Denna undersökning har fokus på frågor i relation till att professionella konstnärer är verksamma skolor som en del av att infria läroplanernas övergripande kulturuppdrag. Här problematiseras vad konstnärerna genom sin praktik kan tillföra skolan. Data till undersökningen baseras på erfarenheter av arbeten där barn och ungdomar har arbetat med konstnärer. Med en diskursanalytisk ansats undersöks hur olika aktörer beskriver konstnärers arbete i skolan.Citat ur statliga och kommunala styrdokument som rör samarbeten mellan skola och konstnärer återges i undersökningen, samt något om forskning om estetik i skolan. Projektet Skapande skola är ett av exemplen som beskrivs genom data som insamlats för att se vilken kompetens konstnärer kan behöva för att verka som konstnärer i skolan.Undersökningen lyfter fram fyra diskursiva förslag på positioner som beskriver hur konstnärer kan bidra till kunskap inom skolans ram. De fyra förslagen lyder;1. Konstnären som ögonöppnare (gör att andra elever och andra saker, än vanligtvis blir synliga, och att nya tankar tar form)2. Konstnären som pausfågel (gör så att lärare och elever i skolan får ett avbrott i den vardagliga undervisningen).3. Konstnären som specialist (gör så att eleverna får tillgång till nya material och tekniker och till ett nytt yrkesområde)4. Konstnären som samhällsguide (gör så att eleverna orienterar sig ut mot samhället).Genom beskrivning av vad konstnären kan bidra med i form av estetisk kunskap genom estetiska lärprocesser, syftar undersökningen till förståelse för konstnärens yrkesidentitet i skolans sfär. Diskurspositionerna kan sägas legitimera konstnärens verksamhet som komplement till ordinarie estetisk undervisning och i det övergripande kulturuppdraget inom alla skolans ämnesområden. / This investigation focuses on issues that arise when professional artists work in schools as part of a course of study to meet national curriculum programmes of study requirements and cultural education attainment targets.This thesis examines what artists can contribute to schools through their artistic residencies.The data for this study is based on experiences from artistic work with children and young people during artist residencies in schools and colleges. A discourse analytical approach has been used to investigate how different actors describe artists’ work in schools and colleges.Quotes from national and council policy documents on topics related to programmes that involve schools and artists can be found in this study, as well as selected research on aesthetics in schools.This study highlights four discursive suggestions of positions that describe how artists can contribute to knowledge within the realm of schools and colleges.The four discursive suggestions of positions are as follows:1.The artist as a catalyst (eye-opener) for new ways of thinking.2.The artist as a “break in routine”.3.The artist as a specialist. Gives access to new techniques or professional fields.4.The artist as a guide to society.Through describing what artists can contribute in the form of aesthetic knowledge and aesthetic learning processes, the aim of the study is to understand the artists’ professional identity in the educational sphere. The discursive positions one can say legitimises artists’ activities in schools as a complement to regular aesthetic teaching and in the overarching cultural attainment targets in all subject areas. / <p></p><p></p>

Title: Children's aesthetic creation in different environments - A qualitative study of five preschool teachers 'perceptions of children's aesthetic learning processes in pre-schools' creative environments. Author: Mafi Misirhanova Supervisor: Karin Ehrlén Term: Spring 2017  The purpose of my thesis is to examine how the five pre-school teachers who participate in my study reflect about aesthetic expressions in relation to children's learning in preschool. Furthermore, I want to find out about the thoughts of the educators concerning the role of social interaction and the importance of the environment in the aesthetic creation process. My first question is about what view the informants have on social interaction during aesthetic creation processes. My second question is about how the informants reflect on studio and creative rooms at the selected three preschools. The study is based on qualitative interview methods where five pre-school teachers reflected on their internship. The essay is based on a sociocultural perspective based on development and learning. As far as the informants' views on social interaction during aesthetic creation processes are concerned, my study showed that there is a strong connection between aesthetic learning processes, language learning and social interaction as these areas interact during a creative activity at preschool. The informants' reflection on the studio and the creative rooms showed that the preschool with a creative room in the department gave the most positive response because the room was considered to enable continuous creation processes. The studio as a separate room and the playroom with a creative corner had shortcomings in accessibility with regard to the use of the room as well as the material.

A Tese discute as experiências formativas geradoras de uma aprendizagem significativa de treze professores-alunos de um curso de Licenciatura em Educação Física na modalidade à distância - Programa Pró-Licenciatura fase II, oferecido uma única vez pelo Centro de Educação Física e Desportos da Universidade Federal do Espírito Santo (Prolicen/CEFD/Ufes), entre os anos de 2008 e 2013. O curso em questão atendeu profissionais de Educação Física em exercício sem habilitação em Licenciatura. Dos 510 professores-alunos ingressantes, 240 concluíram o curso e obtiveram acesso a uma plataforma educativa Moodle e, as atividades presenciais nos 10 Polos mais próximos das localidades de moradia. O curso contava, ainda, com tutores presenciais e a distância para a orientação e o acompanhamento das atividades realizadas pelos professores especialistas da Ufes. De acordo com os dados coletados, o Polo de Vila Velha foi o que apresentou o maior índice de aprovação no curso (65%), com o total treze professores-alunos, justificando a escolha desse Polo como amostra da pesquisa. As fontes primárias utilizadas foram os Trabalhos de Conclusão de Curso (TCC), que consistiam numa narrativa (auto)biográfica sobre a Memória de Formação Profissional, apresentado em defesa pública para uma banca constituída por dois tutores e um professor especialista. Examinou-se, também, o material das disciplinas Elaboração de Memória Profissional I e II para a apreensão das estratégias didáticas mobilizadas para favorecer a elaboração das narrativas. Além disso, foram consultados alguns documentos coletados na secretaria do curso, tais como: projeto pedagógico do curso; material didático impresso; memorandos e;ofícios circulares, com o objetivo de mapear dados sobre a estrutura, a organização curricular e a concepção de formação docente do curso. A análise desenvolvida buscou identificar as experiências significativas presentes no processo formativo, com vistas a reunir indícios a respeito das formas de apropriação dos conteúdos ministrados no currículo do curso, para compreender as relações estabelecidas com a experiência profissional desses treze professores-alunos, que foram geradoras de uma aprendizagem. Para desenvolver tal análise, levou-se em conta a posição ocupada pelos sujeitos desta pesquisa no espaço social, com base no conceito de habitus e nos tipos de capitais presentes na teoria de Bourdieu (1998; 2005): social, econômico e cultural. Dessa forma, foi possível concluir que o processo formativo, dos treze professores-alunos do Polo de Vila Velha, promoveu uma aprendizagem significativa (MEIRIEU, 1998) por meio da interação entre um habitus - constituído a partir do Gosto pelo Esporte, e os conteúdos ministrados no curso, ressignificando os saberes docentes (TARDIF, 2008) presentes na trajetória de vida e profissional desses professores-alunos. Esse habitus permitiu que os sujeitos deste estudo criassem significados para o ingresso e permanência no curso, entre os quais se destaca a possibilidade de ampliar e/ou estabilizar-se na carreira docente atuando como professor na Educação Física, bem como o enriquecimento dos conhecimentos práticos, conquistando uma maior legitimidade para a sua atuação na área em decorrência da incorporação do conhecimento científico. / This research seeks to understand the learning processes present in the significant formative experiences of teachers-students of a distance delivery degree course in physical education, based on the analysis of the (auto)biographical narratives written by them about their training trajectory. The course in question, a distance delivery degree in physical education - Programa Pró-Licenciatura fase II - was offered only once by the center of Physical Education and Sports and Universidade Federal do Espírito Santo (Prolicen/CEFD/Ufes) between 2008 and 2013, for physical education professionals in exercise without qualification at an undergraduate level. The 510 teachers-students had access to an educational platform Moodle and were enrolled in 10 campuses closest to their places of residence, where the in-person classes were taking place. The course also had regular and online tutors for the orientation and monitoring of the activities carried out by the expert teachers. For the present research, a set of thirteen teacherstudents who belong to the Vila Velha. The complex was chosen as the subjects, because they held the highest approval rate in the course. The primary sources used were the undergraduate thesis, (TCC Trabalho de Conclusão de Curso) which consisted of an (auto)biographical narrative about the Vocational Training Memory, presented in public defense for a thesis defense committee formed by two tutors and a specialist teacher. The analysis here developed sought to identify the experiences that are presented as significant in the narratives produced by the teacher-students, as a means of gathering clues about the forms of appropriation of the content taught in the course curriculum and establish relationships with the professional experience of these teachers-students. To develop such analysis, it was considered the position occupied by the subjects of this research in the social space, based on the concept of habitus and the types of capital present in Bourdieu\'s theory (1998, 2005): social, economic and cultural. It was also examined the resources from the disciplines Elaboration of Professional Memory I and II (Elaboração de Memória Profissional I e II) for the apprehension of the didactic strategies mobilized to favor the elaboration of the narratives. In addition, the documents produced by the course office were consulted - such as: the courses Pedagogical Project, the Meeting Minutes, the Memorandums and the Circular Letters , aiming on mapping data about the structure, curricular organization and conception of teacher education. This way, it was possible to conclude that the learning of the formative knowledge (TARDIF, 2008) was established in the interaction with a habitus present in the trajectory of the teacher-students, which is based on Taste for Sport, through which the content taught was incorporated by the student teachers for articulating their personal project (MEIRIEU, 1998). This habitus allowed the subjects of this study to create meanings for entrance and permanence in the course, among which the possibility of expanding and/or stabilizing themselves by acting as a Physical Education teacher, as well as the enrichment of practical knowledge, gaining a greater legitimacy for their action in the field as a result of the incorporation of scientific knowledge.

Submitted by Fabricia Fialho Reginato (fabriciar) on 2015-07-04T01:04:29Z No. of bitstreams: 1 EliaraFraga.pdf: 3689951 bytes, checksum: 4a84a0fdf1a1d08e8ecf011905409686 (MD5) / Made available in DSpace on 2015-07-04T01:04:29Z (GMT). No. of bitstreams: 1 EliaraFraga.pdf: 3689951 bytes, checksum: 4a84a0fdf1a1d08e8ecf011905409686 (MD5) Previous issue date: 2011 / Banco Santander / Banespa / A intensificada concorrência desencadeada pela era da informação tem gerado novos desafios às empresas e profissionais. O design mostra-se como uma área que tem contribuído para entender e atuar sobre as demandas contemporâneas, destacando-se pela capacidade de criar valor para empresas e consumidores. Nessa perspectiva, esse trabalho apresenta a investigação realizada sobre uma ferramenta de design - workshop, tendo como objetivo compreender os processos que acontecem no Workshop em Design Estratégico, a partir do pressuposto que esse instrumento pode ser associado a processos de aprendizagem e geração de conhecimentos. O estudo consistiu na articulação entre referencial teórico e pesquisa empírica - composta pela observação de quatro workshops realizados na Escola de Design Unisinos, nos anos de 2009 e 2010, e pela realização de seis entrevistas com profissionais ligados ao ensino de design, na mesma instituição. Os resultados apontam que o workshop em design consiste em uma sessão de projeto concentrada, intensa e criativa, com uma estrutura intencionalmente projetada e um grupo específico de atores, entre os quais se destacam coordenadores, ministrantes e participantes. As etapas (problem setting, problem solvin, visualizing), que objetivam o entendimento do problema, a busca por soluções e a visualização dos concepts, promovem reflexão individual e coletiva, articulação entre teoria e prática, conflitos e resultados - que podem ser tangíveis (concepts apresentados) ou intangíveis (experiência que os participantes vivenciaram). Assim, o entrelaçamento dos saberes/conhecimentos prático-reflexivos (tácitos) com os saberes/conhecimentos científico-racionais (explícitos) dos participantes, torna o Workshop em Design Estratégico um espaço profícuo para aprendizagens e geração de conhecimentos. / The heightened competition unchained by the era of the information has been generating new challenges to the companies and professionals. The design is shown as a field that has been contributing to understand and act on the contemporary demands, standing out for the capacity to create value for companies and consumers. In that perspective, the study presents the investigation accomplished on a design tool - workshop, having as objective to understand the processes that happen in the Workshop in Strategic Design, implying that this instrument can be associated to learning processes and generation of knowledge. The study comprises the connection between theoretical reference and empirical research - composed by the observation of four workshops accomplished at Unisinos’ Design School, in 2009 and 2010, and six interviews made with professionals involved with Design teaching, in the same institution. The results show that the workshop in Design consists in a concentrated, intense and creative project session with a structure intentionally planned and a specific group of players, among which stand out coordinators, people that make speeches and participants. The stages (problem setting, problem solving, visualizing), that aim the problem understanding, the search for solutions and the concepts visualization, promote individual and collective reflection, connection between theory and practice, conflicts and results - that can be tangible (presented concepts) or intangible (participants experience). Therefore, the interweaving of the practical and reflexive knowledge (tacit) with the scientific and rational knowledge (explicit) of the participants turns the Workshop in Strategic Design an useful space for learning and generation of knowledge.

O presente trabalho parte das premissas de que existem alunos com deficiência visual que estudam línguas estrangeiras, da educação infantil ao ensino superior, e de que os docentes dessa área poderão ser expostos à presença desses alunos em qualquer etapa de sua trajetória profissional. Para demonstrar a veracidade de tais pressupostos, foram cotejados os trabalhos de quatro professores-pesquisadores de língua estrangeira vinculados a esses alunos, a saber: Ramos, 2000; Motta, 2004; Dias, 2008; e Magalhães, 2009. A análise dos relatos de pesquisa demonstrou que os professores de idiomas estrangeiros ingressam e atuam na profissão docente munidos de conhecimentos e competências insuficientes para identificar e trabalhar com tais discentes. Passamos, assim, a abordar os fatores que culminam em tal situação, iniciando pelas condições às quais os licenciandos de línguas estrangeiras estão submetidos durante sua formação acadêmica, e concluindo nossa pesquisa com uma entrevista episódica (FLICK, 2009) com um professor de língua estrangeira cuja biografia está há muito tempo vinculada a indivíduos com deficiência visual. Ao contrapor os relatos dos professores-pesquisadores à entrevista episódica, verificou-se que a presença de momentos formativos sobre deficiência visual durante a formação universitária, oportunidade em que os futuros professores dispõem de condições mais adequadas para a aquisição de conhecimentos sobre esse comprometimento sensorial, contribui para que os futuros professores desenvolvam competências fundamentais para a identificação e gerenciamento da diversidade humana em sala de aula e para a efetiva utilização dos recursos pedagógicos e tecnológicos com potencial para beneficiar tais alunos. / This paper assumes both that one can find visually impaired students focusing on foreign-language learning from kindergarten to higher education, and that foreign-language teachers may be acquainted with those students at any time during their professional career. In order to support those assumptions, we compared pieces of research from four foreign-language teachers: Ramos, 2000; Motta, 2004; Dias, 2008; and Magalhães, 2009. By analyzing their papers, we concluded that foreign-language teachers approach and accomplish teaching/ learning processes involving those pupils with no sufficient knowledge and not having developed competences to act otherwise. Therefore, we studied some factors that may lead to such situation. We initially approached the variables that shape their education in universities, then we performed an episodic interview (FLICK, 2009) with a foreign-language teacher whose life-story has constantly and closely been connected to blind and visually-impaired individuals. When contrasting the research performed by those four teachers with the episodic interview, we noted that when teachers-to-be are given the opportunity to approach visual impairment issues during their education, they are more likely to acquire knowledge and develop competences which may enable them to identify and work with unique individuals in their classroom, as well as to cope with pedagogical and technological resources available for those students.

<p>Projektet ”Radio i skolan” riktade sig till elever inom det individuella programmet på en gymnasieskola. Det pågick sammanlagt en termin. Projektet innebar ett arbetssätt där fokus låg på innehåll, att berätta om ett ämne. Uttrycksformen för detta var att göra ett eget radioprogram. Denna fallstudie behandlar detta projekt.</p><p>Syftet med studien var att undersöka hur elever uppfattade det egna lärandet i ett projekt där de fick arbeta med radioproduktion. Ett annat syfte var att undersöka hur involverade pedagoger uppfattade möjligheter och hinder för elevers lärande genom ett sådant estetiskt och ämnesövergripande arbetssätt. Frågorna rörde elevernas uppfattningar av vad de lärt sig, hur de lärt sig, utvecklande av självkänslan samt om pedagogernas roll för detta. En fråga handlade om involverade lärares syn på elevernas lärande och utvecklande av självkänsla.</p><p>Som datainsamlingsmetoder användes både enkäter och intervjuer. Intervjuer gjordes med elever och lärare. De olika resultaten jämfördes med varandra och relaterades till olika teorier.</p><p>Resultaten visar att projektet innebar ett arbetssätt som möjliggjorde lärande på olika sätt. Elever lärde sig genom att använda radioproduktion som redskap. Det innebar även lärande om hantverket, hur man gör en radioproduktion. I mindre omfattning fanns det lärande om tänkandet hur man kan uttrycka berättelser i radioform. Elevers språkutveckling kunde stimuleras i och med att de använde talet mycket. Flera elever ansåg att deras självkänsla utvecklades genom att de utmanade sig själva och vågade. Det framkom också att arbetet upplevdes svårt av flera elever. En viktig del i projektet var att det fanns tydliga mål samt stöd till eleverna i arbetet, från både lärare och en kulturarbetare med erfarenhet av radioproduktion. Resultaten pekar på att deras förmåga att motivera elever hade avgörande betydelse för elevernas läroprocess.</p><p> </p><p> </p> / <p>The project ”Radio in the school” was offered to pupils within the individual programme in one secondary school. It was realized during one term. The project implied a way of work where the focus was on content, to tell about a stuff. The way of expression for this was by making a radio programme. This case study is about this project.</p><p>The aim of this investigation was to find out how students were comprehended their own learning in a project were they made radio programmes. Another aim was to investigate how the teachers involved were comprehended the possibilities and obstacles to learning for pupils through such an aesthetic and subject overarching way of work. The questions concerned the pupil’s comprehension of what they learned, in what way they learned, the development of self-esteem and of the teacher’s part in this.</p><p>Data were collected with questionnaires and interviews. Interviews were made with pupils and teachers. The results were compared with each other and were related to different theories.</p><p> The results indicate that the project implied a way of work which made learning possible in different ways. The pupils learned by using radio production as a tool. It also implied learning about the skill, how to make a radio production. To less extent there was learning about the thinking about how to express the stories in radio. The language of the pupils could develop because they used speech to large extent. The self-esteem of the pupils could grow when they challenged themselves and dared to do new tasks.</p><p>It also appeared that the work was experienced as difficult for several pupils. According to the teachers, an important matter in the project was clearly defined targets and support to the pupils from the teachers and from a cultural worker with knowledge of radio production. The results indicate that their capacity for motivating pupils was of vital importance for their learning process.</p>

<p>This thesis consists of an introductory summary and three studies focusing language, interaction, and learning in multilingual schools. The overall aim of the thesis is to contribute to the understanding of student learning in diverse schools. </p><p>The first study of the thesis examines the field of cooperative learning with the aim of summarizing, in an overview, research that addresses small group activities in heterogeneous classrooms. The overview indicates that this research is dominated by input-output studies. Process-oriented studies of student interaction constitute a smaller part of research within this field.</p><p>The two subsequent studies were carried out in three multilingual middle school classes in Sweden. The second study concentrates mainly on the second language learners of these classes with the aim of describing language and learning conditions in actual classrooms. A main finding of the study is that second language students fell behind their monolingual Swedish speaking peers in social studies and in other subjects across the curriculum. The study also shows that students form separate groups of Swedes and immigrants inside as well as outside the classroom.</p><p>The third study investigates small group activities in the above mentioned classes. The aim of the study is to gain insight into students’ joint problem-solving processes and thereby provide a broader understanding of learning as socially and interactionally constituted. The data consists of video recordings of small group conversations from which language-related episodes were identified, transcribed and studied applying conversation analysis methods. The findings show that the students are able to scaffold each other effectively in co-constructing linguistic knowledge through social interaction. At the same time, negotiations of power and status are included in their problem-solving processes.</p>

This thesis consists of an introductory summary and three studies focusing language, interaction, and learning in multilingual schools. The overall aim of the thesis is to contribute to the understanding of student learning in diverse schools. The first study of the thesis examines the field of cooperative learning with the aim of summarizing, in an overview, research that addresses small group activities in heterogeneous classrooms. The overview indicates that this research is dominated by input-output studies. Process-oriented studies of student interaction constitute a smaller part of research within this field. The two subsequent studies were carried out in three multilingual middle school classes in Sweden. The second study concentrates mainly on the second language learners of these classes with the aim of describing language and learning conditions in actual classrooms. A main finding of the study is that second language students fell behind their monolingual Swedish speaking peers in social studies and in other subjects across the curriculum. The study also shows that students form separate groups of Swedes and immigrants inside as well as outside the classroom. The third study investigates small group activities in the above mentioned classes. The aim of the study is to gain insight into students’ joint problem-solving processes and thereby provide a broader understanding of learning as socially and interactionally constituted. The data consists of video recordings of small group conversations from which language-related episodes were identified, transcribed and studied applying conversation analysis methods. The findings show that the students are able to scaffold each other effectively in co-constructing linguistic knowledge through social interaction. At the same time, negotiations of power and status are included in their problem-solving processes.

Projektet ”Radio i skolan” riktade sig till elever inom det individuella programmet på en gymnasieskola. Det pågick sammanlagt en termin. Projektet innebar ett arbetssätt där fokus låg på innehåll, att berätta om ett ämne. Uttrycksformen för detta var att göra ett eget radioprogram. Denna fallstudie behandlar detta projekt. Syftet med studien var att undersöka hur elever uppfattade det egna lärandet i ett projekt där de fick arbeta med radioproduktion. Ett annat syfte var att undersöka hur involverade pedagoger uppfattade möjligheter och hinder för elevers lärande genom ett sådant estetiskt och ämnesövergripande arbetssätt. Frågorna rörde elevernas uppfattningar av vad de lärt sig, hur de lärt sig, utvecklande av självkänslan samt om pedagogernas roll för detta. En fråga handlade om involverade lärares syn på elevernas lärande och utvecklande av självkänsla. Som datainsamlingsmetoder användes både enkäter och intervjuer. Intervjuer gjordes med elever och lärare. De olika resultaten jämfördes med varandra och relaterades till olika teorier. Resultaten visar att projektet innebar ett arbetssätt som möjliggjorde lärande på olika sätt. Elever lärde sig genom att använda radioproduktion som redskap. Det innebar även lärande om hantverket, hur man gör en radioproduktion. I mindre omfattning fanns det lärande om tänkandet hur man kan uttrycka berättelser i radioform. Elevers språkutveckling kunde stimuleras i och med att de använde talet mycket. Flera elever ansåg att deras självkänsla utvecklades genom att de utmanade sig själva och vågade. Det framkom också att arbetet upplevdes svårt av flera elever. En viktig del i projektet var att det fanns tydliga mål samt stöd till eleverna i arbetet, från både lärare och en kulturarbetare med erfarenhet av radioproduktion. Resultaten pekar på att deras förmåga att motivera elever hade avgörande betydelse för elevernas läroprocess. / The project ”Radio in the school” was offered to pupils within the individual programme in one secondary school. It was realized during one term. The project implied a way of work where the focus was on content, to tell about a stuff. The way of expression for this was by making a radio programme. This case study is about this project. The aim of this investigation was to find out how students were comprehended their own learning in a project were they made radio programmes. Another aim was to investigate how the teachers involved were comprehended the possibilities and obstacles to learning for pupils through such an aesthetic and subject overarching way of work. The questions concerned the pupil’s comprehension of what they learned, in what way they learned, the development of self-esteem and of the teacher’s part in this. Data were collected with questionnaires and interviews. Interviews were made with pupils and teachers. The results were compared with each other and were related to different theories.  The results indicate that the project implied a way of work which made learning possible in different ways. The pupils learned by using radio production as a tool. It also implied learning about the skill, how to make a radio production. To less extent there was learning about the thinking about how to express the stories in radio. The language of the pupils could develop because they used speech to large extent. The self-esteem of the pupils could grow when they challenged themselves and dared to do new tasks. It also appeared that the work was experienced as difficult for several pupils. According to the teachers, an important matter in the project was clearly defined targets and support to the pupils from the teachers and from a cultural worker with knowledge of radio production. The results indicate that their capacity for motivating pupils was of vital importance for their learning process.

Denna uppsats utgår ifrån författarens egna självupplevda erfarenheter från en turné med en barnteaterföreställning hösten 2012 och beskriver händelser och situationer som uppkom under turnéns gång. Uppsatsen problematiserar mötet mellan skola och teater och synliggör även de olika villkor, skola och teater har att förhålla sig till. Syftet med uppsatsen är att beskriva vad som sker i mötet mellan lärare, elever och teater, att förstå lärares relation till teaterformen samt den konstnärliga ledarens uppfattningar kring samarbetet med skolan. Undersökningsfrågorna lyder: Hur kan man förstå skolans respektive teaterns villkor? Vilka aspekter anser lärare och konstnärlig ledare är viktiga med hänsyn till samarbetet mellan teater och skola? Hur uppfattar lärare och konstnärlig ledare att mötet mellan teater och skola kan underlättas? Hur kan en dramapedagog bidra till samarbetet eller underlätta mötet mellan teater och skola? Studien är en fallstudie som knyter an till turnén. Det empiriska materialet består i deltagande observationer, frågeformulär och intervjuer som tillsammans bearbetats och analyserats. Resultatet visar att skola och teater står långt ifrån varandra i fråga om behov och önskningar, men att det finns beröringspunkter och möjligheter att finna vägar som underlättar mötet mellan skola och teater.   Nyckelord: dramapedagogik, teater, skola, barnteater, för-och efterarbete, konstupplevelse, estetiska läroprocesser.