Global ETD Search

231	Documents of Revolution: Literacy, Translation and Internationalism in the Spanish Civil War Tripathi, Ameya January 2022 (has links) In “Documents of Revolution” I compare various non-fiction prose genres with incipient journalistic media, including scrapbooks, photographs, films and radio poems, to explore the new internationalisms that emerged during the Spanish Civil War. Many studies of the war have prioritized visiting authors and their experience of travelling Spain. By contrast, I show how local critics, writers, and poets, such as the anarchist filmmaker Mateo Santos, the memoirist María Teresa León, and the poet Miguel Hernández, were crucial intermediaries between Spanish working-class oral cultures and foreign visiting authors, such as George Orwell, Nancy Cunard, Langston Hughes and Nicolás Guillén. I describe three modes of relation between intellectual elites and the working class: occupying, broadcasting, and archiving. By reading for the living internationalism of the working-class, I unearth various internationalisms (anarchist, Black Hispanophone, and feminist-humanitarian) that have not received due attention. These overlapping networks and diasporas ensured that the revolutionary and multimedia documentary poetics of the war disseminated far beyond Spain’s borders. Comparative literature Civil War (Spain : 1936-1939) Spanish literature English literature American literature Hernández, Miguel, 1910-1942 León, María Teresa Hughes, Langston, 1902-1967 Cunard, Nancy, 1896-1965 Orwell, George, 1903-1950
232	A Colombian Nun and the Love of God and Neighbour : The Spiritual Path of María de Jesús (1690s-1776) / En Colombiansk Nunna och Kärleken till Gud och till Nästan : María de Jesús (ca 1690-1776) Andliga Väg Cadavid Yani, Helwi Margarita January 2016 (has links) María de Jesús (1690s-1776) was a white-veiled Discalced Carmelite nun of the San José convent in Santa Fe de Bogotá, founded in 1606. She professed in the year 1714, and her spiritual journal was printed in a chronicle about the convent in the 1940s. The aim of this study is to examine the love of God and of neighbour, as expressed in the spiritual journal of María de Jesús. In this study I will proceed from the understanding of love as charity. In Christian thought God Himself is love, and its source. Charity, the third, and greatest, of the theological virtues, is a state of being in and responding to God’s love and favour. This way of loving consists in loving God wholeheartedly and loving our neighbour as ourselves. Included in loving our neighbour are acts related to his or her spiritual benefit and salvation. These are all present themes in María de Jesús’ text, but my aim is to examine how she incorporates these themes in her spiritual testimony by analyzing the imagery she uses, and the affective language in her spiritual journal. I will also seek to understand her way of writing by analyzing her text against the background of the tradition of women’s spiritual writings. Being a Discalced Carmelite, it will also be interesting to discover the Teresian presence in María de Jesus’ text, i.e. the influence of her predecessor and the reformer of the order, Teresa of Ávila (1515- 1582). I suggest that this can be noticed in certain rhetorical techniques. I also aim to examine if there are any similarities and differences in their expressions of love of God and of neighbour. love God neighbor charity affective Discalced Carmelites Barefoot Carmelites spirituality convent nun white-veiled Catholic church mission mysticism mystic Eucharist Communion heart blood imagery metaphor Purgatory salvation soul sacrament vision visions ineffable union rhetoric rhetoric of femininity humility spiritual journal writings path María de Jesús Teresa of Avila Teresian presence Colonial Spanish America Colombia New Granada. kärlek Gud nästan Caritas affektivt språk Oskodda karmeliter Barfota karmeliter andlighet andlig spiritualitet spirituell väg kloster nunna katolsk kyrka mission mystik eukaristi kommunion hjärta blod bildspråk metafor Skärselden Purgatorium själ sakrament vision visioner obeskrivlig förening retorik ödmjukhet andlig dagbok skrifter María de Jesús Teresa av Avila kolonial Amerika Nya Granada.
233	Les philosophes de l'exil républicain espagnol de 1939 : autour de José Bergamín, Juan David García Bacca et María Zambrano (1939-1965) Foehn, Salomé January 2012 (has links) Spanish Republican philosophers in exile defended the Second Republic, legally proclaimed on April 14, 1931. They embraced the anti-fascist cause rising in the 1920s and the 1930s in Europe. During the Civil War, which lasted three years, they stood among the people. 1939 saw the victory of General Francisco Franco, supported by Nazi Germany and the Italy of Mussolini. Threatened with death, they had no choice but to escape from Spain. Some intellectuals experienced French concentration camps but, for the most part, they found refuge in Latin America, especially in Mexico and Venezuela. In exile, they swore to remain loyal to the Second Republic and to the spirit of the Spanish people. Moved by liberal views and humane ideals, these philosophers belonged to the vanquished, as those everywhere in Europe who rose against Fascist barbarity. As a result, their respective works are still widely unknown today – despite relentless efforts made to promote their thought to a larger audience for over half a century. In addition to the historical context of crisis during the interwar period, the situation of Spanish philosophy itself is suggestive. Indeed, Spanish philosophy was institutionalised at the beginning of the twentieth century only: the Schools of Madrid and Barcelona were created. These politics of cultural and intellectual renovation are first bestowed upon the generation of philosophers I study, born in the 1900s. When the Spanish War erupts, they had become professionals of international recognition. This shows the actual limits of academic philosophy, incapable of acknowledging unorthodox ways of philosophising. The experience of exile itself serves in my opinion as a catalyst: Spanish Republican philosophers in exile seek emancipation from academic conventions to philosophise freely; that is, in Spanish and according to the spirit of the people. No doubt “poetic reason” – the true invention of Spanish Republican exile – stems from this ideal of autonomous thinking. 196
234	Tecidos e tessituras: representação do feminino em María Rosa Lojo / Tejidos y tesituras: representación del femenino en María Rosa Lojo / Fabric and tessitures: representation of the feminine in María Rosa Lojo Hernandes, Luciana Carneiro [UNESP] 31 January 2017 (has links) Submitted by LUCIANA CARNEIRO HERNANDES null (lucahernandes@hotmail.com) on 2017-03-31T20:54:59Z No. of bitstreams: 1 TESE LUCIANA CARNEIRO HERNANDES.pdf: 1457768 bytes, checksum: d882a25b5cacf3d2ac61140b4bfa5147 (MD5) / Approved for entry into archive by Juliano Benedito Ferreira (julianoferreira@reitoria.unesp.br) on 2017-04-06T17:20:18Z (GMT) No. of bitstreams: 1 hernandes_lc_dr_arafcl.pdf: 1457768 bytes, checksum: d882a25b5cacf3d2ac61140b4bfa5147 (MD5) / Made available in DSpace on 2017-04-06T17:20:18Z (GMT). No. of bitstreams: 1 hernandes_lc_dr_arafcl.pdf: 1457768 bytes, checksum: d882a25b5cacf3d2ac61140b4bfa5147 (MD5) Previous issue date: 2017-01-31 / Centralizando-se nos relatos de Amores insólitos de nuestra historia (2001, 2011) e nos romances Finesterre (2005), Árbol de família (2010) e Todos éramos hijos (2014), o presente trabalho aborda como María Rosa Lojo articula o conceito de texto com a metáfora do tecido e como esse tecido/texto também está associado à vestimenta, às máscaras e à atuação performática dos personagens em geral, sempre associada ao ato de escrever e ao ato de apropriar-se, em especial no caso das mulheres, ou de outros personagens ex-cêntricos (HUTCHEON, 1991), de seu próprio corpo. A opção pela obra da escritora argentina contemporânea Maria Rosa como corpus desta tese justifica-se pelo painel que traça, em seus livros, da história argentina e pela maneira peculiar como constrói a sua teia narrativa, como elabora o seu bordado. Ao desconstruir mitos fundacionais e questionar a constituição identitária rio-platense, Lojo propõe ressignificar o próprio conceito de humanidade. Envolvendo os leitores, proporciona fruição poética e reflexão profunda. Ao resgatar autoras do século XIX, conta uma nova história da história e possibilita demonstrar como a mulher vai construindo uma forma própria de se colocar na literatura. Portanto, a questão que norteia o presente trabalho é em que medida a autora tece a história da Argentina para recriar-se argentina? Como ela constrói sensorial e sinestesicamente a trama–teia–texto de sua própria argentinidade? Também ela teria sido beneficiária do poder curativo do bordar e do narrar (BENJAMIN, 1994, 1997; GAGNEBIN, 1985), expurgando o sentimento da “exilada-filha” tantas vezes mencionado em entrevistas e artigos (também textos, também teias) e o da loucura, tema anunciado do próximo livro? Como principal suporte teórico da investigação foram utilizados textos de Showalter (1998), Rapucci (2011), Cunha (2004), Schmidt (1995, 2009, 2012) e Bonnici (2007), no que tange a estudos de gênero e autoria feminina; de Esteves (2010, 2011, 2013), Perkowska (2006), Trouche (2006) e Rivas (2004) sobre narrativas de extração histórica; Crespo Buiturón (2008, 2009), Molina (2010), Luesakul (2014) e Marques (2016), a respeito da estética e da autoria lojeana, além de textos críticos da própria escritora. / Focusing on the reports of Amores insólitos de nuestra história (2001, 2011) and the novels Finesterre (2005), Árbol de familia (2010) and Todos éramos hijos (2014), this paper addresses how María Rosa Lojo articulates the concept of text with the metaphor of the fabric and how this fabric/text is also associated with the dress, the masks and the performance of the characters in general always associated with the act of writing and the act of appropriation, especially in the case of women, or other excentric characters (HUTCHEON, 1991), of his/her own body. The option for the work of the contemporary Argentine writer Maria Rosa as a corpus of this thesis is justified by the panel that traces, in her books, the history of Argentina and the peculiar way in which she constructs her narrative web, how she elaborates her chain-stitch.By deconstructing foundational myths and questioning the rioplatense identity constitution, Lojo proposes to re-signify the very concept of humanity. Involving readers, provides poetic enjoyment and deep reflection. By rescuing authors from the nineteenth century, she tells a new history of history and makes it possible to demonstrate how women are building their own way of putting themselves in the literature. Therefore the question that guides this work is to what extent the author weaves the history of Argentina to recreate herself an Argentinian? How does she construct sensory and sinesthetically the webtext-plot of her own argentinity? Had she also been benefited from the curative power of embroidery and narration (BENJAMIN, 1994, 1997; GAGNEBIN, 1985), expunging the feeling of the "exile-child" so often mentioned in interviews and articles (also texts, also webs) and of madness, the theme of the next book announced? As the main theoretical support of the research, texts from Showalter (1998), Rapucci (2011), Cunha (2004), Schmidt (1995, 2009, 2012) and Bonnici (2007) were used in gender studies and female authorship; Esteves (2010, 2011, 2013), Perkowska (2006), Trouche (2006) and Rivas (2004) on historical extraction narratives; Crespo Buiturón (2008, 2009), Molina (2010), Luesakul (2014) and Marques (2016), regarding aesthetics and Lojeana authorship, as well as critical texts by the writer herself. / Centralizándose en los relatos de Amores insólitos de nuestra historia (2001, 2011) y en los romances Finesterre (2005), Árbol de familia (2010) y Todos éramos hijos (2014), el presente estudio aborda cómo María Rosa Lojo articula el concepto de texto con la metáfora de tejido y como ese tejido/texto también se asocia con la vestimenta, con las máscaras y la actuación performativa de los personajes en general, siempre vinculada al acto de escribir y al acto de apropiarse, en especial en el caso de las mujeres, o de otros personajes ex céntricos (HUTCHEON, 1991), de su propio cuerpo. La opción por la obra de la escritora argentina contemporánea María Rosa como corpus de esta tesis se justifica por el panel que describe, en sus libros, de la historia argentina y por la manera peculiar como construye su tela narrativa, como elabora su bordado. Al deconstruir mitos fundacionales y cuestionar la constitución de identidad rioplatense, Lojo propone replantear el propio concepto de humanidad. Envolviendo a los lectores, proporciona disfrute poético y reflexión profunda. Al rescatar autoras del siglo XIX, cuenta una nueva historia de la historia y permite demostrar como la mujer va construyendo una forma propia de colocarse en la literatura. Por lo tanto, la pregunta que guía el presente trabajo es: ¿en qué medida la autora teje la historia de Argentina para recrearse argentina? ¿Cómo ella construye sensorial y sinestésicamente la trama–tela–texto de su propia argentinidad? ¿También ella habría sido beneficiaria del poder curativo de bordar y narrar (BENJAMIN, 1994, 1997; GAGNEBIN, 1985), expurgando el sentimiento de ―exilada-hija‖ tantas veces mencionado en entrevistas y artículos (también textos, también telas) y el de la locura, tema anunciado del próximo libro? Como principal soporte teórico de la investigación fueron utilizados textos de Showalter (1998), Rapucci (2011), Cunha (2004), Schmidt (1995, 2009, 2012) y Bonnici (2007), con respecto a los estudios de género y autoría femenina; de Esteves (2010, 2011, 2013), Perkowska (2006), Trouche (2006) y Rivas (2004) sobre narrativas de extracción histórica; Crespo Buiturón (2008, 2009), Molina (2010), Luesakul (2014) y Marques (2016), con respecto a la estética y a la autoría lojeana, además de textos críticos de la propia escritora. María Rosa Lojo Nação e identidade Literatura de autoria femenina Ficção argentina - Escritoras Nation and identity Female Authorship Literature Argentine fiction – Women writers Nación e identidad Literatura escrita por mujeres Ficción argentina – Escritoras
235	Arqueologia dos sujeitos históricos : usos do passado nos livros de texto de História do Brasil de João Ribeiro e da Colômbia de Jesús María Henao e Gerardo Arrubla: 1900 e 1911 / Archaeology of the historical subjects : uses of the past in Joao Ribeiro's History of Brazil and Gerardo Arrubla and Jesus Maria Henao's History of Colombia text-books. 1900-1911 Alarcon Jimenez, Andres, 1976- 12 December 2013 (has links) Orientador: Pedro Paulo Abreu Funari / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas / Made available in DSpace on 2018-08-24T05:51:16Z (GMT). No. of bitstreams: 1 AlarconJimenez_Andres_D.pdf: 13149870 bytes, checksum: 85f355d552e2c02f6927e054a5fb1d1c (MD5) Previous issue date: 2013 / Resumo: Essa pesquisa em História comparada tem como objeto estudar os livros de História do Brasil, de João Ribeiro, e de História da Colômbia de Gerado Arrubla e Jesús María Henao. Os primeiros foram publicados em 1900 com ocasião das comemorações do Quarto Centenário do Descobrimento do Brasil. Os segundos foram publicados em 1911, pois foram os vencedores de um concurso literário celebrado com ocasião do Primeiro Centenário da Independência da Colômbia. Esses livros foram importantes dentre os primeiros livros de texto de história pátria destinados às escolas primárias e secundárias devido, entre outros motivos, pelo contexto de produção e consumo. Por outro lado, estudam-se esses livros como produto do trabalho e visão de mundo dos seus autores. Com esse fim, em primeira instancia, debate-se a ideia de estudar a escrita da História, na sua cadeia produtiva, como uma tecnologia de si. Em segunda instancia, estudam-se essas Histórias como manufaturas, objetos que são produto do processo de constituição de si dos autores como pessoas, desde crianças. Representam as visões de mundo dos autores: o sujeito histórico é o resultado de como o autor concebeu, desenvolveu e usou os "humanos" e sua cultura material na escrita da Historia. Em terceira instancia, propõe-se a noção de "memória protética", devido a que tanto no caso dos autores como dos usuários, essa classe de livros e essa classe de "história", ambas as tecnologias de recente manufatura, constituir-se-iam uma extensão da memória individual / Abstract: The goal of this research in comparative history is the study of João Ribeiro's "Historia do Brasil" and Gerado Arrubla and Jesús María Henao's "História de Colombia". Ribeiro's books were first published in 1900, as part of the commemorations of Brazil's discovery 400th anniversary. Arrubla and Henao's books were first published in 1911, because they had won a Literary Contest during the celebrations of Colombia's Independence Centennial. These books were important among the first national history text books, for primary and secondary schools because of their production context and use. We study these books as the product of the author¿s work and world-vision. To accomplish our goals, firstly, we debate the writing of History as a part of a chain of production and as a technology of the self. Secondly, we study those histories as manufactures, objects that exist as the result of the author¿s constitutive process as a Human, since childhood. In them, the author materializes his world-visions: the historical subject is the product of the way he developed, conceived and used "human beings" and its material culture in the writing of history. Thirdly, we coin the expression "prosthetic memory" because in the case of both authors and readers, that kind of books and that kind of history, both modern technologies, became an extension of the individual memory / Doutorado / Historia Cultural / Doutor em História Brasil - História - Séc.XIX-XX Colômbia - História - Séc. XIX-XX Brazil - History - 19th-20th century Colombia - History - 19th-20th century
236	Análisis del impacto de la modalidad de contratación de personal en la atención al usuario en el servicio de certificados literales, en las oficinas de los distritos de Surco, San Isidro, San Borja y Jesús María (sede Rebagliati) de la Superintendencia Nacional de los Registros Públicos (SUNARP), Lima 2017 Asmat Marín, Mayra Kelly, Orellana Dextre, Zoila María de los Ángeles, Rodríguez Carrasco, Giannina Victoria, Salazar Espinoza, Karin Milagritos 01 June 2017 (has links) El presente trabajo de tesis tiene como objetivo principal determinar la relación entre las diversas modalidades de contratación de personal en el sector público y su efecto en la atención al usuario final en cuatro sedes de la Superintendencia Nacional de los Registros Públicos – SUNARP: Surco, San Borja, San Isidro y Jesús María. En el primer capítulo, se desarrolla el marco teórico importante para el sustento de la investigación efectuada, tocándose temas sobre la calidad en la atención de servicio al usuario, los regímenes de contratación de personal en el sector público peruano, el servicio de certificados de copias literal de la SUNARP, los indicadores de calidad y; motivación y clima laboral: satisfacción el cliente interno y externo. Luego, en el segundo capítulo, explicamos la metodología de la investigación donde se abordará el método del caso, el contexto, las herramientas e instrumentos que se emplearon para realizar el trabajo de campo en la investigación. En el tercer capítulo, se describe el análisis de datos y resultados obtenidos en la fase de campo. Con respecto, a la herramienta de observación se describe las principales evidencias encontradas en las diferentes oficinas. Además, se menciona las entrevistas sostenidas a los jefes de las oficinas de investigación y tesorero de SUNARP, como también los resultados arrojados de los cajeros encuestados de ambos regímenes y, por último, el resultado de las encuestas aplicadas a los usuarios del servicio de copias literales atendidas en las 4 sedes de investigación de la SUNARP. Los hallazgos de la investigación son mencionados en el cuarto capítulo, donde detallamos los productos no conformes originados por los cajeros según el tipo de modalidad de contrato y la oficina de procedencia; así mismo, se desarrollan las conclusiones y recomendaciones obtenidas de la investigación de campo. Finalmente, en el quinto capítulo, se menciona la bibliografía utilizada para este trabajo de investigación. / The main objective of this thesis is to determine the relationship between the different modalities of hiring personnel in the public sector and their effect on the attention to the final user in four branches of the National Superintendence of Public Registries - SUNARP: Surco, San Borja, San Isidro and Jesús María. In the first chapter, the theoretical framework for the support of the research carried out was developed, touching on topics on the quality of service to the user, personnel recruitment schemes in the Peruvian public sector, literal copies service of the SUNARP, quality indicators and; Motivation and work climate. Then, in the second chapter, we explain the research methodology that addresses the case method, context, and tools and tools used to conduct the research. In the third chapter, the analysis of data and results obtained in the field phase is described. Regarding the observation, the evidence found in the different offices is described. In addition, the interviews with the heads of the research offices and treasurer of SUNARP are mentioned, as well as the results of the cashiers surveyed in both regimes and, finally, the results of the surveys of users of the literal service served in the 4 SUNARP research sites. The findings of the investigation are mentioned in the fourth chapter, where we present the nonconforming products originated by the cashiers, by modality of contract and the office of origin; Likewise, the conclusions and recommendations obtained from the research are developed. Finally, the fifth chapter mentions the bibliography consulted for this research work. / Tesis Selección de personal Contratación Administración de Empresas San Isidro (Lima, Perú : Distrito) San Borja (Lima, Perú : Distrito) Jesús María (Lima, Perú : Distrito)
237	Rum, Rome, and Rebellion: The Reform of Reform in the Political Fiction of the Gilded Age Fernandez, Matthew Joseph January 2022 (has links) "Rum, Rome, and Rebellion: The Reform of Reform in the Political Fiction of the Gilded Age" examines a collection of American political novelists who were active during the mid- to late-nineteenth century. These writers were not only active in politics, they also used their experience in politics to compose realist fiction that typically contained a great deal of humor and satire. Despite their different backgrounds, each of these writers challenged the literary and political conventions of Romanticism, championing ironic detachment and cosmopolitanism. Although fiction about quotidian political life rarely achieves canonical status, such literature has always enjoyed a large readership, both in the nineteenth-century and in our own time. This dissertation attempts to untangle why we find (or don’t find) literature about quotidian political life entertaining and/or instructive, while also providing insight into this transitional period in American history. Each chapter concentrates on the fifty-year period between 1848 and 1898 from a different location, forming what are essentially four cross-sectional samples. This serves two interconnected purposes. One, it reorients the periodization of American literature and history away from 1865 by highlighting cultural continuities between the periods before and after the Civil War And two, it serves to highlight the integration of American literature, culture, and politics, with the broader, nineteenth-century Atlantic world, where the year 1865 carries less cultural significance. The first chapter begins in the nation's capital and examines the anti-populist liberalism of Henry Adams and John Hay. From Washington, we move north to New England where we encounter Henry James’s Bostonians. With the exception of Lionel Trilling, few major critics have championed James’s "middle period," which provides quasi-ethnographic sketches of political movements on both sides of the Atlantic. I reveal James’s long-standing fascination and engagement with the political analyses of Alexis de Tocqueville, Nathaniel Hawthorne, and his friend, Henry Adams. I show how the novel anticipates George Santayana’s notion of "the genteel tradition" which dominated northern American culture during this period. After examining two canonical figures, I turn my attention in a more southerly direction, to two lesser known authors. The first is Maria Ruiz de Burton, a Mexican writer from the Southwestern Borderlands who immigrated to the U.S. after the Mexican-American War. Ruiz de Burton has primarily been read as a proto-Chicana/o author, but I view her as a cosmopolitan whose observations about American culture and politics resemble those of James and Santayana. My last chapter is set in Louisiana, where we encounter and recover an eccentric, Spanish-Creole politician and author named Charles Gayarré and his 1856 novel The School for Politics, a satire of local machine politics. Largely forgotten today, Gayarré was connected to intellectual circles in both Europe and Latin America, and was acquainted with American writers like Herman Melville and Henry Adams. I relate The School for Politics with his later political novels in which anti-imperialism and a pluralistic plea for the tolerance of ethnic minorities also implicitly serve as an apology for racial segregation in the Jim Crow South. American literature History Comparative literature Politics in literature Political satire, American American wit and humor Nineteenth century Melville, Herman, 1819-1891 Tocqueville, Alexis de, 1805-1859 James, Henry, 1843-1916 Adams, Henry, 1838-1918 Hawthorne, Nathaniel, 1804-1864 Santayana, George, 1863-1952 Ruiz de Burton, María Amparo, 1832-1895
238	Sovereignties Displaced: Avant-Garde Prose and Authoritarianism in Spain, Chile, and Argentina (1923-1936) Ryan, William, 0000-0003-1748-469X January 2020 (has links) Whereas contemporary debates in Latin American studies addressing sovereignty often focus on dictatorships and the transitions to democratic governments in Latin America in the late twentieth century, Sovereignties Displaced: Avant-Garde Prose and Authoritarianism in Spain, Chile, and Argentina (1923-1936) adopts a transatlantic framework and directs critical attention to the cultural production of the interwar period. The historical and cultural events preceding and following 1929 are connected to World War I, the political crisis of democratic systems, and the global socioeconomic instability of the period. The three countries studied in the present work would be affected by these conditions, sharing an almost synchronic development of the authoritarian governments of Miguel Primo de Rivera in Spain (1923-1930), of Carlos Ibáñez del Campo in Chile (1927-1931), and José Félix Uriburu in Argentina (1930-1932). Additionally, the rise of authoritarianism and the decay of parliamentary institutions characterizing this epoch condition and inscribe the political essays and avant-garde novels composed by the intellectuals and writers analyzed in this study: from Spain, María Zambrano (1904-1991), Ramón Gómez de la Serna (1888-1963), and Benjamín Jarnés (1888-1949); from Chile, Alberto Edwards Vives (1874-1932), Juan Emar (1893-1964), and Vicente Huidobro (1893-1948); and from Argentina, Ramón Doll (1896-1970), Norah Lange (1905-1972), and Roberto Arlt (1900-1942). It should be noted that while considering national circumstances, my argumentation is divided into sections organized not by country, but rather by subject matter: a methodological and theoretical introduction, three analytical chapters, and concluding remarks. Established critical assessments of the avant-gardes, as offered by experts like Renato Poggioli (1907-1963), have underscored that democratic forms of government would provide the initial conditions of possibility of the historical avant-gardes. Other scholars, however, have recognized the interdependency of early twentieth century artistic discourses, revolutionary ideas, and authoritarianism. Informed by the theorization of sovereignty and democracy of Jacques Derrida (1930-2004), and the concept of community of Roberto Esposito (1950-), my research examines, in political essays and vanguard novels, the opposition of individual vis-à-vis collective forms of rule. The texts of my corpus manifest a recurrent concern relating to the tension between self-rule and collective-rule, a dynamic which organizes and destabilizes avant-garde formations themselves. Consequently, I analyze the philosophical and political ramifications of these authors’ defense, negation, or destabilization of the individual-collective opposition in the context of the deterioration of parliamentarism. In my first chapter, I examine the following essays that represent a range of political positions from the interwar years: Horizonte del liberalismo (1930) by María Zambrano, Liberalismo en la literatura y la política (Con una segunda edición de: “Democracia mal menor”) (1934, n/d) by Ramón Doll, and La fronda aristocrática en Chile (1928) by Alberto Edwards Vives. Framed by the sociological assessments of José Ortega y Gasset in La rebelión de las masas (1930), this chapter considers these essayists’ observations regarding mass politics and the role of political and economic elites. I foreground the ethical problems relating to these authors’ conceptions of the human subject and their concomitant formulations of governance, deriving from various ideological orientations. The essayists’ comparable anxieties regarding the limits of democratic politics reveal the complexities of the period and serve as a springboard for the subsequent chapters that study the politics of avant-garde novels. In my second chapter, shifting from essayistic discourse to vanguard fiction, I analyze philosophical oppositions central to the configuration of sovereignty, and to the theory and practice of democracy. These tensions organize various components of the following novels: Un año (1935) by Juan Emar (pseudonym of Álvaro Yáñez Bianchi), 45 días y 30 marineros (1933) by Norah Lange, and El caballero del hongo gris (1928) by Ramón Gómez de la Serna. I demonstrate that, although these narratives do not contain explicit references to the emergence of authoritarianism and the erosion of parliamentarism of the period, these narratives are structured by problems that have implications for a thinking of issues relating to sovereignty and democracy. These novels similarly present how individuals interact with groups, such that it becomes imperative to consider the political consequences of these relations in order to critique, for example, fraternalistic and nationalistic notions of political filiation. My final chapter studies the narrative presentations of radical political projects that aim to restructure society in Los siete locos (1929) by Roberto Arlt, La próxima (1934) by Vicente Huidobro, and Lo rojo y lo azul (1932) by Benjamín Jarnés. In contrast to the narratives included in the second chapter, these avant-garde novels establish an explicit dialogue with the conditions of crisis of the interwar years. From insurrections and utopian settlements, to revolutionary military revolts, these narrations depict small vanguard groups that propose various plots that seek to radically reshape the social order. Even though poetry is often positioned as the paradigmatic form of vanguard literary expression, my research theorizes the understudied phenomenon of Hispanic avant-garde prose. In particular, I account for the variation among avant-garde novels of the period, by sustaining that there are gradations of vanguard narrative depending on different factors that range from the transparency or opacity of linguistic expression, to the organization of the narrative material. In this sense, some novels considered vanguardist, while approaching a certain radicality in terms of language and form, may incorporate elements of the realist-naturalist novelistic tradition. Likewise, I assert the importance of attending to the varied uses of meta-reflexive procedures in Hispanic vanguard prose. Given their implicit and explicit interaction with contemporary historical conditions and political and artistic discourses of the 1920s and 1930s, I contend that the essays and avant-garde novels analyzed offer a fertile ground to examine the nature of sovereignty, while also presenting, in some crucial instances, potential images of what a democracy worthy of this name could look like. / Spanish Latin American Literature Modern Literature Latin American Studies Argentine Literature: Norah Lange Ramón Doll Roberto Arlt Avant-garde Novels Alberto Edwards Vives Vicente Huidobro Jacques Derrida: Deconstruction Ipseity Sovereignty Democracy Political Essays Spanish Literature: María Zambrano Ramón Gómez de la Serna Benjamín Jarnés José Ortega y Gasset
239	El tratamiento de la relación bilateral entre España y Estados Unidos por el periodismo español durante el periodo 1975-2005 (Los casos de los periódicos, ABC, La Vanguardia y El País) Fernández Álvaro, Alfonso 02 March 2020 (has links) La relación bilateral entre Estados Unidos de América y España durante buena parte del siglo XX, ha estado determinada por la seguridad. La posición geoestratégica de España y su valor de intermediación en Hispanoamérica, de un lado, y el poder económico y militar de Estados Unidos, por otro, provocó un interés recíproco entre ambos países, que iniciaron su relación amistosa a mediados del siglo pasado, y aún perdura de forma continua, aunque ha sufrido diferentes vaivenes que le han conferido cierta inestabilidad. Los medios periodísticos españoles no han evaluado esta relación de la misma forma y esta investigación pretende demostrar que las líneas editoriales de los diferentes medios periodísticos analizados, han incidido de forma directa en la percepción que la opinión pública tenía acerca de esta relación, y de cuál debía ser el papel de España frente a Estados Unidos. Para ello, se han analizado una serie de casos de estudio, en forma de hechos históricos singulares ocurridos entre 1975 y 2005 y que afectaban directamente tanto a España como a Estados Unidos, a través de tres periódicos nacionales con alto nivel de influencia sobre la población española, para determinar cómo los medios influyeron en la opinión pública la opinión pública y cómo ésta influyó en la relación bilateral. Para entender la naturaleza de la relación entre estos dos países, se ha realizado una revisión histórica de la relación hispano norteamericana, a través de los diferentes periodos de Gobierno sucedidos en España durante el periodo seleccionado. Por otro lado, también se ha realizado una sucinta revisión histórica de los tres periódicos que sirven como variables de estudio, ABC, El País, y La Vanguardia, para entender la trayectoria periodística de cada uno y fijar su línea editorial, lo que determinará el tratamiento que cada uno de ellos hará de la información de cada hecho histórico seleccionado. Por último, se presentan las conclusiones del estudio y las tesis a las que llega la investigación y se proponen diferentes líneas de actuación para completar o continuar esta investigación para futuros doctorandos y/o investigadores sociales. España y Estados Unidos Relación bilateral ABC El País La Vanguardia OTAN Sadam Husein Kissinger George W. Bush José María Aznar Felipe González José Luis Rodríguez Zapatero Tormenta del Desierto Libertad Duradera Al Qaeda Terrorismo Atentado Guerra del Golfo Marcha Verde Sáhara Occidental
240	Proceso creativo originado en el taller del escultor Anastasio Martínez Hernández (1874-1933) y su continuación hasta nuestros días Martínez León, María Luisa 17 November 2014 (has links) Síntesis: Desarrolla esta tesis un estudio del escultor Anastasio Martínez Hernández, su taller, su estudio y su labor docente y artística entre 1894 y 1933. Nace en Murcia, estudia en Madrid y su obra se difunde por toda la geografía española y sudamericana. Su repercusión tiene continuidad en numerosas y muy distintas personalidades de artistas, escultores, pintores, arquitectos, que desde 1894 hasta nuestros días, han tenido relación con su obra o su persona, entre ellos cabe destacar a Nicolás Martínez, José Planes, Antonio Garrigós, Clemente Cantos, Anastasio Martínez Valcárcel, Lozano Roca, Dolfo, Blanca Martínez León, Equo6 Arquitectura, Forma, Luz y Color... Objetivos: El objetivo principal de esta tesis es conocer y difundir una parte importante de nuestro patrimonio artístico, especialmente de Murcia. Centrándonos en una recopilación gráfica de la documentación aún existente, referente a la trayectoria artística y la persona del escultor Anastasio Martínez Hernández. Su diversa, amplia y polifacética obra, su ingente labor docente, la constitución de un taller único, sus raíces huertanas y la importancia que llegó a alcanzar en el mundo artístico de su época y el relativo olvido que obtiene actualmente. Su repercusión e influencia en la obra de otros artistas, discípulos directos e indirectos, interesándonos también por la persona. Es decir, un intento de conocer los motivos e influencias que le llevaron a la realización de este tipo de concepciones, la vida que dio lugar a todo este quehacer y a la creación de un taller, que fundó en el centro de Murcia, a espaldas del Teatro Romea en el que tiene lugar una intensa actividad en diversas facetas artísticas y al que tuvieron acceso gran cantidad de artistas, cuya trascendencia nacional e internacional ha quedado reflejada en abundantes obras, revistas y escritos de su época y posteriores. Elementos de la metodología a destacar: Como toda investigación científica, se dedicó un período para establecer el punto de partida y la recopilación de documentación, la mayoría inédita. Posteriormente se centró la búsqueda en las obras a través de diversas fuentes y la consecución de documentos que demostraran la autoría de las obras. Le precedió un trabajo de campo: entrevistas y documentación oral con gente que estuvo relacionada con el escultor o con la documentación, ejecución, conservación o destrucción de alguna de sus obras. Posteriormente se procedió al estudio de su época, del panorama artístico, cultural y social que acontecía a nivel internacional, en España particularmente y de manera específica en Murcia. Finalmente se procedió a la organización de la documentación obtenida con el fin de realizar un análisis de la misma y una profunda reflexión sobre los datos obtenidos para poder desarrollar los objetivos planteados y la obtención de unas conclusiones con las que revisar el grado en que han podido cumplirse o demostrarse los objetivos propuestos inicialmente en la recuperación de la figura de Anastasio Martínez Hernández y su influencia posterior. Resultados logrados:, La aportación de este estudio ha permitido una primera gran recopilación de documentos y testimonios mayoritariamente inéditos, así como el redescubrimiento y revalorización sobre el escultor Anastasio Martínez Hernández, su importancia, su repercusión y la influencia de este sobre otros artistas contemporáneos. Además de su revaloración como artista creador, se ha recogido también la importancia de su estudio-taller como foco de enseñanza y tertulia artística, que supuso una gran influencia en los artistas de su tiempo y posteriormente. Con estos resultados pretenden servir de base para incentivar futuras investigaciones, con nuevos objetivos y sobre otros aspectos que profundicen en la figura polifacética de Anastasio Martínez Hernández. / Martínez León, ML. (2014). Proceso creativo originado en el taller del escultor Anastasio Martínez Hernández (1874-1933) y su continuación hasta nuestros días [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/44228 / TESIS Arte Murcia Escultura Monumental Piedra Bronce Madera Efímera Anastasio Nicolás Hernández Valcárcel Blanca Planes Garrigós Dolfo Clemente Cantos Luisa Natividad León Pintura Arquitectura Restauración Pintor Arquitecto Restaurador Alcantarilla España Escultores Pintores Arquitectos Murcianos Españoles Artistas Plásticos Contemporáneos Siglo XIX Siglo XX Siglo XXI Belchí Contemporánea Fundación Murciana Modernismo Catálogo Obras Anastasio Martínez Pública Monteagudo Cristo Recreative Garden Martínez Historia Creativo Crear Bellas artes Experimentales Upv Valencia Creadora Carrozas Éxito Colosal Importantes Villaescusa Lozano Roca Peñalver Carrion Equo 6 Volumen Forma Luz Color Alejandro Vidrio Cerámica Academias Discípulos Adolfo María Luisa Discípulo Academia Taller Estudio Obra Artesanos Tallistas Talla Importancia Continuación Alumno Aprendiz Talento Genio Oficio Talentos Genios Oficios Carpintero Modelado Modelar Cincelar Descomunal Grandioso Descomunales Grandiosos Colosales Artífice Autor Creador Artífices Autores Creadores Fotógrafo Retratista Retrato Busto Figura Estatua Relieve Figuras Estatuas Relieves Bustos Imaginería Estatuaria DIBUJO ESCULTURA

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