Global ETD Search

71	Alice’s Vacillation between Childhood and Adolescence in Lewis Carroll’s Alice’s Adventures in Wonderland. Karlsson, Jenny January 2011 (has links) In the novel Alice’s Adventures in Wonderland by Lewis Carroll, Alice, the protagonist, is supposed to be seven years of age. However, the reader can perceive her as older than that and get the impression that she has entered adolescence. Alice vacillates between being a child and striving to act like an adult in her various encounters in Wonderland. In this essay, I will examine Alice’s emotional and intellectual phases in her search for identity, and show the different levels according to developmental theory. Erik Erikson’s, Jean Piaget’s and John Dewey’s research together with other studies form the theoretical framework of this paper. I will demonstrate that while the book does not trace her development as such (i.e. it is not a typical Bildungsroman), it nevertheless highlights a child’s development by juxtaposing different developmental stages. The scientific and realistic functions of developmental theory may at first seem haphazard in the analysis of a literary character in a fantasy world. But, this essay illustrates Carroll’s professional familiarity with his child protagonist through the logic and consistency of his depiction of Alice. Alice’s adventures in Wonderland reflect the child-adult conflict of Alice on her inner quest for identity. To her the first steps into adulthood, ie. adolescence, include not only psychological growth as in maturity but also physical growth; to grow is to grow up. Her dramatic alterations in size in Wonderland cause great turmoil and confusion as she senses an obligation to adapt her behavior. Lewis Carroll knew his child protagonist well. Lewis Carroll Alice in Wonderland Alice childhood adolescence Erik Erikson Jean Piaget child protagonist identity vacillation metacognition adults development grow confusion experiential learning John Dewey Specific Languages Studier av enskilda språk
72	Aprendizagem ativa do estudante : aplicação de project based learning nos cursos de engenharia / Chagas, Joselito Moreira January 2020 (has links) Orientador: Messias Borges Silva / Resumo: O mundo está mudando rapidamente e a maneira como as relações humanas acontecem também estão se alterando como nunca visto. O advento da indústria 4.0 com seus pilares de sustentação mostram que viver nas próximas décadas será completamente disruptivo ao que existe hoje, desde carros movidos a energias renováveis e não poluentes até à transformação da indústria pela demanda em tempo real, desde a necessidade do usuário até a extração da matéria-prima na natureza, reciclado ou não, em um sistema fechado ou aberto. Adaptar-se ao novo e aprender a aprender são as palavras de ordem devido à necessidade de adaptação do indivíduo face às novas profissões que surgem a cada dia e totalmente inovadoras. A proposta desta dissertação é a aplicação da metodologia ativa Aprendizagem Baseada em Projetos com ciclos de pesquisa-ação aplicados em onze salas dos cursos de engenharia mecânica, elétrica e civil durante cinco anos em uma instituição de ensino superior particular paulista. O trabalho remeteu a adaptar e aplicar o modelo ativo em sala de aula, diferente do tradicional, e buscando desenvolver competências e habilidades necessárias à preparação do aluno de engenharia para a nova realidade do mercado de trabalho, que ano após ano tem exigido das instituições uma abordagem para que torne seus egressos mais bem preparados. Neste contexto, o projeto remete ainda a como planejar toda uma disciplina sustentada pela aprendizagem baseada em projetos, como organizar a formação integral do alu... (Resumo completo, clicar acesso eletrônico abaixo) / Abstract: The world is changing rapidly and the way human relationships take place is also changing like never before. The advent of industry 4.0 with its supporting pillars shows that living in the coming decades will be completely disruptive to what exists today, from cars powered by renewable and non-polluting energies to the industry transformation by real-time demand, from user needs to the extraction of raw material in nature, recycled or not, in a closed or open system. Adapting new and learning to learn are watchwords due to the individual's need adapting to new professions appear every day and totally innovative. The purpose of this dissertation is implement active methodology Project Based Learning with action research cycles applied in eleven rooms of mechanical, electrical and construction engineering courses during five years at a private higher education institution in São Paulo state. The work led adapting and applying active model in the classroom, different from traditional one, and seeking for develop competencies and skills necessary to prepare engineering students for new labor market reality, which year after year has required institutions to approach making your graduates better prepared. Also, in this context the project refers how to plan an entire discipline supported by project-based learning, how to organize the student's comprehensive training and how to systematize formative assessment process. The use of active methodologies as tools for this purpose exerc... (Complete abstract click electronic access below) / Mestre Metodologias ativas Aprendizagem ativa. Aluno protagonista Aprendizagem baseada em projetos Desenvolvimento de competências Prática de ensino. Educação baseada na competência. Planejamento educacional. Método de ensino Aprendizagem baseada em problemas. Active methodologies Project Based Learning Skills development Student protagonist
73	Sujeito contemporâneo, conhecimento e barbárie: uma leitura a partir da dialética negativa, de Theodor Adorno Werlang, Julio Cesar 21 August 2015 (has links) Submitted by Silvana Teresinha Dornelles Studzinski (sstudzinski) on 2016-02-15T16:18:53Z No. of bitstreams: 1 Julio Cesar Werlang_.pdf: 939264 bytes, checksum: 631e477d7e6cb17f2a1fcbed748d4faf (MD5) / Made available in DSpace on 2016-02-15T16:18:53Z (GMT). No. of bitstreams: 1 Julio Cesar Werlang_.pdf: 939264 bytes, checksum: 631e477d7e6cb17f2a1fcbed748d4faf (MD5) Previous issue date: 2015-08-21 / Nenhuma / Reflexão crítica sobre o sujeito e a subjetividade no contexto da contemporaneidade a partir do pensamento de Theodor Adorno, especificamente em sua dialética negativa com o foco na questão do conhecimento e bárbárie. O primado do objeto como indicativo de uma nova concepção epistemológica, necessária para abrir asreais possibilidades emancipatórias do sujeito críticono mundo administrado. O sujeito crítico e consciente de suas determinações, limites e possibilidades nas sociedades capitalistas tardias, se apresenta como quem cultiva sua interioridade e individualidade, em contraposição a autoreferencialidade e o individualismo do sujeito liberal, por isso, mantém um olhar contemplativo, reflexivo e resistente na conquista de sua liberdade em meio a falsa liberdade promovida pela indústria cultural, sendo eticamente sensível e solidário às dores e sofrimentos dos outros e da natureza, e assim, se faz artista e protagonista de um novo tempo. / Critical reflection on the subject and subjectivity in the contemporary context from the thought of Theodor Adorno, specifically in its negative dialectic with the focus on the question of knowledge and barbarism. The primacy of the object as indicative of a new epistemological conception, required to open real emancipatory possibilities of the subject in the administered world. The critical and conscious subject of its determinations, limits and possibilities in late capitalist societies, presents itself as one cultivates his inner self and individuality as opposed a self referentialityand the individualism of liberal subject, and maintains a contemplative, reflective and resilient look in winning its freedom in the midst of false freedom promoted by the culture industry, being ethically sensitive and supportive with the pain and suffering of others and of nature, and thus becomes an artist and protagonist of a new time. ACCNPQ::Ciências Humanas::Filosofia Adorno Dialética negativa Sujeito liberal e sujeito crítico Subjetividade Primado do objeto Conhecimento e barbárie Experiência emancipação Interioridade e individualidade Particular e universal Sensibilidade ética Olhar meditativo Reflexivo e resistente Artista e protagonista Negative dialectic Liberal and critical subject Primacy of the object Subjectivity Knowledge and barbarism Emancipation Inner self and individuality Contemplative Reflective and resilient look Ethically sensitive Artist and protagonist
74	The Art Of The Walk Cycle : Animating Emotions with Artistic Expression Ghazali, Rania January 2024 (has links) This exploration delves into the potential of emotional storytelling through walk cycles. Moving beyond traditional animation, it utilizes the expressive power of modern tools to explore how line, shape, stroke weight, color, texture, and sound can be manipulated to create abstract narratives that evoke deeper emotional experience for the viewer. Drawing on a foundation of psychological principles, scientific research, and relevant articles, the walk cycles become abstract narratives, provoking introspection and emotional connection. The subjective nature of this artistic language is acknowledged, with cultural backgrounds and personal experiences influencing interpretation. The exploration raises questions about the potential for a universal language of emotion in animation, one that speaks not just to the mind, but to the heart. This ongoing journey of discovery aims to observe how viewers connect with these abstract representations and explore the potential for this approach to elevate the art of animation. Animation walkcycle media film framebyframe digitalanimation traditionalanimation technicalanimation animationprinciples artisticexploration strokes textures sounds colors psychologyofcolors psychologyoflines keyframes emotionalnarrative immersive immersivestorytelling storytelling visualstorytelling emotionalfilm emtionsinwalks emotionsinpostures visualcommunication anger sadness depression joy happiness denial neutral aftereffects toonboomharmony tvpaint modernanimation abstract abstractanimation expressiveanimation emotionalexpression emotionalnarrative stylize stylizeanimation protagonist characterdesign quirkyideas womananimation animatedwoman womanemotions walkingwoman womanwalkcycle stories emotionallanguage nonverbalcommunication animatedfeeling feelings walks stride gait posture artisticexpression conveyemotions conveyfeelings theartofanimation universallanguage emotioninanimation moderntools abstractnarratives emotionalexperience Arts Konst Studies on Film Filmvetenskap Media Studies Medievetenskap Media and Communications Medie- och kommunikationsvetenskap
75	In Real Life (Or Elsewhere) : om kreativa processer och parallella verkligheter i dokumentärfilm Nevanti, Kirsi January 2017 (has links) Reality isn’t what it appears to be. Contexts are not always clear and visible. People don’t always say what they really mean. And they don’t always mean what they say. When life is your stage manager, anything can happen. I often say, life is hard, my head is harder. Making documentaries is not for the faint-hearted.This PhD project explores creative processes and parallel realities in documentary film, and discusses and conceptualizes the artistic practice of documentary filmmaking. The project consists in part of artistic works and essays that are critical reflections on the creative process and how that process can be conceptualized. The cinematic centerpiece of the thesis is entitled Images and the Worlds of Being (2011–2016). Previous subprojects are A Shift Between Worlds (2013–2015) and an essay book entitled In Real Life (or Elsewhere) (2013). Between 2013 and 2017, more essays were written, some of them translated to English. All the Swedish essays are available in PDF format. All of the works in the PhD project explore creative processes and parallel realities in two different ways: A Shift Between Worlds (2013–2015) explores identity and parallel realities in the gendered world. These works are based on two workshops led by Diane Torr, “Man for a Day” and “Woman for a Day.” They resulted in several component works, including two video essays, two audio works and two large-format photographic works, the latter in collaboration with photographer Johan Bergmark, as well as a short commentary film entitled Diane Speaks Out (2016). Images and the Worlds of Being (2011–2016) – a VR Classic Style film – explores what happens when documentary images are shown on four screens forming the walls of a room. This work also focuses on the view through the camera lens through which the filmmaker meets the world, in a hypnotic tapestry of parallel realities in a tenderly portrayed, runaway present. A sort of logical reasoning about the illogic of our era, in search of elusive reality (to paraphrase Jean Baudrillard) – the presence in the act of seeing. An experiment in the forms of visual knowledge, outside the traditional display windows. Shooting location: The World. ethics documentary film situational understanding authenticity reality parallel realities creative processes know thyself Images and the Worlds of Being A Shift Between Worlds director film team world in real life (or elsewhere) IRL VR Virtual Reality AR Augmented Reality life as stage manager reflections on space journey snippet of time interpretation of reality protagonist cinema cinematic means universe imagination artistic research presence of the camera existence the act of seeing visual knowledge intuition practical knowledge communication fictional gender bending identity visual art vantage point unreality art vision photography cinematography sound design editing directing life science Arts Konst
76	From Snow White to Frozen : An evaluation of popular gender representation indicators applied to Disney’s princess films / Från Snövit till Frost : En utvärdering av populära könsrepresentations-indikatorer tillämpade på Disneys prinsessfilmer Nyh, Johan January 2015 (has links) Simple content analysis methods, such as the Bechdel test and measuring percentage of female talk time or characters, have seen a surge of attention from mainstream media and in social media the last couple of years. Underlying assumptions are generally shared with the gender role socialization model and consequently, an importance is stated, due to a high degree to which impressions from media shape in particular young children’s identification processes. For young girls, the Disney Princesses franchise (with Frozen included) stands out as the number one player commercially as well as in customer awareness. The vertical lineup of Disney princesses spans from the passive and domestic working Snow White in 1937 to independent and super-power wielding princess Elsa in 2013, which makes the line of films an optimal test subject in evaluating above-mentioned simple content analysis methods. As a control, a meta-study has been conducted on previous academic studies on the same range of films. The sampled research, within fields spanning from qualitative content analysis and semiotics to coded content analysis, all come to the same conclusions regarding the general changes over time in representations of female characters. The objective of this thesis is to answer whether or not there is a correlation between these changes and those indicated by the simple content analysis methods, i.e. whether or not the simple popular methods are in general coherence with the more intricate academic methods. / <p>Betyg VG (skala IG-VG)</p> Disney princesses Disney princesses gender Bechdel Bechdel test Walt Disney Pixar Frozen children girl culture gender representations talk time talktime gendertimer equality content analysis female feminism feminist gender role socialization model gender role socialization model passive domestic active media post-feminist gender role portrayals key measures popular nature or nurture genes or environment gender differences expressions of gender gender experiments neurological brain plasticity constructivist cultivation theory social cognitive theory quantitative quantitative measures quantitative methods stereotypes stereotype stereotypical women character count biological sex biological gender metrics femininity textual analysis submissive submissive behaviour independence daddy's girl patriarchy patriarchal patriarchal approval wicked women old wicked women wicked witch male masculine masculine characteristics feminine characteristics genders marrying marriage love at first sight empowerment fairy tale fairy tales film movie films movies Mulan Pocahontas Snow White Snow White and the seven dwarfs Cinderella Sleeping Beauty Little Mermaid The Little Mermaid Beauty and the Beast Aladdin Tangled Brave Frozen The Princess and the Frog Merida relationship relationship formation true love true love's kiss sisterhood sisterly Grimm Grimm brothers parental approval matriarchal approval matriarchal matriarchy stereotyping evil queen rate rater rating measure measuring wicked stepmother binary gender gender binarity binary genders gender identities gender identity gender identity formation identity formation animation cell animation the Smurfette principle strong women strong girls girlie positivism positivistic film studies analysis analyses antagonism action coding cultivation effect cultivation effects socialization effect socialization effects coded content analysis simple metrics cognition theory connotations cultivation theory socialization theory depictions of femininity plasticity human brain damsels in distress feminist research inequality gender inequality media studies heroines mass media social media images of women woman as image reading interpretation modern day fairy tales Disney prinsessor Disneyprinsessor Disney-prinsessor kön genus genusvetenskap Bechdel Bechdel test Bechdeltest Bechdeltestet Walt Disney Pixar Frost barn flickor kulturuppväxt representationer skildringar intryck taltid talk time talktime gendertimer jämlikhet innehållsanalys feminin feminism könsroll könsroller socialisering socialiseringsmodellen passiv hushållsarbete aktiv media post-feministisk postfemininstisk nyckeltal populärvetenskaplig populärvetenskapligt naturen uppväxt eller gener gener eller upppväxt uppfostran genetik könsskillnader könsuttryck experiment hjärnan plasticitet konstruktivism kultivationsteori kognitiv teori kvantitativ kvantitativa mått kvantitativa metoder stereotyper stereotyp stereotypisk kvinnnor kvinna kön biologiskt kön mått nyckeltal femininitet textanalys filmanalys kuvad underkastad submissiv oberoende pappas flicka patriarkat patriarkisk patriarkalt godkännande manlig maskulin kön genus äktenskap kärlek vid första ögonkastet saga sagor bröderna Grimm film Mulan Pocahontas Snövit och de sju dvärgarna Askungen Törnrosa Den lilla Sjöjungfrun Skönheten och Odjuret Aladdin Trassel Modig Frost Prinsessan och Grodan Merida förhållanden sann kärlek Grimm matriark matriarkisk patriarkalt godkännande matriarkalt godkännande bedöma betygsätta mått mäta ond styvmor binära kön könsidentitet könsidentiteter animation Smurfan starka kvinnor starka flickor positivistisk positivism filmvetenskap filmstudier antagonism protagonist hjältinna kodning kultivationseffekten socialiseringseffekten socialisationseffekten kodad innehållsanalys förenklade mått kognitiv teori konnotationer konnotera feministisk forskning könsbalans mediastudier mediestudier massmedia social media bilder av kvinnor kvinnan som bild images of women woman as image reading interpretation modern day fairy tales tolkning

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