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Showing 91 to 100 of 107 (0.078 seconds)Spelling suggestions: "subject:"ehe male gaze"" "subject:"ehe male maze""
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Från oövervinnelig till oigenkännlig : En komparativ genusstudie av hur Irene Adler porträtteras I Arthur Conan Doyles ”A Scandal in Bohemia” och BBC:s adaption ”A Scandal in Belgravia” / From Invincible to Indefinable : A Comparative Gender Study on the Portrayal of Irene Adler in Arthur Conan Doyle’s ”A Scandal in Bohemia” and BBC’s adaptation ”A Scandal in Belgravia”Lindberg, Marlene January 2019 (has links)
Abstract The great detective Sherlock Holmes casts a long shadow on the previous research on the short stories by Sir Arthur Conan Doyle, where Mr. Holmes has been given the main attention. On the periphery, however, a woman named Irene Adler is recognizable. Adler makes her single entrance in the Sherlock Universe in “A Scandal in Bohemia” from 1891 when she outsmarts Mr. Holmes and makes him reconsider the entire female sex as a consequence. In the BBC adaptation Sherlock, the case is however different for the early feminist icon Adler. The portrayal of Adler in the episode “A Scandal in Belgravia” from 2012 is mainly focusing on her sexuality, nudity and seductive personality when meeting Holmes, which has resulted in this essay that aims to study the transformation of Adler from text to screen from a gender perspective. By conducting a comparative study based on gender theory and adaptation theory, the essay finds that there has been a sexualisation and diminishing of independence on behalf of Adler, which relates to common stereotypes in the portrayal of women in film. Through a successive degradation of the female character, it is possible to detect a form of reversed emancipation where the hundred year older predecessor shows greater feminist characteristics than the modern adaptation. / Sammanfattning Mästerdetektiven Sherlock Holmes kastar en lång skugga efter sig och har stått i centrum för majoriteten av forskningen om Sir Arthur Conan Doyles noveller. I periferin återfinns emellertid en kvinna vid namn Irene Adler som i ”A Scandal in Bohemia” från 1891 överlistar Holmes och får honom att omdefiniera hela sin syn på det kvinnliga könet på grund av Adlers intelligens och agens. I BBC:s filmatisering av den berömde detektiven i serien Sherlock har dock stora förändringar skett i transformationen av den feministiska förgrundsgestalten Adler. Porträtteringen av Adler i avsnittet ”A Scandal in Belgravia” från 2012 fokuserar till stor del på hennes sexualitet, avkläddhet och förföriska person i mötet med Holmes, vilket också föranlett denna uppsats vars syfte är att studera porträtteringen av Adler från text till filmduk ur ett genusperspektiv. Genom en komparativ metod grundad i genusteori och adaptionsteori finner uppsatsen att det skett en sexualisering och ett osjälvständiggörande av Adler som överensstämmer väl med många av de vanligt förekommande stereotypiska porträtteringarna av kvinnor på filmduken. Genom en successiv nedbrytning av den kvinnliga karaktären kan ett slags omvänd emancipation skönjas, där den hundra år äldre förlagan visar starkare feministiska förtecken än den moderna adaptionen.
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Den lesbiska blicken : En undersökning av blick och betraktarskap utifrån tre målningar av Romaine BrooksMohlin, Anna January 2012 (has links)
This paper aims to investigate the terms and conditions of a lesbian gaze and a lesbian spectatorship from a feminist and queer theoretical point of view. The empirical material consists of three paintings by the American artist Romaine Brooks (1874-1970). Brooks was based in Paris in the early 20th century where she was surrounded by a group of intellectual and usually cross-dressing lesbians. The women within this context are the ones depicted in Brooks’ paintings and this makes her one of the first artists in modernity to openly portray lesbian and cross-dressing women. Her paintings lead into new conditions for the traditional understanding of spectatorship as well as female positions, since there is no male involvement or presence within the interactive space surrounding these paintings. The survey tries to further investigate and break down already existing theories concerning spectatorship with the main focus on Laura Mulvey’s the male gaze, termed in the essay “Visual Pleasure and Narrative Cinema” (1975). The queer theoretical approach in this paper is based on Judith Butler’s performativity, which then is attached to gaze theories in order to investigate the active and passive positions found in Brooks’ paintings. The paper does also include an analysis of the male gaze in relation to modernism, avant-garde, canon and subsequently the reason behind Brooks’ absence in modernist canon.
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”Det verkar som man helst vill vara någon som är blond, smal och glad” : En komparativ studie av två olika chefredaktörers versioner av VeckorevynSivac, Vedrana, Svensson, Sandra January 2008 (has links)
The purpose of this study is to compare the contents, editorials and front covers of Sweden’s oldest girl’s magazine Veckorevyn during two different years, in which the magazine had two very different chief editors. In the year 2000, Emma Hamberg got the job as editor-in-chief for Veckorevyn, with a vision of changing the way the magazine represented young females. She wanted to add a more feminist viewpoint to the magazine, since she felt that Veckorevyn didn’t live up to its claim of being “a girl’s best friend”. Six years later, the famous Swedish fashion editor Ebba von Sydow became editor-in-chief for Veckorevyn, with the intention of making the magazine better, smarter and more fun for young girls. Her ambition was also to add more features about career and affordable fashion, since she felt that those topics were important for young women of today. Since these two editor-in-chiefs wanted to do so different things with Veckorevyn, we found it interesting to try to pinpoint what their differences and similarities as editors-in-chief were and how this was reflected in the magazines. The methods used were quantitative content analysis and qualitative text analysis, together with a comparative analysis between the two annual volumes. We also did interviews with the two former editors-in-chiefs, Emma Hamberg and Ebba von Sydow to get a clearer image of what they wanted to do with the magazine and how well they thought that they reached their goals. As guidelines for the study, we used theories about the survival techniques used by female journalists, feminism, personification, the male gaze and the female gaze. We found that the two versions of Veckorevyn were similar in which subjects they chose to write about. Both versions had a content based mostly on fashion, beauty, and celebrities. However, we found a noticeable difference in how they wrote about these subjects. Other differences were found in how the editorials were written, and in the choice of what kind of people got to appear on the front covers.
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Dwelling at the margins : an exegesis of the film BoundariesPullen, Naomi Margaret January 2006 (has links)
" Dwelling at the Margins" is an exegesis of the short film Boundaries. Boundaries is a journey into the world of marginalised young people in inner urban Brisbane seen through the eyes of a the female main character with an eye for gentle beauty. The film forms the first part of the research and in the exegesis the ideas unfold that were behind the making of the film and that emerged further through its production and audience reception. The exegesis discussion centres on the major aspects of the film which are visual representations, female narratives and the themes of home and dwelling. Boundaries is a political film that looks from the edges of society. The exegesis seeks to explain the ideas behind this intention.
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Représentation de l’adultère à l’époque classique dans les contes licencieux de La FontaineBlanchin, Julie January 2021 (has links)
Cette étude littéraire examine la transgression sexuelle par l’adultère, dans l’ouvrage Des contes et nouvelles en vers écrit par La Fontaine entre 1665 et 1671, publié par Claude Barbin jusqu’en 1671. Ces contes érotiques décrivent à travers le caractère satirique de l’auteur, les relations extra-conjugales des deux sexes dans un ton grivois et moralisateur. La Fontaine s’est minutieusement inspiré des parties de la littérature du Décameron de Boccace et de l’Arioste en réécrivant ces contes. Après la dernière publication Des contes et nouvelles en vers l’oeuvre est saisie puis interdite en 1675 par La Reynie considérée comme trop provocatrice. L’oeuvre de La Fontaine s’oppose par son contenu aux convenances de l’époque. En cela le texte de l’auteur pourrait être considéré comme libertin. Les personnages représentent différents corps sociaux et font l’objet de railleries et de caricatures. Ici l’étude décrit par exemple comment les textes présentent des sujets scandaleux de manière cachée. L’opposition entre le rôle, le statut, la condition sociale et le souhait du désir de chaque personnage des contes se présentent dans les personnages aussi bien masculins que féminins. Notre analyse explore la représentation des personnages féminins et leurs relations à l’adultère à travers les regards des personnages masculins et celui de l’auteur. L’étude prend appuie sur des recherches historiques et prend en compte le système hiérarchique des personnages et la condition sociale de la femme dans le rôle d’épouse. Le style satirique de La Fontaine se caractérise par la volonté de critiquer les moeurs sociales d’une période spécifique de l’histoire, celle du XVIIe siècle. L’analyse étudie deux aspects celle de la transgression sexuelle de la femme et celui du regard d’objectification porté sur elle. L’étude examine si cette transgression peut être mise en corrélation avec un débat sociétal sur la définition du mariage de l’époque. / This literary study examines sexual transgression through adultery, in the work Des contes et nouvelles en vers written by La Fontaine between 1665 and 1671, published by Claude Barbin until 1671. These erotic tales describe through the satirical character of the author, the extra-marital relations of both sexes in a grizzly and moralizing tone. La Fontaine was meticulously inspired by the parts of the literature of Boccaccio's Decameron and Ariosta in rewriting these tales. After the last publication Of Tales and News in Verse the work is seized and then banned in 1675 by La Reynie considered too provocative. The work of La Fontaine is opposed by its content to the conveniences of the time. In this the author's text could be considered libertine. The characters represent different social bodies and are the subject of taunts and caricatures. Here the study describes, for example, how the texts present scandalous subjects in a hidden way. The opposition between the role, the status, the social condition and the desire of the desire of each character of the tales are presented in the characters both male and female. Our analysis explores the representation of female characters and their relationship to adultery through the eyes of male characters and that of the author. The study is based on historical research and takes into account the hierarchical system of the characters and the social status of the woman in the role of wife. The satirical style of La Fontaine is characterized by the desire to criticize the social mores of a specific period of history, that of the seventeenth century. The analysis studies two aspects: that of the sexual transgression of the woman and that of the objectification look on her. The study examines whether this transgression can be correlated with a societal debate over the definition of marriage at the time.
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The Game Of Nudity on Instagram: Four case studies about art and censorshipSvensson, Sabine January 2023 (has links)
The aim for this essay is, along with the four included case studies, is to examine the social media platform, Instagram's strict guidelines when it comes to showing nudity. On the platform there is a certain double standard, artists as well as art institutions are censored, that is, they get pictures removed or their accounts blocked when they try to show works that have nudity depicted, but at the same time nudity exists on the platform, this essay wants to highlight the double standard by setting the example that images from accounts of celebrities, which show as much nudity as a work of art, if not more, are allowed to be available on the social platform. This essay then also wants to emphasize that why it is this way is because fundamentally it is a social problem, it is the structures and norms that exist around us that are the contributing factors. How we see the ideal body and beauty and how the male gaze is the gaze that is precisely the dominant gaze. Another factor that this essay will analyse is the difference between art and pornography, and how it affects censorship among a number of artists. With the support of interviews and the theoretical frameworks, this essay will examine Instagram as a modern place to display art, while the platform is mostly double standards and bias. In addition, this essay will highlight that in the game of nudity celebrities have different and easier rules of the game, compared to artists, they are instead dealt with the strict rules of the game. / Målet med denna uppsats är tillsammans med de fyra inkluderade fall studierna, undersöka den sociala media plattformen, Instagrams strikta riktlinjer när det kommer till att visa nakenhet. På plattformen förekommer det en viss dubbelmoral, konstnärer samt konstinstitutioner blir censurerade, det vill säga, de får bilder borttagna eller deras konton blockerade när de försöker visa verk som har nakenhet avbildat, men samtidigt existerar det nakenhet på plattformen, denna uppsats vill framhäva den dubbelmoral genom att ge exempel på att bilder från kända personers konton, som visar lika mycket nakenhet som ett konstverk, om inte mer, får vara tillgängligt på den sociala plattformen. Denna uppsats vill då även framhäva att varför det är på detta sätt är för i grunden är det ett samhällsproblem, det är strukturer och normer som existerar runt omkring oss som är de bidragande faktorerna. Hur vi ser den ideala kroppen samt skönhet och hur den manliga blicken är den blicken som är just den dominanta blicken. En annan faktor som denna uppsats kommer analysera är skillnaden på konst och pornografi, och hur det påverkar censuren bland ett antal konstnärer. Med stöd av intervjuer och de teoretiska ramverken kommer denna uppsats undersöka Instagram som en modern plats för att visa konst, samtidigt som plattformen är till mesta del dubbelmoralisk och bias. Dessutom kommer denna uppsats att framhäva att i spelet om nakenhet har kända personer andra och enklare spelregler, jämfört med konstnärer, de blir i stället utdelade de stränga spelreglerna.
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Female Gaze for Every GazeMantilla Rangles, Carla Mantilla January 2023 (has links)
The overall dominance of white, cisgender, straight malecentered media remains largely unchanged and it is still considered the ”default” or ”universal” perspective. As a result, filmmaking is often limited to representing only a narrow view of humanity. Female representation both in front and behind the camera has been significantly impacted by this dominant perspective. A feminist approach to cinema practices is therefore crucial to challenge and reconstruct the cinematic system, allowing for more diverse and inclusive perspectives to emerge. Cinema is a powerful mass media industry that shapes its audience’s sensibilities, thoughts, emotions, perceptions, and reactions, while broadening the possibilities of human experiences through the screen. The producer plays a crucial role in overseeing the entire filmmaking process and striving to achieve the best possible outcome for the film. Given the significant impact that cinema has on society and the influential position of the producer in the filmmaking process, this study seeks to encourage film and TV producers, regardless of gender, to represent women with equal rights and opportunities. By embracing the female gaze, filmmakers can create more inclusive, diverse, and equitable films for all. This research asks: Have I, a female producer from Latin America, internalized the dominant white, cisgender, heterosexual, and male perspective? In what ways does this perspective manifest in my own role as a producer? And how can we producers creatively and practically challenge this perspective?
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Una Falsa Feminista : Sobre la protagonista en la novela Travesuras de la niña mala de Mario Vargas Llosa desde una perspectiva crítica falocéntrica / A False Feminist : About the protagonist in The Bad Girl by Mario Vargas Llosa, from a phallocentric critical perspectiveJohansson, Adina January 2023 (has links)
La investigación presente analiza la caracterización de la protagonista de la novela Travesuras de la niña mala de Mario Vargas Llosa (2006) a través de una crítica falocéntrica para determinar si es una obra feminista o no. Particularmente, el objetivo del trabajo es analizar la descripción del personaje principal en relación con el feminismo y la feminidad, teniendo en cuenta desde cuál punto de vista la presentación está realizado. Las preguntas de investigación son: ¿Podría clasificar Travesuras de la niña mala como una obra feminista? ¿Cómo está descrito el personaje de Otilia en relación con lo femenino? ¿Es un personaje femenino, feminista, ambas al mismo tiempo? El análisis se sostiene en teorías sobre el feminismo (Toril Moi 1989), la crítica falocéntrica (Kate Millet 1969), y en los conceptos de lo femenino, la femme fatale y la mirada masculina (Laura Mulvey 1989). La investigación se realiza con un método hermenéutico donde la lectura del corpus se enfoca en las estructuras de poder de género presentes. Los hallazgos del análisis son que existe tanto una cosificación como una feminización del personaje. La caracterización incluye características apeladas a lo masculino, pero, las cuales están excusadas por el pasado del personaje. Además, el análisis deduce que el personaje está descrito como dependiente de un hombre tanto materialmente como emocionalmente. Consecuentemente, la conclusión de la investigación es que la obra no puede decirse ser una obra feminista. / The present investigation analyses the characterization of the protagonist of the novel Travesuras de la niña mala by Mario Vargas Llosa (2006) through a phallocentric critique to determine if it is a feminist work or not. Particularly, the objective of the work is to analyse the description of the main character in relation to feminism and femininity, considering from which point of view the presentation is made. The research questions are: Could you classify Travesuras de la niña mala as a feminist work? How is Otilia's character described in relation to femininity? Is she a female character, feminist, both at the same time? The analysis is based on theories on feminism (Toril Moi 1989), phallocentric criticism (Kate Millet 1969), and on the concepts of femininity, the femme fatale and the male gaze (Laura Mulvey 1989). The research is carried out with a hermeneutic method where the reading of the corpus focuses on the present gender power structures. The findings of the analysis are that there is both an objectification and a feminization of the character. The characterization includes characteristics appealing to the masculine, but which are excused by the character's past. In addition, the analysis deduces that the character is described as dependent on a man both materially and emotionally. Consequently, the conclusion of the investigation is that the work cannot be said to be a feminist work.
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Hur representeras genus i webbshoppen på klädföretaget I Can I Will? : En kvantitativ och kvalitativ analys med fokus på kroppspositivitet / How does the clothing company I Can I Will represent gender in theironline shop? : A quantitative and qualitative analysis focusing on body positivity.Dettwiler, Mimi January 2023 (has links)
This paper uses a quantitative and qualitative approach to analyze whether the Swedishfitness clothing brand I Can I Will’s representation in their online shop corresponds with theirspoken concept of being a brand for everyone who works out regardless if you are training togain strength, change your looks or just because you enjoy it. The quantitative analysisinvestigates the models length compared to height statistics around the world, and theirclothing size relative to social norms about the ideal body. The qualitative analysis is basedon examining visual signs such as eye contact, body language, posture and fitting of clothing.These components are analyzed through a body positivity and gender perspective, usingtheories about representation, body positivism, the ideal body, gender roles, male gaze,advertising and commodities.Findings suggest that there is a lack of representation of different bodies in I Can I Will’sonline shop. The male models are exclusively tall and muscular and the female models aremostly thin or slim. The few times female representation of a larger size occurred, the modelsstill had the, according to society, ideal body. In the visual analysis, there was nothing thatcould be perceived as norm breaking as all of them are following the social structured genderroles. To summarize, the clothing companies representation does not correspond with itsspoken concept of addressing everybody who wants to train regardless of their looks, it seemslike they only like to address tall and already well-trained men and mostly slim women with abody shape where breasts and hips are wider than their waist.
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Att vara eller inte vara en drömtjej : En kvalitativ analys av filmtropen Manic Pixie Dream Girls egenskaper i en spelkontext. / To be or not to be a Dream Girl : A qualitative analysis of the film trope Manic Pixie Dream Girl’s attributes in a video game context.Tufvesson, Alexandra January 2024 (has links)
This paper is a qualitative study of signs and associations that seemingly communicate the influence of film tropes on female character design in video games. It analyzes and correlates the visual attributes and characteristics of the League of Legends character Zeri with the traditional attributes and trends of the Manic Pixie Dream Girl (MPDG) film trope, and applies theories within women’s representation and gender to examine the results. The findings suggest that Zeris design and description communicates the traditional characteristics of the MPDG such as quirky, energetic, nostalgic, retro, cute and “twee” and that several of these attributes may reflect an idealized portrayal of the female character rooted in fictive stereotypes. Furthermore the paper highlights the complex interaction between design elements and their ability to communicate (possibly unintended) concepts, and the concepts ability to transcend media formats. This paper includes a design documentation after page 25 called "Kalasklister i Djurparken", which is the second part of the final exam project(s) at the Visual Communication program at Malmö University. "Kalasklister i Djurparken" is an image bank that aims to update the marketing of Helsingborg's djur- och lekpark (zoo and playground) in order to appeal more to children.
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