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Showing 31 to 38 of 38 (0.01 seconds)| 31 |
論基督宗教神聖感之體現—以長老教會內在醫治為例 / The Embodiment of Christian Understanding of Sacredness—the Inner Healing of Presbyterian Churches in Taiwan曾如芳, Tseng ,Ju-fang Unknown Date (has links)
本研究試圖從實際的例子觀察基督宗教的神聖感在組織中如何形成。以靈恩運動當中的神聖感現象為例，首先了解整體靈恩運動的發源以及區域的發展，再縮小到台灣的靈恩運動；本研究選擇由長老教會牧師組成的台灣教會更新協會，及其訓練單位頌泉內在醫治學校作為田野觀察對象。
一開始先由兩個層面了解內在醫治，首先是內在醫治的抽象概念以及發生的原則，它強調基本的認知符合基督教聖經教義，並相信靈界的存在，以及在靈界中有聖靈與邪靈的正邪力量存在。其次是內在醫治的身體實踐，它將人分成靈魂體三個部分因為靈會影響人的身心，因此身體的疾病和心理的困擾都和靈相關，其中聖靈帶來正面的影響，邪靈則帶來負面影響；所以內在醫治便以一些得到恩賜能力的信徒，本文稱為服事者，在儀式語言中驅逐邪靈或以及與其他靈之間不合宜的連結。
本研究一方面以韋伯的宗教社會學分析靈恩卡里斯瑪力量在宗教組織產生的身分分化，以及靈恩運動組織受到全球化以及本地化的影響；另一方面以現象學分析內在醫治的實際做法，藉由實際田野的觀察，將信徒在內在醫治當中的感知分成身體的感知以及意象的感知，並且引用Csordas對他者意識形成的分析，以及梅絡龐蒂對習慣形成的分析，解釋內在醫治當中信徒神聖感的形成，自我的神聖感與醫治的關係。 / This study tries to observe how the understanding of sacredness is formed in Charismatic Christian organizations. Therefore, this study starts the investigation from the development of Charismatic movement in North America and how it spread to Taiwan. To involve more and provide reliable observation, a charismatic organization Taiwan Church Renewal Ministry and its training partner organization Singing Waters Ministries thus are chosen as study cases.
These two organizations stress on a specific Charismatic activity called inner healings. The investigation of inner healing can be divided to two dimensions, the understanding of the concepts and principles of inner healing which always stress its teaching that have matched Christian faith, and the body practice of inner healing. Human beings are divided into three parts—body, soul, and spirits in inner healing teachings. For that the spirits will affect bodies and souls of human beings, there could be both positive and negative influences. Holy spirits bring positive effects such as the feeling of heats and peace, while evil spirits bring negative effects such as illnesses and disturbance on emotions. There will be some gifted disciples designated “servers” are able to help the participants to chase away evil spirits or cut the inappropriate connection among human souls, “soul-ties.”
Inner healing phenomenon could be analyzed through sociology of religion of Max Weber by charismatic domination and its influences on religious organizations. Besides, it could be set in a globalization context as well. On the other hand, it could be analyzed by phenomenological approaches. Through the approaches such as the sacred self and alterity theory of Csordas Thomas and the habitus theory of Merleau Ponty can not only explain how the understanding of sacredness is developed among the participants in inner healing activities but elaborate the relation between self secredness and healings.
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閾限空間：薩爾曼•魯希迪《摩爾人的最後嘆息》之後殖民閱讀 / Liminal Space: A Post-Colonial Reading of Salman Rushdie's The Moor's Last Sigh黃信凱, Huang, Paul Hsinkai Unknown Date (has links)
薩爾曼•魯希迪的《摩爾人的最後嘆息》運用想像與史實描繪出一個印度家族的故事。這個四代家族所經歷的時間橫跨整個二十世紀，一般說來在這個世紀前半部分大多數國家經歷了殖民統治與帝國主義，而在後半部分則面臨去殖民與國家主義的風潮。因此，書中論及的這些殖民與後殖民的經驗也引發了一些重要的議題，像是混雜、多元文化，和國家主義。霍米•巴巴提出‘閾限空間’這個概念有助於對這本小說做深入的評價與賞析，特別是能促進對以上三個議題更深入而具體的認知。霍米•巴巴將許多概念納入‘閾限空間’這個總括性術語的討論範圍，因此本論文將從中擷取三個概念來論述這本小說，分別是混雜、文化差異、及國家意識。
本論文的導論先闡釋霍米•巴巴‘閾限空間’這個概念並且發掘魯希迪這本小說中許多重要的後殖民議題。這些議題與‘閾限空間’ 這個概念的關係密不可分，因此這個概念所延伸論及的理論便可用於理解並賞析這本小說。接下來的三章將分別以混雜、文化差異、及國家意識來發掘並建立《摩爾人的最後嘆息》與‘閾限空間’這概念之間的關係。第二章將藉由霍米•巴巴對殖民者與被殖民者之間的矛盾關係的論述進而深入理解小說中意欲呈現的殖民混雜與後殖民混雜。這種矛盾的關係理論上與他者化的過程有關聯，在這過程中身分認同與主體化不論是在後殖民理論還是此本小說中都是值得商榷的議題。第三章利用霍米•巴巴的‘文化差異’來重新檢視並且重新定義所謂的多元文化。魯希迪在小說中巧妙地將現在的印度重疊在過去由摩爾人統治的西班牙之上，這種後殖民的羊皮紙影像便可藉由文化差異與多元文化的概念得到更具體的意義。此外，閾限空間也是一種不同文化的接觸地帶，這樣的中介地域也有助於理解魯希迪在流行文化與高等文化間所採的折衷主義。第四章則著重於探討霍米•巴巴如何發展閾限空間與國家意識的理論關係，還有國家與敘事之間的關係。此章也將利用國家與敘事的關係來理解魯希迪是如何在這本小說中運用許多文學技巧在小說世界中重構國家形象，尤其是文本互涉的材料與歷史的指涉這樣的技巧。
最後的總論將重申在本論文中提及的一些重要的論點，藉由重申這些論點來總結論文提及的一些重要概念的大意，並且讓魯希迪的《摩爾人的最後嘆息》與巴巴的‘閾限空間’這個文本與理論相互闡釋並佐證的關係更為清楚。 / Salman Rushdie’s The Moor’s Last Sigh delineates, fictively and historically, a family saga in India. The four-generation family approximately spans the twentieth century that, generally speaking, has gone through colonization and imperialism in the first half as well as de-colonization and nationalism in the second half. Accordingly, they bring forth a few significant issues, such as hybridity, multiculturalism, and nationalism. Homi Bhabha’s idea of ‘liminal space’ is conducive to the evaluation of the novel, and expressly to the discussion of the above three concepts in a more specific way. He subsumes a lot of ideas under the umbrella term ‘liminal space’, so this thesis is to extract three ideas—hybridity, cultural difference, and nationness—to elaborate on the novel.
The introductory chapter expounds Bhabha’s idea of ‘liminal space’ and also explores a few post-colonial issues in the novel. The issues in question are related to Bhabha’s idea of ‘liminal space’, from which some key ideas are derived so as to appreciate the fictional world Rushdie constructs in the novel. The following three chapters are respectively based on the three liminality-related ideas, whereby to find the relation of the novel with Bhabha’s ‘liminal space’. The second chapter is to obtain a deeper apprehension of colonial and post-colonial hybridity through Bhabha’s argumentation concerning the ambivalent relationship between colonizer and colonized. The ambivalent relationship is theoretically associated with the othering process. In the process, identification and subjectification are moot questions not only in post-colonial theory but in the novel as well. The third chapter is intended to make use of Bhabha’s idea of ‘cultural difference’ to review and redefine what the word ‘multiculturalism’ is like. In turn, it helps to shed much more light upon Rushdie’s palimpsesting modern India over Moorish Spain. In addition, liminal space refers to a contact zone of cultural difference that elucidates Rushdie’s eclecticism between popular culture and high culture in the novel. The fourth chapter is to discuss the way Bhabha colligates liminal space and the idiolect ‘nationness’ and the way he relates the idea of nation to narration. The relationship between nation and narration is applied to the understanding of how Rushdie utilizes literary techniques, especially intertextual materials and historical allusions, for a re-construction of a nation in a fictional world.
The conclusive chapter is to reiterate some important arguments that are germane to the above key concepts and to the reciprocal clarification between Bhabha’s ‘liminal space’ and Rushdie’s The Moor’s Last Sigh.
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在史蒂芬‧金《鬼店》裡的明確表達與理解能力 / Articulateness and Intelligence in Stephen King's The Shining李佳賓, Lee,Jia Bin Unknown Date (has links)
出版於一九七七年的《鬼店》為史蒂芬‧金的第三部小說，探索的為恐怖文學裡其中一種刻畫，鬼故事。雪倫‧A‧拉塞爾給了一項令人信服的理由，何以她認為《鬼店》是一則鬼故事：「在鬼故事中，恐怖的來源來自於通常出沒某個特定地點的邪惡靈魂。」然而，《鬼店》不僅僅是一部單純的鬼故事小說，根據克萊爾‧韓森與史蒂文‧布拉姆的看法，《鬼店》是一宗可從精神分析角度切入的語言學習與退化案例。
在第一章「導論」裡，我提出本文論點：能否透過清楚說出與理解能力完成符徵(signifier)與符指(signified)的連結，決定了傑克與丹尼各自的命運。第二章「方法論」由我在本文中所用的方法構成，本章說明我如何運用席格蒙‧弗洛伊德的伊底帕斯情結(Oedipus Complex)、雅克‧拉岡的想像界(Imaginary Order)、象徵界(Symbolic Order)、實存 (The Real)、語言作為大他者的論述(Language as the Discourse of the Other)、縫合點(Points de Captions)。第三章欲探討的是傑克與丹尼的伊底帕斯情結，傑克的殞落可追溯至他的童年時期，丹尼的生存則可以他的現況加以分析。第四章「似乎他的生命全靠學習閱讀才得以維持」討論丹尼如何藉由語言學習，從想像界前進到象徵界並打破托倫斯家庭特有的父子關係循環，丹尼漸漸地學習如何連結符徵與符指，清楚地說出與理解這些符指及背後的符徵為丹尼鋪了一條歧異的路，透過這條路丹尼得以存活並成長。第五章「理性的蟄伏」將探討全景飯店如何藉由大他者/小他者的論述(The Discourse of the Other/ the other)誘惑傑克，也探討傑克的瘋狂如何藉由象徵界退化至想像界表現出來，我也會藉由瘋狂的其中一種症狀，不能掌握縫合點：越來越不能連結符徵與符指的情形闡述傑克如何變得偏執於並合理化自己的不當行為，例如殺掉他的妻兒。在第六章「結論」，我將簡述前面五章的要點，幫助讀者釐清本文的宗旨。 / The Shining (1977), Stephen King’s third novel, explores one of the horror genre’s characterizations, the ghost story. Sharon A. Russell gives a convincing reason why she considers The Shining a ghost story: “In the ghost story the origin of the horror comes from evil spirits who usually haunt a specific location.” However, The Shining is not merely a simplistic ghost story. According to Claire Hanson and Steven Bruhm, The Shining is a case of language acquisition and regression from a psycho-analytical perspective.
In Chapter One, “Introduction,” I issue my thesis statement that aptitude for articulation and intelligence of the signification determines each of Jack’s and Danny’s destinies. Chapter Two, “Methodology,” consists of the methodology I employ in the analysis of The Shining. That is, how I apply Sigmund Freud’s and Jacques Lacan’s theories, Frued’s Oedipus complex, and Lacan’s three orders, language as the discourse of the Other, and points de caption to this study of The Shining. The exploration of the Oedipus complex for Jack and Danny is Chapter Three’s subject matter. Jack’s downfall can be traced back to his own childhood, and Danny’s survival can be studied in terms of the exploration of his own status quo. In Chapter Four, “As though His Life Depended on Learning to Read,” I discuss Danny’s progression from the imaginary order into the symbolic order and breaking away from “the wounded father-son cycle” (Davenport) in terms of his increasing acquirement of language. That is to say, Danny learns to decipher the signifiers and to make significations between the signifiers and the signifieds. Articulation and intelligence of such signifiers pave a divergent way for Danny as a survivor and an adult in the story.” In Chapter Five, “The Sleep of Reason,” I elaborate upon how the Overlook entrances Jack by means of the discourse of the Other/evil other and how Jack’s insanity can be manifested in terms of his regression from the symbolic order into the imaginary order. I will take advantage of one of the symptoms, failing in the grasp of points de captions, increasingly failing to catch the interdependent relationship between the signifier and the signified, to expound how Jack becomes paranoid and self-justified in his wrongdoing and misbehavior, such as to murder Danny and Wendy in conformity to the former caretaker’s indication. In Chapter Six, “Conclusion,” I summarize the previous points to help the readers further understand the thesis’ purpose.
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如鯁在喉 － 紀傑克論象徵界與實在界的不協調性 / A Bone in the Throat － Žižek on Inconsistency between the Symbolic and the Real沈宏達 Unknown Date (has links)
當代哲學家紀傑克以他對於政治與文化現象的拉岡式解讀而聞名，但他哲學中的核心母題是什麼？對紀傑克而言，哲學不是使人「安然棲身」的論述，而是跟陌生感與他異性更緊密相關。所以，在紀傑克的眼中，哲學家的工作，不在於提供具體的解決方案，而是在於「新問題的創造」，重塑爭論的框架本身。
這篇研究中，筆者使用「系統與他者」這組概念，來彰顯紀傑克的兩大核心母題，其一，便是在有限性的範圍之內主張的自由，其二，則是他對新穎與變化的追索。「他者」使得系統能夠不斷重新定向，並向根本的變化保持開放。
「脫節狀態」是紀傑克用以描述主體之基本自由的概念。主體活動不被自然或文化的任一方決定；於是，所有主體所作的系統整合，都是一種與他者建立暫態平衡的嘗試，而所有用以整合的意指活動，都是一種對於他異性的回應，一種安身立命的奠基姿態。
簡言之，所謂「象徵界與實在界的不協調性」，在紀傑克的術語中不是消極的意涵，而是積極的意涵：它使得意義建構得以開始，並且是人類自由的根源。透過「系統」與「他者」的互動，思想總是有能力重新定向，藉此維持其鮮活與彈性，而這正是紀傑克式主體在現今政治情境中所致力實現的。 / Contemporary philosopher Slavoj Žižek is well-known for his Lacanian reading on political and cultural phenomena, but what is the central motif of his philosophy? For Žižek, philosophy is not some discourse to make people feel “being at home”, but rather something more related to foreignness and otherness. In Žižek’s eyes, What a philosopher really does is not providing substantial solutions, but rather “inventing new problems”, reshaping the framework of argumentation itself.
In this thesis, ”System and other” is the term I introduce to thematize two central motifs in Žižek’s philosophy: the first motif is his tireless assertion of freedom within the realm of finitude, and the second one is his relentless seeking for innovations and changes. “Other” is what enables the system to continuously re-orientate itself, and keep the system open to fundamental changes.
Žižek uses “Out-of-jointedness” to describe the fundamental freedom of the subject, neither nature nor culture can determine the subject. Every system organized by the subject is an attempt to create a transient balance with the other, and every totalizing signification is s a response to the otherness, the founding gesture of situating the subject itself into a meaningful context.
To sum up, Žižek does not use “Inconsistency between the Symbolic and the Real” as a negative term, but rather a positive term, it is the very starting point of meaning construction, and the ground for human freedom. Through the interaction between ”system and other”, the thought is always ready for re-orientation, therefore the thought is kept alive and flexible, and this is exactly what a Žižekian subject wants to accomplish in the present political situations.
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若者の仮想的有能感の認知と怒りおよび非しみの情動生起との関連速水, 敏彦, 木野, 和代 02 1900 (has links)
科学研究費補助金 研究種目:基盤研究(C) 課題番号:15530423 研究代表者:速水 敏彦 研究期間:2003-2005年度
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暴力與和平：列維納斯的道德形上學及其政治蘊義研究 / Violence and Peace: Studies on Levinas's Moral Metaphysics and its Political Implications鄧元尉, Teng ,Yuan-wei Unknown Date (has links)
本文嘗試以和平問題與暴力問題為焦點，重新理解列維納斯道德形上學之梗概，並解決其政治蘊義所造成的疑難。列維納斯的哲學基本上是一種和平哲學，其所論之和平乃被界定為對暴力的非暴力抵抗，並在其前期作品中具體展現為倫理學對政治學的抵抗。但此一抵抗關係隨著列維納斯的思想進程而逐漸呈現出一種兩歧性，從而引發其思想是否前後不一致的批判，亦產生對和平之純粹性的質疑。筆者的努力即在於說明此一疑難的成因並構想一調和方案。筆者主張，應將列維納斯的思想進程視為一條闡發其倫理學之政治蘊義的思路，但這條從倫理學走到政治學的和平之路，須途經社會學的迂迴方才可能，而如此一種中介性的社會學之建構，惟在列維納斯的他勒目詮釋中獲得。因此，本文綜觀列維納斯的哲學作品與宗教作品，先是闡述責任倫理學的和平蘊義，再從其宗教詮釋學對以色列社群的刻畫得到那基於倫理學之社會學的基本模式，最後參照解構主義的批判，在對質疑政治學與回答社會學的構想中，統括列維納斯的倫理思想與政治思想。 / Peace, as the non-violence resistance to violence, is one of the main topics of Levinas's philosophy. In this dissertation, I attempt to summarize Levinas's moral metaphysics and reflect its political implications by investigating the relation of peace and violence. The relation which in Levinas's early works could be seen as an opposition between ethics and politics has some ambiguity in his later works that emerges in a dialectical way: ethics both opposes and demands politics. My opinion is that this problem can be solved by referring to his religious works, especially his interpretations of the Talmud. In brief, the path of argument is from ethics to politics through sociology. First, I describe the basic principles of Levinas's ethical metaphysics by illustrating the typology of the other and the genealogy of the same, i.e. the phenomenology of the face of the other and the transformation from the same in itself to the same for the other. Second, I find the basic political model in terms of the hermeneutics of Talmud, especially the texts about the people of Israel. Final, I try to appeal to the postmodern thoughts in order to reconcile the risk of violence in Levinas's religious works, and integrate Levinas's ethical thoughts and political thoughts by constructing the politics of questioning and the sociology of response.
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Ｗ・ベンヤミンの思考の展開 --内的憧憬と外部空間--小林, 哲也 24 March 2014 (has links)
京都大学 / 0048 / 新制・課程博士 / 博士(人間・環境学) / 甲第18371号 / 人博第684号 / 新制||人||164(附属図書館) / 25||人博||684(吉田南総合図書館) / 31229 / 京都大学大学院人間・環境学研究科共生文明学専攻 / (主査)教授 道籏 泰三, 教授 大川 勇, 准教授 大黒 弘慈 / 学位規則第4条第1項該当 / Doctor of Human and Environmental Studies / Kyoto University / DGAM
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論胡塞爾現象學之主體性悖論 / ON PARADOX OF SUBJECTIVITY IN HUSSERL’S PHENOMENOLOGY江偉峰, Chiang,Wei-Feng Unknown Date (has links)
主體性，是作為相對於客體性而言之主觀存在，且同時是作為在客體性中的客觀存在。如此一種普遍地可能存在於一切認識活動中的雙重存在狀態，正是所謂的「主體性的悖論」。而根據胡塞爾現象學式的沈思回溯考察，這樣一種可能的悖論形態之形成的原因，無非就出於主體多少偏執「客觀存在性先行存在」作為認識活動的理所當然性的前提之故。因為此種由主體對客體性存在與否具有著強烈興趣而產生出的偏執，總是讓主體在對「客觀存在性如何先行存在」此一問題少有深思的情形下，或是有所盲目或是有所扭曲地將自身多少誤解為關聯於客體而共同存在於客體性之中，且同時還多少將此種主體-客體的關聯當作兩者間具有某種平行類比意義的根據，甚而多少誤解主體是客體的類比存在性且可來自於對客體的存在性進行抽象而得之補充抽象的東西。如此一來，不僅主體固有的本質存在方式多少被化約遮蔽地客體化了，客體作為主觀的被給予東西的意義也多少被片面地簡化了，甚至還有那種由最深刻的不可理解的悖論危險性，所帶來之「客觀存在性如何能被主觀地認識」此一非比尋常的認識活動/知識（真理）之謎。而根據胡塞爾現象學式的沈思回溯考察，唯有通過徹底的「懸擱」來全面克制對客體性存在與否的強烈興趣，主體的目光才能完全解除指向客觀存在性的束縛，而以自由的反思活動來真正深入自身的主觀存在性之中，「無悖論地」揭示出自身「如何」以固有的本質存在方式主觀地認識到一切作為客觀存在性之主觀被給予的「事物本身」。
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