Global ETD Search

41	Same as it never was : Det analoga fotografiet och dess fält i en digital tid / Same as it never was : Analogue photography and its field in the digital age Berggren Wiklund, Manne January 2021 (has links) This study examines the culture and values surrounding the analogue camera and the analogue photography today. The aim is to answer the questions of how the field of analogue photography look like? Why it still exist? And what the role of analogue photography in a digital context is? Through qualitive interviews with six persons who practices analogue photography the study examines their field, and reasons for choosing it over digital. Based on theories by Pierre Bourdieu the analysis shows the fields positions of power, and identifies the capitals that are valued and why they are valued. The interviewees describes the benefits of the analogue in relation to digital photography as more valuable and more esthetic. They say that the randomness and imperfections of the analogue has artistic and esthetic qualities and advantages. The study connects this with analogue nostalgia, and Hartmut Rosas theory of resonance. With a theoretical framework based on Zygmunt Bauman and Christopher Lasch the study analyzes analogue photography in a digital context. The study finds that analogue photography is nostalgic in the sense that it is practiced in relation to the digital, and in some cases as a way to escape and oppose digital society. Further the study suggests that when the interviewees uses analogue photography to oppose the digital in favor of the wellbeing of oneself, it could on the other hand be a practice in conformity with modern society despite the interviewees efforts to oppose it. Analogue Photography Nostalgia Digital Retro Bourdieu Resonance Film Photography Post Digital Modernity Analogue Technology analog Fotografi Nostalgi Digital Retro Resonans Film fotografi Post digital Modernitet Analog teknologi Media and Communications Medie- och kommunikationsvetenskap
42	Enade de stå? : om utbildningspolitiska diskurser i riksdagspartiernas valprogram mellan 1998-2018 / United they stand? : on educational policy discourses in the electoral manifestos of the Swedish parliamentary parties between 1998-2018 Vesterlund, Johan January 2019 (has links) Detta examensarbete undersöker de svenska riksdagspartiernas valprogram för att analysera de diskursiva uttrycken gällande utbildningspolitik med särskilt fokus på skolans syften. Uppsatsens utgångspunkt är att samhället befinner sig i en tid som kan benämnas som ett senmodernt samhälle, varvid den inriktar sig på valprogram för tiden 1998-2018. I analysen används en kritisk diskursanalys för att analysera texterna närmare och i uppsatsen tillämpas teorier om skola och senmodernitet av Zygmunt Bauman, Gert J.J. Biesta samt Tomas Englund. I analysen har synliggjorts att den senmoderna skolan främst präglas av tre tydliga. diskurser som möts i de svenska riksdagspartiernas valprogram. Främst syns begrepp ommätning och resultat , nostalgi och tillbakagång till det gamla samt ett klassiskt liberalt frihets- och förnuftsideal i texterna. / This master thesis examines the electoral manifestos of the Swedish parliamentary parties in order to analyze the discursive expressions regarding education policy, with a particular focus on the purpose of education. As the thesis finds its starting point in the concept of late modernity, it focuses on the electoral programmes from the time period of 1998-2018. The analysis uses a critical discourse analysis to analyze the texts in closer detail. Theories on school and late modernity by Zygmunt Bauman, Gert J.J. Biesta and Tomas Englund form the theoretical framework. The analysis establishes that the late-modern school is primarily characterized by three clear categories of discourse which intersect in the electoral programmes of the Swedish parties. Primarily, notions of measurement and results are visible in the texts, along with nostalgia and a desire to return to the past, as well as a classical liberal ideal of freedom and reason. / <p>Examensarbetet är en del av den samordnade lärarutbildningen mellan Lunds universitet och Högskolan Kristianstad. </p> Politics electoral programs discourse analysis late modernity purpose of education school education Swedish politics ideology purposes measurement nostalgia freedom market Politik valprogram diskursanalys senmodernitet syften med utbildning skola utbildning svensk politik ideologi syften mätning nostalgi frihet marknad Educational Sciences Utbildningsvetenskap
43	spår Hiredal, Sandra January 2020 (has links) In a place that has been abandoned I have collected the human-made traces. Preserving the perishability of places and people. Saving the small memory. To hold close and pass on to the next. Placing them in a jewelry context where we may care for them more tenderly. To approach the people through adornment and wearing. I don't want to physically mark anyone, but I still want to come close. A piercing of the clothes: brooches. You who left it. I who collected. Next one to wear. Where all of us become involved and equally important. With the traces taken from the place, I add my own imprint in the craftsmanship of the jewelry. Each brooch fragile and where the next one, the wearer, will become part of our traces and history. Each brooch with a part of us and in transformation. Traces can be left, and memories preserved. They can be passed on through the visible, the tangible, the sound and the anecdotes. They can be experienced or relived when we feel, listen and see. Therefore, I needed to pass on the traces in several ways. Through the brooches and through film. For more people to take part of. Where the next one can see, hear and feel a place; its traces, stories and the imagination created in the experience. brooches jewelry traces abandoned places material metal silver bronze archeology nostalgia abandoned places pass on collection history people anecdotes preserving corona reuse recycle broscher smycken spår övergivet platser material metall silver brons samtidsarkeologi förgänglighet nostalgi övergivna platser föra vidare samlande historia människor anekdoter bevarande corona återbruk Arts Konst
44	Naturligt farligt : Hur visualiseringar av klimatförändringar är laddade med tecken och känslor Jägerskog, Mattias January 2010 (has links) <p>The purpose of this thesis was to examine the relationship between feelings and visualizations of climate change. A case study was done on visualizations of climate change from a web page concerning climate change published by the Swedish newspaper <em>Expressen </em>and from the American photographer Gary Braasch’s web page “World view of global warming”. The thesis is based on the article ”Emotional anchoring and objectification in the media reporting on climate change” by Birgitta Höijer. I have been aiming to understand the feelings of fear, hope, guilt, compassion and nostalgia through semiotic theories of icon, index and symbol.</p><p>Previous research has proven the difficulties in bringing the issue of climate change up on the public agenda – which is connected to the difficulties of visualizing climate change. The nature of climate change being slow and hard to spot on an individual level has been highlighted as a cause of both of these difficulties. Pictures and photos have in this thesis been seen as the “interface” between science and the public – and hence <em>decoders</em> of the science of climate change. Höijer’s article about feelings has been used to understand this process of decoding.</p><p>The results show that the analyzed material could be linked to and described by the semiotic theories of icon, index and symbol. The emotional anchoring found in the material and the semiotic application have been shown to work complementarily with each other, leading to a broader understanding of the material’s relationship to social cognitions. The results further demonstrated that context is essential in some of the analyzed visualizations of climate change. Generic pictures found in the material could have been regarded as icon, index or symbol of other messages – but is through its contexts anchored with feelings, and becomes visualizations of climate change. The analysis also suggests that if icons of nature could be connected with feelings – so could nature itself. The consequences are speculated to lead to objectification of nature and ecophobia. By objectifying nature and using generic pictures, the material’s relationship to the concepts of “truth” and “myth” is questioned.</p><p>In conclusion, understanding of the analyzed material is advantageously achieved through complementary use of Höijers emotional categories and the semiotic theories of icon, index and symbol.</p> climate change nature environment climate internet media Expressen Gary Braasch visualization images photographs emotions feelings fear hope guilt compassion nostalgia truth myth semiotics archetypes icons index symbol Höijer iconographic sign interpretant object decoding generic anchoring objectification ecophobia context klimatförändringar natur miljö klimat internet media Expressen Gary Braasch visualisering bilder foton känslor rädsla hopp skuld medlidande nostalgi sanning myt bildsemiotik semiotik urbilder ikon index symbol Höijer ikonologisk ikonografisk preikonografisk tecken interpretant objekt avkodning generiska förankring objektifiering ekofobi kontext Media and communication studies Medie- och kommunikationsvetenskap
45	Naturligt farligt : Hur visualiseringar av klimatförändringar är laddade med tecken och känslor Jägerskog, Mattias January 2010 (has links) The purpose of this thesis was to examine the relationship between feelings and visualizations of climate change. A case study was done on visualizations of climate change from a web page concerning climate change published by the Swedish newspaper Expressen and from the American photographer Gary Braasch’s web page “World view of global warming”. The thesis is based on the article ”Emotional anchoring and objectification in the media reporting on climate change” by Birgitta Höijer. I have been aiming to understand the feelings of fear, hope, guilt, compassion and nostalgia through semiotic theories of icon, index and symbol. Previous research has proven the difficulties in bringing the issue of climate change up on the public agenda – which is connected to the difficulties of visualizing climate change. The nature of climate change being slow and hard to spot on an individual level has been highlighted as a cause of both of these difficulties. Pictures and photos have in this thesis been seen as the “interface” between science and the public – and hence decoders of the science of climate change. Höijer’s article about feelings has been used to understand this process of decoding. The results show that the analyzed material could be linked to and described by the semiotic theories of icon, index and symbol. The emotional anchoring found in the material and the semiotic application have been shown to work complementarily with each other, leading to a broader understanding of the material’s relationship to social cognitions. The results further demonstrated that context is essential in some of the analyzed visualizations of climate change. Generic pictures found in the material could have been regarded as icon, index or symbol of other messages – but is through its contexts anchored with feelings, and becomes visualizations of climate change. The analysis also suggests that if icons of nature could be connected with feelings – so could nature itself. The consequences are speculated to lead to objectification of nature and ecophobia. By objectifying nature and using generic pictures, the material’s relationship to the concepts of “truth” and “myth” is questioned. In conclusion, understanding of the analyzed material is advantageously achieved through complementary use of Höijers emotional categories and the semiotic theories of icon, index and symbol. climate change nature environment climate internet media Expressen Gary Braasch visualization images photographs emotions feelings fear hope guilt compassion nostalgia truth myth semiotics archetypes icons index symbol Höijer iconographic sign interpretant object decoding generic anchoring objectification ecophobia context klimatförändringar natur miljö klimat internet media Expressen Gary Braasch visualisering bilder foton känslor rädsla hopp skuld medlidande nostalgi sanning myt bildsemiotik semiotik urbilder ikon index symbol Höijer ikonologisk ikonografisk preikonografisk tecken interpretant objekt avkodning generiska förankring objektifiering ekofobi kontext Media and communication studies Medie- och kommunikationsvetenskap

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