Submitted by Neusa Fagundes (neusa.fagundes@unioeste.br) on 2018-02-21T12:20:24Z No. of bitstreams: 2 Kelley_Stepanha2017.pdf: 2662952 bytes, checksum: 63b00cf9dbe890c2acf11b18a68d3f09 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2018-02-21T12:20:24Z (GMT). No. of bitstreams: 2 Kelley_Stepanha2017.pdf: 2662952 bytes, checksum: 63b00cf9dbe890c2acf11b18a68d3f09 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2017-07-21 / This work is the result of a field research carried out in the Municipal Public Network of Teaching in Cascavel-PR, and aimed to seek theoretical subsidies that help in the reflection about the importance of pedagogical mediation for the learning and development of students with Autism Spectrum Disorder/ASD, as well as to understand the relationship between the teaching appropriation of the concept of Autism and the pedagogical process aiming the development of higher psychological functions. This subject is not considered as the product of a biological causality, but in its totality, as it is, in L. S. Vygotsky's (1896-1934) conception. This perspective allows an educational practice that contributes to the appropriation of culture by people, with or without disabilities, that is, of the systematized knowledge offered in the school. Other authors were invited to the debate, contributing to ratify the possibility of a teaching for all, without restrictions or additions to this or that social group. Through contact with the Municipal Department of Education and the schools of the municipal public network, 43 students with ASD enrolled in the initial years of Elementary School I, were found. For the field research, the teachers of the schools with the highest number of students were interviewed individually, with a total of 31 participants, corresponding to the 16 Teachers of Pedagogical Support (TPS) and the 15 teachers who attend these students in regular classes of teaching. The objective was to investigate how these teachers conceptualize the ASD and to reflect on the pedagogical process involving these students, contributing to deepen questions to be worked on teacher training. The analysis of the researches involving the students' learning process with ASD, developed between 2006-2016, in the Scielo and BDTD databases, is presented, synthesizing and classifying them according to their epistemological roots. Most of them are based on the behaviorist approach (22), three of them from the perspective of historical-cultural theory and one from the Piagetian perspective. We also present a brief synthesis of the conceptions of learning in these psychological currents, reaffirming the educational commitment backed by cultural historical theory. Posteriorly, the concept of ASD is presented and the conceptions of development and learning are taken from the perspective of historical-cultural psychology, which is used to analyze the data collected using Content Analysis (BARDIN, 2011). It was found that about 70% of the main teachers and 33% of the TPS´s teachers present difficulties in understanding the ASD, what hinders them from identifying the limits and the learning possibilities of these students. It is important that the teaching process enables students with and without ASD to appropriate scientific knowledge. To achieve this goal, among other demands, students need to be truly "seen". Otherwise, there is a risk of not meeting their educational needs, generating gaps in the schooling process due to the absence of adequate methodologies for the student to appropriate scientific knowledge for which the school is responsible. / Este trabalho é resultado de uma pesquisa de campo, realizada nas escolas da Rede Pública Municipal de Ensino de Cascavel–PR, e teve como objetivo buscar subsídios teóricos que auxiliem na reflexão acerca da importância da mediação pedagógica para a aprendizagem e o desenvolvimento de alunos com Transtorno do Espectro Autista/TEA, bem como compreender a relação existente entre a apropriação docente do conceito de Autismo e o processo pedagógico objetivando o desenvolvimento das funções psicológicas superiores. Considera-se esse sujeito, não como produto de uma causalidade biológica, mas em sua totalidade, tal como o é, na concepção de L. S. Vygotski (1896-1934). Essa perspectiva corrobora para que a prática educativa se desenvolva de forma que as pessoas, com ou sem deficiência, se apropriem do legado cultural, a saber, do conhecimento sistematizado ofertado na escola. Outros autores contribuíram para ratificar a possibilidade de um ensino para todos, sem restrições ou acréscimos para este ou aquele grupo social. Por meio do contato com a Secretaria Municipal de Educação e as escolas da rede pública municipal, constatou-se 43 alunos com TEA matriculados nos anos iniciais do Ensino Fundamental I. Para a pesquisa de campo, entrevistaram-se individualmente os professores das escolas com maior número de alunos nessas condições, totalizando 31 participantes, que correspondem aos 16 Professores de Apoio Pedagógico (PAP) e aos 15 professores regentes que atendem esses alunos em classe regular de ensino. Objetivou-se investigar como esses professores conceituam o TEA e refletir o processo pedagógico envolvendo esses alunos, contribuindo para aprofundar questões a serem trabalhadas na formação docente. Apresenta-se, inicialmente, a análise das pesquisas envolvendo o processo de escolarização dos alunos com TEA, desenvolvidas entre 2006-2016, nas bases de dados Scielo e BDTD, sintetizando-as e classificando-as conforme suas raízes epistemológicas. Constatou-se que, em sua maioria, fundamentam-se na abordagem behaviorista (22), sendo três na perspectiva da teoria histórico-cultural e uma na perspectiva piagetiana. Apresenta-se, ainda, breve síntese das concepções de aprendizagem nessas correntes psicológicas, reafirmando o compromisso educacional respaldado na teoria Histórico Cultural. Posteriormente apresenta-se o conceito de TEA e retomam-se as concepções de desenvolvimento e aprendizagem, na perspectiva da Psicologia histórico-cultural, referencial para análise dos dados coletados, utilizando a Análise de Conteúdo (BARDIN, 2011). Constatou-se que, cerca de 70% dos professores regentes e 33% dos PAP, apresentam dificuldades em compreender o TEA, o que lhes prejudica identificar os limites e as possibilidades de aprendizagem desses alunos. É importante que o processo de ensino possibilite aos alunos com e sem TEA, a apropriação do conhecimento científico. Para atingir esse objetivo, entre outras demandas, os alunos precisam ser realmente “vistos”. Caso contrário, corre-se o risco de não atender às suas necessidades educacionais especiais, gerando lacunas no processo de escolarização pela ausência de metodologias adequadas para que o aluno se aproprie dos conhecimentos científicos, por cuja aprendizagem a escola é responsável.

Skam förlamar och förminskar. Den fördärvar och fördämmer. Men kan man också utvecklas genom skam? Det tar denna vetenskapliga essä upp på ett tvärvetenskapligt sätt. Som logonom och pedagog har jag uppmärksammat min och mina studenters kommunikation i rummet under påverkan av skam eller i situationer då skam kan uppkomma. En yrkesrelaterad händelse som utlöste ett kraftigt skamtillstånd i mig startade en process som ledde vidare till ett utforskande av två pedagogiska situationer där jag detekterade och förebyggde skam under inlärningssituationerna. I dessa situationer visade sig att kommunikationen bortom orden blev avgörande för om inlärningsprocessen skulle gå vidare på ett konstruktivt sätt. Syftet är att undersöka betydelsen av den ickeverbala kommunikationen i rummet, de kroppsliga och röstliga signalerna, att läsa mellan raderna för att medvetandegöra denna kommunikation hos studenter och pedagoger. I sökandet efter det skamfria rummet fann jag att olika förändringar i min pedagogik kunde förebygga skam för mig och mina studenter och på så sätt kunde skapa en bättre lärandemiljö. Med hjälp av bland annat fenomenologin, Nathanson, Cullberg Weston, Dreyfus & Dreyfus och en förståelse för olika skammekanismers påverkan på det ickeverbala mötet ledde det till en insikt om preventiva åtgärder för att undvika skam och skuld under inlärning. Det går att utvecklas genom skam, den möjliggjorde en förändring för mig som pedagog. / Shame and nonverbal communication in learning processes Shame, dishonour, disgrace. However described, it is often paralysing and diminishing. It is crippling and destructive. But is it possible to develop through shame? This research paper takes an interdisciplinary look at this subject. As an aesthetic voice and speech pedagogue I have observed how shame has affected communication between my students and myself in situations where shame could and/or has occurred. One particular vocational event invoked a powerful sense of shame within me and launched a process which led to the investigation of two pedagogical situations where I detected and prevented shame in the learning process. These situations revealed that communication beyond words were crucial for the learning process to continue in a constructive manner. The purpose of this study is to explore the importance of nonverbal communication, the wordless cues of paralanguage, in body language and voice in the learning process, increasing the awareness of the students and pedagogues to this type of communication. In this quest for a shame free workspace, I found that changes in my pedagogy had the ability to prevent shame for both my students and myself, whilst doing so shaping an improved learning environment. A phenomenological approach by way of Nathanson, Cullberg Weston, Dreyfus & Dreyfus along with an understanding of the different mechanisms of shame and its influence on nonverbal interaction has led to the realisation of the preventive measures that can be taken to avoid shame and guilt in learning situations. It is possible to develop through shame, it enabled a change within myself as a pedagogue.

The aim of this study is to deepen the knowledge about teachers’ attitudes towards aesthetic learning processes and how they, based on their perception of opportunities and obstacles, chose to include aesthetic elements in Swedish teaching.  The study focused on the teachers’ perceptions, which means that the analysis of collected data material has a phenomenographic approach. Semi-structured interviews were used as a method to collect material. Eight active Swedish teachers working in grades 4-6 chose to participate in the study. They participated in individual digital interviews.  The teachers in this study were positive about working with aesthetic learning processes, as it was seen as engaging and knowledge-enhancing for the students. However, the teachers’ own attitudes towards working aesthetically differed between the teachers. Some expressed that they enjoyed working aesthetically, while others felt greater uncertainty and ignorance within certain aesthetic forms of expression. Uncertainty was seen as an obstacle. Other perceived challenges were lack of time, lack of resources, assessment difficulties and that aesthetic activities were not prioritized. The result showed that the teachers would like increased access to resources and requested competence development in the area. The result revealed a connection between teachers’ knowledge of, interest in and application of aesthetic learning processes. / Syftet med denna studie var att fördjupa kunskaperna kring lärares inställning till estetiska lärprocesser samt hur de utifrån sin uppfattning om möjligheter och hinder valde att inkludera estetiska inslag i svenskundervisningen. Undersökningen fokuserade på lärares uppfattningar, vilket betyder att analysen av insamlat datamaterial har en fenomenografisk ansats. För att samla in material användes semistrukturerade intervjuer som metod. Åtta verksamma svensklärare som arbetar i årskurs 4–6 valde att delta i studien och deltagandet skedde genom enskilda digitala intervjuer.  Lärarna i studien var positivt inställda till att arbeta med estetiska lärprocesser, då det sågs som engagerande och kunskapsstärkande för eleverna. Lärarnas egen inställning till att arbeta estetiskt skilde sig dock mellan lärarna. Några uttryckte att de tyckte mycket om att själva arbeta estetiskt medan andra kände större osäkerhet och okunskap inom vissa estetiska uttrycksformer. Osäkerheten sågs som ett hinder. Andra upplevda utmaningar var brist på tid, brist på resurser, bedömningssvårigheter och att estetisk verksamhet inte prioriterades. Resultatet visade att lärarna önskade ökad tillgång till resurser samt efterfrågade kompetensutveckling inom området. I studien framkom ett samband mellan lärarnas kunskap kring, intresse för och tillämpning av estetiska lärprocesser.

Studiens syfte är att undersöka och skapa förståelse kring processerna för hur ledare lär sig vara ledare. Studien har som ambition att undersöka vad ledarna har lärt sig och hur dessa lärprocesser skett i ledarnas vardag. Nio stycken semistrukturerade intervjuer genomfördes med etablerade ledare inom olika branscher. En tematisk analys skildrade hur erfarenheter genom handlande i vardagen tillsammans med reflektion var de främsta processerna som ansetts avgörande för hur ledarna lärt sig vara ledare. Dessutom har villkor som viljan att leda och viljan att lära haft en central roll. Resultatet visade att förmågor som studien tolkar som mer mjuka värden har utvecklats över tid hos ledarna. Ledarna indikerar att personlig mognad, erfarenhet, reflektion och en vilja att lära varit bidragande till deras lärande och utveckling. / The purpose of the study is to investigate and create an understanding of the processes by which leaders learn to be leaders. The study also aims to examine what the leaders have learned and how these learning processes have occurred in the leaders' everyday lives. Nine semi-structured interviews were conducted with established leaders in various industries. A thematic analysis depicted how experiences through actions in everyday life together with reflection were the main processes considered decisive for how the leaders learned to be leaders. In addition, conditions such as the will to lead and the will to learn have played a central role. The result showed that abilities that the study interprets as softer values have developed over time in the leaders. The leaders indicate that personal maturity, experience, reflection and a willingness to learn contributed to their learning and development.

The purpose of this study is to investigate meaning-making in pupils' multimodal narratives that have emerged in aesthetic learning processes. To, with the support of ethnographic methods and theories of narrative and multimodality, study the resources and strategies used by the pupils. The study also examines how teachers and educators make use of aesthetic learning processes and multimodal narrative in practice-based reality. The empirical material is based on four cultural and narrator projects that have been conducted in a collaboration between nine-year compulsory schools and Kulturskolan (School of Culture) in a municipality in northern Sweden. The projects included pupils from the preschool level up to and including 5th grade in the compulsory school level. These projects were monitored for a total of three semesters. The pervading goal in all projects was to stimulate language development and language use with the help of imagination and creativity, where the pupils' own creation was the key focus. The empirical material consists of observations, log book entries and interviews with teachers, educators and pupils, as well as the pupils' own pictures and texts. The results show that the pupils exemplify from the fictional world. Although they do not directly say that they draw inspiration from computer, television and film media, this is made visible in and embodies their narratives. The pupils' multimodal narratives show that they create meaning by mixing fiction with a world recognisable to them, where fictional characters live a life that they can identify with. The meaning-making strategies that emerge in the pupils' narratives are: identification, gender stereotypes, humour, structures from the horror and fairy-tale genres and remediation. In the interviews with the teachers it is noted that the use of narrative has declined in teaching. Reasons cited include a lack of time and the stress of everyday life, as well as the individualisation which has led to a reduction in the collaboration between pupils and thus the use of narrative. The teachers, however, expressed great enthusiasm for providing pupils with the tools to develop different narrative forms, a way to create meaningful contexts for the pupils. / Syftet med studien är att undersöka meningsskapande i elevers multimodala berättelser som har tillkommit i estetiska lärprocesser. Att med stöd av etnografiska metoder och teorier om berättande och multimodalitet studera vilka resurser och strategier eleverna använder. I studien undersöks också hur lärare och pedagoger använder sig av estetiska lärprocesser och multimodalt berättande i den praxisnära verkligheten. Det empiriska materialet bygger på fyra kultur- och berättarprojekt som bedrivits i samarbete mellan grundskolor och Kulturskolan i en kommun i norra Sverige. I projekten deltog elever från förskoleklass till och med årskurs 5 i grundskolan. Projekten följdes under sammanlagt tre terminer. Genomgående mål i samtliga projekt var att stimulera till språkutveckling och språkanvändning med hjälp av fantasi och kreativitet, där elevernas eget skapande stod i centrum. Det empiriska materialet består av observationer, loggboksanteckningar och intervjuer med lärare, pedagoger och elever samt elevernas egna bilder och texter. Resultaten visar att eleverna exemplifierar från fiktionens värld. Även om de inte direkt uttrycker att de hämtar inspiration från dator, tv och filmmediet, synliggörs och konkretiseras det i deras berättelser. Elevernas multimodala berättelser visar att de skapar mening genom att blanda fiktion med en för dem igenkännbar värld, där de fiktiva karaktärerna lever ett liv som de kan identifiera sig med. De meningsskapande strategier som framträder i elevernas berättelser är: identifikation, stereotypa könsmönster, humor, strukturer från skräck- och sagogenren samt remediering. I intervjuerna med lärarna framkommer att berättandet har minskat i undervisningen. Orsaker som lyfts fram är tidsbrist och stress i vardagen, och individualiseringen som medfört att samarbetet mellan eleverna har minskat och därmed också berättandet. Lärarna kände dock en stor entusiasm för att ge eleverna verktyg att utveckla olika berättarformer, ett sätt att skapa meningsfulla sammanhang för eleverna. / Godkänd; 2014; 20141015 (mart); Nedanstående person kommer att disputera för avläggande av filosofie doktorsexamen, Namn: Märtha Andersson Ämne: Svenska med didaktisk inriktning / Swedish and Education Avhandling: Berättandets möjligheter Multimodala berättelser och estetiska lärprocesser Opponent: Professor emerita Lena Kåreland, Litteraturvetenskapliga institutionen, Uppsala universitet Ordförande: Professor Anders Öhman, Institutionen för kultur- och medievetenskaper, Umeå universitet Tid: Fredag den 12 december 2014, kl. 13.00 Plats: D770, Luleå tekniska universitet

This thesis investigates the aesthetic interpretation of learning processes in television produced and broadcast in Sweden between 1956 and 1969. The thesis explores how these programmes are linked to concepts of Bildung by their aesthetics, by which the intangible cultural heritage is entrusted in the form of oral and visual traditions, storytelling and games/play, where learning is the common denominator. The programmes are divided into three categories: aesthetics of attentiveness, aesthetics of tale/storytelling and aesthetics of play. The detailed, thick, descriptions of the programmes emanating from the close-readings shall be, together with the aesthetic categories that I have formulated and expressed in a model, regarded as the survey’s key findings. The starting point of the central theoretical model of the thesis is André Malraux’s idea of an imaginary museum of imagination in which photo reproductions can constitute a collective memory, and thus bepart of an intangible heritage. Based on this idea of ​​an imaginary museum, I have constructed a conceptual model called a medial museum, valid in its own time as well as for posterity. The theoretical models that the study gain support from are characterized by phenomenological and hermeneutical perspectives, as I refer to  a phenomenological-hermeneutical method when analysing the programmes, and at the same time underline the phenomenological-hermeneutically based aesthetics in the analysed programmes, where aesthetic interpretation of learning processes in terms of attentiveness, tale and play is of a phenomenological-hermeneutic character. For a broad perspective on learning processes, theoretical support is acquired both from the German philosopher Hans-Georg Gadamer and his hermeneutic of traditions and from the French philosopher Jacques Rancière and his emancipatory ideas of pedagogy and aesthetics. Furthermore, the French philosopher Paul Ricœur and his thoughts on importance of storytelling for knowledge formation have had significant influence on the work. Regarding the concepts of play, I have made use of both Gadamer’s ideas of ​​art experience as play and of Donald W. Winnicott’s theories about play as transitional area. In the programmes’ aesthetics is found a depiction of a broadened interpretation of Bildung, where processes of learning comprise a direct sensual perceiving, attentiveness, storytelling/tale and play. Moreover, within the programmes’ managing of an intangible cultural heritage, I have found an expression of an interplay between modernity and tradition, with emphasis on the historical significance of the present, and rooting in the past of everyday life, where expectation on the future and the memory of the past can co-exist. To summarise, the study suggests the possibility to understand aesthetics as an epistemology using sensuous experience as basis for a conceptual knowledge about how to understand the world. Thereby, one can comprehend aesthetics as pedagogy per se.

Submitted by Jorge Silva (jorgelmsilva@ufrrj.br) on 2018-11-01T17:34:17Z No. of bitstreams: 1 2013 - Michelle de Andrade Souza Diniz Salles.pdf: 1724285 bytes, checksum: 0c2d93b35fcc3a346de378608aaccdd5 (MD5) / Made available in DSpace on 2018-11-01T17:34:17Z (GMT). No. of bitstreams: 1 2013 - Michelle de Andrade Souza Diniz Salles.pdf: 1724285 bytes, checksum: 0c2d93b35fcc3a346de378608aaccdd5 (MD5) Previous issue date: 2013-07-01 / This is an exploratory qualitative research accomplished at a Higher Education Federal Institution (HEFI), situated in Rio de Janeiro State. It aimed at developing a proposal for public managers? capacity building departing from their managerial learning capacity in order to develop their managerial competency to support a Professional Competencies Management System. Therefore, this research answered: How to develop managerial capacity dedicated to the HEFI real context considering managers emergent learning process at work? Five intermediate goals were also attained: (a) Characterizing the management learning activity in public service; (b) Elucidating the managers? perception about the required competencies for practicing their managerial role; (c) Identifying managerial competencies developed by managers in the exercise of managerial activity; (d) Identifying individual and collective learning processes embedded in managers work, (e) Setting up the managerial development activities. Empirical data collected among 19 managers of the HEFI, through semi-structured individual interviews, were qualitatively analyzed by means of hermeneutic interpretive inductive approach. Empirical results indicates that the managers learning process and managerial competency development occurred through: (a) Self-learning, (b) vicarious learning, c) self-experience, and by solving problems in a trial and error mode (d) Social and collective interactions (e) Formal education (f) Working practice deconstruction; g) Managers? life activities off work. To trigger the development of managerial competencies including the emerging managers learning processes at this HEFI, an institutionalized managerial development project is needed grounded in andragogy pedagogy, this is, specific for adult learning process based on public managers awareness enhancement about the importance of the various ways of learning in the working practice. For instance, encouraging vicarious learning through the presentation of other institutions cases and the collective identification of the required managerial competencies. The managerial development project structure should take into account the need to meet individual managers? development requirement as well as the constraints imposed by the collective election process for being a public manager at this HEFI. Developing managerial competencies should have as structure: a) Evaluation b) learning c) Analysis d) Practice e) Application. Managerial competencies development should follow a continuous learning at work approach, taking into account profile differences concerning the academic and technical managerial positions. / Trata-se de uma pesquisa explorat?ria de natureza qualitativa realizada em uma institui??o federal de ensino superior (IFES), situada no Estado do Rio de Janeiro. O objetivo do estudo foi subsidiar uma capacita??o de gestores p?blicos com vistas a desenvolver compet?ncias gerenciais no escopo da Gest?o de Pessoas por Compet?ncias. Para tanto partiu-se da quest?o como capacitar gestores da UFRRJ nas compet?ncias gerenciais tendo como base a aprendizagem dos gestores no escopo de uma Gest?o de Pessoas por Compet?ncias? e cinco objetivos intermedi?rios foram alcan?ados: (a) Caracterizar a aprendizagem gerencial no servi?o p?blico; (b) Levantar as compet?ncias requeridas dos gestores segundo a percep??o dos mesmos para o exerc?cio da fun??o gerencial; (c) Identificar as compet?ncias gerenciais desenvolvidas pelos gestores no exerc?cio da atividade gerencial; (d) Identificar processos de aprendizagem individual e coletiva presentes no trabalho dos gestores; (e) Propor atividades de capacita??o gerencial para desenvolvimento de compet?ncias gerenciais pertinentes aos gestores da IFES examinada. A coleta de dados emp?ricos foi feita junto a 19 gestores, por meio de entrevistas semiestruturadas conduzidas pessoalmente com cada entrevistado. A an?lise qualitativa dos dados se realizou por meio de abordagem indutiva com interpreta??o hermen?utica. Os resultados emp?ricos indicam que o processo de aprendizagem gerencial ocorre por meio de: a) Auto-aprendizagem; b) Aprendizagem vic?ria; c) Experi?ncia pr?pria, resolvendo problemas e por tentativa e erro; d) Intera??es sociais e coletivas; e) Educa??o formal; f) Desconstru??o de pr?ticas de trabalho; g) Atividades na vida dos gestores fora do trabalho. As compet?ncias foram desenvolvidas por meio destes processos de aprendizagem. Para ativar o desenvolvimento de compet?ncias gerenciais por meio de aprendizagem na IFES recomenda-se a institucionaliza??o de um Programa de capacita??o gerencial, com base na andragogia, ou seja especifica para aprendizagem de adultos, pautada em um processo de sensibiliza??o dos quadros gestores, a ser feita propiciando uma aprendizagem vic?ria por meio da apresenta??o de exemplos de outras institui??es e pela identifica??o coletiva das necessidades dos pr?prios gestores da IFES. A estrutura da capacita??o dever? levar em considera??o a necessidade de atender as demandas de desenvolvimento gerencial assim como as restri??es impostas pelo processo de elei??o colegiada de gestores vigente. Recomenda-se uma capacita??o assim estruturada: a) Avalia??o; b) Aprendizagem; c) An?lise; d) Pr?tica; e) Aplica??o. S?o sugeridas capacita??es gerenciais seguindo a abordagem da capacita??o continuada por n?veis, considerando as diferen?as dos respectivos perfis dos cargos t?cnicos e docentes.

Syftet med det självständiga arbetet var att undersöka hur äventyrspedagogik tillämpas i en Reggio Emilia-inspirerad förskola. Genom att jämföra dessa pedagogiker kan man få syn på likheter och skillnader som motiverar tillämpningens betydelse för barns lärandeprocesser. Undersökningen fick sitt praktiska utförande i en skogsmiljö på en av förskolorna, där två förskollärare hade teoretiska kunskaper inom äventyrspedagogik och Reggio Emilia. Tio pedagoger och en förälder deltog som observatörer i äventyret. Utöver dessa deltog två studenter från förskollärarutbildningen, Stockholms universitet som också är författarna till denna undersökning. Deras observationer och intervjusvar från de två förskollärarna ingår i undersökningen. I äventyret deltog femtiofem sexåringar från fem förskolor inom enheten. Utformningen av äventyret bestod av sju stationer med diverse samarbetsövningar där utmaningarna i övningarna hade olika svårighetsgrader. Barnen skulle utmanas i och få utforska sina frågor i en spännande miljö med hela kroppen. Det framkom att resurser i form av tid för planering, föräldrar och pedagoger ute i äventyret både som observatörer och som säkerhet och trygghet krävdes. Resultatet av vår undersökning visar att tillämpningen av äventyrspedagogik med sin syn på sinnliga samspelsövningar med motoriska inslag och med naturen som stöd, berikar och kompletterar förskolors arbete med barns lärandeprocesser samt Reggio Emilias syn på barns möjligheter till utveckling och lärande. / The purpose of the independent work was to investigate the adventure pedagogy applied in a Reggio Emilia-inspired preschool. By comparing these pedagogies can catch sight of the similarities and differences that justify the application's impact on children's learning processes. The survey received a practical point in a woodland setting on one of the pre-schools, where two preschool teachers had theoretical knowledge in adventure education and Reggio Emilia. Ten teachers and a parent participated as observers in the adventure. In addition to these two students attended from preschool teacher, Stockholm University, who is also the authors of this study. Their observations and interview responses from the two preschool teachers surveyed. The adventure took fifty-six year olds from five kindergartens within the unit. The design of the adventure consisted of seven stations with various team-building exercises where the challenges of the exercises had different difficulty levels. The children were challenged to explore and get their questions in an exciting environment with your whole body. It was revealed that the resources in terms of time for planning, parents, and educators around the adventures both as observers and that safety and security was required. The results of our study show that the application of adventure education with its view of sensuous interplay exercises with motor elements and with nature that support, enrich and complement förskolors work with children's learning processes and the Reggio Emilia approach to children's opportunities to learn and develop. / <p>Sebastian Palm har efter att uppsatsen skrevs bytt efternamn till Denus.</p>

Made available in DSpace on 2016-04-18T21:31:39Z (GMT). No. of bitstreams: 2 Lucia Pereira Pires Cavalsan1.pdf: 1236801 bytes, checksum: d5f9307b2e714907312158ee3d8e536b (MD5) Lucia Pereira Pires Cavalsan2.pdf: 3366088 bytes, checksum: fafe849f7eff1e2654774111d92d1e9d (MD5) Previous issue date: 2008-02-21 / Instituto Presbiteriano Mackenzie / The research has the goal of analyzing the contributions of the television newspaper information in the lesson to establish inter relation among pupils having knowledge of different nature. By the daily use of television newspaper information it was possible to teach-in-context and analyze what television newspaper information may offer to enlarge and make the pupils information be always up to date, regarding local, national and international context. It was also possible to identify and to describe how pupils have utilized those received informations, how they have related them to the subject they have learned in the school and, finally, how they have done to take all those informations to their families. As the research is considered a kind of ex-post-facto research, having a quality nature, we have considered as data source, those answers given by the pupils using questionnaires , with the objective of knowing both the child and his family habit regarding television use. By using both individual and group interviews it has been possible to analyze the project contribution to each one of the pupils and how they have used this experience given by the television newspaper information. Finally using their parent interview results it has been possible to analyze the results of this project in the family day. This subject is of great importance, because it enables the school context to become integrated to the local, national and international informations. It gives the pupils rise both to the research and the interest of getting informations and knowledge which may also be shared with the family, allowing them, both the pupils and their family, to improve their self-esteem each day. Using what Shulman, Shoenfeld, Aebli, Forquin, Freire, Piaget, have told about this subject I have analyzed the school practice of the television newspaper information project through two basic processes as follows: how the teachers learn the teaching-in-context process and the pupils knowledge construction. With this paper, the pupil, the family, the school, the community or the teacher will have better results because, as Piaget has told (2005 p. 15) that what we want to, is that the teacher stops being just a lecturer and makes the pupils be interested in doing research and making better efforts instead of being fulfilled of giving them ready solutions . / A pesquisa objetiva identificar e analisar contribuições do telejornal na sala de aula para o estabelecimento de inter-relações entre conhecimentos de diferentes naturezas dos alunos. Através da utilização do telejornal diariamente foi possível contextualizar os conteúdos pedagógicos e analisar as contribuições que o telejornal pode oferecer para aumentar e atualizar informações dos alunos acerca do contexto local, nacional e internacional. Foi possível também identificar e descrever como os alunos utilizaram as informações recebidas, como as relacionaram com os conteúdos escolares e finalmente como fizeram para que essas informações chegassem até suas famílias. Tratando-se de uma pesquisa ex-post-facto de natureza qualitativa, foram considerados, como fonte de dados, as respostas oferecidas pelos alunos através de questionários com o objetivo de traçar um perfil quanto ao hábito da criança e sua família em relação ao uso da televisão. Através de entrevistas individuais e coletivas com os alunos foi possível analisar as contribuições do projeto para cada aluno e como eles se manifestaram em relação à experiência fornecida pelo telejornal. Por fim, através de entrevista com os pais foi possível analisar as repercussões do projeto no dia-a-dia familiar. Esta temática é de fundamental importância, pois une conteúdos escolares que se tornam contextualizados através das informações local, nacional e internacional. Desperta no aluno o gosto pela pesquisa e o interesse em adquirir informações e conhecimentos que poderão ser, inclusive, compartilhados com os familiares numa reciprocidade de elevação da autoestima. Apoiado em teóricos como Shulman, Shoenfeld, Aebli, Forquin, Freire e Piaget, analiso a prática pedagógica do Projeto Telejornal através de dois processos básicos que são: processos de aprendizagem da docência e a construção de conhecimentos dos alunos. Com este trabalho, aluno, família, escola, comunidade e professor são beneficiados porque como disse Piaget (2005, p.15) ... o que se deseja é que o professor deixe de ser apenas um conferencista e que estimule a pesquisa e o esforço, ao invés de se contentar com a transmissão de soluções já prontas .

Detta kvalitativa forskningsinriktade arbete syftar till att belysa musikskapande i samband med användning av digitala verktyg i fritidshemmets undervisning. Arbetet är grundat i att undersöka det digitala musikskapandets utmaningar och utvecklingsmöjligheter utifrån ett lärarperspektiv. Musik är en viktig del av elevernas uppväxt och utveckling av kunskaper och deras identitet. Fritidshemmet har ett viktigt uppdrag att främja eleverna i sin utveckling i musik med fritidspedagogiska arbetssätt som skiljer sig från skolans musikundervisning. Arbetet är grundat i sociokulturellt lärandeperspektiv, multimodalitet och estetiska lärprocesser. Det sociokulturella perspektivet är ett viktigt verktyg som arbetssätt i fritidshemmets musikaktiviteter. Resultatet är inhämtat genom intervjuer med verksamma lärare i fritidshem med varierad bakgrund inom området. Resultatet visar att lärarna upplever att det är ett viktigt område som borde arbetas mer med. Ett aktivt musikskapande förekommer sällan och sker ofta omedvetet. Brist på kompetens, intresse och brist på verktyg inom området är något som lärarna poängterar är en utmaning. Många lärare upplever att de inte har nog med kompetens att bedriva musikskapandeaktiviteter och framförallt inte digitalt inriktat. Trots utmaningar med området ställer lärarna sig positivt till att utveckla det digitala musikskapandet. De ser flera möjligheter och ger exempel på förändringar för att skapa rätt förutsättningar till att kunna utveckla området. Keywords:  Teacher in extended school teaching, leisure pedagogue, music creation, music, digital tools, learning tablet,  sociocultural perspective, availability, multimodality, aesthetic learning processes