Global ETD Search

941	Eine multidimensionale Methodik zur Analyse von Bekehrungsmotiven = A multi-dimensional methodology for the analysis of conversion motives Rink, Tobias 28 February 2006 (has links) Zusammenfassung Das Forschungsprojekt untersucht Bekehrungsmotive von südsudanesischen Migranten, die in einem islamischen Kontext leben. Dazu wird zunächst das biblisch-theologische Bekeh¬rungsverständnis erhoben und im Kontext seiner kirchengeschichtlichen Entwicklung dar¬gestellt. Da jede Bekehrung ein multidimensionaler Prozess ist, der neben theologischen Fragestellungen auch soziologische, anthropologische und religionspsychologische Aspekte enthält, wird ein multidimensionaler Ansatz zur Erforschung von Bekehrungsmotiven konzipiert und ein Forschungswerkzeug erstellt, dass den Kontext südsudanesischer Migranten aufnimmt. Dieses kommt im Rahmen einer Pilotstudie zum Einsatz, die aus fünf Konvertiten-Interviews besteht. Zuerst wird der Inhalt jedes Interviews aus theologischer, soziologischer, religionspsychologischer und anthropologischer Sicht separat erhoben. Danach werden die unterschiedlichen Betrachtungsweisen in einen kritischen Dialog gebracht, um die Bekehrungsmotive zu bestimmen, welche den Kategorien kognitiv-religiös, mystisch-religiös, affektiv, experimentell oder sozial-politisch zugeordnet werden. Zum Schluss wird der Ertrag aller Interviews zu einem Gesamtergebnis verbunden und einer selbstkritischen Evaluierung unterzogen. Summary This dissertation examines conversion motives of Southern Sudanese migrants who live in an Islamic context. First of all a theological view of conversion in scripture and its development in the church history is presented. Since every conversion is a multi-dimensional process containing not only theological problems but also sociological, anthropological and religio¬psychlogical aspects, a multi-dimensional approach and a reseach methodology are designed for above context. This methodology is used for a pilot study of five interviews with converts. Each interview is examined separately from a theological, sociological, religio-psychological and anthropological analysis. After this the different views are brought into a critical dialog in order to identify the motives of conversion which are related to cognitive-religious, mystical¬religious, affective, experimental or social-political categories. The results of all individual interviews are merged in a final analysis and reflected in a self-critical evaluation. / Christian Spirituality, Church History and Missiology / M. Th. (Missiology) Inter-disziplinäre Arbeitsweise Interpretativität Islam Kontextualität Konversionserzählung Migranten Missiologie Multidimensionales Wirklichkeitsprofil Heilige Schrift Christentum Bekehrung Autobiographie Apostasie Anthropologie Persönlichkeitsumbruch Prozessualität Qualitative Interviews Qur'an Reflexivität Religionspsychologie Soziologie Sociology Religious Psychology Reflexivity Qur'an Qualitative interviews Processuality Radical change of personality Multi-dimensional profile of reality Sudan Conversion Autobiography Apostasy Anthropology Christianity Holy Scripture Inter-disciplinary working method Interpretativity Islam Contextuality Conversion stories Migrants Missiology 248.24609624 Missions to Muslims -- Sudan (Region) Christianity -- Sudan (Region)
942	L'hybridation dans l'oeuvre de Jeannette Winterson / Hybridization in Jeanette Winterson's works Mihajlovska, Lupka 16 November 2012 (has links) Nous définissons l’hybridation littéraire comme la combinaison d’éléments a priori disparates aboutissant à la création d’un ensemble à la fois un et multiple, qui garde les traces de ses parties constitutives tout en étant autre, différent, nouveau. L’hybride englobe les sphères de représentation de ses éléments-parents tout en les dépassant. Par conséquent, l’hybridation tend vers l’extension de toutes les frontières, littéraires et culturelles, dans le but de nous offrir une vision du monde et du sujet toujours plus complète. Dans Oranges are not the Only Fruit, Sexing the Cherry, Written on the Body et The PowerBook de Jeanette Winterson, l’hybridation se manifeste à tous les niveaux du texte. L’hybridité physique et sexuelle des narrateurs est ainsi une des manifestations de leurs identités et vies plurielles et paradoxales. Ces hybrides incarnés (monstres, travestis ou androgynes) se construisant au fil de leurs histoires, qui s’inspirent toujours de récits antérieurs, narrateurs et narrations se démultiplient conjointement, s’entremêlent et se redéfinissent sans cesse. Le texte fluctue au gré de l’hybridation générique et de l’intertextualité. De l’entrecroisement de genres réalistes – tels que l’autobiographie, le récit historique ou le discours scientifique – et fictionnels – tels que le conte ou la romance – naît un hybride générique à résonances parodiques représentant la nature du sujet, de sa vie, de la réalité et de la vérité. Enfin, en hybridant des textes préexistants à des motifs personnels, l’auteur élabore une narration originale qui réécrit les schémas sexistes relayés par ses ancêtres et retranscrit sa vision de l’individu, du monde et de l’art. / We understand literary hybridization as the combination of seemingly different elements resulting in the creation of an entity that is simultaneously single and multiple. Indeed, while it is utterly other and new, the hybrid still shows the marks of its constituents. The hybrid incorporates its ‘parents’’ initial fields of representation while reaching beyond them. Consequently, hybridization is a process that pushes all boundaries, be they literary or cultural, to offer an ever more complete vision of the subject and his/her life. In Jeanette Winterson’s Oranges are not the Only Fruit, Sexing the Cherry, Written on the Body and The PowerBook, hybridization permeates every level of the text. Thus, the narrators’ physical and sexual hybridity is a manifestation of their plural and paradoxical identities. These hybrid creatures (monsters, transvestites or androgynous beings) build their identities through the stories they tell and that are always inspired by existing narratives. Therefore, the narrators and their narratives proliferate conjointly, intermix and redefine each other constantly. The shape of the text fluctuates with generic hybridization and intertextuality. Realistic narratives – such as autobiographical, historical or scientific discourses – and fictional ones – such as fairy tales or romances – interact to produce generic hybrids with parodic undertones that represent the nature of the subject, his/her life, reality and truth. Finally, by hybridizing existing texts and personal literary devices, the author elaborates original narratives that rewrite her ancestors’ sexist discourses and reflect how she perceives the individual, the world and art. Hybridation Hybridité Hybrider Jeanette Winterson Oranges are not the Only Fruit Sexing the Cherry Written on the Body The PowerBook Sexe Sexisme Identité sexuelle Monstre Travesti Androgyne Genres narratifs Autobiographie Récit historique Discours scientifique Conte Histoire d'amour Romance Parodie Intertextualité Hybridization Hybridity Hybridize Jeanette Winterson Oranges are not the Only Fruit Sexing the Cherry Written on the Body The PowerBook Sex Sexism Sexual identity Monster Transvestite Androgynous Narrative genres Autobiography Historical narrative Scientific discourse Fairy tale Love story Romance Parody Intertextuality 800
943	Metafor - en metod att göra det privata personligt Uddenberg, Molly January 2013 (has links) In this study I have met three authors in a dialogue seminar on their literary work. The discussion, starting from texts by Lacan and Socrates, revolved around the dichotomy of personal and private, and how to benefit from personal material in one’s literary work. The three authors reflected on the writer Karl Ove Knausgård and the photographer Sally Mann, who both are working with their own immediate family as a motif. In Knausgård, you can find a strong and self-dissecting writer persona as a medium of creating recognition in the readers mind. In Sally Mann the metaphorical dimensions of this family motifs transforms them to images of much more general relevance than their private settings. On the subject of truth and story I also reflect on the different approaches that the authors Primo Levi, Viktor Frankl and Imre Kertész have on their experiences of the Holocaust. Finally the importance and relevance of metaphors as a way of getting a touch of one’s own private material is starting to be investigated. / I det här arbetet har jag samlat tre författare i olika genrer till ett dialogseminarium om sin arbetsprocess. Samtalet, som utgick från texter av Lacan och Sokrates, kretsade mycket kring författarens arbetsvillkor och de olika metoder som författarna använder sig av för att hitta sin frihet i förhållande till dem. I samtalet blev det uppenbart hur beroende alla författarna är av en förstående medarbetare. Okunskap och felläsning från en dramaturg eller redaktör kan bokstavligt talat bli förödande. Dialogmötet kom att kretsa kring frågeställningar om hur man skiljer privat och personligt. Vi diskuterade författaren Karl Ove Knausgård och fotografen Sally Mann, som båda jobbar med sin egen familj som motiv. Genom att Knausgård använder sig själv som en roll visar han på en möjlighet att närma sig ett eget material. Hos Sally Mann är det istället de metaforiska dimensionerna i de vardagliga motiven som gör sig tydliga. Också i Imre Kertész skildring av förintelsen förvandlas den till något större: en metafor för hur ödet och slumpen kan påverka våra liv. Hans berättelse blir på det sättet mindre beroende av vad som är sant, än skildringarna av två andra överlevare från Auschwitz: Primo Levi och Viktor Frankl. Vilket inte betyder att de andras texter saknar metaforisk styrka. Avslutningsvis går uppsatsen in på författarnas sätt att använda metaforen som ett verktyg för att berätta. Metaforen är alltid en bild av någonting annat, den skapar en fördjupning och oförväntad igenkänning hos läsaren. Den ger också möjligheter för konstnären/författaren att berätta saker som hen inte kan säga på andra sätt. Metaforen uppstår genom igenkänning i skapandet. Man kan välja att gå med den, eller aktivt gå emot den för att fördjupa textens eller filmens metaforiska dimension. En viktig aspekt för yrkeskunnande inom konsten och författarskap är att aldrig ligga före i sitt arbete genom att oroa sig för vad omgivningen ska tycka och tänka. Då finns det en risk att man blir en feg konstnär, vilket är förödande för ens skapande. Author writing metaphor images language acting role autobiography Lacan Socrates Knausgård Mann art artist artistic process artistry writing process teaching student wiggh strand lindholm levi frankl kertész personal experience private dramaturge script writer editor producer film theatre literature the unconscious Skrivarprocesser författare elever skrivarkurs metafor självbiografi privat personligt konstnär dramaturg manusförfattare förintelsen Karl Ove Knausgård Primo Levi Viktor Frankl Imre Kertész Marianne Strand Maj-Britt Wiggh Åsa Lindholm rollen bildspråket det omedvetna Sally Mann fotografi intuition igenkänning näsblod Platon Lacan Sokrates
944	Auf der Suche nach der verlorenen Welt die kulturelle und die poetische Konstruktion autobiographischer Texte im Exil ; am Beispiel von Stefan Zweig, Heinrich Mann und Alfred Döblin / Hu, Wei, January 1900 (has links) Originally presented as the author's Thesis (doctoral--Ludwig-Maximilians-Universität, München, 2006). / Includes bibliographical references (p. 185-204).
945	Auf der Suche nach der verlorenen Welt die kulturelle und die poetische Konstruktion autobiographischer Texte im Exil ; am Beispiel von Stefan Zweig, Heinrich Mann und Alfred Döblin / Hu, Wei, January 1900 (has links) Originally presented as the author's Thesis (doctoral--Ludwig-Maximilians-Universität, München, 2006). / Includes bibliographical references (p. 185-204).
946	L'acte poétique de la "transfiguralité" : pratiques de l'autoportrait entre écriture et photographie Lalonde, Johanne 12 1900 (has links) No description available. Autoportrait Autobiographie Autofiction Figure, figuratif, figural Transfiguralité Identité/Pacte autobiographique Acte narratif Acte poétique Acte performatif Mise-à-nu Mise-en-peau Mise-en-peau Corps sans organe Sensation Diagramme Mot-Nom-Topo Photos-textes Concept Self-portrait Autobiography Self-fiction Figure, figurative, figural Transfigurality Identity/Autobiographic pact Narrative act Poetic act Performing act Stripping/Nudity Weaving/Skin Death process of the figure Organless body Sensation Diagramm Word-Name-Theme Photoliterature Concept
947	Eine multidimensionale Methodik zur Analyse von Bekehrungsmotiven = A multi-dimensional methodology for the analysis of conversion motives Rink, Tobias 28 February 2006 (has links) Zusammenfassung Das Forschungsprojekt untersucht Bekehrungsmotive von südsudanesischen Migranten, die in einem islamischen Kontext leben. Dazu wird zunächst das biblisch-theologische Bekeh¬rungsverständnis erhoben und im Kontext seiner kirchengeschichtlichen Entwicklung dar¬gestellt. Da jede Bekehrung ein multidimensionaler Prozess ist, der neben theologischen Fragestellungen auch soziologische, anthropologische und religionspsychologische Aspekte enthält, wird ein multidimensionaler Ansatz zur Erforschung von Bekehrungsmotiven konzipiert und ein Forschungswerkzeug erstellt, dass den Kontext südsudanesischer Migranten aufnimmt. Dieses kommt im Rahmen einer Pilotstudie zum Einsatz, die aus fünf Konvertiten-Interviews besteht. Zuerst wird der Inhalt jedes Interviews aus theologischer, soziologischer, religionspsychologischer und anthropologischer Sicht separat erhoben. Danach werden die unterschiedlichen Betrachtungsweisen in einen kritischen Dialog gebracht, um die Bekehrungsmotive zu bestimmen, welche den Kategorien kognitiv-religiös, mystisch-religiös, affektiv, experimentell oder sozial-politisch zugeordnet werden. Zum Schluss wird der Ertrag aller Interviews zu einem Gesamtergebnis verbunden und einer selbstkritischen Evaluierung unterzogen. Summary This dissertation examines conversion motives of Southern Sudanese migrants who live in an Islamic context. First of all a theological view of conversion in scripture and its development in the church history is presented. Since every conversion is a multi-dimensional process containing not only theological problems but also sociological, anthropological and religio¬psychlogical aspects, a multi-dimensional approach and a reseach methodology are designed for above context. This methodology is used for a pilot study of five interviews with converts. Each interview is examined separately from a theological, sociological, religio-psychological and anthropological analysis. After this the different views are brought into a critical dialog in order to identify the motives of conversion which are related to cognitive-religious, mystical¬religious, affective, experimental or social-political categories. The results of all individual interviews are merged in a final analysis and reflected in a self-critical evaluation. / Christian Spirituality, Church History and Missiology / M. Th. (Missiology) Inter-disziplinäre Arbeitsweise Interpretativität Islam Kontextualität Konversionserzählung Migranten Missiologie Multidimensionales Wirklichkeitsprofil Heilige Schrift Christentum Bekehrung Autobiographie Apostasie Anthropologie Persönlichkeitsumbruch Prozessualität Qualitative Interviews Qur'an Reflexivität Religionspsychologie Soziologie Sociology Religious Psychology Reflexivity Qur'an Qualitative interviews Processuality Radical change of personality Multi-dimensional profile of reality Sudan Conversion Autobiography Apostasy Anthropology Christianity Holy Scripture Inter-disciplinary working method Interpretativity Islam Contextuality Conversion stories Migrants Missiology 248.24609624 Missions to Muslims -- Sudan (Region) Christianity -- Sudan (Region)
948	L'hybridation dans l'oeuvre de Jeannette Winterson / Hybridization in Jeanette Winterson's works Mihajlovska, Lupka 16 November 2012 (has links) Nous définissons l’hybridation littéraire comme la combinaison d’éléments a priori disparates aboutissant à la création d’un ensemble à la fois un et multiple, qui garde les traces de ses parties constitutives tout en étant autre, différent, nouveau. L’hybride englobe les sphères de représentation de ses éléments-parents tout en les dépassant. Par conséquent, l’hybridation tend vers l’extension de toutes les frontières, littéraires et culturelles, dans le but de nous offrir une vision du monde et du sujet toujours plus complète. Dans Oranges are not the Only Fruit, Sexing the Cherry, Written on the Body et The PowerBook de Jeanette Winterson, l’hybridation se manifeste à tous les niveaux du texte. L’hybridité physique et sexuelle des narrateurs est ainsi une des manifestations de leurs identités et vies plurielles et paradoxales. Ces hybrides incarnés (monstres, travestis ou androgynes) se construisant au fil de leurs histoires, qui s’inspirent toujours de récits antérieurs, narrateurs et narrations se démultiplient conjointement, s’entremêlent et se redéfinissent sans cesse. Le texte fluctue au gré de l’hybridation générique et de l’intertextualité. De l’entrecroisement de genres réalistes – tels que l’autobiographie, le récit historique ou le discours scientifique – et fictionnels – tels que le conte ou la romance – naît un hybride générique à résonances parodiques représentant la nature du sujet, de sa vie, de la réalité et de la vérité. Enfin, en hybridant des textes préexistants à des motifs personnels, l’auteur élabore une narration originale qui réécrit les schémas sexistes relayés par ses ancêtres et retranscrit sa vision de l’individu, du monde et de l’art. / We understand literary hybridization as the combination of seemingly different elements resulting in the creation of an entity that is simultaneously single and multiple. Indeed, while it is utterly other and new, the hybrid still shows the marks of its constituents. The hybrid incorporates its ‘parents’’ initial fields of representation while reaching beyond them. Consequently, hybridization is a process that pushes all boundaries, be they literary or cultural, to offer an ever more complete vision of the subject and his/her life. In Jeanette Winterson’s Oranges are not the Only Fruit, Sexing the Cherry, Written on the Body and The PowerBook, hybridization permeates every level of the text. Thus, the narrators’ physical and sexual hybridity is a manifestation of their plural and paradoxical identities. These hybrid creatures (monsters, transvestites or androgynous beings) build their identities through the stories they tell and that are always inspired by existing narratives. Therefore, the narrators and their narratives proliferate conjointly, intermix and redefine each other constantly. The shape of the text fluctuates with generic hybridization and intertextuality. Realistic narratives – such as autobiographical, historical or scientific discourses – and fictional ones – such as fairy tales or romances – interact to produce generic hybrids with parodic undertones that represent the nature of the subject, his/her life, reality and truth. Finally, by hybridizing existing texts and personal literary devices, the author elaborates original narratives that rewrite her ancestors’ sexist discourses and reflect how she perceives the individual, the world and art. Hybridation Hybridité Hybrider Jeanette Winterson Oranges are not the Only Fruit Sexing the Cherry Written on the Body The PowerBook Sexe Sexisme Identité sexuelle Monstre Travesti Androgyne Genres narratifs Autobiographie Récit historique Discours scientifique Conte Histoire d'amour Romance Parodie Intertextualité Hybridization Hybridity Hybridize Jeanette Winterson Oranges are not the Only Fruit Sexing the Cherry Written on the Body The PowerBook Sex Sexism Sexual identity Monster Transvestite Androgynous Narrative genres Autobiography Historical narrative Scientific discourse Fairy tale Love story Romance Parody Intertextuality 800
949	Poetik des autobiografischen Blogs / Poetics of the Blog Michelbach, Elisabeth 01 March 2019 (has links) No description available. 400 800 Blog Autobiographie Autobiografie Poetik Facebook Twitter Instagram digitale Literaturwissenschaft Medienwissenschaft Medium Genre Internet Praxis des Blogs Community Online-Kommunikation Poetologie Schreibweisen Blogbeispiele Wolfgang Herrndorf Arbeit und Struktur Andrea Diener Reisenotizen aus der Realität Aléa Torik Aleatorik Melancholie Modeste mediale soziale Handlung Blog Autobiography Poetics Facebook Twitter Instagram Life writing Internet Studies Digital Cuture Studies Media Studies Philologien (PPN621711713)
950	LIVING DISABILITY: WAYS FORWARD FROM DECONTEXTUAL MODELS OF DISABILITY Kavanagh, Chandra January 2020 (has links) Living Disability: Ways Forward from Decontextual Models of Disability consists of six articles that provide both theoretical and pragmatic commentaries on decontextual approaches to vulnerability and disability. In What Contemporary Models of Disability Miss: The Case for a Phenomenological Hermeneutic Analysis I argue many commonly accepted models for understanding disability use a vertical method in which disability is defined as a category into which people are slotted based on whether or not they fit its definitional criteria. This method inevitably homogenizes the experiences of disabled people. A hermeneutic investigation of commonly accepted models for understanding disability will provide an epistemological tool to critique and to augment contemporary models of disability. In A Phenomenological Hermeneutic Resolution to the Principlist- Narrative Bioethics Debate Narrative, I note narrative approaches to bioethics and principlist approaches to bioethics have often been presented in fundamental opposition to each other. I argue that a phenomenological hermeneutic approach to the debate finds a compromise between both positions that maintains what is valuable in each of them. Justifying an Adequate Response to the Vulnerable Other examines the possibility of endorsing the position that I, as a moral agent, ought to do my best to respond adequately to the other’s vulnerability. I contend that, insofar as I value my personal identity, it is consistent to work toward responding adequately to the vulnerability of the other both ontologically and ethically. Who Can Make a Yes?: Disability, Gender, Sexual Consent and ‘Yes Means Yes’ examines the ‘yes means yes’ model of sexual consent, and the political and ethical commitments that underpin this model, noting three fundamental Ph.D. Thesis – C. Kavanagh; McMaster University - Philosophy v disadvantages. This position unfairly polices the sexual expression of participants, particularly vulnerable participants such as disabled people, it demands an unreasonably high standard for defining sexual interaction as consensual, and allows perpetrators of sexual violence to define consent. In Craving Sameness, Accepting Difference: The Possibility of Solidarity and Social Justice I note realist accounts typically define solidarity on the basis of a static feature of human nature. We stand in solidarity with some other person, or group of people, because we share important features in common. In opposition to such realist accounts, Richard Rorty defines solidarity as a practical tool, within which there is always an ‘us’, with whom we stand in solidarity, and a ‘them’, with whom we are contrasted. I argue that by understanding Rorty’s pragmatic solidarity in terms of the relational view of solidarity offered by Alexis Shotwell, it is possible to conceptualise solidarity in a manner that allows for extending the boundaries of the community with whom we stand in solidarity. In Translating Non-Human Actors I examine Bruno Latour’s position that nonhuman things can be made to leave interpretable statements, and have a place in democracy. With the right types of mediators, the scientist can translate for non-humans, and those voices will allow for nonhuman political representation. I wish to suggest that, like scientists, people with disabilities are particularly capable of building networks that facilitate translation between humans and non-humans. / Thesis / Doctor of Philosophy (PhD) / Living Disability: Ways Forward from Decontextual Models of Disability consists of six separate articles that provide both theoretical and pragmatic commentaries on decontextual approaches to vulnerability and disability. The first three articles examine contemporary approaches to understanding vulnerability and disability, and explore what a contextual theoretical approach, one that puts the experiences of people with disabilities at the centre, might look like. The second three articles provide a bioethical examination of practical ethical questions associated with the treatment of people with disabilities when it comes to social and political positions on disability and sexuality, solidarity with people with disabilities, and the relationship between people with disabilities and objects.

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