Global ETD Search

21	Lite mer mayhem i slöjd- och bildundervisningen : ett arbete om tolkningens möjligheter / A little more mayhem within sloyd and art education Overgaard, Jessica January 2019 (has links) Det här arbetet undersöker hur tolkning kan förstås som materialiserat och förkroppsligat. Arbetet är placerat i skärningspunkten mellan hermeneutik och fenomenologi och förstås därför som en samverkan mellan de kroppar, material och platser som deltagit på olika sätt. Tolkning är tätt sammanskrivet med begreppet kultur i bilden och slöjdens läroplaner och styrdokument. Därför ryms också black metal-kulturen i detta arbete. Black metal valdes dels för att det är en kultur med tydlig materiell och visuell avgränsning dels utifrån misstanken om att den inte ryms inom smaknormen för bild och slöjd. Undersökningen synliggör hur tolkning materialiseras och förkroppsligas inom black metal och resultaten diskuteras utifrån nuvarande läroplan, Lgr 11, samt förslagen till reviderade kursplaner för bild och slöjd. Med den multi-situerade etnografin som metod undersöks tolkning på ett flertal sätt: autoetnografiskt, deltagande i en fokusgrupp, intervju med en konstnär och ett tillsammanstolkande med ungdomar. I analys av materialet framkommer det hur tolkning görs på olika sätt och detta förstås genom arbetets hermeneutisk-fenomenologiska tolkningsram. Utifrån det diskuteras hur och varför förmågan att tolka är viktig i både bild och slöjd. Den autoetnografiska undersökningen bearbetas och presenteras med visuellt material genom hela arbetet och ska förstås som ett exempel på materialiserad och förkroppsligad tolkning av black metal. Tolkning Slöjd Bild Hermeneutik Fenomenologi Black Metal Educational Sciences Utbildningsvetenskap Pedagogy Pedagogik
22	Le Black Métal : un genre musical entre transgression et transcendance / Black Metal : a musical genre between transgression and transcendence Bera, Camille 29 November 2018 (has links) Né à la fin des années 1980 en Scandinavie, le Black Metal est un genre musical underground, descendant du Heavy Metal. Nous avons tenté, dans cette thèse, de reconstituer tout d’abord sa genèse, avant de montrer comment il a construit son esthétique, au travers des concepts de la transgression et de la transcendance. Grâce à une analyse fondamentalement pluridisciplinaire, nous avons observé un grand nombre de paramètres caractéristiques du genre en convoquant un panel conséquent de groupes, majoritairement européens. Il est ici question des aspects musicaux, détaillés grâce à des analyses du langage harmonique, mélodique et rythmique, ainsi que des techniques de jeux instrumentales. Une place importante est aussi accordée à l’observation minutieuse des textes. Les attitudes scéniques et l’iconographie du Black Metal sont aussi des facettes auxquelles nous avons consacré de nombreux paragraphes au sein de cette recherche doctorale. Emaillées des références littéraires, philosophiques et spirituelles des musiciens, l’éthique, les idéologies, les croyances représentent également d’incontournables clefs de lecture en vue de la compréhension de ce genre déjà trentenaire et encore insuffisamment traité au niveau universitaire en France. / Black Metal is an underground musical genre, descended from Heavy Metal and born in the late 80s in Scandinavia. In this dissertation, we are aiming to reconstruct its genesis before showing how it builds its aesthetics alongside the concepts of transgression and transcendence. Taking a fundamentally multidisciplinary perspective, we aim to maximise the genre’s characteristic parameters by addressing a large number of bands, mostly from Europe. The analysis addresses both the lyrics and the accompanying music, including the harmonic, melodic and rhythmical elements of the speech and the various instrumental techniques. Black Metal’s stage attitudes and iconography are also important contributions to the overall modes of expression. They have all been analysed in the context of the musicians’ personal ideologies, ethics, and beliefs, including their literary, philosophical and spiritual aspects, to provide a holistic understanding of this thirty-year-old genre. Black Metal Transgression Transcendance Esthétique Éthique Postromantique Authenticité Underground Genre musical 1970-2018 Europe Black Metal Transgression Transcendence Aesthetics Ethic Post-Romantic Authenticity Underground Music genre 1970-2018 Europe 781.66
23	”Yö, metsä, aika ennen kristinuskoa”:kotimaan ja kansakunnan representaatiot black metalissa ja folk metalissa Suomessa ja Norjassa Mustamo, A. (Aila) 13 April 2016 (has links) Abstract In this thesis, various meanings of representations of homeland and nation were explored from a view of symbolic anthropology and social constructionism. The main research material consists of interviews of 16 Norwegians and 21 Finns, including musicians and other active members of Black Metal and Folk Metal subcultures. The interviews were conducted in 2010–2012. In these subcultures, the most important symbols of homeland and nation were associated with the past and nature. Symbols were given meanings in different ways, also politically, although disagreements regarding politics at a subcultural cubcultural context. Political goals were, for example, resistance to immigration, nature conservation and promoting the home region. Although these subcultures positioned themselves as counterculture, they reproduced national meanings of the mainstream cultures. Members of the subcultures often identified themselves with 19th century National Romantics. According to them, National Romantic ideas had become suspect or forbidden in Finland and Norway after the Second World War. However, the views of the informants were radically different from each other and even some commonly shared ideas were strongly criticized in the subcultures. Based on the interview materials, level of commitment varied in the subcultures. For some informants, black metal was a comprehensive way of life. For others, it meant just good music or a chance to promote folklore. The most extreme statements came from Finnish Black Metal musicians and fans. Some of them even supported National Socialism. On the other hand, Finnish Folk Metal musicians were opposed to more extreme ideas. In general, Norwegian informants emphasized National Romanticism more than Finnish informants. / Tiivistelmä Tutkimuksessa tarkasteltiin symbolisen antropologian ja sosiaalisen konstruktionismin näkökulmasta kotimaan ja kansakunnan representaatioiden moninaisia merkityksiä black metal- ja folk metal -alakulttuureissa. Tärkeimmän aineiston muodostavat 16 norjalaisen ja 21 suomalaisen muusikon tai muuten alakulttuureissa toimivan henkilön haastattelut, jotka toteutettiin vuosina 2010–2012. Keskeiset alakulttuureissa käytetyt kotimaan ja kansakunnan symbolit liittyvät esikristilliseen muinaisuuteen ja luontoon. Symboleita merkityksellistetään eri tavoin, myös poliittisesti, vaikka politiikan yhdistämistä alakulttuuriin myös vastustetaan. Poliittisia päämääriä olivat muun muassa maahanmuuton vastustaminen, luonnonsuojelu ja kotiseudun tunnetuksi tekeminen. Tutkimuksessa kävi ilmi, että vaikka alakulttuurit asemoivat itsensä vastakulttuuriksi, niissä uusinnetaan valtakulttuurissa tuotettuja kansallisuuden merkityksiä. Monet haastatellut samaistuivat 1800-luvun kansallisromantikkojen ajatuksiin, joiden he kokivat muuttuneet arveluttaviksi ja kielletyiksi toisen maailmansodan jälkeisessä Suomessa ja Norjassa. Kuitenkin haastateltujen näkemyksissä oli suuria eroja, ja monet myös esittivät ankaraa kritiikkiä alakulttuureissa jaettuja käsityksiä kohtaan. Aineiston perusteella haastatellut ovat sitoutuneet alakulttuureihinsa hyvin eri tavoin. Toisille etenkin black metal edustaa kokonaisvaltaista elämäntapaa ja ideologiaa. Toisille metallimusiikki on pelkästään hyvää musiikkia tai keino tehdä kansanperinnettä tunnetuksi. Äärimmäisimpiä mielipiteitä esittivät suomalaiset blackmetalistit, joista osa tunnustautui kansallissosialismin kannattajiksi. Suomalaiset folkmetalistit osoittautuivat ääriajattelun vastustajiksi. Norjalaiset haastatellut korostivat kansallisromantiikan merkitystä enemmän kuin suomalaiset. counter cultures cultural anthropology finnishness national socialism national symbols nationalism norwegianess subcultures kansallissosialismi kansallissymbolit kulttuuriantropologia nationalismi norjalaisuus osakulttuurit suomalaisuus vastakulttuurit black metal folk metal
24	Black metal och provokation: en autenticitetsdiskurs / Black metal and provocation: a discourse of authenticity Fännfors, Sandy January 2020 (has links) Varför är black metal provokativt? Vad i subkulturen och musiken provocerar? För att besvara detta är arbetet indelat i två delar. Den första delen utgår från en autenticitetsdiskurs och undersöker black metal som kulturellt fenomen. Här ligger fokus på black metal som subkultur med dess tillhörande historik. Den historiska översikten delar in black metal i fyra generationer och definierar tillhörande subkulturell terminologi, likväl subkulturen och genrens utveckling. Detta sker i relation till relevanta musikexempel för de fyra generationerna. Efter detta ges en religiös bakgrund gällande de tre band som ska analyseras i arbetets andra del. Dessa tre band kommer ifrån tre olika länder med en vitt skild samhällsdiskurs och religiöst samt politiskt klimat. Syftet med att föra fram respektive religiös bakgrund avser förståelse för hur black metal använder gemensamma nämnare för provokation, då inom samma genre men inte i samma miljö. Arbetets andra del lägger vikt vid den klingande musiken och fokuserar på vad det är i musiken och dess låttexter som är provocerande. Analyserna av black metal som subkultur och musikalisk genre utgick från ett snarlikt forskningsläge. Resultatet av respektive analys var likartat. Normbrytande beteende från rådande samhällsdiskurs är skäl nog för att provocera, som subkultur var detta tillräckligt genom visuell representation för en subkulturell tillhörighet. För musiken landade resultatet dels i den aggressiva framtoning musiken bär, samt genom de tillhörande låttexternas innehåll där centrala teman inkluderar satanism, ockultism, djävulsdyrkan och bär anti-religiösa budskap. Black metal musikanalys autenticitet diskursanalys irak sverige mexico musik subkulturellt kapital kulturpolitik provokation semiotisk musikanalys marduk funereal moon janaza Musicology Musikvetenskap
25	Kunskap ur Kaos : En presentation av Kaosgnosticismen och dess förgreningar / Knowledge from Chaos : A presentation of Chaos-Gnosticism and its branches Hermansson, Tobias January 2017 (has links) Chaos-Gnosticism is a branch of the occult tree which through an eclectic approach tries togather all the dark, antagonistic aspects and forces from certain religions and mythologies ofthe world in order to reach back to the primeval Chaos, the stage that existed before theCreation. With a fundamental gnostic worldview the cosmos is seen as a prison, created byDemiurges, and in Chaos a total freedom rules.The philosophy (or Chaosophy to use a term used by the Chaosgnostics) has spread all over theworld during the past ten years or so. It is vital, in connection to this fact, to give the importanceto the music scene, especially the genre called black metal, for the spreading of theChaosgnostic ideas. Some of the leading bands in this genre, for instance Dissection, Watainand Arckanum, have adopted the Chaosgnostic tenets into their music and thus making theseideas more known all around the world than they otherwise would have been. That being said,it is not clear how many actual practioners of Chaos-Gnostcism there are since it is mainly anindividual religion and the handfull of orders that exist display no sorts of missionary ambitionsand are, additionaly, quite closed for outsiders.Although the first ideas of Chaos-Gnosticism emerged in Sweden in the middle of the 1990´s,an in-depth academic survey has not yet been made on the movement itself. This essay aims tochange that by putting Chaos-Gnosticism in its correct historical and occult context and also byshedding some light on the fundamental tenets and beliefsystem aswell as the importance ofnumerology and central symbols. The essay also presents the three different Chaosgnosticbranches that has emerged to date: Temple of the Black Light, with its Qabbalistic approach,Templum Falcis Cruentis, inspired by folktraditions of Central America and the biblical figureof Cain and finally Thursatrú in which the Chaosgnostic worldview is adopted on Old Norsemythology. Kaosgnosticism satanism anti-kosmisk satanism qayin västerländsk esoterism ockultism occulture gnosticism Dissection black metal Left Hand Path post-satanism kabbala thursatru fornnordisk religion Religious Studies Religionsvetenskap
26	Kaosets symfonier : En religionshistorisk analys av innehållet i Black Metalbandet Watains textkorpus Jonsäll, Hans January 2016 (has links) With this essay my aim is to uncover the content in the discography of the Swedish Black Metal act Watain in respect to lyrically expressed religious themes revolving around the tendencies within occulture and the Black Metal scene. To investigate the matter I have combined quantitative and qualitative analysis methods from the fields of corpus linguistics as well as content analysis, which provided me with an array of key words and their respective concordances (Key Word In Context, KWIC) in the texts. Through the analysis three overlapping main themes became apparent: satanism, gnosticism and finally apocalypticism. I described each of the themes in detail based on my linguistic findings in the corpus so as to yield a deeper understanding of the religious symbols communicated in the material and their interrelationship. The result was that neither one of these could be explained in isolation as they are all part of a larger system of philosophy, namely the esoteric movement chaos-gnosticism tied to the Swedish order Temple of the Black Light, but also products of occulture. The discussion proved that, although satanism may seem to be the thematical centerpoint in Watain’s lyrics, it is not, as this is a far too simple conclusion in relation to the complexity of the results. Instead, the content requires to be understood in terms of the dark Left-Hand Path spirituality as well as the occultural melting pot of paranormal and occult ideas. / <p>För att få tillgång till mitt korpus och mina korpusresultat hänvisar jag till min privata e-post adress hans.jonsall@gmail.com alternativt att man kontaktar mig via sociala medier.</p> Watain Black Metal Occulture Satanism Gnosticism Apocalypticism Eschatology Western esotericism Occultism Left-Hand Path Chaos-gnosticism Anti-cosmic Satanism History of religions Reception studies Corpus linguistics Content analysis Watain Black Metal Occulture Satanism Gnosticism Apokalyps Eskatologi Västerländsk esoterism Ockultism Vänstra Handens väg Kaosgnosticism Anti-kosmisk satanism Religionshistoria Receptionshistoria Korpuslingvistik Innehållsanalys
27	I det glimrande mörkrets djup : om religiöst gränsöverskridande, identitetssökande och meningsskapande i svensk extrem metal-lyrik Andersson, Robert January 2010 (has links) This study is an attempt to investigate religious perceptions and its development, function and connection to religious practise within the Swedish extreme metal scene. This is performed mainly by a qualitative method of investigation, studying lyrical content published on a number of extreme metal albums, thereafter relating the lyrical progression to the progession of the scene as a whole and also to the development of individual religious belief and practise. The lyrically expressed manifestations of religiosity within the extreme metal scene prove to be related to religious practise in some cases, most visibly in the Christian parts of the scene.The study also indicates that development of religious expression often is evident regardless of religious preference. This development also regularly relates to an increase in musical evolution and prowess often achieved with increased age and maturity. Musically and lyrically, the extreme metal scene displays transgressive attributes which assist both individual and group in the process of creating identity, meaning and individuality.Experiencing extreme metal, in concert or in the privacy of one´s own home, can be one way of perceiving spirituality in this modern age. identity music music lyrics christianity satanism asatrú esotericism heavy metal extreme metal black metal religious practise religious development meaning HUMANITIES and RELIGION HUMANIORA och RELIGIONSVETENSKAP Religion/Theology Religionsvetenskap/Teologi Sociology of religion Religionssociologi Other humanities and religion Övrig humaniora och religionsvetenskap Music Musikvetenskap
28	Välsignad förbannelse : En retorisk analys av bibliskt material i Black Metallyrik Jonsäll, Hans January 2015 (has links) This bachelor thesis offers a rhetorical analysis of the album Maranatha by Swedish Black Metal artist Funeral Mist. Its main focus is on the intertextuality between the song "Blessed Curse" and the biblical book Deuteronomy, especially Deut 28 from which it has sampled a large portion of text. In the analysis I uncover the similarities and differences between the two texts in order to explain how the biblical fragments constitute new meanings when rearranged and taken out of their original context. The analysis concludes with relating the material to its new context i.e. the album Maranatha and the Black Metal scene by explaining other intertexts and references to the Bible and discussing which genre is best suited to describe the album as a whole. The results of the study show that the biblical quotations in the lyrics convey radically different messages and meanings compared to their original content in Deut 28. This in turn acknowledge how dependent linguistic symbols are on their context. I finish off my thesis with a few reflections on the moral and ethical implications of this use of biblical material concerning the anti-christian agenda supported by members of the Black Metal scene and specifically how Daniel Rostén of Funeral Mist view his own work and agenda. Deuteronomy Deut 28 blessings curses Black Metal Extreme Metal Funeral Mist Arioch Marduk Maranatha Blessed Curse intertextuality structuralism rethorical criticism polemics satanism occultism occulture apocalypse apocalypticism christianity judaism hebrew Hebrew Bible New Testament aramaic greek music lyrics reception history of reception cultural studies Bible and popular culture Deuteronomium Deut 28 välsignelser förbannelser Black Metal Extreme Metal Funeral Mist Arioch Marduk Maranatha Blessed Curse intertextualitet strukturalism retorisk analys polemik satanism ockultism occulture apokalyps apokalyptik kristendom judendom hebreiska Hebreiska Bibeln Nya Testamentet arameiska grekiska musik lyrik reception receptionshistoria kulturorienterad bibelvetenskap populärkultur
29	Extreme metal : subculture, genre, and structure Pelletier, Samaël 04 1900 (has links) No description available. métal extrême ‘death métal’ ‘black métal’ timbre production de son rythme & pulsation dissonance métrique capital sous-culturel extreme metal death metal black metal timbre sound production rhythm & meter metrical dissonance subcultural capital
30	L'influence du black metal sur la composition de quatre œuvres musicales originales Dumont, Mathieu 17 April 2018 (has links) Ce mémoire traite globalement de l'influence de la musique populaire sur la création de nouvelles musiques d'art, et plus spécifiquement de l'influence du true norwegian black metal (TNBM) sur quatre de mes compositions récentes. Dans la première partie du chapitre I, nous exposons les aspects musicaux et extramusicaux des principales périodes du black metal afin de bien comprendre la genèse du TNBM. Dans la seconde partie du chapitre I, nous abordons spécifiquement le TNBM de la même façon. Dans le chapitre II, nous démontrons concrètement, à l'aide de plusieurs exemples, les modes d'influence des musiques du TNBM sur les quatre musiques à l'étude. Ces types d'influence sont au nombre de cinq : les caractères propres au TNBM, ses caractéristiques structurelles, les techniques d'écriture employées, la gestion des hauteurs et les techniques instrumentales typiques. Je dresse un portrait sommaire en conclusion des enjeux importants de ma musique à venir : la musique de timbre et l'accessibilité de la musique d'art à un large public. ML 21.5 UL 2011 D893 Dumont, Mathieu. Extraits Black metal (Musique) -- Influence Quatuors à cordes -- Partitions Orchestre, Musique d' -- Partitions Musique -- Canada

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