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The Global ETD Search service is a free service for researchers
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 3 of 3 (0.058 seconds)Spelling suggestions: "subject:"postfeminist"" "subject:"postfeminism""
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Representing Bergslagen for tourism – a post-feminist approach : Androcentric representations of the industrial heritage in central SwedenFunk, Minéa January 2018 (has links)
Marketing material used in promotion of industrial heritage sites for tourism creates representations of said cultural heritage. In order to increase the touristic value of the historical industrial sites marketers can create or make a place attractive through careful selection of images and texts. It is believed that simplifying the image can make it comprehensible and thus more attractive to potential visitors. However, simplifying images of heritage can result in creation of stereotypical representations. This research aimed to analyse what representations of the industrial heritage of Bergslagen, in the middle of Sweden, could be found in marketing material of tourism destinations today. Post-feminist theory was applied as a tool for analysis of the content as a contextual and critical perspective in order to interpret what meanings these representations found were conveying. By understanding the data in relation to androcentric discourse and the context of Bergslagen as a patriarchal system representations of continued polarization of gender was found. By conducting a content analysis of three destinations, Långban, Engelsbergs bruk and Axmar Bruk, four dominating themes of their representations in visual and textual promotional material were found. The narratives in the re-imagination and reproduction of the sites and their industrial heritage were also discovered during the analysis. The findings thus indicated that the marketing perpetuated stereotypes of the inherent gender roles that have existed in the past but were accentuated even through the modern mediums. As tourism is a tool for rejuvenation of industrial heritage sites it is important to note that, the need for increasing the attractiveness by consciously or unconsciously deciding which narratives should be told, marketers act as facilitators of generic ideas and impositions. When trying to simplify something as complex as a heritage, meaning can become lost in translation. The representations can become distorted, which they have in Bergslagen, according to the findings of this research. Representations can thus inform us of what is being marginalized. The understanding and interpretations of the representations can therefore become a resource in the marketing the real and genuine heritage.
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Female Friendship Films: A Post-Feminist Examination of Representations of Women in the Fashion IndustryGeloğullari, Gülin 12 1900 (has links)
This thesis focuses on three fashion industry themed female friendship films: Pret-a-Porter/Ready to Wear (1994) by Robert Altman, The Devil Wears Prada (2006) by David Frankel, and The September Issue (2009) by R.J. Cutler. Female interpersonal relationships are complex – women often work to motivate, encourage and transform one another but can just as easily use tactics like intimidation, manipulation, and exploitation in order to save their own jobs and reputations. Through the lens of post-feminist theory, this thesis examines significant female interpersonal relationships in each film to illustrate how femininity is constructed and driven by consumer culture in the fashion industry themed films.
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From Snow White to Frozen : An evaluation of popular gender representation indicators applied to Disney’s princess films / Från Snövit till Frost : En utvärdering av populära könsrepresentations-indikatorer tillämpade på Disneys prinsessfilmerNyh, Johan January 2015 (has links)
Simple content analysis methods, such as the Bechdel test and measuring percentage of female talk time or characters, have seen a surge of attention from mainstream media and in social media the last couple of years. Underlying assumptions are generally shared with the gender role socialization model and consequently, an importance is stated, due to a high degree to which impressions from media shape in particular young children’s identification processes. For young girls, the Disney Princesses franchise (with Frozen included) stands out as the number one player commercially as well as in customer awareness. The vertical lineup of Disney princesses spans from the passive and domestic working Snow White in 1937 to independent and super-power wielding princess Elsa in 2013, which makes the line of films an optimal test subject in evaluating above-mentioned simple content analysis methods. As a control, a meta-study has been conducted on previous academic studies on the same range of films. The sampled research, within fields spanning from qualitative content analysis and semiotics to coded content analysis, all come to the same conclusions regarding the general changes over time in representations of female characters. The objective of this thesis is to answer whether or not there is a correlation between these changes and those indicated by the simple content analysis methods, i.e. whether or not the simple popular methods are in general coherence with the more intricate academic methods. / <p>Betyg VG (skala IG-VG)</p>
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