Local heritage societies were established in Sweden for about a hundred years ago. The societies responded to the large changes of industrialisation, emigration and urbanisation during that time. Today there are about 2 000 societies with almost half a million members altogether. Why do people turn to local heritage societies today? The image of them, associated with folklore costumes and quaint old cottages, is not consistent with the extensive activity in the 21st century. That raises questions that have not been clarified in previous research. The aim of this thesis is to find out what today's local heritage societies do, as well as to investigate what their meanings are for people and the local society. Thereby the intention is to contribute to an understanding of their present extent and endurance over time. The activities of three local heritage societies in and around the city of Linköping are mapped out in this thesis. The survey shows extensive and very broad activities that are well adjusted to present time. The traditional image has become rigid, but in parts it is accurate since the activities are still dominated by local use of history., which also contributes to their extent and continuity. Place and history as common ground is something universal: The need for people to be oriented in time and space contributes to the persistence of the local heritage societies. At the same time there seems to be something strong in society today which contributes to their extent. The thesis shows that the societies can have knowledge-generating, ideological, existential and social meaning. Through the local heritage society people can learn about, evaluate and gain feelings for the place. The society also contributes to strengthening the power of togetherness in the local community as a part of the civilian society. The multifaceted meaning of the activities makes it possible for the societies to keep or even strengthen their attraction, especially among the large group of retired people. / Hembygdsföreningar etablerades i Sverige för omkring hundra år sedan. Föreningarna svarade mot den tidens stora förändringar med industrins framväxt, emigrationen och flykten från landsbygden. Idag finns det omkring 2 000 föreningar med sammanlagt nära en halv miljon medlemmar. Varför söker sig människor till hembygdsföreningar idag? Den gängse bilden av föreningarna som bakåtsträvande och förlegade stämmer inte in på en omfattande verksamhet på 2000-talet. Det väcker frågor om hembygdsföreningar, som inte har klargjorts i tidigare forskning. Avhandlingen syftar till att ta reda på vad samtida hembygdsföreningar gör och att undersöka deras betydelser för människor och lokalsamhälle. Härigenom vill avhandlingen också bidra till att förstå deras nutida omfattning och uthållighet över tid. I avhandlingen kartläggs verksamheten i tre hembygdsföreningar i och omkring staden Linköping i Östergötland. Kartläggningen visar på en omfattande och mycket bred verksamhet som är väl anpassad till sin samtid. Den traditionella bilden är stelnad, men till delar stämmer den genom att föreningarnas verksamhet domineras av lokalt historiebruk, som också bidrar till deras omfattning och kontinuitet. Det står å ena sidan för något allmänmänskligt: Människans orientering i tid och rum, som bidrar till att föreningarna alltid är aktuella. Å andra sidan framträder intresset för det lokala och för historia som två starka strömningar i samtiden. Avhandlingen visar att föreningarna har kunskapsgenererande, ideologiska, existentiella och sociala betydelser. Genom hembygdsföreningen kan människor lära sig om, värdera och få känslor för platsen. Föreningen bidrar också till att stärka kraften och gemenskapen i lokalsamhället som en del av det civila samhället. Den mångfasetterade betydelsen av verksamheten gör att föreningarna har lyckats behålla eller till och med stärka sin attraktionskraft, särskilt bland den stora gruppen pensionärer.

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This thesis examines the relationship between regionality and societal integration at the turn of the 20th century from an historical and pedagogical perspective. The national identity project of the time that made national unity its overarching goal and that imagined the nation as a homogenous entity, also institutionalised regional distinctiveness. How did the agents of the time handle the conflict between the regionally particular and the nationally general? What is analysed here is the publicly constructed and mediated “regionality”, which is to say the production of meanings about a region and the projection onto it of expectations and ideas. A discourse on Jämtland has been demarcated, which is analysed alongside other contemporary discourses, including class and gender. All of these discourses were rooted in the concept of “societal”. The conception showed that the development of the societal whole was primary in relation to other interests. Defined as “societal”, formerly excluded identities could be made participants in the building of the nation. Empirical examination is given to how “Jämtland” and “the Jämtlandic” were defined in the regional press, in the framework of general education, and by the Swedish Tourist Association, regional societies, institutions and so forth. The study shows that at the turn of the 20th century, regionality very much functioned as a means to territorially anchor more general ideas and notions that inheredin the modernisation and democratisation of society. With the objective of attaining a higher degree of national integration, a regional distinctiveness was constructed that was nationally complementary and that served as a metaphorfor subordinated participation in society. From grand, majestic panoramas, historical myths, traditional local handicrafts and provincial flowers a symbolic distinctiveness was created, but with the aim of establishing genuine national unity. Society was to be described and understood from particular and individual viewpoints, so that the individual could develop a sense of the general and so that society’s fundamental values were not undermined by his liberation. Jämtlandic regionality that has been identified in the study can thus be regarded as a supra-ideological institution. What came to be regionalised was something more fundamental than the artefacts of cultural heritage that people and institutions believed themselves to be rescuing from modernisation: it was the nation’s territoriality. The concept of hembygd represented a “spatialisation” of the societally coded concept of citizenship, and helped to tie this concept to the individual’s own lifeworld. More than anything else, regionality indicateda perspective on reality. If it was possible to obtain an overview of a regional context from a local vantage point or an individual locally crafted artefact, it was also possible to conceive of the larger national framework of which this region formed a part. The regional denoted the link between the private and the public, between the individual and his abstract national affiliation.

Showing movies to pupils is hardly a new, innovative teaching method. However, knowledge about how film is used and why, as well as what kind of film is used is scarce. In the present licentiate thesis, eight active teachers have been interviewed on their experiences with and approached to using film as a pedagogic tool in high school history lessons. The purpose of the study is to analyze the respective teachers´ use and understanding of history, based on their opinion of film as a didactic alternative. Why do teachers to use film in class? How do they describe the way in which they work with it in concrete teaching situations? What films do they use and what makes them suitable for classroom viewing? The teachers emphasize five primary ways in which they use movies as teaching tools and the advantages in doing so: to present facts; as an example of multiperspectivism; to promote ethics and empathy; to discuss source criticism; and to arouse interest. The teachers see documentary film as an accurate, reliable form of presenting facts while considering drama more complicated and important to address in class. The study shows that the teachers feel they are left to their own devices to discover film´s potential as creators of meaning but that they rarely have the educational background or time to engage colleagues in didactic reasoning on the subject. The type of films they consider as having the most favorable effect in the classroom generally deal with war and other conflicts from a Western perspective. Most see film as an effective secondary source but a few also see it as a useful primary source. Analyzing their statements as a whole, the informants articulate that while film is widely used in high school history classes, it is done so for very different reasons.

The purpose of this study is to examine the historical consciousness and the use of history among pupils in 6th grade, in Swedish elementary school. To do this, the aim is to answer the following questions: Which types of history use are to be found among 6th graders, and how are these expressed? What historical consciousness/historical thinking do 6th graders display, and how is this expressed? What interest do 6th graders have in history? The method used in this study is a survey, which has been answered anonymously by 60 pupils in four different classes, from four different elementary schools, and in four different Swedish suburbs. The final analysis is based on theories on historical thinking/historical consciousness, uses of history, and history cultures, described by important historians, such as Rüsen, Ammert, and Karlsson. The study has led to the conclusion that, although a large majority of the pupils say that they are interested in history and think it is relevant, very few of them can mention uses of history outside the school context. The answers do not reveal a notably developed historical consciousness, even though there are signs expressing historical consciousness to a limited extent. One of the main characteristics of historical consciousness among the pupils is their use of concepts for historical change, such as development and consequence.

This study is a qualitative interview study that examines antagonism, identity and collective memory among second generation immigrants from Bosnia & Herzegovina. The study is based on an existential history use-perspective and social constructivist socialization theory. The study shows that the Bosniak identity is seldom defined by their history and the Yugoslavian wars but rather by language and traditions. In addition, the results indicate that the Bosniak identity has been assimilated to a large extent into the Swedish majority culture. The results also show that antagonism against other ethnic groups in the Balkans mainly occurs among first-generation immigrants while the descendants do not relate to a large extent to the war crimes and atrocities that occurred against Bosnian Muslims. Instead, they express empathy and sympathy for their parents’ experiences of these traumas. The respondents also experienced a nonchalance towards their background in Swedish history teaching where their history was neglected in favor of other wars and genocides. While the respondents suspected a fear of conflict among teachers to account for the area, they also told examples when teachers failed in the relational pedagogy and homogenized the individuals by letting them represent an entire conflict and ethnic group. Overall, the study shows that the use of history is not a recurring phenomenon among second-generation Bosniak immigrants, and their attitude focuses on individuals rather than groups. In the didactic part of the study, the results emphasize that history teachers might need to self-educate based on the students' background to create a meaningful education and create a history awareness among students.

This essay explores how and why the memory of the Baltic extradition in 1946 has been shaped and used in relation to the social democratic Swedish identity, trough the theory of cultural history. The method utilized is a qualitative content analysis of the 71 articles in Aftonbladet that discuss the term “baltutlämningen” between 1947-2022. Here, a theoretical and methodical device is presented and applied. The device outlines the Swedish identity by examining how the articles negotiate guilt to avoid shame, thus preserving the self-image.       The findings show that the remembrance of the Baltic extradition serves to cement an image that upholds the identity of the social democratic group as rational, humanitarian, and anti-fascist. Consequently, when Aftonbladet brought the memory to life in 1966 it was shaped to avoid anything that would cause shame by contradicting those values. Thus, the narrative came to portray the political right as guilty for the extradition, and the Balts’ unnecessary suffering during it. Later, the memory was used to reinforce the progressive and humane self-image by being used as a cautionary example, legitimizing current social democratic stances regarding questions of asylum, international relations, and war crime policies.           In the 2000’s a new discussion emerged alongside the previous narrative, as historians started questioning the facts and reassessing the feelings of guilt and shame. With the admission that fascist sympathizers may also have infiltrated the social democratic group, the historian debate joined the European narrative: promoting the international cause for democracy, through national self-evaluation, to combat intolerance and fascism globally. Thus, the memory of extradition of the Balts has come to connect the Swedish cause to the European one, maintaining the rational, humanitarian, and anti-fascist self-image.      From an identity perspective the recurring guilt-shame complex shows that the humanitarian and democratic values are desired, but not innate, aspects of Swedish identity. Furthermore, the study shows that guilt and shame have consistently been used as educational tools to shape the Swedish people, inside and outside the classroom.

The purpose of this study is to explore how upper secondary school students relate to popularhistorical stories conveyed via Hollywood films, if they can identify and relate critically to the use of history used in feature films and how it affects their history film literacy. That students gain an understanding that history is used and in what ways it can be used is a fundamental factor within the subject of history. Previous studies show that many students have difficulty distinguishing between what is historical fact and what is fiction.To explore this, a qualitative study was carried out using observations and the participants’ writtentexts. The theoretical starting points are based on Klas-Göran Karlsson’s typology of use of history, Louise Rosenblatt’s efferent and aesthetic reading and Maria Deldéns historical film literacy. Kenneth Nordgren’s model of historical use was also included in the analysis of the results. The results show that the students were able to identify different uses of history in the feature film 300 with the help of Karlsson’s typology. However, it appeared somewhat problematic as they had difficulty distinguishing some of the uses. The results also showed that it is a good idea to combine efferent reading with aesthetic reading to strengthen the students’ historical film literacy. However, if may be beneficial to use a historical feature film that contains fewer fictional elements. The use of feature film in the education also showed that the students became more engaged in the teaching. / Syftet med denna studie är att undersöka hur gymnasieelever förhåller sig till populärhistoriskaberättelser som förmedlas via Hollywoodfilmer, om de kan identifiera och förhålla sig kritiskt till historiebruk som används i spelfilm samt hur det påverkar deras historiefilmslitteracitet. Attelever får en förståelse för att historia används och på vilka sätt den kan användas är engrundläggande faktor inom historieämnet. Tidigare studier visar att många elever har svårt att skiljapå vad som är historisk fakta och vad som är fiktion.För att undersöka detta genomfördes en kvalitativ studie med hjälp av observationer och deltagarnasskriftliga texter. De teoretiska utgångspunkterna tar avstamp i Klas-Göran Karlssonshistoriebrukstypologi, Louise Rosenblatts efferenta och estetiska läsning samt Maria Deldénshistoriefilmslitteracitet. I analysen av resultatet användes även Kenneth Nordgrenshistoriebruksmodell. Resultatet av undersökningen visar att eleverna kunde identifiera olika historiebruk i spelfilmen 300 med hjälp av Karlssons typologi. Dock förefall den något problematisk då de hade svårt att särskilja några av bruken. Resultatet visar även att det är en god idé att kombinera efferent läsning med estetisk läsning för att stärka elevers historiefilmslitteracitet. Dock kan det vara fördelaktigt att använda en historisk spelfilm som innehåller färre fiktiva faktorer. Användandet av spelfilm i undervisningen visade även att eleverna blev mer engagerade i undervisningen.

The purpose of this master thesis in history was to examine the use of history of an Indian queen, the Rani Lakshmi Bai of Jhansi. The Rani Lakshmi Bai was born in Banaras and married a king – the Raja of Jhansi. The Rani Lakshmi Bai fought against the British during the first war of independence year 1857-58. Recently, a memorial has been built at her supposed birthplace in Banaras, more than 150 years after her death. This development has raised several questions about the use of history of the Rani Lakshmi Bai. How has the use of history of Rani Lakshmi Bai changed? Why has it become relevant to build a statue of the Rani now and not before? The purpose of this study has been answered with the help of oral history and text analysis. Firstly, this has been done, by examining the knowledge of people from Banaras and Jhansi as well as through their perceived image of the Rani Lakshmi Bai. Twenty people from Banaras and four people from Jhansi have been interviewed. Secondly, the institutional level information has been examined which is presented in educational textbooks and newspapers like the local newspaper Aaj and the national newspapers The Hindu as well as The Times of India. The results show that the level of historical knowledge about the Rani is low, though the love and affection for her are great. The use of history of the Rani Lakshmi Bai has been as a freedom fighter, a role model in different contexts and a symbol, as well as an inspirational source of women empowerment. There is also a political use of the Rani. All these uses of history in combination with the increased economic interest in the neighbourhood of Assi in the city of Banaras made it relevant and possible to build a monument of the Rani Lakshmi Bai in present time.

Uppsatsens syfte är att söka förklaring till varför den svenska regeringen valde att inte erkänna folkmordet på armenier/Seyfo samt undersöka på vilket sätt politiker använder sig av historia när de ska ta beslut i frågor som dels skett i en annan tid och som dels är obekväma att hantera. För att få svar på denna fråga har en kvalitativ metod använts. Argumentationsanalys samt kritisk diskursanalys har använts för att tolka de politiska argumentationerna och nyckelorden i den politiska debatten. Den utredning som regeringen beställde som underlag för sitt beslut har varit ett viktigt undersökningsmaterial. Vidare har intervjuer använts för att få en ökad förståelse av undersökningen. Syftet med uppsatsen har uppnåtts och förklaringen till varför den svenska regeringen valde att inte erkänna folkmordet på armenier/Seyfo är också en slutsats. Det fanns flera bakomliggande faktorer så som att inte stöta sig med en stor väljargrupp, inte riskera handelsrelationer dvs. ekonomiska intressen, dels flyktingfrågan mm. Dessa faktorer var dock inte de största utan den absolut största och även viktigaste orsaken var den som de inte tordes nämna. Denna faktor var att de var rädda för att ett erkännande skulle leda till påtryckningar och hot från Turkiet samt från olika intressenter i Sverige. / The purpose of the thesis is to seek an explanation as to why the Swedish government chose not to acknowledge the Armenian/Seyfo genocide and to investigate how politicians make use of history when making decisions on issues that have happened in another time and which are partly uncomfortable to manage. A qualitative method has been used to answer this question. Argumentation analysis and critical discourse analysis have been used to interpret the political arguments and keywords in the political debate. The investigation that the government ordered as a basis for its decision has been an important investigative material. Furthermore, interviews were used to gain a better understanding of the study. The purpose of the thesis has been achieved and the explanation as to why the Swedish government chose not to acknowledge the Armenian/Seyfo genocide is also a conclusion. There were several different underlying factors such as not clashing with a larger voter group, not risking trade relations i.e. financial interests, partly the refugee issue, etc. However, these factors were not the greatest, but the absolute greatest and also the most important reason was the one they did not dare mention. This factor was that they were afraid that recognition would lead to pressure and threats from Turkey as well as from various stakeholders in Sweden.