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Showing 121 to 130 of 135 (0.027 seconds)Spelling suggestions: "subject:"jacques lacan"" "subject:"jacques sacan""
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From constellations to autoprohibition: everything you wanted to know about Adorno's ethics (but were afraid to ask Zizek)Webb, Dan 06 1900 (has links)
This project is centered on two primary concerns. First, to reformulate Adornos notion of ethical subjectivity in a way that allows for a clearer articulation of his normative position, and second, to make it more relevant to our contemporary social context and advances in social theory. My claim is that we can achieve this by rejecting Adornos philosophical method (negative dialectics and constellations) by reading his ethics through the lens of ieks method which I am calling autoprohibition. As I will show, autoprohibition is ieks strategy for breaking the deadlock of the dialectic of enlightenment and its accompanying defeatist politics by developing a dialectical theory that neither rests on pure negation nor falls into the totalising and reifying trap of orthodox Marxism. It is in the context of autoprohibition that one can rearticulate Adornos normative imperatives (specifically, the imperative to end suffering, and to recognise the truth-content of the body) without these imperatives being negated by the totalising dictates of the dialectic of enlightenment. The best way to redeem the important normative components of Adornos formulation of ethical subjectivity is to reject its underlying philosophical method and resituate it in another. I frame this methodological shift as one from constellations to autoprohibition, which allows for a more positive articulation of Adornos ethics; a plan for actively practising an ethical life vs. one premised on the rejection of participating in an unethical system (which Adornos ethics amounts to on my account).
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Lacrime di frantumaglia : Verità letteraria nell'opera di Elena Ferrante / Tears of framtumaglia : Literary truth in the work of Elena FerranteVarricchio, Isabella January 2018 (has links)
This master thesis presents a study of the authorship of the Italian writer Elena Ferrante, focusing on hermain concepts “la frantumaglia” and “la smarginatura” in relation to the question of literary truth. Thepurpose is to examine the fascinating interaction between meta reflection and narration through anintratextual reading of her poetics elaborated in La frantumaglia (2013, 2016) and all novels publishedso far. With references to the theories of Sigmund Freud and Jacques Lacan, la frantumaglia and lasmarginatura are interpreted as the unconscious and different mental disorders that characterize the crisisof the female protagonists. The analysis examines literary truth on three literary levels: the verbal,considering the Neapolitan dialect related to the city of Naples as a representation of both maternalorigin and patriarchal oppression, the stylistic, viewing la smarginatura as literary style, and finally, thesymbolic, connected to what Ferrante calls the “symbolic sphere of the authentic”. Furthermore, anintellectual approach to truth is discussed as a contraposition to the others. In applying the methodologyof Michael Riffaterre, the analysis of the stylistic and symbolic truth dimensions shows how theiridiosyncratic traits are extended and transformed throughout the Ferrantian work. The thesis alsosuggests a different interpretation of the intimate relationship between mother and daughter, one of theauthorship’s central themes. Unlike previous studies with a psychoanalytical approach that affirms theexistence of a pre-oedipal phase free from patriarchal intrusion, this analysis demonstrates how Ferranterepeatedly reveals this idea as an infantile fantasy. Instead, the thesis argues that the only real synthesisis found at the level of writing itself, in the merging of the perspectives of the two protagonists in thecycle of L’amica geniale (The Neapolitan novels). This synthesis is further conceived as the authenticidentity of the anonymous author herself.
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Um diálogo entre Freud e Lacan fundamentado no caso "o pequeno Hans"Bonfim, Leilane Gabriela de Souza 27 February 2015 (has links)
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This work has dealt with the clinical Little Hans case - statement by Freud in 1909 - and aims to bring the dialogue between this theoretical and Jacques Lacan, with prints and case analysis. Specifically, the study aims to provide for the issue of child psychoanalysis and addressing the problem of phobia while symptomatic output. Considering the clinic with children as contemporary practice of psychoanalysis, there was a theoretical study, whose methodological dynamics was the literature, using mainly from Freud´s texts and Lacan. Therefore, the work is divided into three sections. The first brings the issue of child psychoanalysis, highlighting as it reaches the place of subject of desire and law, making it therefore possible to be analyzed. In addition, support for the next chapter in this first are brought some positions and functions assumed by the child in the family dynamics. The second chapter develops the dialogue between Freud and Lacan about Hans case, presenting the facts following the case, the chronology, the directions of Freud and Lacan considerations. Are treated some issues such as the relationship between Hans and his mother, the question of the paternal function, as well as the complex of Oedipus and castration in Hans. Finally, the third chapter is the phobia as symptomatic output, serving Hans as the means possible so that it is positioned in the world and enter in the symbolic order. Thus, issues are worked that concern the phobia, such as anxiety, anguish, symptomatic formation and its prospects and the specific clinical case, the focus on substitutive function assumed by the phobic symptom on the limping paternal function. We conclude the work by pointing out some directions for the relationship between the current children´s clinic and the symptom. / Este trabalho tem por tema o caso clínico do pequeno Hans comunicado por Freud em 1909 e almeja trazer o diálogo entre esse teórico e Jacques Lacan, com as impressões e análises do caso. Especificamente, o estudo objetiva dispor sobre a questão da criança para psicanálise e abordar a problemática da fobia enquanto saída sintomática. Considerando a clínica com criança como prática contemporânea à psicanálise, realizou-se um estudo teórico, cuja dinâmica metodológica foi a pesquisa bibliográfica, utilizando-se, sobretudo, de textos de Freud e de Lacan. Por conseguinte, o trabalho se encontra estruturado em três capítulos. O primeiro traz a questão da criança para psicanálise, destacando como ela alcança o lugar de sujeito de desejo e de direito, tornando-se, portanto possível de ser analisada. Além disso, por fundamentar o capítulo seguinte, neste primeiro são trazidas algumas posições e funções assumidas pela criança na dinâmica familiar. No segundo capítulo, é desenvolvido o diálogo entre Freud e Lacan acerca do caso Hans, apresentando os fatos que acompanham o caso, a cronologia, os direcionamentos de Freud e as considerações de Lacan. São tratados alguns assuntos como a relação entre Hans e sua mãe, a questão da função paterna, assim como os complexos de Édipo e de castração em Hans. Por fim, o terceiro capítulo traz a fobia como saída sintomática, servindo a Hans como o meio possível para que ele se posicione no mundo e insira-se na ordem simbólica. Assim, são trabalhados temas que tangem à fobia, como a ansiedade, a angústia, a formação sintomática e suas perspectivas e no caso clínico específico, a aposta na função de suplência assumida pelo sintoma fóbico, diante da função paterna claudicante. Concluímos o trabalho apontando alguns direcionamentos para a relação existente entre a clínica infantil atual e o sintoma.
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MaskeradeBremerich, Stephanie 25 April 2017 (has links)
Der Begriff Maskerade unterscheidet sich trotz etymologischen Verwandschaft vom Begriff Maske. Unter Maskerade werden vor allem Strategien der Inszenierung von Geschlechtsidentitäten verstanden, weshalb synonymisch häufig von Geschlechtermaskerade die Rede ist. Das Konzept hat in den Theater-, Film- und Literaturwissenschaften sowie in der Philosophie und der Psychologie Einzug gehalten. In den Gender Studies etablierte sich der Begriff in den 1990er Jahren, maßgeblich beeinflusst durch psychoanalytische und poststrukturalistische Theoriebildung. Mit der Maskerade können sehr verschiedene Phänomene bezeichnet werden, von der Pseudonymität weiblicher Autor_innenschaft bis hin zu alltagskultureller Performance und Körperinszenierung, etwa im Transvestitismus.
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In Luke More Than Luke: Family Romance and Narcissism in the 'Star Wars' SagaProfitt, Blue Aslan Philip 10 May 2019 (has links)
No description available.
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"Waiting for Superman": The Circuit of Cultural Production and Reception of Neoliberal Reform Discourse in EducationScalfaro, Carmen 27 April 2015 (has links)
No description available.
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Funny gamesPühler, Simon 22 October 2014 (has links)
"FUNNY GAMES. Spielräume des Sadomasochismus in Film und Medien" ist der Versuch, eine Geschichte medialer Schmerzlust zu rekonstruieren – in etwa von 1789 bis heute. Neben klassischer SM-Literatur sind es Spielfilme wie VIDEODROME (1983), FALSCHER BEKENNER (2005), THE HURT LOCKER (2008) oder SHORTBUS (2006), in denen modernes Schmerzlust-Empfinden und -Begehren offenbar wird. Die Untersuchung richtet sich dabei auf Konzepte technoimaginärer Wunsch- und Höllenmaschinen, dynamisierte Ich-Apparate, wie sie Donatien-Alphonse-François de Sade, Leopold und Wanda von Sacher-Masoch, Ernst Kapp, Sigmund Freud, Daniel Paul Schreber, Jacques Lacan, Gilles Deleuze und Félix Guattari, David Cronenberg, Michael Haneke, Kathryn Bigelow u.v.a. im Medienumfeld ihrer Zeit individuell erleben und auf ihre je eigene Art – meist sehr fantasiereich – bearbeiten. Der vorliegende Entwurf, medienarchäologische Spurensicherung und gleichsam Test-Spiel, ist vor allem eine Einladung zum Mitmachen: Beim obsessiven Durchschreiten virtueller (Alptraum-)Welten und realer Körper negative und positive Lust zu erfahren, sich neuen Sinnesreizqualitäten zu öffnen, um schließlich Mehr-Lust und -Wissen zu erwerben. Anti-Ödipus als interaktives Video(bei)spiel. Als Analysetools haben sich Erkenntnisse aus der (strukturalen) Psychoanalyse, der (technischen) Medienwissenschaft, (Film-)Philosophie, der Gender-, Gewalt-, Fetisch- und (kulturwissenschaftlichen) Spieltheorie als hilfreich erwiesen, um dem Geheimnis und Rätsel sadomasochistischer Schmerzlust – und ihrer crash-Medien – ein wenig näher zu kommen. / "FUNNY GAMES. Spielräume des Sadomasochismus in Film und Medien" aims to reconstruct a history of pleasure and gratification through pain in the media since the end of the eighteenth century. In addition to classical sado-masochistic literature, the thesis focuses on movies in which modern forms of experiencing and desiring pain such as VIDEODROME (1983), I AM GUILTY (2005), THE HURT LOCKER (2008) and SHORTBUS (2006) manifest themselves. Central to the study are concepts of techno-imaginary wish machines and infernal devices, dynamised ego-apparatuses, that are experienced and expressed through the media of their time by writers, philosophers, psychoanalysts and film directors such as Donatien-Alphonse-François de Sade, Leopold and Wanda von Sacher-Masoch, Ernst Kapp, Sigmund Freud, Daniel Paul Schreber, Jacques Lacan, Gilles Deleuze and Félix Guattari, David Cronenberg, Michael Haneke and Kathryn Bigelow. The present study, an attempt to secure the medial evidence and try it out at the same time, is meant most of all as an invitation to participate: to experience positive desire and lust while obsessively progressing through virtual worlds of dreams and nightmares and the real world of the human body, to open oneself to new experiences in order to gain both new knowledge and new desires. Anti-Oedipus as a textual videogame. The analytical tools employed in this study include findings from (structural) psychoanalysis, media sciences, (movie) philosophy, gender theory, the theory of violence, fetish theory and game theory as applied in cultural studies. They have proven to be very helpful in illuminating at least some aspects of the mystery that is the sado-masochist desire for pain.
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PoststrukturalismusSchwanebeck, Wieland 25 April 2017 (has links) (PDF)
Unter dem Begriff des Poststrukturalismus wird eine disparate, auf den Axiomen des Strukturalismus aufbauende und diese zugleich überwindende Strömung verstanden, die sowohl innerhalb der Sozial- und Kulturwissenschaften als auch in interdisziplinär organisierten Feldern wie den Gender Studies von großer Tragweite ist. Geteilt wird die Auffassung, dass kulturelle Phänomene allgemein sprachlich strukturiert sind. Seine Tendenz, unter die Oberfläche vermeintlich stabiler, monolithischer Strukturen zu schauen, qualifiziert den Poststrukturalismus für eine Anwendung auf genderwissenschaftliche Kategorien wie Weiblichkeit und Männlichkeit, deren Bedeutung nicht aus sich selbst erwächst, sondern die als Signifikate innerhalb eines (phallokratischen) Systems zu denken sind.
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如鯁在喉 － 紀傑克論象徵界與實在界的不協調性 / A Bone in the Throat － Žižek on Inconsistency between the Symbolic and the Real沈宏達 Unknown Date (has links)
當代哲學家紀傑克以他對於政治與文化現象的拉岡式解讀而聞名，但他哲學中的核心母題是什麼？對紀傑克而言，哲學不是使人「安然棲身」的論述，而是跟陌生感與他異性更緊密相關。所以，在紀傑克的眼中，哲學家的工作，不在於提供具體的解決方案，而是在於「新問題的創造」，重塑爭論的框架本身。
這篇研究中，筆者使用「系統與他者」這組概念，來彰顯紀傑克的兩大核心母題，其一，便是在有限性的範圍之內主張的自由，其二，則是他對新穎與變化的追索。「他者」使得系統能夠不斷重新定向，並向根本的變化保持開放。
「脫節狀態」是紀傑克用以描述主體之基本自由的概念。主體活動不被自然或文化的任一方決定；於是，所有主體所作的系統整合，都是一種與他者建立暫態平衡的嘗試，而所有用以整合的意指活動，都是一種對於他異性的回應，一種安身立命的奠基姿態。
簡言之，所謂「象徵界與實在界的不協調性」，在紀傑克的術語中不是消極的意涵，而是積極的意涵：它使得意義建構得以開始，並且是人類自由的根源。透過「系統」與「他者」的互動，思想總是有能力重新定向，藉此維持其鮮活與彈性，而這正是紀傑克式主體在現今政治情境中所致力實現的。 / Contemporary philosopher Slavoj Žižek is well-known for his Lacanian reading on political and cultural phenomena, but what is the central motif of his philosophy? For Žižek, philosophy is not some discourse to make people feel “being at home”, but rather something more related to foreignness and otherness. In Žižek’s eyes, What a philosopher really does is not providing substantial solutions, but rather “inventing new problems”, reshaping the framework of argumentation itself.
In this thesis, ”System and other” is the term I introduce to thematize two central motifs in Žižek’s philosophy: the first motif is his tireless assertion of freedom within the realm of finitude, and the second one is his relentless seeking for innovations and changes. “Other” is what enables the system to continuously re-orientate itself, and keep the system open to fundamental changes.
Žižek uses “Out-of-jointedness” to describe the fundamental freedom of the subject, neither nature nor culture can determine the subject. Every system organized by the subject is an attempt to create a transient balance with the other, and every totalizing signification is s a response to the otherness, the founding gesture of situating the subject itself into a meaningful context.
To sum up, Žižek does not use “Inconsistency between the Symbolic and the Real” as a negative term, but rather a positive term, it is the very starting point of meaning construction, and the ground for human freedom. Through the interaction between ”system and other”, the thought is always ready for re-orientation, therefore the thought is kept alive and flexible, and this is exactly what a Žižekian subject wants to accomplish in the present political situations.
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Det odödas analys : En studie av centralproblematiken i Slavoj Zizeks samhällsanalys / Undead-analysis : Observing the Social Theory of Slavoj ZizekPalm, Fredrik January 2007 (has links)
<p>This thesis examines the social theory of Lacanian philosopher Slavoj Žižek. It focuses on Žižek’s work between 1989 and 2006, and offers an interpretation based on a reading of three central concepts: the Other, fantasy, and the act. All these concepts occupy the intersection between Lacan’s three orders (Imaginary, Real, Symbolic), which in Žižek’s theory means that they express a tension shared by all social order. The first chapter approaches Žižek’s conception of “the social” through an introduction of the Lacanian concept of "the Other." Attention is paid to how (a) the Other is constitutively split between its role as a Symbolic network of signifiers, and its enigmatic (Real and Imaginary) capacity to support this Symbolic network; (b) a similar split marks several of Žižek’s Lacanian and Hegelian concepts. Moreover, the chapter contrasts Žižekian sociality with those of Giddens, Luhmann and Althusser. The second chapter gives an account of the topological place of fantasy in Žižek’s theory. Relating Žižek’s theory to Critical Theory, deconstruction and Deleuzian philosophy, fantasy is presented as a concept countering new forms of “bad infinity” (Hegel) in modern social theory. The third chapter links Žižek’s theory of the act to the theories of Judith Butler, Ernesto Laclau, and Alain Badiou. Commenting on Rex Butler’s brilliant reading of Žižek, the thesis argues that Butler’s definition of the act is too negative. Instead, the thesis proposes a definition which emphasises the act's productive dimension, insisting on how the act ultimately involves the transformation from masculine to feminine enjoyment. The last chapter critically observes the different treatments Lacan and Derrida receive in Žižek’s text. The argument concludes that the Žižekian text relapses into a "masculine logic of exception", insofar as it leaves Derrida’s phallus untouched, while treating Lacan as the only one lacking phallus.</p>
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