Global ETD Search

91	A Representação do Diabo no Teatro Vicentino e Seus Aspectos Residuais No Teatro Quinhentista do Padre José de Anchieta e no Contemporâneo Ariano Suassuna / The Representation of the Devil in the Theater Vicentino and Your Residual Aspects in the Sixteenth Century theater of the Priest José de Anchieta and in Contemporary´S Ariano Suassuna. Lima, Francisco Wellington Rodrigues January 2010 (has links) LIMA, Francisco Wellington Rodrigues. A representação do diabo no teatro vicentino e seus aspectos residuais no teatro quinhentista do Padre José de Anchieta e no contemporâneo Ariano Suassuna. 2010. 288f. Dissertação (Mestrado em Letras) – Universidade Federal do Ceará, Departamento de Literatura, Programa de Pós-Graduação em Letras, Fortaleza-CE, 2010. / Submitted by Liliane oliveira (morena.liliane@hotmail.com) on 2012-06-28T14:33:49Z No. of bitstreams: 1 2010_DIS_FWRLIMA.pdf: 1523386 bytes, checksum: cdef1b17fb0253bd811844ee1dbfd01c (MD5) / Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2012-07-24T11:04:48Z (GMT) No. of bitstreams: 1 2010_DIS_FWRLIMA.pdf: 1523386 bytes, checksum: cdef1b17fb0253bd811844ee1dbfd01c (MD5) / Made available in DSpace on 2012-07-24T11:04:48Z (GMT). No. of bitstreams: 1 2010_DIS_FWRLIMA.pdf: 1523386 bytes, checksum: cdef1b17fb0253bd811844ee1dbfd01c (MD5) Previous issue date: 2010 / Figura emblemática presente no imaginário popular europeu, devido à ascensão do Cristianismo como religião dominante, o Diabo recebeu diversas definições e transformações que o moldaram através dos séculos. Na Literatura Brasileira, em especial, no Quinhentismo e na Contemporaneidade, temos de maneira bastante significativa a representação residual de tais personificações do Diabo, seguindo os moldes do imaginário cristão medieval conforme se encontra no Auto da Alma, no Auto da Barca do Inferno, no Auto da Barca do Purgatório e no Auto da Barca da Glória, de Gil Vicente. O intuito deste trabalho é demonstrar os aspectos residuais da representação do Diabo medieval vicentino no teatro brasileiro quinhentista do Padre José de Anchieta e no contemporâneo de Ariano Suassuna. Letras Teatro Medievo Diabo Residualidade Teoria da Residualidade(Literatura) Demônio na Literatura Theater Medieval Period Devil Residuality
92	Diagn?stico do usu?rio no aprimoramento dos servi?os de tecnologia da informa??o: um projeto de interven??o para o Minist?rio P?blico do Estado do Rio Grande do Norte Monteiro, Edilson Brito 22 August 2014 (has links) Made available in DSpace on 2014-12-17T15:24:30Z (GMT). No. of bitstreams: 1 EdilsonBM_DISSERT.pdf: 1273586 bytes, checksum: 32add4a708ccebd27ea5b1df42d3823b (MD5) Previous issue date: 2014-08-22 / Universidade Federal do Rio Grande do Norte / The information tecnology (IT) has, over the years, gaining prominence as a strategic element and competitive edge in organizations, public or private. In the judiciary, with the implementation of actions related to Judici?rio Eletr?nico, information technology (IT), definitely earns its status as a strategic element and significantly raises the level of dependence of the organs of their services and products. Increasingly, the quality of services provided by IT has direct impact on the quality of services provided by the agency as a whole. The Minist?rio P?blico do Estado do Rio Grande do Norte (MPRN) deployments shares of Electronic Government, along with an administrative reform, beyond these issues raised, caused a large increase in institutional demand for products and services provided by the Diretoria de Tecnologia da Informa??o (DTI), a sector responsible for the provision of IT services. Taking as starting point strategic goal set by MPRN to reach a 85% level of user satisfaction in four years, we seek to propose a method that assists in meeting the goal, respecting the capacity constraints of the IT sector. To achieve the proposed objective, we conducted a work in two distinct and complementary stages. In the first step we conducted a case study in MPRN, in which, through an internal and external diagnosis of DTI, accomplished by an action of internal consulting and one research of the user satisfaction, we seek to identify opportunities of change seeking to raise the quality perceived of the services provided by the DTI , from the viewpoint of their customers. The situational report, drawn from the data collected, fostered changes in DTI, which were then evaluated with the managers. In the second stage, with the results obtained in the initial process, empirical observation, evaluation of side projects of quality improvement in the sector, and validation with the managers, of the initial model, we developed an improved process, gazing beyond the identification of gaps in service a strategy for the selection of best management practices and deployment of these, in a incremental and adaptive way, allowing the application of the process in organs with little staff allocated to the provision of information technology services / A tecnologia da informa??o (TI) vem, ao longo dos anos, ganhando destaque como elemento estrat?gico e diferencial competitivo nas empresas, sejam elas p?blicas ou privadas. No poder judici?rio, com a implanta??o de a??es relacionadas ao judici?rio eletr?nico, a TI ganha definitivamente seu status de elemento estrat?gico e eleva sensivelmente o n?vel de depend?ncia dos ?rg?os de seus servi?os e produtos. Cada vez mais a qualidade dos servi?os prestados pela TI tem impacto direto na qualidade dos servi?os prestados pelo ?rg?o como um todo. No Minist?rio P?blico do Estado do Rio Grande do Norte (MPRN), as implanta??es das a??es do Governo Eletr?nico, junto com uma reforma administrativa em curso, al?m destas quest?es levantadas, provocaram um grande aumento das demandas institucionais por produtos e servi?os prestados pela Diretoria de Tecnologia da Informa??o (DTI), setor respons?vel pela presta??o dos servi?os de TI. Tomando como ponto de partida a meta estrat?gica definida pelo MPRN de atingir um n?vel de 85% de satisfa??o dos usu?rios em quatro anos, buscamos propor um m?todo que auxilie no cumprimento da meta proposta, respeitando as limita??es de pessoal do setor de TI. Para atingir ao objetivo proposto, realizamos um trabalho em duas etapas distintas e complementares. Na primeira etapa realizamos um estudo de caso no MPRN, no qual, por interm?dio de um diagn?stico interno e externo da DTI, realizado por meio de uma a??o de consultoria interna e pesquisa de satisfa??o dos usu?rios, buscamos identificar oportunidades de mudan?a procurando elevar a qualidade percebida dos servi?os prestados pelo setor na ?tica de seus clientes. O relat?rio situacional, elaborado a partir dos dados coletados, fomentaram a??es reestruturadoras na DTI, que foram em seguida avaliadas junto aos gestores. Na segunda etapa, de posse dos resultados obtidos no processo inicial, observa??o emp?rica, avalia??o de projetos paralelos de melhoria da qualidade no setor e valida??o com os gestores do modelo inicial, elaboramos um processo melhorado, contemplando, al?m da identifica??o das lacunas de servi?o, uma estrat?gia para a sele??o de boas pr?ticas e gerenciamento de implanta??o destas, de forma incremental e adaptativa, permitindo a aplica??o do processo em ?rg?os com pouco pessoal alocado para a presta??o dos servi?os de tecnologia da informa??o
93	Masculinidades de moda : machos del Siglo de Oro Gagnon, Julie E. January 2003 (has links) No description available. Masculinity in literature
94	O léxico de origem africana na música popular brasileira: uma análise das letras de Gilberto Gil / The lexicon of African descent in the Brazilian popularmusic: an analysis of Gilberto Gil’s song lyrics Tillquist, Ylva January 2011 (has links) Sociolingvistiska studier visar att kontakten mellan den brasilianska portugisiskan och afrikanska språk under kolonialtiden ledde till att afrikanska ord assimilerades in i det brasilianska talspråket. Vissa ord är idag en del av det brasilianska vardagsspråket, medan andra används enbart inom den afro-brasilianska religiösa kontexten. Den brasilianska populärmusiken kan ses som en viktig faktor för spridningen av ord med afrikanskt ursprung. Musiken är ett instrument med vilket det brasilianska samhället kan medvetandegöra sig om hur essentiellt Afrika var i det brasilianska samhällsskapandet. Samtidigt ges kännedom om de afrikanska orden och olika afro-brasilianska kulturella element. I de musikaliska verken av Gilberto Gil, en brasiliansk kompositör, musiker och artist, används ofta ord med afrikanskt ursprung. I den här studien analyseras dessa ord, och med hjälp av ett förslag till klassificering från den brasilianska etno-lingvisten Yeda Pessoa de Castro, görs ett försök att klassificera de afrikanska orden utifrån dess användning, beroende av dess sociokulturella nivå. Analysen visar att det förkommer ord med afrikanskt ursprung i stor del av kompositörens verk, majoriteten av dessa kommer ifrån de afrikanska språkgrupperna bantu och kwa. Orden kommer ifrån olika semantiska fält som till exempel mat, musik och kultur, och en majoritet är benämningar som kommer ifrån den Afro-brasilianska religiösa kontexten. Just det Afro-brasilianska religiösa temat är vanligt förekommande inom brasiliansk populärmusik, men i Gilberto Gils sångtexter ses också teman från den Afro-brasilianska sfären i användandet av välkända afrikanska ord, men det förkommer också ord som är för okända för den större publiken. Ett medvetet användande av de afrikanska orden ses som förstärkande i skapandet av en samhörighet med den Afro-brasilianska världen. / The sociolinguistic studies show that during the inter-linguistic contact between the Brazilian Portuguese and the African languages during the colonial period, many words were assimilated in the vernacular Portuguese of Brazil. Some of the words are today a part of the vernacular language, while others are used exclusively in Afro-Brazilian religious communities. For the diffusion of the words with African origins, the popular music could be an important factor. With this musical theme, the Brazilian society is reminded of the importance that Africa had in the forming of the Brazilian society, and the music brings awareness of the African words and the Afro-Brazilian cultural elements. There is a frequent use of these African words in the musical accomplishments of the Brazilian composer, musician and artist Gilberto Gil. In the present work these words are analyzed, and with the proposal for classification made by the Brazilian ethno-linguist Yeda Pessoa de Castro, the aim is to classify the words, depending on their sociolinguistic level. The analysis shows that the African words can be found in a great part of the composers work, and the majority comes from the banto and kwa languages. The words are being classified in various semantic fields, for an example food, music and culture, and the majorities are designations that come from Afro-Brazilian religion. The Afro-Brazilian religious theme is a common element in the Brazilian popular music, but in the song lyrics of Gilberto Gil the African theme is also showing in the use of well-known African word. Whereas others words with African origin are not that well known, but in the conscious use of Gilberto Gil words of African origin reinforce a connection to the Afro-Brazilian universe. / Pesquisas sociolinguísticas mostram que no contato linguístico entre o português brasileiro e as línguas africanas durante o tempo da colonização, muitas palavras africanas foram assimiladas à língua falada no Brasil. Certas palavras fazem hoje parte da língua cotidiana, enquanto outras são utilizadas exclusivamente nas comunidades de religião afro-brasileira. Para a difusão das palavras de matriz africana, as músicas populares podem ser um fator importante. Com a ajuda da música, a sociedade brasileira lembra-se da importância que teve a África na formação da sociedade brasileira, e leva para o conhecimento palavras africanas e elementos culturais afro-brasileiros. Na obra musical do compositor, músico e artista Gilberto Gil pode-se observar um uso frequente de palavras de matriz africana. Neste trabalho analisa-se este vocabulário, e com uma proposta de classificação feita pela etnolinguista Yeda Pessoa de Castro, procura-se classificar as palavras conforme o nível sociocultural no qual se encontram. A análise mostra que em grande parte da obra do compositor acham-se palavras africanas, a maioria de origem banto e kwa. As palavras vêm de campos semânticos diferentes como culinária, música, cultura e a maioria são designações derivadas de religiões afro-brasileiras. Justamente o tema da religião afro-brasileiro aparece como elemento comum na música popular brasileira, mas nas letras de Gilberto Gil é possível ver temas do universo afro-brasileiro também através do uso de palavras africanas. A análise mostra que algumas são bem conhecidas, outras nem tanto. O uso tão elaborado do léxico de origem africana por Gilberto Gil em suas letras de canções manifesta uma identificação com o universo afro no Brasil. Sociolinguistic Portuguese African languages Linguistic contact African words Sociolinguística Português Línguas Africanas Contato Linguístico Africanismos Léxico Música Sociolingvistik Portugisiska Afrikanska språk Språkkontakt Afrikanska ord Vokabulär Humanities and the Arts Humaniora och konst Languages and Literature Språk och litteratur Specific Languages Studier av enskilda språk
95	Anatomy of a pin-up : a genealogy of sexualized femininity since the Industrial Age Lipsos, Eleni January 2013 (has links) Pin-up images have played an important role in American culture, in both their illustrated and photographic configurations. The pin-up is viewed as a significant representational cultural artifact of idealistic and aspirational femininity and of consumerism and material wealth, especially reflective of the mid-twentieth century period in America spanning the 1930s to the 1960s. These images not only reflect great shifts in social mores and women’s social status, but also affected changes in both areas in turn. Furthermore, pin-up images internationally circulated in magazines, advertising and promotional material, contributed to the manner in which America was idealized in Europe and beyond. Crucially, they influenced how an eroticized and glamorous, yet unrealistic, example of femininity came to be generalized as a desirous model of femininity. In recent years there has been vital, though limited, scholarly research into the cultural and social impact of pin-up imagery, to which this thesis adds to. This thesis takes a genealogical approach, charting the development of popular female-centric “pin-up” imagery in America since the 1860s and up to the 1960s, and its resurgence since the 1980s onwards. In doing so this thesis aims to provide a social, political and cultural context to the emergence of a specific archetypal sexualized femininity, with the aim of challenging the tendency to dismiss sexualized imagery as “anti-feminist” or as trivial. Toward that end, I examine the complexity of intentions behind the production of “pin-up” images. In taking this revisionist approach I am better able to conclusively analyze the reasons for the resurgence and reappropriation of pin-up imagery in late-twentieth- and early-twenty-first-century popular culture, and consider what the gendered cultural implications may be. 740
96	There Will Be No Pictures of Pigs Shooting Down Brothers in the Instant Replay: Surveillance and Death in the Black Arts Movement Jackson, Indya J. 06 November 2020 (has links) No description available. African American Studies African Americans Black Studies Literature Music Philosophy Theater Black Power African-American African-American Literature Literature Amiri Baraka LeRoi Jones Malcolm X Gil Scott-Heron Black Arts Movement Afro-Pessimism Frank Wilderson Social Death Surveillance Anti-Blackness James Baldwin
97	Gör oss levande igen : En undersökning om hur teologi kan göras genom att dansa / Make us alive again : An inquiry into how theology can be done through dancing Andelius Sjöström, Karin January 2023 (has links) In this essay I explore how dance can be interpreted as a theological practice. I stage an encounter between the lived experience of the dancer’s body and word-based tradition of theological discourse. This encounter between the word and the image of dance reveals the limitations of theological discourse to account adequately for the full range of human and creaturely experience that have its sources in colonialism and imperialism. This paper argues that introducing the image of dance and the lived experience of the dancer into theological discourse then will serve to reduce the effects of these dangerous prejudices. This essay will use two of Simone Weil's most well-known concepts, attention and presence. They will serve as the interpretive bridge for a dialogue between dance and theology. I will focus on the experience of dancing and explain how this subjective, embodied practice of movement can enhance theology. At a time of great instability and uncertainty globally with ecological crises, racial injustice, and economic disparity on one hand and the rise of anxiety, depression, loneliness, and despair on the other hand, it is important that we find new ways to cultivate inner peace and encourage responsible action. And important way to do this is to welcome the creative opportunities of instability and uncertainty, of the unknown and the unexplored. Dance and theology—in collaboration and conversation—can offer useful resources for cultivating these practices that allow us to meet these challenges with faith, hope, and love. Dance theology systematic theology attention presence subjectivity critical race theory Dans teologi systematisk teologi Simone Weil uppmärksamhet närvaro subjektivitet implicit tro danserfarenheten kritisk rasteori Laura Hellsten Lissa McCullough Kimerer L. LaMothe José Gil Philosophy, Ethics and Religion Filosofi, etik och religion Religious Studies Religionsvetenskap
98	La représentation de la violence faite aux femmes dans 'Un dimanche à la piscine à Kigali' de Gil Courtemanche et 'Je m’appelle Bosnia' de Madeleine Gagnon Thach, Thida January 2014 (has links) La violence faite aux femmes est une réalité encore très présente, surtout dans les sociétés patriarcales, même après des décennies de lutte féministe. C’est aussi un thème privilégié en littérature. La présente thèse propose justement une analyse de ce thème à travers deux romans assez récents qui mettent tous deux de l’avant des aspects particuliers de la question : Un dimanche à la piscine à Kigali de Gil Courtemanche et Je m’appelle Bosnia de Madeleine Gagnon. Nous tenterons de cerner les différentes formes de violences à l’œuvre dans les deux narrations : la violence faite aux filles, celle faite aux femmes, et enfin la violence spécifique qu’engendrent les conflits armés avec le viol comme arme de guerre. Nous proposerons une analyse intersectionnelle de ces formes de violences afin de mesurer les représentations et les répercussions des notions de classe et de race eu égard aux toiles de fond différentes des deux romans : le génocide chez Courtemanche, le nettoyage ethnique chez Gagnon. Nous aborderons aussi les narrations sous l’angle de l’agentivité. Dans des sociétés fondamentalement patriarcales, quel pouvoir peuvent espérer avoir les personnages féminins sur leur destin personnel et collectif? Y a-t-il pour ces femmes fictives des stratégies possibles pour atteindre une liberté d’action, si mince soit-elle? La représentation de la violence La violence faite aux femmes La violence contre les femmes La violence vis-à-vis des femmes Les femmes et la guerre Violence conjugale et littérature Violence conjugale L'autorité masculine et les femmes Le viol comme arme de guerre Le génocide au Rwanda Les personnages féminins et la violence L'agentivité féminine Male gaze La femme comme objet sexuel L'inceste dans la littérature La prostitution Un dimanche à la piscine à Kigali Je m'appelle Bosnia A Sunday at the pool in Kigali My name is Bosnia Female agency Prostitution Incest in literature Féminisme Feminism Regard masculin Women and war Marital violence Male authority and women The genocide in Rwanda The woman as a sex object Violence against women Female protagonists and violence Approche intersectionnelle Intersectional approach Littérature québécoise Literature of Quebec Rape during war Le viol durant la guerre Rwanda Bosnie-Herzégovine Génocide Nettoyage ethnique Victimes de guerre Victims of war Figure d'autorité Authority figure Patriarcat Patriarchy Tutsi Hutu Les femmes dans la littérature Women in literature Violence against women and agency L'assujettissement des femmes The domination of women Gentille Bernard Valcourt Les femmes comme objet Women as object Le personnage de la prostituée The character of the prostitute Femme Violence masculine Personnages féminins Woman Male violence Female characters Système prostitutionnel System of prostitution Gil Courtemanche Madeleine Gagnon Intersectionnalité Intersectionality Bosnia Viol Rape Rape as a weapon of war

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