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11	Dos atos confessos aos afetos n?o-ditos: Um olhar sob as m?ltiplas experi?ncias femininas a partir da an?lise dos discursos jur?dicos, jornal?sticos e orais Silva, Edivalma Cristina da 04 November 2009 (has links) Made available in DSpace on 2014-12-17T14:19:52Z (GMT). No. of bitstreams: 1 EdivalmaCS.pdf: 3129142 bytes, checksum: b98d939e7b63fd1e993ea0dc04b9b5cb (MD5) Previous issue date: 2009-11-04 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / Women, subjectiveness, experimentations. This paper walks through gender, sexuality, body and subjectivity, bounding as the focus denaturalize the representations of womanlinessstaff and manliness and the modeled subjectivity by normative discusses that shows the transcendency based on multiplicities of experiences, wishes and life way wattled by men and women from the Caic? City s society in the decades from 1900 to 1945. For this, it was adopted a dialogic methodology inlcluding bibliographic and theorist references as well as sources like articles from Jornal das Mo?as (Lady s Journal); defloration s crime processes, abortion, infanticide and body lesions; iconographic sources and Caic? citizen memories in the period commented. Based on that sources, this work analyze the discursive construction of feminine through Justice and Jornal das Mo?as that paved by sanitarian, normalizing and moralizing discourses has spread clich?s and stereotypes of womanlinessstaff and manliness, which has resulted by to universalize the experiences feminines in polarities and binary oppositions regarding to manliness, it has delineated them as asexual, irrational, anesthesiaed for pleasure and biologically meant to home activities modeling subjectivities that did not create ways for the singularization processes. This polarities, effects of sexual regulatory practices and gender legitimate the representations of courtship, maternity and honor, that although it has been incorporated not passivant on the building of the poor men and women subjectivity, it did not support itself in view of socio-cultural and economic reality of the poorest society side. Therefore, on this work emerge a plurality of women who has transited past the public sphere, who interlaced amorous informal relationships, who has kept relationships before the marriage, who h?s established multiples familiar arrangements and helpful networks, who was single mothers without being considered dishonored women by social groups, who made matrimonial agreements without the rules of a formal civil marriage, who made use of beverageey to provoke the menstruation constituting multiples ways to experiment the life. This subjective feminine experimentations turned it possible to notice that representations concerning about the body, sexuality, date, maternity and honor of this women has constituted itself while molecularies and particulares . It was the affection not commented of the feminine sexuality that turned it possible to analyze the construction of singular subjectivities as a opened process, continuous, active, begetting new lands, life ways and wishes cartographies / Mulheres, subjetividades, experimenta??es. Esse trabalho caminha pela an?lise das rela??es de g?nero, sexualidade, corpo e subjetividades, delimitando como enfoque prec?puo desnaturalizar as representa??es de feminilidade e masculinidade e a subjetividade modelizada pelos discursos normativos, ao mostrar sua transcend?ncia com base na multiplicidade de experi?ncias, desejos e modos de vida entrela?ados por homens e mulheres da sociedade caicoense, entre as d?cadas de 1900 a 1945, em Caic?/RN. Para isso, adotou-se uma metodologia dial?gica entre as refer?ncias bibliogr?ficas, te?ricas e as fontes, as quais se constitu?ram em artigos do Jornal das Mo?as; processos-crime de defloramentos, abortos, infantic?dios e les?es corporais; fontes iconogr?ficas e mem?rias de caicoenses que viveram na cidade de Caic?/RN durante o recorte temporal trabalhado. Por meio dessas fontes, esse trabalho analisa a constru??o discursiva do feminino pela Justi?a e Jornal das Mo?as que centrados nos discursos higienistas e normalizadores difundiram estere?tipos de feminilidade e masculinidade, as quais acabaram por universalizar as experi?ncias femininas em polaridades e oposi??es bin?rias em rela??o ao masculino, delineando-as enquanto assexuadas, irracionais, anestesiadas para o prazer e biologicamente destinadas ao lar, moldando subjetividades que n?o criava sa?das para os processos de singulariza??o. Essas polaridades, efeitos das pr?ticas reguladoras da sexualidade e do g?nero, naturalizaram e legitimaram as representa??es de namoro, maternidade e honra que embora tenham sido incorporados n?o passivamente! por homens e mulheres na constru??o da subjetividade, ainda assim n?o se sustentaram diante da realidade s?cio-cultural e econ?mica das camadas mais populares. Assim, nesse trabalho emerge uma multiplicidade de mulheres que entrela?aram rela??es amorosas informais, mantiveram rela??es pr?-maritais, trabalharam fora de casa, estabeleceram m?ltiplos arranjos familiares e redes de ajuda, foram m?es solteiras sem necessariamente serem consideradas mulheres desonradas pelo seu grupo social, constitu?ram contratos matrimonias sem centrarem-se no casamento civil, utilizaram beberagens para fazer vir ?s regras , constituindo m?ltiplas formas de viv?ncias e experimenta??es. Essas experi?ncias subjetivas femininas possibilitaram perceber que as representa??es acerca do corpo, sexualidade, namoro, maternidade e honra dessas mulheres se constitu?ram enquanto moleculares e particulares. Foram os afetos n?o-ditos das sexualidades femininas que possibilitaram analisar a constru??o de subjetividades singulares como um processo aberto, cont?nuo, ativo, produzindo novos territ?rios, formas de vida e cartografias do desejo Mulheres Subjetividade Corpo Sexualidade. Representa??es de g?neros Gender Representations Sexuality Subjectivities Experiences Women CNPQ::OUTROS::CIENCIAS SOCIAIS
12	A Content Analysis of Public Broadcasting Service Television Programming Harper, Sandra S. 12 1900 (has links) The problem with which this investigation is concerned is the description of the social map that is presented to the viewers of public television. Using content analysis methodology, the study describes how different genders, racial groups, and age groups are being portrayed on PBS programming. The sample consisted of one week of PBS 1984 fall programming broadcast on KERA-TV, the PBS station in Dallas-Ft. Worth, Texas. Research questions addressing proportions of groups, types of roles, length of scenes, occupational variation, conversational behaviors, conflict management modes, and cultural norms were answered. All coding was accomplished by the principal investigator. Upon completion of the coding sub-totals for the variables under study by program types and a grand total for the entire sample were then tabulated. After this extensive content analysis, the report concludes that females are still extremely underrepresented in PBS programming, accounting for only 32.7% of the total participants. Blacks and Hispanics are also underrepresented except in children's programming. Occupational variation for white males is evident for all types of PBS programming. Occupational variation for white females is evident in children's programming and informational/documentary programming. Minorities with delineated occupations are extremely limited in all types of programming except for children's programming. The exchange of information is the major conversational behavior that occurs on PBS programming with minority characters receiving orders considerably more than their white counterparts. Verbal aggression is the conflict management mode chosen most frequently on PBS programming. Explicit messages regarding racial and sexual equality and prosocial behavior occur on PBS programming. Implicit messages such as frequency of appearances, number of major roles, and prevalence of power cues suggest a white male domination of television programming on PBS. The findings of the study reveal that major inroads have been made by women and minorities in children's programming. This comprehensive analysis confirms, however, the virtual exclusion of minorities in major segments of PBS programming. PBS programming gender representations racial representations Public television -- United States. Public Broadcasting Service (U.S.) Television programs -- United States. Minorities on television. Women on television. Older people on television. Youth on television.
13	Gender misbehaving : women in Trinidadian popular music Smith, Hope Munro, 1963- 14 May 2015 (has links) This study examines how gender influences the performance practice of calypso, soca, steel band music, and other related musical genres in contemporary Trinidad. I address the history of these musical genres in this nation, and how they developed into their present form. My study of women in contemporary Trinidadian music examines how popular musicians bring together personal opinion, public persona, and musical structure, to create commentaries upon the contemporary moment (instrumental political agency) as well as emotional bonds with their intended audiences and show that an alternate way of organizing gender representations and inter-gender relations is possible (constitutive political agency). I use a performance based approach to studying various aspects of musical practice within Trinidad, and how this enhances women's agency within the public sphere of popular music, creating new kinds of cultural capital for previously underrepresented members of the population. Many different aspects of Trinidad’s expressive culture are discussed and related to the musical genres discussed therein. Trinidad Carnival, its history and aesthetics, receives particular attention. Performance practice within the musical genres of calypso and soca and the music of the steel orchestra are discussed in detail. Within Trinidad, expressive culture, including popular music, is a strong forum for communicating possible inter-personal and inter-gender relations. Thus, music in the Trinidadian context takes an important place alongside larger political projects and concerns. / text Gender influence Performance practice Calypso Soca Steel band music Trinidadian popular music Women Personal opinion Public persona Musical structure Instrumental political agency Gender representations Inter-gender relations
14	Representações de gênero em meio a uma modernidade seletiva: a imprensa periódica na Paraíba e em Pernambuco nas décadas de 1870 e 1880. / Gender representations in the midst of a selective modernity: the periodic press in Paraíba and Pernambuco in the 1870s and 1880s. OLIVEIRA, Patrícia Barros de. 12 June 2018 (has links) Submitted by Johnny Rodrigues (johnnyrodrigues@ufcg.edu.br) on 2018-06-12T14:24:16Z No. of bitstreams: 1 PATRÍCIA BARROS DE OLIVEIRA - DISSERTAÇÃO PPGH 2016..pdf: 47874945 bytes, checksum: 4572d76ec3b943f1368a1ed35b95d062 (MD5) / Made available in DSpace on 2018-06-12T14:24:16Z (GMT). No. of bitstreams: 1 PATRÍCIA BARROS DE OLIVEIRA - DISSERTAÇÃO PPGH 2016..pdf: 47874945 bytes, checksum: 4572d76ec3b943f1368a1ed35b95d062 (MD5) Previous issue date: 2016-07-06 / Este trabalho trata das representações culturais que registraram as interfaces entre género e modernidade na Parahyba do Norte e em Pernambuco durante as décadas de 70 e 80 do século XIX. Para pensarmos as relações de género mobilizamos a teoria de género de Joan Scott, qual seja a de não polarização dos sexos; também nos valemos do conceito de práticas e representações culturais de Roger Chartier; e de modernidade para Gumbrecht, que a entende no formato de cascatas, cenário no qual múltiplas ideias e conceitos ganham forma sequencialmente, e para Koselleck, que a demarca a partir de mudanças responsáveis por reconfigurar o espaço de experiência e o horizonte de expectativa da sociedade a partir de fins do século XVIII em diante. Dois fatores motivaram a construção da pesquisa: a falta de estudos no campo da História que abordassem a temática no período recortado em relação à Paraíba e a consciência de que a falta de estudos de ambos os gêneros correlacionados contribui para a permanência de uma cultura social que separa os sexos em rígidas fronteiras. Para o desenvolvimento da pesquisa, adotamos a noção de que a formação das identidades de gênero poderia ser adquirida também via contato com produções culturais a exemplo do jornal, suporte para a circulação de imagens relacionadas a formas de ser feminino e masculino por meio de ideias vinculadas à modernidade. Consideramos também que na Paraíba a modernidade configurou-se de maneira seletiva. Isso porque no período em estudo ela tinha por principal característica a multiplicidade de imagens que se tomavam por realidade a partir das escolhas feitas pelos agentes de opinião via imprensa. A década de 70 do século XIX, momento em que ocorrem a emergência do abolicionismo, do Partido Republicano e o fim do padroado no Brasil, ofereceu, sem dúvida, farto conteúdo à imprensa, que também produziu esses eventos, inclusive relacionando-os às questões de gênero e a ideias de modernidade, conforme poderá ser visto nos capítulos que compõem esta dissertação. / This work deals with the cultural representations that recorded the interfaces between gender and modernity in Parahyba do Norte and Pernambuco during the 70s and 80s of the nineteenth century. To think about gender relations mobilized gender theory Joan Scott, which is the non polarization of the sexes; also we make use of the concept of cultural practices and representations of Roger Chartier; and modernity to Gumbrecht, that means in the form of waterfalls, scenario in which multiple ideas and concepts take shape sequentially and Koselleck, that demarcates from changes responsible for reconfiguring the space experience and the horizon of expectation of society from the late eighteenth century onwards. Two factors motivated the construction of the research: the lack of studies in the field of history that addressed the issue in cut period in relation to the Paraíba and the knowledge that the lack of studies of both correlated genres contributes to the permanence of a social culture separates the sexes in rigid boundaries. For the development of research, we have adopted the notion that the formation of gender identities could be acquired also through contact with cultural productions such as the newspaper, support for the circulation of images related to ways of being male and female through related ideas modernity. We also believe that in Paraíba modernity set up selectively. This is because during the study period it had as main characteristic the multiplicity of images that took for reality from the choices made by via press opinion agents. The 70-nineteenth century, a time when the emergence of abolitionism occur, the Republican Party and the end of patronage in Brazil, offered undoubtedly had enough content to the media, which also produced the event, including linking them to issues gender and modernity of ideas, as can be seen in the chapters of this dissertation. História Representações de gênero - imprensa Imprensa periódica - gênero Jornais da Paraíba e Pernambuco Gênero - representação Representações culturais Relações de gênero Parahyba do Norte Modernidade seletiva Imprensa século XIX Gender Genre - representation Gender representations - press
15	From Snow White to Frozen : An evaluation of popular gender representation indicators applied to Disney’s princess films / Från Snövit till Frost : En utvärdering av populära könsrepresentations-indikatorer tillämpade på Disneys prinsessfilmer Nyh, Johan January 2015 (has links) Simple content analysis methods, such as the Bechdel test and measuring percentage of female talk time or characters, have seen a surge of attention from mainstream media and in social media the last couple of years. Underlying assumptions are generally shared with the gender role socialization model and consequently, an importance is stated, due to a high degree to which impressions from media shape in particular young children’s identification processes. For young girls, the Disney Princesses franchise (with Frozen included) stands out as the number one player commercially as well as in customer awareness. The vertical lineup of Disney princesses spans from the passive and domestic working Snow White in 1937 to independent and super-power wielding princess Elsa in 2013, which makes the line of films an optimal test subject in evaluating above-mentioned simple content analysis methods. As a control, a meta-study has been conducted on previous academic studies on the same range of films. The sampled research, within fields spanning from qualitative content analysis and semiotics to coded content analysis, all come to the same conclusions regarding the general changes over time in representations of female characters. The objective of this thesis is to answer whether or not there is a correlation between these changes and those indicated by the simple content analysis methods, i.e. whether or not the simple popular methods are in general coherence with the more intricate academic methods. / <p>Betyg VG (skala IG-VG)</p> Disney princesses Disney princesses gender Bechdel Bechdel test Walt Disney Pixar Frozen children girl culture gender representations talk time talktime gendertimer equality content analysis female feminism feminist gender role socialization model gender role socialization model passive domestic active media post-feminist gender role portrayals key measures popular nature or nurture genes or environment gender differences expressions of gender gender experiments neurological brain plasticity constructivist cultivation theory social cognitive theory quantitative quantitative measures quantitative methods stereotypes stereotype stereotypical women character count biological sex biological gender metrics femininity textual analysis submissive submissive behaviour independence daddy's girl patriarchy patriarchal patriarchal approval wicked women old wicked women wicked witch male masculine masculine characteristics feminine characteristics genders marrying marriage love at first sight empowerment fairy tale fairy tales film movie films movies Mulan Pocahontas Snow White Snow White and the seven dwarfs Cinderella Sleeping Beauty Little Mermaid The Little Mermaid Beauty and the Beast Aladdin Tangled Brave Frozen The Princess and the Frog Merida relationship relationship formation true love true love's kiss sisterhood sisterly Grimm Grimm brothers parental approval matriarchal approval matriarchal matriarchy stereotyping evil queen rate rater rating measure measuring wicked stepmother binary gender gender binarity binary genders gender identities gender identity gender identity formation identity formation animation cell animation the Smurfette principle strong women strong girls girlie positivism positivistic film studies analysis analyses antagonism action coding cultivation effect cultivation effects socialization effect socialization effects coded content analysis simple metrics cognition theory connotations cultivation theory socialization theory depictions of femininity plasticity human brain damsels in distress feminist research inequality gender inequality media studies heroines mass media social media images of women woman as image reading interpretation modern day fairy tales Disney prinsessor Disneyprinsessor Disney-prinsessor kön genus genusvetenskap Bechdel Bechdel test Bechdeltest Bechdeltestet Walt Disney Pixar Frost barn flickor kulturuppväxt representationer skildringar intryck taltid talk time talktime gendertimer jämlikhet innehållsanalys feminin feminism könsroll könsroller socialisering socialiseringsmodellen passiv hushållsarbete aktiv media post-feministisk postfemininstisk nyckeltal populärvetenskaplig populärvetenskapligt naturen uppväxt eller gener gener eller upppväxt uppfostran genetik könsskillnader könsuttryck experiment hjärnan plasticitet konstruktivism kultivationsteori kognitiv teori kvantitativ kvantitativa mått kvantitativa metoder stereotyper stereotyp stereotypisk kvinnnor kvinna kön biologiskt kön mått nyckeltal femininitet textanalys filmanalys kuvad underkastad submissiv oberoende pappas flicka patriarkat patriarkisk patriarkalt godkännande manlig maskulin kön genus äktenskap kärlek vid första ögonkastet saga sagor bröderna Grimm film Mulan Pocahontas Snövit och de sju dvärgarna Askungen Törnrosa Den lilla Sjöjungfrun Skönheten och Odjuret Aladdin Trassel Modig Frost Prinsessan och Grodan Merida förhållanden sann kärlek Grimm matriark matriarkisk patriarkalt godkännande matriarkalt godkännande bedöma betygsätta mått mäta ond styvmor binära kön könsidentitet könsidentiteter animation Smurfan starka kvinnor starka flickor positivistisk positivism filmvetenskap filmstudier antagonism protagonist hjältinna kodning kultivationseffekten socialiseringseffekten socialisationseffekten kodad innehållsanalys förenklade mått kognitiv teori konnotationer konnotera feministisk forskning könsbalans mediastudier mediestudier massmedia social media bilder av kvinnor kvinnan som bild images of women woman as image reading interpretation modern day fairy tales tolkning

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