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41	Deconstruction of the Disney Princess Empire Cheang, I Ian January 2006 (has links) University of Macau / Faculty of Social Sciences and Humanities / Department of Communication 澳門大學 -- 論文 University of Macau -- Dissertations Walt Disney Company Popular culture -- United States Intercultural communication Women in popular culture
42	Working an identity, buying a life: the remains of Disney way of life among ICP alumni Brandão, Mariana da Fonseca 07 October 2013 (has links) Submitted by Mariana Brandão (marianabrandao@globo.com) on 2013-11-14T18:10:52Z No. of bitstreams: 1 DISSERTAÇÃO Brandao Mariana.pdf: 1999924 bytes, checksum: 63a84564210e89a902105c9f3e44489b (MD5) / Approved for entry into archive by ÁUREA CORRÊA DA FONSECA CORRÊA DA FONSECA (aurea.fonseca@fgv.br) on 2013-12-09T17:49:41Z (GMT) No. of bitstreams: 1 DISSERTAÇÃO Brandao Mariana.pdf: 1999924 bytes, checksum: 63a84564210e89a902105c9f3e44489b (MD5) / Approved for entry into archive by Marcia Bacha (marcia.bacha@fgv.br) on 2013-12-12T13:38:49Z (GMT) No. of bitstreams: 1 DISSERTAÇÃO Brandao Mariana.pdf: 1999924 bytes, checksum: 63a84564210e89a902105c9f3e44489b (MD5) / Made available in DSpace on 2013-12-12T13:39:00Z (GMT). No. of bitstreams: 1 DISSERTAÇÃO Brandao Mariana.pdf: 1999924 bytes, checksum: 63a84564210e89a902105c9f3e44489b (MD5) Previous issue date: 2013-10-07 / O Disney International College Program (ICP) é um programa de estágio patrocinado pela Walt Disney Company, destinado a estudantes universitários estrangeiros. Uma vez aceitos no programa, estes jovens viajam para os Estados Unidos durante as férias de verão para trabalhar por três meses no Walt Disney World Resort na Flórida. O ICP tornou-se um programa popular dentre os estudantes universitários brasileiros. Todos os anos, aproximadamente trinta mil jovens candidatam-se para o programa. Contudo, apenas cerca de oitocentos conseguem ser aprovados. Durante o programa esses jovens desenvolvem uma 'identidade Disney' que passará a fazer parte do self deles. O objetivo deste trabalho é explorar o papel ICP na vida dos seus participantes, assim como desvendar seus efeitos na construção do self destes jovens. O presente estudo também procurou avaliar como os participantes conseguem sustentar sua 'identidade Disney', mesmo após deixarem o programa. Para tanto, foi desenvolvido um estudo de caso qualitativo, no qual o caso analisado foi a identidade de participantes do ICP. Após uma breve análise da literatura sobre identidade, consideramos o self como a capacidade do individuo em manter viva uma narrativa particular. Assim, nossos dados foram coletados e analisados por meio do método de análise narrativo. Através deste estudo, descobrimos que a Walt Disney Company realiza um trabalho eficiente em convencer os participantes do ICP que a sua missão e seus valores são muito importantes. Com isso, estes jovens passam a louvar a marca Disney. Também foi observada a existência de uma comunidade de Disney Alumni (pessoas que participaram do ICP) unida por princípios, ideias e consumo. / The Disney International College Program (ICP) is an internship program sponsored by The Walt Disney Company, in which foreign university and college students travel to the United States, to spend their summer vocation working on the Walt Disney World Resort on Florida. The ICP has become very popular among Brazilian university students. Every year, almost thirty thousands of them apply for this program, though only about eight hundred manage to become a cast member. While on the program these youngsters develop a Disney Identity that is joined to their self. This research's goal is to explore the ICP role on the participants` life, showing its effects on these youngsters self-construction. In addition, we have aimed to investigate how ICP Alumni (people who took part of the ICP) manage to sustain their Disney identity, even after leaving the program. In order to meet our goal we have developed a qualitative case study, in which the case studied was the ICP alumni identity. Moreover, through our literature review we have acknowledged that someone’s self lays in the capacity to keep a particular narrative going on. Hence, our data was collected and analyzed through a narrative inquire method. Athwart our study, we have found out that the Walt Disney Company does an efficient job in convincing these youngsters that their mission and values are very important and thus, the ICP alumni become to praise the Disney Company and brand. We have also observed the existence of an actual Disney alumni community bonded by principles, ideas and consumption. Identidade Consumo Walt Disney World Administração de empresas Identidade social Comportamento do consumidor Self (Psicologia) Cultura organizacional Identidade social Comportamento do consumidor Self (Psicologia) Cultura organizacional
43	The Whole Other World of Ashman and Menken: Broadway Conventions in Disney's "Renaissance" Musicals Minelli, Kelli Marie 27 January 2023 (has links) No description available. Music Theater History Film Studies Motion Pictures Disney Renaissance Broadway musical theatre animation film Beauty and the Beast Aladdin The Little Mermaid musicals Howard Ashman Alan Menken Walt Disney Animation Studios voice theatre Times Square Disney
44	The Pleasure in Paradox: The Negotiation Between Agency and Admiration in the Disney Fan Community Butler, Alissa Nicole 20 May 2021 (has links) No description available. American Studies fan fandom Disney participatory hegemony Walt Disney World Disney Company echo chamber angst content creator content creation podcast podcaster vlog vlogger vlogging podcasting anti-fan anti fan
45	Imagineered Imperial Tourism: Disney & US Empire in Hawai'i Rachel E Bonini (8364543) 19 April 2022 (has links) <p> </p> <p>Many viewers—especially those from the continental United States—have praised Disney for such recent actions as casting Pacific Islanders in the animated feature film <em>Moana</em> (2016) and assembling a group of cultural advisors (named the Oceanic Story Trust) to guide the filmmakers’ creative decisions. However, my project contends that Disney continues to play a significant role in the maintenance of settler colonialism in Hawai‘i, despite these seemingly progressive attempts at challenging Hollywood’s whitewashing. In this project, I argue that Disney creates and replicates the structures of settler colonialism in Hawai‘i through a mechanism that I term <em>imagineered imperial tourism</em>. In my formulation, imagineered imperial tourism involves commodifying historical narratives of colonization to serve the Disney brand by “innocently” repackaging them for the purpose of settler tourist consumption. To signal a Disney-specific branding and reproduction of settler colonial tropes and ideologies, I use the term “imagineered”—a play on Disney’s trademarked term <em>Imagineering</em>, which names the work of the creative team tasked with engineering the company’s most innovative devices, built environments, and technologies.</p> <p>Through a sustained study of Disney’s relevant productions—from the feature films <em>Lilo & Stitch</em> (2002) and <em>Moana</em> to its built environments at the Walt Disney World Resort in Orlando, FL, and Aulani, A Disney Resort & Spa in Ko Olina, Hawai‘i—I suggest that over time, Disney has normalized a version of Native Hawaiian people and history in US popular culture that reproduces common settler colonial discourses which have structured popular perceptions of Hawai‘i. The company’s almost century-long history of media production has cemented these discourses into a set of public pedagogies that have been reproduced across generations. Disney’s Pacific Island-themed productions and attractions are rife with tropes of native primitivism and imperialist nostalgia. They also reveal the primacy of the discursive framework of hegemonic multiculturalism vis-à-vis the commodified “spirit of aloha,” a sentiment which is superficially rooted in Native Hawaiian epistemologies and branded as a key selling point by the tourism industry. Furthermore, Disney has actively colonized Hawaiian lands since 2007, capitalizing on the Islands’ exploitative tourist industry while also obscuring longstanding battles over land ownership and denying Native Hawaiians sovereignty over their stolen lands. Ultimately, I suggest that Disney’s ostensibly “innocent” repackaging contributes to the violent erasure of Native Hawaiian history in popular culture. </p> History Ethnic Studies Media Studies Settler colonialism Disney US empire Hawai'i Native Hawaiians TOURISM tourist industry Cultural tourism Settler ideology Decolonization. settler responsibility Critical discourse analysis (CDA) Lilo & Stitch Moana Aulani, A Disney Resort & Spa Walt Disney World Public pedagogy Multiculturalism Aloha spirit Spirit of aloha Cultural Authenticity Hawai'i Tourism Authority Counternarratives Militourism Aloha 'Aina Maunakea Thirty Meter Telescope Stop TMT American Studies Asian American studies
46	From Snow White to Frozen : An evaluation of popular gender representation indicators applied to Disney’s princess films / Från Snövit till Frost : En utvärdering av populära könsrepresentations-indikatorer tillämpade på Disneys prinsessfilmer Nyh, Johan January 2015 (has links) Simple content analysis methods, such as the Bechdel test and measuring percentage of female talk time or characters, have seen a surge of attention from mainstream media and in social media the last couple of years. Underlying assumptions are generally shared with the gender role socialization model and consequently, an importance is stated, due to a high degree to which impressions from media shape in particular young children’s identification processes. For young girls, the Disney Princesses franchise (with Frozen included) stands out as the number one player commercially as well as in customer awareness. The vertical lineup of Disney princesses spans from the passive and domestic working Snow White in 1937 to independent and super-power wielding princess Elsa in 2013, which makes the line of films an optimal test subject in evaluating above-mentioned simple content analysis methods. As a control, a meta-study has been conducted on previous academic studies on the same range of films. The sampled research, within fields spanning from qualitative content analysis and semiotics to coded content analysis, all come to the same conclusions regarding the general changes over time in representations of female characters. The objective of this thesis is to answer whether or not there is a correlation between these changes and those indicated by the simple content analysis methods, i.e. whether or not the simple popular methods are in general coherence with the more intricate academic methods. / <p>Betyg VG (skala IG-VG)</p> Disney princesses Disney princesses gender Bechdel Bechdel test Walt Disney Pixar Frozen children girl culture gender representations talk time talktime gendertimer equality content analysis female feminism feminist gender role socialization model gender role socialization model passive domestic active media post-feminist gender role portrayals key measures popular nature or nurture genes or environment gender differences expressions of gender gender experiments neurological brain plasticity constructivist cultivation theory social cognitive theory quantitative quantitative measures quantitative methods stereotypes stereotype stereotypical women character count biological sex biological gender metrics femininity textual analysis submissive submissive behaviour independence daddy's girl patriarchy patriarchal patriarchal approval wicked women old wicked women wicked witch male masculine masculine characteristics feminine characteristics genders marrying marriage love at first sight empowerment fairy tale fairy tales film movie films movies Mulan Pocahontas Snow White Snow White and the seven dwarfs Cinderella Sleeping Beauty Little Mermaid The Little Mermaid Beauty and the Beast Aladdin Tangled Brave Frozen The Princess and the Frog Merida relationship relationship formation true love true love's kiss sisterhood sisterly Grimm Grimm brothers parental approval matriarchal approval matriarchal matriarchy stereotyping evil queen rate rater rating measure measuring wicked stepmother binary gender gender binarity binary genders gender identities gender identity gender identity formation identity formation animation cell animation the Smurfette principle strong women strong girls girlie positivism positivistic film studies analysis analyses antagonism action coding cultivation effect cultivation effects socialization effect socialization effects coded content analysis simple metrics cognition theory connotations cultivation theory socialization theory depictions of femininity plasticity human brain damsels in distress feminist research inequality gender inequality media studies heroines mass media social media images of women woman as image reading interpretation modern day fairy tales Disney prinsessor Disneyprinsessor Disney-prinsessor kön genus genusvetenskap Bechdel Bechdel test Bechdeltest Bechdeltestet Walt Disney Pixar Frost barn flickor kulturuppväxt representationer skildringar intryck taltid talk time talktime gendertimer jämlikhet innehållsanalys feminin feminism könsroll könsroller socialisering socialiseringsmodellen passiv hushållsarbete aktiv media post-feministisk postfemininstisk nyckeltal populärvetenskaplig populärvetenskapligt naturen uppväxt eller gener gener eller upppväxt uppfostran genetik könsskillnader könsuttryck experiment hjärnan plasticitet konstruktivism kultivationsteori kognitiv teori kvantitativ kvantitativa mått kvantitativa metoder stereotyper stereotyp stereotypisk kvinnnor kvinna kön biologiskt kön mått nyckeltal femininitet textanalys filmanalys kuvad underkastad submissiv oberoende pappas flicka patriarkat patriarkisk patriarkalt godkännande manlig maskulin kön genus äktenskap kärlek vid första ögonkastet saga sagor bröderna Grimm film Mulan Pocahontas Snövit och de sju dvärgarna Askungen Törnrosa Den lilla Sjöjungfrun Skönheten och Odjuret Aladdin Trassel Modig Frost Prinsessan och Grodan Merida förhållanden sann kärlek Grimm matriark matriarkisk patriarkalt godkännande matriarkalt godkännande bedöma betygsätta mått mäta ond styvmor binära kön könsidentitet könsidentiteter animation Smurfan starka kvinnor starka flickor positivistisk positivism filmvetenskap filmstudier antagonism protagonist hjältinna kodning kultivationseffekten socialiseringseffekten socialisationseffekten kodad innehållsanalys förenklade mått kognitiv teori konnotationer konnotera feministisk forskning könsbalans mediastudier mediestudier massmedia social media bilder av kvinnor kvinnan som bild images of women woman as image reading interpretation modern day fairy tales tolkning

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