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701	Uhakiki wa tamthilia za kiswahili zihusuzo VVU/UKIMWI Nicolini, Cristina 10 March 2017 (has links) (PDF) Makala haya yanalenga kuchambua fani na maudhui, muundo na dhamira za tamthilia za Kiswahili zihusuzo VVU/UKIMWI, hasa tamthilia kutoka Tanzania, na uhusiano baina ya VVU/UKIMWI na mila za jadi kama sherehe za jando na unyago. Dhamira muhimu ya kujadili ugonjwa katika kazi za fasihi barani Afrika ilichimbuka katika sanaa za maonyesho ya jadi ya Kiafrika yaani katika shughuli za ngoma na miviga ya kidini kama matambiko kwa miungu, kumtolea Mungu kafara ili mgonjwa apate dawa au kupona. Maudhui yanayohusu ugonjwa yameingia katika tamthilia mamboleo kwa nia ya kuoanisha tamthilia ya kigeni na ngoma ya kijadi, hasa baada ya miaka ya 1980 (ling. Mlama 1983; Hussein 1983). Katika tamthilia za Tanzania za kisasa magonjwa yanayozungumziwa ni mengi, lakini kuanzia miaka ya themanini ugonjwa mpya, yaani VVU/UKIMWI, unachukua nafasi ya dhamira kuu katika kazi nyingi. Lengo kuu la makala haya ni kuchambua na kuhakiki tamthilia teule sita zihusuzo VVU/UKIMWI na kuandikwa zote na waandishi wa kutoka Tanzania. Ninachambua vipengele mbalimbali vya fani na maudhui nikiangalia uhusiano baina ya sifa za kimapokeo na za mamboleo. Ninafafanua pia athari za kimagharibi kutoka tamthilia ya Wayunani yaani vigezo vya Aristotle na dhana ya tanzia. Kwa kuunganisha nadharia za kale za Kimagharibi na za kisasa kutoka Afrika Mashariki, nitatumia pia nadharia ya korasi (Mutembei 2012), na vilevile kuchambua athari za ki-Brecht yaani ukengeushi ambazo zimekuwa na umuhimu mkubwa kwa tamthilia ya kutoka nchini kwingi Afrika na ulimwenguni kote. Swahili-Theater/Drama HIV/AIDS Tansania Aristoteles Tragödie Bertolt Brecht Chorus Initiationsriten Swahili drama HIV/AIDS Tanzania Aristotle tragedy Bertolt Brecht chorus traditional rites of passage ddc:496 Swahili-Theater/Drama HIV/AIDS Tansania Aristoteles Tragödie Bertolt Brecht Chorus Initiationsriten
702	A Constituição Orgânica em Aristóteles: a substância natural no seu mais elevado grau / Organic Constitution in Aristotle: a natural substance in its highest degree Carvalho, Rodrigo Romão de 17 April 2017 (has links) A presente pesquisa tem como objetivo desenvolver um estudo acerca da noção aristotélica de constituição orgânica, no qual procurarei propor um exame da filosofia da natureza de Aristóteles referente ao aspecto, atribuído ao organismo, de ser substância natural no seu mais elevado grau, estabelecendo uma análise comparativa entre os compostos elementares, os compostos homogêneos inanimados e os compostos orgânicos. Para tanto, pretendo, primeiramente, promover uma análise a respeito do caráter substancial dos organismos vivos. Em seguida, delimitar uma investigação em torno dos tipos de composições naturais, levando em conta a maneira pela qual a necessidade natural estaria envolvida no processo constitutivo de tais composições. E, por fim, oferecer uma interpretação relativa ao capítulo 12 do livro IV dos Meteorológicos, a qual tem por base discernir a natureza formal associada, por um lado, às propriedades características dos corpos homogêneos em geral, considerados em si e por si mesmos, e, por outro, às propriedades características da constituição orgânica, de modo a precisar as diferenças entre elas. Penso que, com este estudo, também será possível compreender de um modo claro o motivo pelo qual, nesta concepção de natureza, toma-se o organismo vivo como o paradigma de substâncias (ousiai) naturais. / This research aims to develop a study on the aristotelian notion of organic constitution, which seek to propose an examination of the natural philosophy of Aristotle concerning the aspect, assigned to the body, to be natural substance in its highest degree, establishing an analysis comparative between elementary compounds, inanimate homoeomerous compounds and organic compounds. Therefore, I intend, first, to promote an analysis regarding the substantial nature of living organisms. Then delimit an investigation around the kinds of natural compositions, taking into account the way in which natural necessity would be involved in the constitutive process of such compositions. And finally, offer an interpretation relating to Chapter 12 of De Caelo IV, which relies on discerning the formal nature associated, on the one hand, the characteristic properties of homoeomerous bodies generally considered in themselves and for themselves, and, on the other hand, the characteristic properties of the organic constitution in order to clarify the differences between then. I think that, with this study, also will be possible understand in a clearly way the reason, in this conception of nature, it takes the living organism as the paradigm of natural substances (ousiai). Aggregates Agregados Animate and inanimate compounds Aristóteles Aristotle Composições homogêneas Compostos animados e inanimados Constituição orgânica Geração natural Homoeomerous compositions Living organism Mistos Mixes Natural generation Natural substance Organic constitution Organismo vivo Pneuma Pneuma Substância natural
703	The principle of solidarity: A restatement of John Rawls' law of peoples Trifunovic, Milica 25 April 2013 (has links) In der Dissertation habe ich versucht eine Theorie der globalen Gerechtigkeit darzustellen. Diese Theorie hat als ihre Basis das Denken von John Rawls. Rawls hat sich in seinem letzten Buch „Das Recht der Völker“ zu dem Thema geäußert. Ich erläutere seine Gedanken und zugleich kritisiere ich sie. Meine Kritikpunkte an Rawls: 1. Keine detaillierte Erläuterung der Aufteilung in ideale und nichtideale Theorie 2. Unvollkommenheit der Prinzipien für die ideale Theorie der globalen Gerechtigkeit Ich verweise auf die mögliche Verbesserung des Rawlschen Standpunktes über globale Gerechtigkeit durch: 1. eine Unterscheidung der normativen und deskriptiven idealen bzw. nichtidealen Theorie (damit wird die Struktur von Rawls‘s Arguments klarer) 2. Durch die Darstellung von drei Prinzipien die Rawlssche Prinzipien hätten sein könnten (damit bekommt seine Theorie inhaltlich mehr Wert) 3. Durch die Erläuterung des Prinzips der Solidarität als das, was an Rawls‘s Theorie besonders gewesen sein könnte. / In my disertation I have tried to present a theory of global justice. This theory has for its basis the thought of John Rawls. Rawls expressed his thaughts about the topic in his last book „The Law of Peoples.“ On the one hand I explain his theory while on the other I criticize it. My critique on Rawls goes accoring the following lines: 1. No elaborated disitiniction betwen the ideal and nonideal theory 2. Unfinished principles for the ideal theory of global justice I point to the possible amelioration of Rawls´ theory of global justice through: 1. Differentiation of the normative and descriptive ideal and nonideal theory (through this disticition is the stucture of Rawls´ argument clearer) 2. Introduction of three prinicples that should have been Rawls´s (through these three principles the content of his theory becomes more valuable) 3. Eplaning the principle of solidarity as the principle that could have been the specific for Rawls´ theory Aristoteles Solidarität Gerechtigkeit Rawls ideale Theorie nichtideale Theory Prinzipien Regel Recht Volk Humanität Kontrafaktualität law counterfactuals solidarity Justice Rawls Aristotle ideal theory nonideal theory principles rules people humanity 100 Philosophie 10 Philosophie CI 6583 ddc:100
704	Artefatos e modelos da música na antiguidade ocidental / Musical artifacts and models in Western Antiquity Gusmão, Cynthia Sampaio de 08 July 2015 (has links) Este trabalho investiga o lugar da téchne no mundo antigo por meio dos instrumentos musicais, enquanto artefatos físicos e modelos matemáticos, geométricos e mecânicos. A escassez de informações sobre as técnicas de construção dos instrumentos leva a examinar outras atividades artesanais, especialmente aquelas ligadas à carpintaria e ao trabalho com metais. O exame da natureza do poder encantatório da música e sua relação com os instrumentos será realizado por meio da abordagem de figuras como as musas e os daimónes, e também da organização concebida pelos filósofos no período clássico. Apesar do lugar de inferioridade que importantes pensadores conferiram aos artesãos, evidências mostram que a téchne dos artífices marcou profundamente o pensamento grego. No que diz respeito à música, o papel do luthier foi fundamental na medida em que proporcionou o substrato material para desenvolvimentos na linguagem musical. Além dos artefatos, os modelos matemáticos, geométricos e mecânicos da música também nasceram nas oficinas. Ao serem dominados pelos músicos, tais rtefatos e modelos serão igualmente responsáveis por grandes transformações musicais. / This work investigates the Greek notion of téchne in the ancient world through its musical instruments, in the form of physical artifacts and mathematical, geometrical and mechanical models. Because of the lack of information about ancient lutherie, it examines other forms of craftsmanship, like carpentry and metallurgy. The inquire into the nature of the musical powers of music, and its relation to musical instruments, will be done by the examination of characters like muses and daimónes, and also of the organization models of the classical philosophers. Despite the inferior place that great philosophers give to the technicians, this study sustains that they had deeply influenced the Greek thought. Regarding music, its possible to say that the luthiers role was fundamental because the material foundation conducted developments in the musical language. Besides the artifacts, the mathematical, geometrical and mechanical musical models were born in the workshops. Artifacts and models, mastered by the musicians, will be equally responsible for the musical developments. Aristóteles Aristotle Aristóxeno Aristoxenus Arquitas Artesão Artisan Aulós Aulós Ctesibius Ctesibius Geometria Geometry Hélicon Hélicon e kânon Hero de Alexandria Hero of Alexandria Hydráulis Hydráulis Kânon Kithára Kithára Lira Lire Luthier Luthier Mecânica Mecanics Platão Plato Ptolemy Ptolomeu Sýrinx Sýrinx
705	Direito e literatura: a compreensão do direito como escritura a partir da tragédia grega Costa, César Vergara de Almeida Martins 29 October 2008 (has links) Made available in DSpace on 2015-03-05T17:20:08Z (GMT). No. of bitstreams: 0 Previous issue date: 29 / Nenhuma / A presente dissertação tem por objetivo a afirmação do Direito como “escritura”, que é ao mesmo tempo transgressora e conservadora da tradição jurídica. Para tanto, parte-se da aproximação do direito à literatura, investigando-se, mais precisamente, as relações que se estabelecem entre a tragédia grega e o direito. Nessa senda, investiga-se o panorama geral em que se inserem os estudos que aproximam o direito da literatura e vice-versa, e visita-se a poética aristotélica para, então, examinarem-se as características do gênero e do homem trágicos. São investigados conceitos básicos da Grécia Antiga – os conceitos de physis, ethos, nomos, hamartia, hybris, themis e diké - e, então, a passagem das estruturas de pré-direito ao direito que se desvela nos mitos gregos e, por conseqüência, no gênero trágico, com base nos estudos de Louis Gernet e Vernant.vIdentificada, a partir da Poética Aristotélica, a mimesis ínsita à literatura, e, reconhecida a tragédia como evento que coincide com a afirmação da democracia gre / The main objective of the present dissertation is the affirmation of the Law as “scripture”, which is, at same time, transgressor and conservative of the juridical tradition. In order to state so, one has to approach the Law to the Literature, more precisely investigating the relations that have been established between the Greek tragedy and the Law. This way, one has to investigate the general panorama in which the studies that approximate law and literature (and vice-versa) are inserted, and the Aristotelic poetics is visited in order to allow the gender and the tragic man characteristics to be examined. Basic concepts of the ancient Grece are herewith investigated – such as physis, ethos, nomos, hamartia, hybris, themis e diké – as well as the passage of the pre-law structures to the law itself which are unveiled in the Greek myths and, consequently, in the tragic gender based on studies signed by Louis Gernet and Vernant. Identified since the Aristotelic poetics, the mimesis inserted into Literature, and Ciências Sociais Aplicadas Aristóteles diké escritura ethos hamartia hybris interpretação literatura mimesis nomos physis poética themis tragédia grega pré-direito Aristotle greek tragedy interpretation literature mímesis poetics scripture pre-law
706	追尋共同體－回顧古典哲學的啟示洪世謙 Unknown Date (has links) No description available. 亞里斯多德黑格爾馬克斯共同體市民社會倫理生活 Aristotle Hegel Marx community civil society ethical life
707	Modern tragedy in the absence of God : an analysis of Unamuno and Buero Vallejo Heil, Katrina Marie, 1976- 16 August 2011 (has links) Not available / text Tragedy Hope in literature Faith in literature Belief and doubt in literature Aristotle--Criticism and interpretation
708	Jonson's and Shakespeare's "Comedy of Affliction" Goossen, Jonathan 23 August 2011 (has links) This dissertation explores the relevance of recent studies of Aristotle’s comic theory to the central dramatists of early modern England, Ben Jonson and William Shakespeare. Applications of the Poetics to Renaissance English drama tend to treat Aristotle’s theory historically, as a set of concepts mediated to England by continental redactions. But these often conflated the Poetics’ focus on literary form with the Renaissance’s predominant interest in literature’s rhetorical effect, reducing Aristotle’s genuinely speculative theory to a series of often pedantic literary prescriptions. Recent scholarship has both undone these misinterpretations and developed the comic theory latent in the Poetics. Ironically, these studies make Jonson’s and Shakespeare’s comedy look much more Aristotelian than do Renaissance ones. So rather than taking the Poetics simply as a possible source for each dramatist, I read it primarily as a literary theory that, when reinvigorated by modern scholarship, can explain structures and effects arrived at practically by these dramatists. Three recent hypotheses are especially pertinent to Jonson and Shakespeare: that comic hoaxes aim to expose comic error, which is for Aristotle a deviation from the mean of virtue; that “righteous indignation” is the comic emotion equivalent to the “pity and fear” of tragedy; and that catharsis is a clarification, rather than purgation, of reason and emotion. In light of these, I offer detailed readings of four plays that demonstrate these authors’ comic range: from Jonson’s satirical Every Man Out of His Humour to the almost farcical Epicoene, and from Shakespeare’s romantic Much Ado About Nothing to the tragicomic Measure for Measure. These plays demonstrate a variety of ways in which catharsis, the end of drama, results directly from the comic hoax and involves both the audience’s and characters’ experience of indignation and their comprehension of its relationship to the emotions of envy and pity. In each case, Aristotle’s incisive but flexible theoretical framework enables an explanation of the emotional pain present in the these “comedies of affliction” and reveals remarkable similarities between dramatists usually described as direct opposites. Aristotle Aristotle's Poetics Shakespeare Much Ado About Nothing Measure for Measure Ben Jonson Every Man Out of His Humour Epicoene Comic Theory Catharsis Indignation Hoax Comic plot Classical literary theory Comedy
709	IL VOLTO DEMOCRATICO DI SOLONE? ANALISI DEL CORPUS DI LEGGI SOLONIANO LODDO, RITA LAURA 17 March 2015 (has links) Oggetto della tesi è lo studio del “Solone democratico”, di cui si ricostruisce la genesi attraverso le testimonianze degli antichi e le riflessioni dei moderni. Per sottoporre a verifica l’affermazione aristotelica che riconduce a Solone l’origine della democrazia, sono state prese in considerazione primariamente quelle misure che riguardano la costituzione (Eliea, bulé dei Quattrocento, accesso alle cariche), al fine di comprendere se il giudizio degli antichi si basò su una valutazione condivisibile dell’azione del legislatore. Si sono ritenute ugualmente indicative, a questo scopo, alcune leggi ordinarie attribuite a Solone (legge sull’inattività, legislazione funeraria, leggi sulle donne, legislazione assistenziale): di queste leggi si è indagata l’origine soloniana e la compatibilità con il resto della legislazione dell’Ateniese a partire dalla valutazione del loro significato. La tesi è completata da tre appendici che sviluppano alcuni dei temi emersi nel corso dell’indagine e considerati meritevoli di approfondimento: si tratta della questione procedurale nella legge sull’inattività; della datazione e del commento di una legge funeraria concernente alcuni obblighi del demarco; della connessione fra Solone e l’Areopago. / The aim of this thesis is the study of the “democratic Solon”, whose genesis has been reconstructed through the ancients’ accounts and the works of modern scholars. To test the Aristotelian statement that traces the origin of democracy to Solon, we have primarily considered those measures that concern the constitution (Heliaia, boule of the Four Hundred, access to high offices), in order to understand if the ancients’ judgement was based on a shareable assessment of the legislator action. For that purpose some ordinary laws attributed to Solon - on idleness, on women, funerary and welfare laws - have been considered equally indicative. Of these laws it has been investigated the Solonian origin and compatibility with the rest of the Solonian legislation, starting from an assessment of their meaning. To complement the present thesis there are three appendixes which develop some of the themes that arose during the investigation and that have been considered worth to be deepened. It is the case of the procedural question regarding the law on idleness; the dating and comment of a funerary law concerning some duties of the demarch; of the connection between Solon and the Areopagos. L-ANT/02: STORIA GRECA
710	The metaphysics of dappledness: Charles S. Peirce and Nancy Cartwright on the philosophy of science. Teel, Paul David Wilkinson 12 May 2011 (has links) Contemporary philosopher of science Nancy Cartwright (b. 1944) has raised many an eyebrow with her books How the Laws of Physics Lie (1983) and The Dappled World (1999), among others. The primary task of this dissertation is to link her philosophy with that of Charles S. Peirce (1839–1914)—a link that includes Duns Scotus. My focus is especially on the criticism Peirce would have of Cartwright, and on the philosophical support he can offer her. The question is this: Given her stated philosophy of science, to what else must Cartwright be philosophically committed? This includes discussions of metaphysics, scholastic realism, laws of nature, and the very possibility of science. There are many striking similarities between Peirce and Cartwright, but I argue that he sees further and deeper into the metaphysical implications of her views on science. / Graduate philosophy of science problem of universals realism nominalism laws of nature peirce's categories theology scotus capacities pragmaticism scholastic realism vagueness history of philosophy aristotle logic of relatives possibility of science firstness secondness thirdness nomological machine

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