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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

"Självet" och att bli sig "själv" : Sören Kierkegaards process och reflektion sedd med den positivistiska och negativistiska metoden

Gniady, Olga January 2007 (has links)
What is the”self” and to become “one-self”? To resolve this questions possibility I´ve been using the philosopher Søren Kierkegaard metaphysic paradoxes. This essay about the “self” shows the reader the difference between describing a transcendent and immanent phenomenon and if it´s possible to become or to not become ourselves. The process is a key of the “self” which Kierkegaard explains the “self” in and for it-self. This transcendental phenomenon correlates between the dialectical relation it is constituted with and its own reflection, a “self” that becomes. If the “self” was not preceded as a process it would be an imminent “self” like it is described in positivistic methods. The transcendent “self” is the one which could only be captured in the moment and is a relation between two contradictories of three kinds. These three are finiteness and infinites, temporality and eternal, body and soul. The positivistic method is the psychology and theological one. From this method the “self” is account from a view which sees the “self” as a healthy one. This positivistic “self” can only proceed towards sickness. The opposite option, to describe the “self” as a sick one that is proceeding towards health, is a negativistic method. This investigation shows the difference describing a phenomenon as the “self” and to become ourselves, through philosophy and natural science like psychology or theology. To describe the “self” through philosophy is to describe the “self” from and in correlation to its sickness. In this essay to show the differences I´ve described the Kierkegaard’s “self” both in a positivistic and in a negativistic method. Still one can ask if the “self” and the process of becoming ourselves is even a possible. What choices do we have as human beings to choose, either to become or not to become ourselves? In every choice the sickness is present, and in every presence the quilt is a reality. The choice of become ourselves and the choice to not become ourselves includes the possibilities of freedom but also a necessarily. To become ourselves are both possible as necessary. The “self” is a great paradox idea of Kierkegaard, which I have explored. In this investigation I used Kierkegaard´s Fear and Trembling (1844) and Sickness Unto Death (1881). I also used articles by James Collins to show the “self” in a positivistic method and the philosopher Michael Theunissens article about the negativistic method.
2

From Snow White to Frozen : An evaluation of popular gender representation indicators applied to Disney’s princess films / Från Snövit till Frost : En utvärdering av populära könsrepresentations-indikatorer tillämpade på Disneys prinsessfilmer

Nyh, Johan January 2015 (has links)
Simple content analysis methods, such as the Bechdel test and measuring percentage of female talk time or characters, have seen a surge of attention from mainstream media and in social media the last couple of years. Underlying assumptions are generally shared with the gender role socialization model and consequently, an importance is stated, due to a high degree to which impressions from media shape in particular young children’s identification processes. For young girls, the Disney Princesses franchise (with Frozen included) stands out as the number one player commercially as well as in customer awareness. The vertical lineup of Disney princesses spans from the passive and domestic working Snow White in 1937 to independent and super-power wielding princess Elsa in 2013, which makes the line of films an optimal test subject in evaluating above-mentioned simple content analysis methods. As a control, a meta-study has been conducted on previous academic studies on the same range of films. The sampled research, within fields spanning from qualitative content analysis and semiotics to coded content analysis, all come to the same conclusions regarding the general changes over time in representations of female characters. The objective of this thesis is to answer whether or not there is a correlation between these changes and those indicated by the simple content analysis methods, i.e. whether or not the simple popular methods are in general coherence with the more intricate academic methods. / <p>Betyg VG (skala IG-VG)</p>

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