of the previous EI group, but who now are in the 1st year of EF in an Elementary Municipal School (Escola Municipal de Ensino Fundamental EMEF), aged between 6 and 7 years old. The research instruments have been: (i) documental analysis (of the pedagogical projects in EMEI and EMEF), (ii) questionnaire for the parents, (iii), participative observation, (iv) semi-structured interview with teachers in EMEI and EMEF, (v) (reflexive and narrative) interview with the children; and (vi) drawing. The empirical material has been recorded in video and there was a daily field registration, besides, the drawings produced by the children have been kept. The results of the research indicate the absence of reciprocal references about the school transaction in both school units, which do not exist on the pedagogical projects and on the school day-by-day. There is not a systematic work on the children s future lives in EMEI; their entrance on the EMEFs is only mentioned when the children show curiosity about their new school. They know the new school will be different, and they want to change, most likely because the elementary school is socially valued. Also, in EMEF, there are few references on the children s previous lives, and it is as if a new child was born, who must adjust to the new reality through silence and body control. In this scenario, the playing, which, in the Historical-cultural theory, is the main activity of the child, is cramped. Because of the breach, the lack of articulation and of continuity in the pedagogical work, some children have signed suffering in the process of adaptation; and others, subverting the established order, have presented frequent small playful episodes during classes, somehow attenuating the loss of playing. EI and EF children give a great importance to playing; and a systematic work on the school transaction would cause relevant contributions, moreover in EF, where there is the diminution of playful activities. Therefore there is an urgent need of articulating actions between EI and EF and investing on the initial and ongoing formation of teachers, mainly regarding playful activities from the Historical-cultural theory point of view, especially when these activities are considered to be the instrument for developing superior psychological functions. The problems noticed on the implementation of the new nine-year EF are also a consequence of how the public agencies prescribe, as in laws and regulations, but do not provide, which indicates the need for debates on what our education project for childhood really is. / A transi??o da Educa??o Infantil (EI) para o Ensino Fundamental (EF) foi o tema deste trabalho, que apresentou como principal objetivo analisar essa passagem na perspectiva de seus protagonistas, as crian?as e os professores. A Lei n? 11.274/06 ampliou a dura??o do EF para 9 anos com ingresso da crian?a aos seis anos de idade e os documentos oficiais prescrevem que a transi??o da EI para o EF n?o ocorra de maneira abrupta, pois ? um momento potencial de rupturas e crises que incidem sobre o desenvolvimento biopsicol?gico da crian?a, devendo ser vivenciada de maneira mais produtiva poss?vel. Assim, o problema da presente pesquisa foi formulado da seguinte maneira: Como se tem constitu?do o processo de transi??o escolar da EI para o EF de nove anos em institui??es de ambos segmentos? . Os objetivos espec?ficos foram: (i) analisar as interpreta??es das crian?as sobre suas experi?ncias na EI e no EF, (ii) identificar as a??es das professoras relativas ? passagem da EI para o EF e (iii) identificar as concep??es das professoras sobre a obrigatoriedade do ingresso da crian?a de seis anos no EF. O m?todo, de natureza qualitativa, foi constitu?do no processo de transi??o escolar, ocorrida em dois momentos: Fase I, realizada com um grupo de 10 crian?as de 5 e 6 anos de idade de uma Escola Municipal de Educa??o Infantil (EMEI); Fase II, feita com 4 crian?as do grupo da EI, mas, agora, ingressantes do 1? ano do EF de uma Escola Municipal de Ensino Fundamental (EMEF), com idades entre 6 e 7 anos. Os instrumentos de pesquisa foram: (i) an?lise documental (projetos pedag?gicos da EMEI e da EMEF), (ii) question?rio com os pais, (iii), observa??o participante, (iv) entrevista semiestruturada com as professoras da EMEI e da EMEF, (v) entrevista com as crian?as (reflexiva e narrativa) e (vi) produ??o de desenhos. O material emp?rico foi videogravado e houve o registro em di?rio de campo e tamb?m de desenhos produzidos pelas crian?as. Os resultados da pesquisa indicaram aus?ncias de refer?ncias rec?procas sobre a transi??o escolar em ambas as institui??es de ensino, inexistentes nos projetos pedag?gicos e no cotidiano escolar. N?o h? um trabalho sistem?tico sobre a vida futura das crian?as na EMEI; men??es quanto ao seu ingresso em EMEFs s?o feitas apenas quando elas manifestam curiosidade sobre a nova escola. As crian?as sabem que a nova escola ser? diferente e querem mudar, muito provavelmente porque a escola de ensino fundamental ? socialmente valorizada. Tamb?m na EMEF, h? poucas refer?ncias ? vida pregressa das crian?as, pois ? como se nascesse uma nova crian?a, que tem que se ajustar ? nova realidade por meio do sil?ncio e do controle corporal. Nesse cen?rio, tolhe-se o brincar, que dentro da Teoria Hist?rico-Cultural, ? a principal atividade da crian?a. Em fun??o da ruptura, da desarticula??o e descontinuidade do trabalho pedag?gico, algumas crian?as sinalizaram sofrimento no processo de adapta??o e outras, subvertendo a ordem estabelecida, realizaram frequentes microepis?dios l?dicos em sala de aula, de certo modo, atenuando a perda do brincar. As crian?as da EI e do EF atribuem grande import?ncia ao brincar e um trabalho sistem?tico sobre a transi??o escolar traria contribui??es relevantes, sobretudo no EF, onde h? o esmaecimento da atividade l?dica. Portanto, urge a necessidade de a??es articuladoras entre a EI e o EF e o investimento na forma??o inicial e continuada de docentes, principalmente no que diz respeito ? atividade l?dica ? luz da Teoria Hist?rico-Cultural, sobretudo, quando se considera esta atividade como instrumento do desenvolvimento das fun??es psicol?gicas superiores. Os problemas evidenciados sobre a implanta??o do novo EF s?o tamb?m consequ?ncia da forma pela qual o poder p?blico prescreve, como em leis e normas, mas n?o prov?, indicando a necessidade de debates sobre qual ?, de fato, nosso projeto para a educa??o da inf?ncia.

Made available in DSpace on 2016-04-29T14:15:57Z (GMT). No. of bitstreams: 1 Regina Rodrigues da Costa.pdf: 1189254 bytes, checksum: 5dab6e97a9dba41270bcaccb8ef96ba4 (MD5) Previous issue date: 2010-12-02 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This study discusses the value of Play for the child, his goal was to investigate the senses and meanings of joke street children between 9 and 11 years, appraised by professional team of education of rua da Municipal Department of Social Assistance of Guarujá as brincantes Street, residents in the neighborhood of waterfall, located in the municipality of Guaruja, Sao Paulo State. Given the objectives proposed in the research, based on the qualitative study, data were collected through semi-structured interviews and applied in their own space of the Street between September and November 2009. the playground is perceived as one of the pillars of the construction process of relations between the child and the world which allows a constructive this identity in the way of being, thinking and acting for the world's critical appropriation. research part of understanding of how children define the condition of "being a child", and their representations about playing. Critical analysis grasps the specific questions that lead to approximation of street children with feelings that emerge from this social experience. shapes of practical realization of the game on the conditions imposed by the public space, the confrontation between the play dreamed and lived in entering. Conversely parsing the value of the content and contributions from the game to the child's social, training points the implications and the impact of experience for their lives as a result of the search, it is concluded that certainly playing in the street offers a playful social experience, though, cannot be regarded as fully satisfactory experience with content able to contribute with an apprenticeship, strengthening the subjectivity of the child. by reason of conditions imposed by the street environment, given the risk with accidents, urban violence and disrespect human game Street which should be developed as spontaneous activity becomes an activity divested and alienating the play depending on the restrictions of spaces for play. thus offers reduced contributions for the construction of children's social imaginary, committing its rapprochement with the contents of an informational universe capable of inducing the critical understanding of everyday life, exercise between understanding and dealing with the real world / Este estudo aborda o Valor do Brincar para a criança, seu objetivo foi investigar os sentidos e os significados da brincadeira de rua para crianças entre 9 e 11 anos, conceituadas pelos profissionais da equipe de educação de rua da Secretaria Municipal de Assistência Social de Guarujá como brincantes de rua,residentes no Bairro da Cachoeira,localizado no município de Guarujá,Estado de São Paulo.Atendendo os objetivos propostos na pesquisa,com base no estudo qualitativo, os dados foram coletados por meio de entrevistas semi-estruturadas e aplicadas no próprio espaço da rua entre setembro e novembro de 2009.O brincar é entendido como um dos pilares do processo de construção das relações entre a criança e o mundo que possibilita uma identidade construtiva presente no modo de ser,pensar e agir para apropriação critica do mundo.A investigação parte da compreensão de como as crianças definem a condição de ser criança ,e suas representações sobre brincar.A análise crítica apreende as questões concretas que levam a aproximação das crianças com a rua,revelando os sentimentos que emergem dessa experiência social.As formas concretas de realização da brincadeira diante das condições impostas pelo espaço público,o confronto entre o brincar sonhado e o vivido na cotidianidade.Afinando a análise no valor do conteúdo e contribuições da brincadeira para a formação social da criança,aponta as implicações e o impacto da experiência para suas vidas Como resultado da pesquisa, conclui-se que certamente brincar na rua propicia uma experiência social lúdica,embora,não possa ser considerada como uma experiência totalmente satisfatória,dotada de um conteúdo capaz de contribuir com um aprendizado, fortalecendo a subjetividade da criança.Em razão das condições impostas pelo ambiente de rua,conferido no risco com os acidentes,a violência urbana e o desrespeito humano, a brincadeira de rua que deveria ser desenvolvida como atividade espontânea,passa a ser uma atividade alienada e alienante na simplificação dos jogos e brincadeiras em função das restrições dos espaços para brincar.Desta forma,oferece reduzidas contribuições para a construção do imaginário social da criança,comprometendo sua aproximação com o conteúdo de um universo informacional capaz de induzir a compreensão crítica da vida cotidiana,o exercício entre compreender e lidar com o mundo real

I am fascinated by the inner thoughts, the memories, and the cumulative experience that make us each a complex physiological puzzle. From birth, sociological building blocks are constructed forming emotional walls and unexpected doorways, boundaries and comfortable passageways through the architecture of our personalities. My thesis work, which is comprised of ceramic figures and interactive toys, offers playful memory triggers and evocative spaces in which viewers can deconstruct the building blocks of their social persona.

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CABRAL, Marcelle Arruda. Identidade étnico-racial em contexto lúdico: um jogo de cartas marcadas? 2007. 118f. Dissertação (Mestrado em Educação) - Universidade Federal do Ceará, Faculdade de Educação, Programa de Pós-Graduação em Educação Brasileira, Fortaleza-CE, 2007. / Submitted by Maria Josineide Góis (josineide@ufc.br) on 2012-07-26T15:13:01Z No. of bitstreams: 1 2007_Dis_MACabral.pdf: 4344478 bytes, checksum: 596f4d50095eae3e3d8a2fd4ece75aac (MD5) / Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2012-07-27T12:00:00Z (GMT) No. of bitstreams: 1 2007_Dis_MACabral.pdf: 4344478 bytes, checksum: 596f4d50095eae3e3d8a2fd4ece75aac (MD5) / Made available in DSpace on 2012-07-27T12:00:00Z (GMT). No. of bitstreams: 1 2007_Dis_MACabral.pdf: 4344478 bytes, checksum: 596f4d50095eae3e3d8a2fd4ece75aac (MD5) Previous issue date: 2007

Que peut-il y avoir à penser entre jeu et politique ? A priori, peu de chose. Cette thèse questionne pourtant l’écart apparent entre le mode ludique et la perspective politique à l’heure où cette dernière est sommée de renouveler ses formes et ses moyens au théâtre dans le cadre d’un désaveu de l’activité politique plus général depuis la fin des années quatre-vingt. Dans un dialogue ouvert entre l’expérience latino-américaine et le reste de la scène internationale, il s’agit d’observer en quoi le modèle du jeu participe au travail de redéfinition d’un théâtre qui se voudrait politique aujourd’hui. D’une part, il permet d’appréhender les transformations du contexte théâtral latino-américain à la fin du XX° siècle qui voit son modèle de théâtre politique engagé remis en question. D’autre part, il devient un outil pour étudier les textes de Fabio Rubiano (Colombie, 1963) Rafael Spregelburd (Argentine, 1970) et Gabriel Calderón (Uruguay, 1982), dans leur articulation spécifique au politique. Se dessine alors une politique du jeu, dans les pas de Jacques Rancière et de sa « politique de l’esthétique », qui dispose la perspective politique, en tant que critique du présent et désir de transformation, depuis un rapport au réel, une production de sens et une conception du spectateur qui lui sont propres. Entre jeu et politique, deux dynamiques majeures s’établissent au sein du corpus. Le jeu s’offre d’abord comme un moyen paradoxal de critique. Il dispose des hétérotopies ludiques qui mettent à distance le présent pour mieux faire la peinture dystopique de ses failles et ses manquements. Dans un second temps ou simultanément, il brouille cette première interprétation critique par des expérimentations formelles et fictionnelles qui mettent l’accent sur la créativité elle-même. Si la portée utopique de ces expérimentations varie selon les textes et les auteurs, toutes participent à formuler les prémices de transfigurations à venir. / At first glance, there is not much to be said about the relation between play and politics. And yet, this thesis questions the gap between playful mode and political perspective at a time when the latter is being asked to renew its theatrical forms and means in a more general context of disavowal of the political practice since the end of the 1980s. As part of an open dialogue between the Latin-American experience and the rest of the international scene, this work focuses on the ways in which the play model participates in a redefinition of a theatre striving to be political. First, it allows for the apprehension of transformations within the Latin-American theatrical context of the end of the 20th Century when its model of a politically engaged theatre was being questioned. Furthermore, it becomes a tool to study texts by Fabio Rubiano (b. 1963, Colombia) Rafael Spregelburd (b. 1970, Argentina) and Gabriel Calderón (b. 1982, Uruguay), and their specific articulation to the political. A politics of play, following Jacques Rancière’s “politics of aesthetics”, is being charted here, and it allows for the political perspective to exist as a critique of the present and as a desire for transformation, based on its own relation to the real, production of meaning and idea of the viewer. Between politics and play, two main directions can be drawn out within this corpus. Play first functions as a paradoxical means for a critique. It creates playful heteropias which distance themselves from the present to better outline the dystopic map of its flaws and failures. Subsequently or simultaneously, it complicates this first critical interpretation with formal and fictional experimentations which put forth creativity itself. Although the utopic impact of these experimentations varies according to the text and its author, they still participate in formulating the premise of a transformation to come. / ¿Qué relaciones podemos establecer entre juego y política? Supuestamente, muy pocas. Esta tesis quiere sin embargo cuestionar la aparente divergencia entre el modo lúdico y la perspectiva política cuando ella se encuentra con la obligación de repensar sus formas dentro de un contexto de sospecha general hacia la actividad política desde el final de los años ochenta. A través de un dialogo abierto entre la experiencia latinoamericana y los escenarios teatrales internacionales, este estudio observa como el modelo del juego participa en redefinir un teatro político para hoy en día. Por una parte, el juego permite entender las transformaciones experimentadas por el contexto teatral latinoamericano al final del siglo XX frente a las alteraciones de su modelo dominante de teatro político comprometido. Por otra parte, permite estudiar los textos de Fabio Rubiano (Colombia, 1963) Rafael Spregelburd (Argentina, 1970) y Gabriel Calderón (Uruguay, 1982), en su articulación especifica con lo político. Allí surge una política del juego, en los pasos de la reflexión sobre la “política de la estética” por Jacques Rancière, que dispone la perspectiva política, como crítica hacia el presente y deseos de transformación, desde una relación con lo real, una producción de sentido y una concepción del espectador que le son propios. Entre juego y política, dos dinámicas principales se desarrollan en los textos. Primero, el juego se presenta como una medio paradoxal para la crítica. Dispone heteropías lúdicas que se distinguen de la realidad para poder pintar de manera distópica las fallas y los mancamientos del presente. Después o simultáneamente, el juego desordena la interpretación critica inicial a través de exploraciones ficcionales y formales que subrayan la creatividad en sí misma. La dimensión utópica de estas experimentaciones va cambiando según los textos y los autores pero todas obran a constituir las premisas de unas transfiguraciones por venir.

This Master of Fine Arts thesis is divided into four main sections:FAITH and DISBELIEF: In which I reckon with the implications of faith versus rationality as a secular nontheistic artist. IDEAS: The central locus of my work is a place of indeterminacy between what is known/familiar and what is just one step outside of that. This has nothing to do with mysticism, science fiction, or anything else unmoored from established fact. Section also touches on the particular vantage of a female artist with working class roots.THE WORK: Selection of work made during graduate school, and the the guiding thoughts behind each.EMPTINESS, STILLNESS, ABSENCE, GHOSTS, DOUBT: A discussion of influential artists and ideas.

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