Des dels Estudis Culturals Consensuals on la televisió s'entén com a fòrum aquesta tesi doctoral estudia l'aportació del serial de Televisió de Catalunya a la construcció social de la realitat i el seu potencial com a institució intermèdia per a la negociació i objectivació social del sentit. L'objectiu de la investigació consisteix en entendre quines són les estratègies sobre les que el serial estudi de cas, El cor de la ciutat (2000-2009), proposa l'organització de l'experiència de la vida quotidiana en relació a qüestions que prèviament defineix com a temes i problemes socials rellevants per a l'individu al que adreça la seva acció comunicativa. La combinació de tècniques d'anàlisi textual i de contingut per l'estudi de l'agenda permet detectar les lògiques d'introducció i plantejament de determinats temes d'interès social i analitzar comparativament els marcs interpretatius i les estratègies discursives emprades segons es tracti de valors socials compartits, transgredits o contraposats. / Desde los Estudios Culturales Consensuales donde se define la televisión como foro esta tesis doctoral estudia la aportación del serial de Televisió de Catalunya a la construcción social de la realidad y su potencial como institución intermedia para la negociación y objetivación social del sentido. El objetivo de la investigación consiste en entender cuáles son las estrategias del serial estudio de caso, El cor de la ciutat (2000-2009), para proponer la organización de la experiencia de la vida cotidiana en relación a las cuestiones que previamente define como temas y problemas sociales relevantes para el individuo al que dirige su acción comunicativa. La combinación de técnicas de análisis textual y de contenido para estudiar la agenda permite detectar las lógicas de introducción y planteamiento de determinados temas de interés social, y analizar comparativamente los marcos interpretativos y las estrategias discursivas desarrolladas según se planteen valores sociales compartidos, transgredidos o contrapuestos. / From consensual perspective of Cultural Studies, considering television as a forum, this doctoral dissertation analyses the contribution of the longest serial of Televisió de Catalunya to the social construction of reality and its potential as intermediate institution for the social negotiation and objectivation of sense. The main objective of this research is to understand which are the strategies developed by El cor de la ciutat (2000-2009) to propose the organization of everyday experience in relation to questions that previously has defined as social issues and social problems, as part of the communicative action that Catalan television addressed to their viewers. A methodology combining textual analysis and content analysis techniques for studying agenda enables us to identify the logics for the introduction and approach of certain social issues and to examine, in a comparative framing and discourse analysis, which are the strategies implemented depending on values' dynamics (shared, transgressed or confronted).

La reconnaissance internationale du metteur en scène Enrique Diaz s’est affirmée de façon sensible depuis plus d’une vingtaine d’années. Sa démarche artistique est très influencée par la performance et fait souvent appel à des textes métathéâtraux. Ses mises en scène autoréflexives ont pour thème leur propre processus de création. Elles mettent en évidence le jeu de l’acteur et utilisent les vídéos de façon autoréférentielle et critique.Cette thèse propose une étude du système de création de Enrique Diaz selon une approche systémique, prenant comme référence méthodologique transdisciplinaire les systèmes numériques appelés systèmes flous ou fuzzy systems. Cet angle d’analyse nous a paru permettre l’étude de la démarche de l’artiste selon des échelles d‘observation et des points de vue différents. Nous avons donc étudié tout d'abord le parcours artistique d’Enrique Diaz sur le plan global, intégrant les principaux spectacles et thématiques à partir du travail que Diaz demande à ses acteurs. Cette observation globale nous a offert les fondements nécessaires à la création d’une modélisation dynamique, c’est-à-dire, à l’élaboration d’hypothèses touchant le fonctionnement global du système de création de l’artiste, en tentant de montrer en quoi celui-ci constitue une forme de système flou.Afin de valider la modélisation créée, le spectacle Seagull-Play/ La Mouette est analyséselon les catégories utilisées pour la création d’un système flou. La fuzzification renvoieaux phases préliminaires du projet, aux choix esthétiques et aux techniques d’improvisation collective, comme celle de l’utilisation de la technique des Viewpoints and Composition. L’inférence concerne l’observation des prises de décisions du metteur en scène au cours du processus de création. Enfin la défuzzification est l’étude de la présentation du spectacle au public. L’objectif final est de montrer l’originalité de la démarche artistique d’Enrique Diaz en utilisant une méthodologie basée sur les systèmes flous et inspirée par le processus même de création de l’artiste. / The international recognition of the director Enrique Diaz has asserted itself for morethan twenty years. His artistic approach is very influenced by performance and it oftenuses metatheatrical texts. His reflexive productions focus on their own creative processes. They highlight the acting of the actor and they use the media in a selfreferential and critical way. Director Enrique Diaz' creation is approached for this thesis in a systemic way, using as a transdisciplinary methodological reference, the computer systems called fuzzy systems. Therefore, it allows to study his approach through different observation scales and varied points of view. First of all, its artistical experience is analyzed with a global scale: main themes and plays, specialy the actor's work. The overall observation offers substrate to a dynamic modeling, that is to say, the development of hypothesis regarding the general operation of Enrique Dias' creating system, and his main course of actions during the process of different plays. As a validating strategy, the play Gaivota - tema para um conto curto (Seagull-Play/La Mouette), is analyzed taking in consideration the operational of a fuzzy system - fuzzification, inferences and defuzzification - that is to say, according to the initial purposes of the project, the aesthetic references for its creation and the main procedures used for improvising (Viewpoints and Composition) and itsconnections/consequences/ to the play. The objective is to show the originality of theartistic approach of Enrique Diaz using a methodology based on the fuzzy system andinspired by his own approach. / A prática artística do encenador Enrique Diaz ganhou um reconhecimento internacional nos últimos vinte anos. Influenciado pela performance, Enrique Diaz faz uso recorrente de textos metateatrais e seus espetáculos autoréflexivos tematizam o próprio processo de criação. Sua prática é centrada no trabalho do ator e utiliza os vídeos de forma autoreferencial e crítica.Esta tese aborda a criação do encenador Enrique Diaz de forma sistêmica, tendo como referência metodológica transdisciplinar os sistemas informáticos chamados nebulosos (flous ou fuzzy). O sistema flou é uma analogia para a compreensão do funcionamento do trabalho de Enrique Diaz, de modo a evidenciar, segundo diferentes pontos de vista e conforme escalas de observação diversas, o que chamo de sistema de criação. Suaprática artística é abordada primeiramente numa escala global, enveredando por temas e espetáculos e fechando o foco sobre o trabalho do ator. Este modo de observação oferece substrato a uma modelização dinâmica, ou seja, permite o levantamento de hipóteses a respeito do funcionamento geral do sistema de criação de Enrique Diaz e das principais ações executadas para a construção de diferentes espetáculos. Como forma de validação, o espetáculo Gaivota – tema para um conto curto, é analisado levando em conta as fases de funcionamento de um sistema nebuloso – fuzzificação, inferências e defuzzificação –, ou seja, segundo as proposições iniciais do projeto e as técnicas utilizadas nos ensaios (como a técnica Viewpoints and Composition), os tipos de decisões da encenação e a apresentação do espetáculo. O objetivo é mostrar as singularidades do sistema de criação de Enrique Diaz a partir da criação de uma metodologia inspirada por sua prática artística.

Submitted by William Roberto Crestani (crestan@terra.com.br) on 2016-10-08T18:09:21Z No. of bitstreams: 2 Trabalho_de_Conclusão_-_Final_com_ficha_e_revisões_da_banca.PDF: 1167622 bytes, checksum: 185a7caee1c21b038191f9f990a2f3cf (MD5) Planilha - Análise decisões STF.XLSX: 61106 bytes, checksum: 6b299cb8a2c9554baca289b01aa8c047 (MD5) / Rejected by Renata de Souza Nascimento (renata.souza@fgv.br), reason: William, boa tarde Para que possamos aceitar seu trabalho junto à biblioteca, deverá realizar ajustes de acordo com as normas da ABNT. As páginas 1 até a página 4, deverão ser refeitas. Acessar o link http://sistema.bibliotecas-sp.fgv.br/bkab_normalizacao na opção Normas para apresentação de monografias, a partir da página 12 para verificar o modelo do trabalho. Ajustar também a numeração. Está correto a partir da Introdução, mas se por exemplo a Introdução for a página 9, incluir o numero 9 e seguir. Após ajustes, realizar nova submissão. Qualquer dúvida estamos à disposição. Att on 2016-10-10T17:35:24Z (GMT) / Submitted by William Roberto Crestani (crestan@terra.com.br) on 2016-10-11T03:36:06Z No. of bitstreams: 2 Dissertação - Mestrado Profissional - Limite das multas - versão biblioteca FGVpdf.pdf: 1166133 bytes, checksum: 160bb728f716fc4a0124bfa77ef7f446 (MD5) Anexo 2 - Planilha eletronica - Anexo II (Parte integrante da Dissertão - Mestrado Profissional).XLSX: 61109 bytes, checksum: 0136d49d91d71dbe6fa2f71f36048dbd (MD5) / Rejected by Renata de Souza Nascimento (renata.souza@fgv.br), reason: William, boa tarde Somente mais dois ajustes: Retirar a acentuação do nome Getúlio e retirar a sigla SP que consta ao lado de São Paulo (capa e contracapa). 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No. of bitstreams: 2 Dissertação - Mestrado Profissional - Limite das multas - versão final biblioteca FGV.pdf: 1166110 bytes, checksum: 2edafb6e1274e8d1eb4b4708fed3c0ef (MD5) Anexo 2 - Planilha eletronica - Anexo II (Parte integrante da Dissertão - Mestrado Profissional).XLSX: 61109 bytes, checksum: 0136d49d91d71dbe6fa2f71f36048dbd (MD5) Previous issue date: 2016-09-13 / This paper is aimed at proposing a solution to the object matter of case 487 of the list of general repercussion of the Brazilian Supreme Court (STF), in which the court will judge the following subject: 487 – Confiscatory character of the 'isolated penalty' due for the non acomplishment of ancillary tax obligations. Based on the extensive examination of the STF precedents regarding the limitation of tax penalties, combined with the analysis of the applicable legal doctrine related to the tax sanctions and the proporcionality and reasonableness principles, we will develop and present an answer to the following questions: Is there any limitation to charge the penalty due for the non accomplishment of ancillary tax obligations in the event the tax was duly paid? If the answer is positive, which would be that limit? As a result, we are intended to face a recent ongoing problem in Brazil – which is the substantial increase on the amounts of the penalties charged for the non accomplishment of ancillary tax obligations, specially in cases in which taxes were duly paid by the taxpayers – and, simulteneously, contribute on the seek of a balance point between the function of the ancillary tax obligations and the amount charged as penalty for its non accomplishment. / Este trabalho tem por objetivo propor uma solução à questão objeto do tema 487 da lista de repercussões gerais do Supremo Tribunal Federal, por meio do qual o STF irá julgar a seguinte temática: 487 – Caráter confiscatório da 'multa isolada' por descumprimento de obrigação acessória decorrente de dever instrumental. A partir do exame extensivo da jurisprudência histórica do STF acerca da limitação das multas fiscais, combinado com o estudo da doutrina relativa às sanções tributárias e aos princípios da proporcionalidade e razoabilidade, desenvolveremos e apresentaremos ao final uma resposta objetiva às seguintes indagações: Existe algum limite que deve ser observado para a cobrança de multa pecuniária devida por descumprimento de dever instrumental nas situações em que não houve falta de recolhimento de tributo? Em caso positivo, qual seria esse limite? Desse modo, pretende-se enfrentar um problema que tem crescido no Brasil nos últimos anos – o aumento expressivo do valor das multas cobradas em razão do descumprimento do dever instrumental e, em vários casos, a desvinculação da cobrança dessa multa do próprio pagamento do tributo – e, simultaneamente, contribuir na tarefa de buscar um ponto de equilíbrio entre a função das obrigações tributárias acessórias e o valor da multa cobrada por conta do seu descumprimento.

Made available in DSpace on 2016-08-02T21:42:42Z (GMT). No. of bitstreams: 1 Edilene de Oliveira Pereira.pdf: 441079 bytes, checksum: f4f0ddb2ba4944e778f1d7cec3cb183f (MD5) Previous issue date: 2007-03-19 / The subject of this research is the Quality of Working Life (QWL) of public officers of the Health Department of Barra Mansa local government. It is a case study of quanti-qualitative, exploratory and descriptive nature that has as objectives to understand what QWL is for these public officers, to verify what are the perceptions they have concerning their own QWL and, to understand if in the public sphere it is possible to construct new senses for QWL which approach it to a commitment with collectiveness and life. Walton s QWL model, the analysis of instruments used in eleven other researches carried through several Brazilian education institutions and the collection of seven depositions of public officers, concerning their professional histories and general impressions on QWL have guided the elaboration of the instrument used in this research. 205 valid questionnaires have been collected, which were considered enough for the use of the factorial analysis as statistical method by software SPSS. Moreover, two depositions were collected, through opened interviews, which added to the seven already gotten, were used in the qualitative analysis of the results. The main joined results point that QWL of the searched public officers is reasonable or good, and that they associate it to a series of objective and subjective aspects of life at work. Many of them are within Walton s model, however some that had emerged the model does not enclose. It is exactly inside this gap that seems to be possible to construct new senses for QWL that approach it to a commitment with collectiveness and life, in a different logic of that individualist and instrumentalist that mark its origin in the private sector. From this point on, it is possible to think in participative public policies. / O tema desta pesquisa é a Qualidade de Vida no Trabalho dos funcionários públicos da Secretaria de Saúde de Barra Mansa/RJ. Trata-se de um estudo de caso de natureza quanti-qualitativa, exploratória e descritiva que tem como objetivos compreender o que é a QVT na ótica do funcionário público, verificar que percepções ele possui acerca de sua própria QVT e, a partir daí, compreender se na esfera pública é possível construir um novo sentido para a QVT que se aproxime de um compromisso com a coletividade e com a vida. O modelo de QVT de Walton, a análise dos instrumentos de onze outras pesquisas realizadas em diversas instituições brasileiras e a coleta de sete depoimentos dos sujeitos pesquisados, acerca de suas histórias profissionais, suas impressões gerais sobre a QVT, orientaram a elaboração do instrumento utilizado nesta pesquisa. Coletaram-se 205 questionários válidos quantidade suficiente para a utilização da análise fatorial como método estatístico, por meio do software SPSS , além de mais dois depoimentos, em entrevistas abertas, os quais, somados aos sete já obtidos por ocasião da preparação do instrumento de pesquisa, foram utilizados na análise qualitativa que também se fez. Os principais resultados encontrados apontam que a QVT dos funcionários públicos pesquisados é de razoável a boa e que eles associam QVT a uma série de aspectos objetivos e subjetivos da vida no trabalho. Muitos deles estão presentes no modelo de Walton, porém emergiram alguns que vão além do que o modelo abrange. É exatamente nesta lacuna que parece ser possível construir novos sentidos para a QVT que a aproximam de um compromisso com a coletividade e com a vida, numa lógica diferente daquela individualista e instrumental que marcam sua origem no setor privado. A partir daí se abre a possibilidade de se pensar em políticas públicas participativas.

This essay deals with translation changes taking place when translating two information-dense German texts into Swedish. The study focuses on the preverbal position of V2 declaratives, i.e. on the so called pre-field in German and Swedish sentences. This position plays an important role for the structuring of information, both at the intra-sentential and at the inter-sentential level. The aim of the study is therefore to investigate to what extent the information structure of the source text is carried over to the target text. A quantitative sentence-by-sentence analysis of the pre-fields of the source and target text shows many cases of re-structuring and re-writing have taken place during the translation process. A closer examination of those changes reveals some tendencies regarding the translation of the German pre-fields. In many cases text-initial rhematic (not previously mentioned) subjects of the source text have been replaced with time adverbials which function as so-called frame topics in the target text. Also, heavy, information-dense pre-fields of the source text have been split into two or more sentences in the target text. Furthermore there has been a “neutralization” of so-called marked structures of the source text. While those marked structures are used to achieve communicative effects in the source text, equal effects are mostly achieved by lexical means in the target text. The genre and style of the texts proved to play an important role for the choice between keeping and abandoning the information structure of the source text.

I detta arbete analyseras det omfattande pianoverket ”Dantesonaten” komponerat av Franz Liszt i syfte om att ta reda på vilka musikaliska och tekniska element han utnyttjat för att uttrycka djävulen, helvetet och andra diaboliska företeelser i sin musik. Därmed kommer en djupgående analys av eposet Den gudomliga komedin skrivet av Dante Alighieri genomförasdå Liszt baserat sin komposition på detta verk. Liszts intresse för Den gudomliga komedin och Dante som poet belyses samt varför han valt att basera sin sonat på detta ämne. Resultatet tyder på att Liszt använt dissonanta intervall som tritonus, dimackord, heltonsskalor, kromatik och tremoloteknik m.m. för att allt i kombination bilda en tydlig representation av det som kan kopplas med det diaboliska. Största delen av resultatet består av egna tolkningar men även andras interpretationer hämtade från olika litterära källor och online-resurser. Det var svårt att finna konkreta tecken på vad kompositörens egna återspeglingar i musiken må ha varit. Däremot kan detta arbete ändå vara en bra utgångspunkt för en pianist som planerar att spela verket och vill få idéer om hur det diaboliska materialet och andra teman ur ”Dantesonaten” kan tolkas. / In this study, the extensive piano piece "The Dante Sonata" composed by Franz Liszt is analyzed in order to find out what musical and technical elements he has used to express the devil, hell and other diabolical phenomena in his music. Thus, an in-depth analysis of the narrative poem The Divine Comedy written by Dante Alighieri will be made, as Liszt bases his composition on this work. The study investigates Liszt's interest in The Divine Comedyand Dante as a poet and why he chose to base his sonata on this subject. The results indicate that Liszt used dissonant intervals such as tritones, diminished chords, whole-tone scales, chromatic passages and tremolo technique, etc. to all in combination form a clear representation of the diabolical. Most of the results consist of own interpretations but also other renderings taken from various literary sources and online-resources. It was difficult to find concrete signs of what the composer's own reflections in the music may have been. However, this work can still be a good starting point for a pianist who plans to study thismusic and want to get ideas on how the diabolical material and other themes from "The Dante Sonata" can be interpreted. / <p>F. Liszt - Après une Lecture du Dante (Fantasia quasi Sonata) från Années de pèlerinage II, Deuxième année: Italie, S. 161, Nr. 7, "Dantesonaten"</p>

Syftet med denna uppsats är att skapa en djupare förståelse för hur äldre människors relation till digitaliseringen avbildas inom forskning och media. Detta har gjorts genom att utföra en kvalitativ diskursanalytisk litteraturstudie över 13 st publicerade och referentgranskade forskningsartiklar samt 13 st publicerade artiklar i svenska dagstidningar. Resultaten från de olika diskurserna har sedan jämförts med varandra under ett avsnitt som täcker dess likheter och skillnader. Sammanfattningsvis så avbildas gruppen ”äldre” olika inom forskningsdiskursen och den mediala diskursen, där det finns märkbara skillnader över hur äldre avbildas som grupp i sig, samt vilka vägar som är bäst att gå när det kommer till äldres potentiella bemötande av digitaliseringsprocessen. / The purpose of this essay is to create a deeper understanding of how seniors' relationship with digitization are portrayed in research and media. We have done this by performing a qualitative discourse analytic literature study over 13 published and peer-reviewed research articles as well as 13 articles published in Swedish newspapers. The results from the different discourses have afterwards been compared with each other under a section that covers their similarities and differences. In summary, the group ”seniors” are portrayed differently within the research discourse and the media discourse, where there are noticeable differences over how seniors are portrayed, as well as a group within itself, also regarding which paths are best to take when it comes to the potential treatment of the process of digitization.

No description available.

Text in English, with summaries and keywords in English, Sesotho and Afrikaans / This study is an enquiry into how The educator’s new clothes by Mark Rautenbach is an example of site-specific art. The aim is to demonstrate how boundaries in TENC become blurred between site-specific performance, other art forms, and every-day activities. The key concepts explored are: Rautenbach’s approach to the concept of site, the connections that develop between his performance and each site that he travels to; his use of the art gallery and viewer participation. Through literature study relevant theory is explored, and several arguments are applied in a selective manner to my analysis of TENC. Various International and South African site-specific artworks are discussed as an indication of how site-specificity can be applied in alternative ways. In October 2017 I installed GREENER?, a site-specific exhibition in the UNISA Art gallery. The works on the show underline the theoretical findings and highlight the flexible application of theory relating to site-specificity. / Dinyakišišo tše ke phatišišo mabapi le seo se dirago bokgabo bja The educator’s new clothes (TENC) ka Mark Rautenbach go ba mohlala wa bokgabo bja lefelong le itšego. Maikemišetšo ke go laetša ka fao ka go TENC mellwane magareng ga mošomo wa ka lefelong le mehuta ye mengwe ya bokgabo le mediro ya ka mehla di thomago go se sa bonagala gabotse. Mareo ao a šomišwago ke: mokgwa wa Rautenbach go kgopolo ya lefelo, dikgokagano tše di hlamegago magareng ga phethagatšo ya ya gagwe ya mošomo le lefelo le lengwe le le lengwe leo a yago go lona, tšhomišo ya gagwe ya kalari ya tša bokgabo le go kgatha tema ga babogedi. Ka go diriša dingwalwa teori ya maleba e a utollwa, gomme dintlha tše mmalwa di a dirišwa ka mokgwa wa go kgetha go tshekatsheko ya ka ya TENC. Mešomo ya bokgabo ya ka lefelong le itšego ya mehutahuta e a ahlaahlwa bjalo ka kutollo ya ka fao bokgabo bja ka mafelong bo ka dirišwago ka ditsela tše dingwe. Ka Oktoboro 2017 ke hlomile GREENER?, e lego pontšho ya bokgabo ya ka lefelong le itšego, ka Kalaring ya Bokgabo ya ka Unisa. Mešomo ye e bontšhitšwego e laeditše dikutollo tša teori le go laetša tirišo ye e fetogago ya teori mabapi le mešomo ya bokgabo ya ka lefelong le itšego. / Hierdie studie behels ʼn ondersoek na wat van The educator’s new clothes (TENC) deur Mark Rautenbach plekspesifieke kuns maak. Die oogmerk is om aan te toon hoe die grense tussen plekspesifieke uitvoering, ander kunsvorme en daaglikse bedrywighede vervaag. Die kernkonsepte wat verken word, is Rautenbach se beskouing van die konsep van plek, die verband tussen sy uitvoering en elke plek waarheen hy reis, sy aanwending van ʼn kunsgalery, en kykerdeelname. Die tersaaklike teorie word aan die hand van ʼn literatuurstudie verken, en ʼn aantal argumente word op selektiewe wyse op my ontleding van TENC toegepas. Verskeie internasionale en Suid-Afrikaanse plekspesifieke kunswerke word bespreek as ʼn verkenning van hoe plekspesifisiteit op ander maniere toegepas word. Ek het in Oktober 2017 ʼn plekspesifieke uitstalling met die titel GREENER? in die Unisa Kunsgalery gehou. Die werke wat uitgestal is, onderstreep die teoretiese bevindings en vestig die aandag op die buigsame toepassing van die teorie in verband met plekspesifisiteit. / Art History, Visual Arts and Musicology / M.V.A.