Global ETD Search

1	“Tillvaron [...] vidgar sig” : Alberte – en Ny kvinna i genusomskapandets tid Skoglund, Frida January 2005 (has links) <p>This essay examines the Alberte triology, by the Norwegian writer Cora Sandel, from a gender/feminist perspective. Taking Yvonne Hirdman's theory about the gender system as a starting point I will show how the living conditions and the different roles of men and women are represented in the novel and how they are changing during the centuries before and after the First World War.</p><p>I am particularly interested in Alberte, the main character, what attitude she takes to her position in the gender system and in what way she differs from the traditional female model. Is she a New Woman, a different ”species”, who doesn't fit into the rigid gender system? Does the New Woman have a male counterpart, and is he to be found in the novel? Does the novel give a positive vision of a future where men and women can meet as equals?</p> Literature Litteraturvetenskap Cora Sandel Alberte den Nya kvinnan moderniteten Yvonne Hirdman genussystemet Paris Literature Litteraturvetenskap
2	“Tillvaron [...] vidgar sig” : Alberte – en Ny kvinna i genusomskapandets tid Skoglund, Frida January 2005 (has links) This essay examines the Alberte triology, by the Norwegian writer Cora Sandel, from a gender/feminist perspective. Taking Yvonne Hirdman's theory about the gender system as a starting point I will show how the living conditions and the different roles of men and women are represented in the novel and how they are changing during the centuries before and after the First World War. I am particularly interested in Alberte, the main character, what attitude she takes to her position in the gender system and in what way she differs from the traditional female model. Is she a New Woman, a different ”species”, who doesn't fit into the rigid gender system? Does the New Woman have a male counterpart, and is he to be found in the novel? Does the novel give a positive vision of a future where men and women can meet as equals? Literature Litteraturvetenskap Cora Sandel Alberte den Nya kvinnan moderniteten Yvonne Hirdman genussystemet Paris Literature Litteraturvetenskap
3	Den otillåtna kvinnligheten : En jämförande analys av Ulla Bjernes romaner Ingen mans kvinna och Lilla Jälm / The forbidden femininity : A comparing study of the novels No Man’s Woman and Young Jälm by Ulla Bjerne Bergström, Caroline January 2020 (has links) This thesis is a study of femininity and womanhood in two Swedish contemporary novels by Ulla Bjerne, Ingen mans kvinna (No Man’s Woman) from 1919 and Lilla Jälm (Young Jälm) from 1922. By comparing the novels, I study differences and similarities between the genres children’s literature and adult literature based on an analysis of the themes friendship, home, work, body and sexuality. The period during which the novels were released are by previous research called a period of transition. Swedish women had just achieved legal right to vote aswell as extended opportunities of work. In Swedish interwar representations of the New woman figure. She breaks normative rules in both real life and literature. However, the normative way of being a woman according to traditional constructions remains. By using Yvonne Hirdman’s theory of the gender system and research about contemporary discussions I study how the author chose to produce and relate to the normative femininity and womanhood, and how the characters relate to these normative views and the formations of the New Woman. Both main characters pushes boundaries in their “gender contract”, but the difference is how it is received in the novel and therefore I make two conclusions; Rut Jälms socially forbidden femininity in Lilla Jälm is formed into a boundlessness, which leads to consequences she herself cannot control. Irma Borch in Ingen mans kvinna on the other hand has the power to make a living aswell as being the representative of a socially forbidden femininity based on the concept of the New Woman. kvinnlighet genusforskning den Nya kvinnan mellankrigstid samtidsroman barn- och ungdomslitteratur flickböcker General Literature Studies Litteraturvetenskap
4	Pigan och makten : En komparativ litteraturanalys med intersektionellt perspektiv Filipsson Korkeasalo, Kristina January 2019 (has links) Denna uppsats undersöker maktförhållandena i böckerna En piga bland pigor av Ester Blenda Nordström och Ett pennskaft som piga av Bonn i Taninge. Som metod och analysverktyg används intersektionellt perspektiv med utgångspunkt från de tre kategorierna kön, klass och funktionalitet. Vidare diskuteras maktförhållandena utifrån socialt- och genuskritiskt perspektiv för att spegla kvinnors och mäns villkor i det tidiga 1900-talets Sverige. Sammantaget visar litteraturanalysen att Ester Blenda Nordström besitter en maktposition även om hon utger sig för att vara en piga bland pigor. Den historiska kontexten som böckerna är skrivna i kännetecknas av modernitet och nationalskapande, och Ester Blenda Nordström blir rollmodell för den nya kvinnan som tar sig in på manliga domäner och kämpar för kvinnans rätt och jämlikhet i samhället. Ester Blenda Nordström genmäle den nya kvinnan Svenska Dagbladet komparativ intersektionellt perspektiv Giddens Hirdman Lykke jämställdhet jämlikhet Specific Literatures Litteraturstudier
5	Nya kvinnor och ny samhällskritik : en feministisk läsning av Anne Charlotte Lefflers Tre komedier Hjalmarson, Karin January 2007 (has links) <p>My essay is about the latter period of Anne Charlotte Leffler’s authorship. In Part I of my essay, I describe her path from the 1880s, where she described femininity as a shortcoming, as writes Ingeborg Nordin-Hennel, towards the 1890s and towards describing femininity as a possibility. This development took place on two levels – on an outer level, where all the woman writers in the late 1880s were influenced and where they were pushed out by the male writers, and on an inner level with Leffler herself.</p><p>Her late literary works depict new and more independent types of women, and eroticism is given a more prominent position. In Part II, I study Tre komedier (Three Comedies) which was published in 1891 and which includes the plays Den kärleken (Love is Strange), Familjelycka (Family Happiness), and Moster Malvina (Aunt Malvina). In my opinion, they are early expressions of the New Woman fiction. For my analysis, I use the criteria of genre for the New Woman fiction that is defined by Ebba Witt-Brattström. New Woman fiction is a lost link between the literature of social protest of the 1880s and female modernism. That characterizes, among other things, a new type of woman, who is intellectually and sexually aware. The plot is often contradictory and open-ended which allows scope for interpretation. The protagonist usually has a girlfriend or another woman, whom she can use as a mirror, and there is a new women’s “sistership” emerging, and the urban setting is yet another characteristic. The protagonist often stays at a boarding house or is out on a journey. The new male character is a weakling as opposed to the bourgeois masculinity. These features are distinct in Tre komedier. However, I have discovered a few more criteria.</p><p>I also discuss how Leffler, in the comedic form, delivers a pronounced criticism of society. In Tre komedier, the bourgeois matrimony, the bourgeois family, and the treatment of unmarried women are focused upon and criticized. The three plays differ very much from one another in the dramatic forms. Lynn R Wilkinson considers that they are among the first modernistic comedies, and they point forward to authors such as Wilde, Shaw, and Chekhov.</p> Anne Charlotte Leffler Tre komedier Den kärleken Familjelycka Moster Malvina Nya kvinnan-litteraturen dramatik litteraturvetenskap Literature Litteraturvetenskap
6	Nya kvinnor och ny samhällskritik : en feministisk läsning av Anne Charlotte Lefflers Tre komedier Hjalmarson, Karin January 2007 (has links) My essay is about the latter period of Anne Charlotte Leffler’s authorship. In Part I of my essay, I describe her path from the 1880s, where she described femininity as a shortcoming, as writes Ingeborg Nordin-Hennel, towards the 1890s and towards describing femininity as a possibility. This development took place on two levels – on an outer level, where all the woman writers in the late 1880s were influenced and where they were pushed out by the male writers, and on an inner level with Leffler herself. Her late literary works depict new and more independent types of women, and eroticism is given a more prominent position. In Part II, I study Tre komedier (Three Comedies) which was published in 1891 and which includes the plays Den kärleken (Love is Strange), Familjelycka (Family Happiness), and Moster Malvina (Aunt Malvina). In my opinion, they are early expressions of the New Woman fiction. For my analysis, I use the criteria of genre for the New Woman fiction that is defined by Ebba Witt-Brattström. New Woman fiction is a lost link between the literature of social protest of the 1880s and female modernism. That characterizes, among other things, a new type of woman, who is intellectually and sexually aware. The plot is often contradictory and open-ended which allows scope for interpretation. The protagonist usually has a girlfriend or another woman, whom she can use as a mirror, and there is a new women’s “sistership” emerging, and the urban setting is yet another characteristic. The protagonist often stays at a boarding house or is out on a journey. The new male character is a weakling as opposed to the bourgeois masculinity. These features are distinct in Tre komedier. However, I have discovered a few more criteria. I also discuss how Leffler, in the comedic form, delivers a pronounced criticism of society. In Tre komedier, the bourgeois matrimony, the bourgeois family, and the treatment of unmarried women are focused upon and criticized. The three plays differ very much from one another in the dramatic forms. Lynn R Wilkinson considers that they are among the first modernistic comedies, and they point forward to authors such as Wilde, Shaw, and Chekhov. Anne Charlotte Leffler Tre komedier Den kärleken Familjelycka Moster Malvina Nya kvinnan-litteraturen dramatik litteraturvetenskap Literature Litteraturvetenskap
7	Den nye mannen : En studie om den förändrade mansrollen efter Metoo / The new man : A study about the change in masculinities after Metoo Scherman Knutsson, Evelina January 2020 (has links) This survey is a study about the concept of the new man and masculinities. The basic question in this study is what consequences the discussion after Metoo has had for masculinity and whether we are now facing the creation of a new masculinity. In the light of an article about the new woman written by Aleksandra Kollontaj in the early 1900s and a book by Viktoria Saxby with the title Den nya mannen (the new man), published in 2019, this comparative study examines whether there is a new man among us. The theory in this study is taking the point of departure in different definitions of masculinities, as well as Metoo and comparing the mentioned article and book above. With the use of hegemonic masculinity and gender as theory, as well as discourse analysis as method, this study will try to come up with a result whether the new man is on a rise and how this will affect gender equality. The essence of the study is that the new man exists, he is missing and he is needed. / Denna undersökning är en studie om begreppet den nye mannen och maskuliniteter. Grundfrågan i studien är vilka konsekvenser diskussionen efter Metoo har haft för maskulinitet och om vi nu står inför skapandet av en ny maskulinitet. I ljuset av en artikel om den nya kvinnan skriven av Aleksandra Kollontaj i början av 1900-talet och en bok av Viktoria Saxby med titeln Den nya mannen (den nya mannen), publicerad 2019, undersöker denna jämförande studie om det finns en ny man bland oss. Teorin i denna studie tar utgångspunkt i olika definitioner av maskuliniteter, liksom Metoo och jämför den nämnda artikeln och boken ovan. Med användning av hegemonisk maskulinitet och kön som teori, samt diskursanalys som metod, kommer denna studie att försöka komma fram till ett resultat om den nya mannen ökar och hur detta kommer att påverka jämställdhet. Kärnan i studien är att den nya människan finns, han saknas och han behövs. Masculinities The new man Aleksandra Kollontaj R.W. Connell Maskulinitet Metoo Den nye mannen Den nya kvinnan Viktoria Saxby Cultural Studies Kulturstudier
8	Fantomen: Från ungkarl till hemmaman : Genuskonstruktioner i äventyrsserien Fantomen av Lee Falk Hjelm Sandqvist, Carl January 2013 (has links) In this essay I analyse the constructions of gender in the series The Phantom by Lee Falk. I apply David Tjeders readings of the bourgouise masculinity, its sensitive character and great risk of falling into unmanliness, when discussing The Phantom’s masculine development. I have analysed three adventures of The Phantom from the years 1937, 1977 and 1996, all authored by original creator Lee Falk. I argue that The Phantom increases his use of violence, therefore risking a loss of character. The stories re-establishes his masculinity by portraying the villains more monstrously. My thesis is that The Phantom's need to maintain a bourgeouis masculinity ceases as the popular culture has developed new masculine ideals. Lee Falk Fantomen Diana serietidningar äventyrsserier genus maskulinitetsteori borgerlig maskulinitet självbehärskning karaktär den Nya kvinnan kvinnofrigörelse äktenskap föräldraskap superhjältar våld skurkar.
9	Lotte Lasersteins feminina blick på den moderna kvinnan : En studie av fyra kvinnogestaltningar / Lotte Laserstein's Feminine Gaze on the Modern Woman : A Study of Four Female Depictions Unneberg, Alicia January 2024 (has links) No description available. konst konstvetenskap konsthistoria genus genusvetenskap genusperspektiv feminism feministiskt perspektiv Lotte Laserstein kvinnlig konstnär den nya kvinnan den nya sakligheten realism den nya kvinnan modernism semiotik andra världskriget jude judinna flykt nazism Weimarrepubliken Berlin Stockholm Kalmar Öland den manliga blicken maktperspektivet subjekt objekt representation porträttmåleri måleri kvinnoporträtt 1900-tal exil Humanities and the Arts Humaniora och konst Art History Konstvetenskap History Historia Gender Studies Genusstudier
10	Den qvinnliga konstnären: : representationer i tidskriften Palettskrap 1877 –1904 / The woman artist: : representations in the journal Palettskrap 1877 – 1904I Österberg, Susanna January 2016 (has links) Jag har ägnat denna uppsats åt att undersöka Kungliga Konstakademiens elevtidning Palettskrap från och med att det grundades 1877 till och med 1904.Tidningen består av anteckningar, protokoll och en mängd med bilder såsom porträtt, illustrationer och skämtteckningar. Mitt syfte har varit att se hur konflikten kring kvinnorollen generellt och kvinnliga konstnärsrollen specifikt kommer till uttryck under det sena 1800-talet i en intern elevtidning som Palettskrap. Jag har huvudsakligen utfört bildanalyser men även lyft fram text ur Palettskrap som har varit relevant för mitt ämne. Jag har analyserat bildernas uttryck och bildbudskap utifrån Roland Barthes semiotiska metod. För en genusmedveten och kritisk blick på det konsthistoriska sammanhanget, har jag har tillämpat ett feministiskt perspektiv som varit verktyg för att dekonstruera den maskulina myten om modernismen och konstnären. Min undersökning visar att det finns två etablerade stereotyper/kategorier av den kvinnliga konstnären: den ”okvinnliga” konstnären och ”amatören”. Dessa två stereotyper återspeglar den borgerliga synen på kvinnlighet/femininitet som oförenlig med konstnärsrollen. / I have dedicated this essay in researching the journal Palettskrap founded by students at the Royal Swedish Academy of Arts in 1877. Palettskrap consists of notes, protocols and a variety of images such as portraits, illustrations and satirical cartoons. My purpose has specifically been to see how the conflict of the woman artist is articulated during the late 1800's in a student journal such as Palettskrap, and also more generally, how the woman's role in society is articulated. I have primarily analyzed images but I have also exposed text from Palettskrap which has been relevant to my subject matter. By using Roland Barthes' semiotics, I have analyzed the images' expression and message. For a gender-sensitive and critical eye on the art historical context, I have applied feminist theory which has been useful in deconstructing the masculine myth on modernism and ”the artist”. My research shows that there are two established stereotypes/categories of the woman artist: the ”unwomanly” artist and the ”amateur”. These two stereotypes reflect the bourgeois notions of womanhood/femininity as incompatible with the role of the artist. student journal Palettskrap Royal Swedish Academy of Arts late 1800's amateur unwomanly womanhood femininity role of the artist bourgeois Sweden feminist theory myth masculine feminine modernism palettskrap palett-skrap konstakademien feministisk teori borgerlighet borgerlig maskulin myt kungliga konstakademien konstakademin flanör voyeur sedlighet konstnärsgeniet bohemen tradition qvinna kvinnliga avdelningen manliga blicken manligt nätverk manliga nätverk maskuliniserad kvinnlig konstnär kvinnlighet ärad samtida häxa silhuett ernst ljungh konstnärsrollen kvinnliga konstnärer amatör amatören dilettant dilettantism okvinnliga stereotyp karikatyr sekelskiftet 1880-talet nya kvinnan tradition modernitet modernism offentliga privata rum sent 1800-tal Humanities Humaniora

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